that's socialism yes from social cinema. eh, about something eternal. hmm, this is a manner of few who tend to, and it cannot be said that he has some kind of school. by the way, he is a very simple person, not at all. hmm, but he travels to festivals. yes, sometimes without even being invited to these festivals. well, because what festival can afford to show films that go on for 8 hours. yes, but he can come, as just an independent figure to settle with film critics in the same room or in the same room and, er, when you go with this person is just drinking coffee, and looking at him you understand that you have a genius in front of you. this gives rise to a very strange feeling of his work, but the life of ordinary filipinos, but his strangeness and most importantly, his peculiarity lies in the fact that his first films, but were anti-commercial, that is,

those people who watch his current films, which go about somewhere around 4 o'clock. you say that uh, here's the woman who left, oh, who we'll talk about this is a short film, because his first pictures, and last seven eight nine o'clock. this, in principle , is not something special in the cinema; experimenters put on films that ran for 40 hours, but diaz's standard catch was that his film was somewhere more than 7 hours. moreover, he started in general as an author, filming with his own money for a penny a movie that he wanted to make, not assuming that it would ever be shown in the hall or on television? it is clear that and its producers. didn't want to release these

pictures at all. to make films where he is usually a screenwriter, director, editor and cameraman. and he didn't need to. big team. but uh, the genius of this man was so high that, uh, over time, of course, he also had commercial offers. mm. and he made friends, of course, with the producers, but the important point is that in order to start working, he went. well , so did many, in principle, er, great artists of all er, tricks related to getting some money he worked there. watchman, he worked as a waiter. he was who he was and his most famous film, the story of a filipino family. he filmed

11 years, he goes 9 hours. and this is just a movie e where mm there are no professional actors. it's just such a hmm sketch of life, but , nevertheless, dramatic, but the film, which will be discussed, received the main prize of the venice film festival in 2016, bringing lav-des to the international arena by making it. well more or less famous and this gave impetus to his cinematography. uh, well, i got some kind of commercial after all, component, he began to make shorter films.

here is a woman who left filmed based on the story of leo tolstoy this film ends a little differently, but hmm, the point, of course, is that a person who spent half his life in prison for another person changes in all respects a woman who left, uh, lasts 3 hours 48 minutes. this is

a short film for lav-desa. but during this time we live this story practically, not for a second. not uh, bored, because uh, well, it's hard to explain, but the fact is that lovedez immerses the viewer into the atmosphere of life, which we, in general, have never experienced on ourselves. this is a special one. here is the world especially the world of these characters. yes, it must be said here that mm lavdis shoots on black and white film, and this is due not only to the fact that he does not have enough money for color film. and because he shoots, uh, already on a digital camera, but also because this, of course, is a technique, what is it about in this film, a simple filipino woman named horace. uh goes to jail for 30 years for a crime that

she did not commit, but she was set up by a former lover, but before her death. uh, the real killer writes a letter of repentance, and the police finds out. well, that's how it was, when she goes free, she realizes that and life behind bars was much fairer than what she sees now, she encounters people who, well, possessed by some passions, but also appear in the film such bright iconic characters. she meets a rather abnormal patient. the cat, which is called all the surrounding demons. she meets the poor dealer in a-a currency, it's those duck eggs that have formed a fetus, and, uh, actually the whole movie, what

about how she tries to find her abuser. i take revenge on him, while it turns out that her son went missing her daughter, who has not visited her for 30 years, but does not want to communicate with her, and in general, this is an immersion in such a dante hell, and she goes around the circles of this given hell for in order to, uh, at the end find some cleansing to watch this kind of movie for more than 3 hours. hmm, it's pretty hard, but if 50 years ago, they saw such a company back there, they just saw it in the form. there two-episode movie, but besides the fact that, uh, there is also no hmm music and there are no cuts, the frame can last 10 minutes 8 minutes for people who are not used to such a m-m uh turn for people

who are used to the consciousness of the clip there are massive questions . that's what it's for , and it's obvious that lovedez makes films for himself, not for the audience. he shoots such pictures, simply expressing with the help of the camera his attitude towards reality to him. this is cool. it is possible with the help, by the way, to say, again, not professional actors, although the main role. the charles santon is playing here. sconse is, well, a famous filipino actress. she needs to show that such a life, she was conserved in her own. well, here's your own juice. there can't be a happinda. this is a life that just overtook us, which overturned on us, and the director does not

try to teach us anything, just to tell, the way he would see it. well, leo tolstoy, let's say it's quite difficult to watch films that go on for so long without having any special twists. turns and so on. but hmm , the cinematography of this is artificiality, but this here is the deliberateness of this black and white complexly built. ah, the internal plot and frame puts lavdes with his cinematography right here as a separate pillar of the world's author's cinema, lovedies. uh, it's a special phenomenon in philippine cinema. no one manages to make such long films. and you can say that hmm philippines hmm as such an exotic cinematic power, this is a surprise for world cinema and one of

main characters. e of this country, er, in culture, and in general is lavde, he is like that. well, when we talk about the philippines, this is the first name that appears, and in our memory and it is very honorable, because, well, it's easy to become, uh, a laureate, there, of the venice festival for some film. it's like getting the nobel prize, i don't know, because it's a very prestigious award , but especially for a person who, in general, is engaged in cinema with his own money, what is called and since in the philippines it is true, and poverty associated with crime. mm. for a very, very long time, some kind of cultural background determined, and the appearance of a lav-desa hmm such an exotic

creature that does not just talk about how a crime is committed, but literally by the minute describes, uh, everything that precedes or everything that follows this crime, this one follows, and the theme of the hour. mi, a tries to make sense of this, of course, causes deep respect, because he just steps back a whole step from the usual view of these problems. well, because we know that, well, the way it's usually described. hmm and that sort of thing they describe the dichotomy of good and evil. yes, here are the villains , here are the criminals. and here, here, it means there fighters with them there gangsters and the police something like that in lavdes is completely different, he has no division into good and bad.

well, as a rule, a and no, in general. hmm, there is a link to whether it is good or bad everything that is connected with the murders with these. here is the cruelty and the nightmare that happens there, but just such a look, the viewer is invited to feel this textile. see her understand what 's going on here and why? ah, because, well, there is no exact answer to uh, these things. e always arises from that side from the other side of the argument, and the usual view of what is good and what is bad, but changes depending on which side we stand on people. and often they are confused, they don’t know how to relate to this or that event, and lavdez precisely because it takes so long to show all this for so long to take it all off that he does not get up.

on neither side, he does not but explains what is good, what is bad. he's just watching with this and at the same time, he does not show with a panchik, and from above he does not teach anyone. he doesn't give any e permission. by the way, leo nikolayevich tolstoy also believed that. uh, your story hmm block, really see. yes, not soon, he will say at the best in his work that there are no bad and good people who served for another for many, many years and forgave him, he is not good. he just put such circumstances. he he cleared a nimble very characteristically similar look, by the way. of course, russian literature and especially dostoevsky ah. in his other works too is, well, a source of inspiration. he also makes films that refer us to crime

and punishment and, uh, not only great russian literature, but also cinema, of course, is for lav-des, but an example, and he is a big fan of tarkovsky. by the way, he has been to our country. if you watch his films, and then, of course, you will definitely see a roll call with uh russian. uh, a movie with a movie in black and white, which was also with us. well, it’s clear that there is no russian cinema at all. hmm. uh, such directors, uh such exotic countries and exotic cinematography as the philippine simply cannot exist, but because, and they simply rebuild from the big hollywood and rather, of course, gravitate towards mm. there to neorealism to, uh, a new wave or, uh, the cinema of tarkovsky or herman you

had a podcast exotica my name is igor gritsky see you again. and we will continue to explore the cinema of exotic countries with you. good night friends. this is a podcast of jokes for everyone who does not sleep again. good night. yes wait, and i'm right the camera is mine, that's all. i'm just here these here this light necessarily. i seem to know that a plane is landing on me, as if you know kamaz is definitely coming. that is, you are not my question. you work for someone. okay, let's start again. this is

a podcast of jokes. me: well, i'm glad that some people suffer from insomnia in a good way. and this time will be spent with us. i have wonderful guests in my studio, connoisseurs, lovers of the keepers of jokes, people who know how to tell them, and i will be happy to introduce them to you this is michael the policeman. an actor, a singer , a composer, not a singer, you just know, lately there have been a lot of different hypostases for different people. that is, as if you forget to name there some very important definition that he is still a blogger at that moment, for example, and that’s all. people then get offended. well, i hope you don't carry no. and i also like it when they say, there, uh, an actor. e, tv presenter winner of the crystal drop award.

well, you see, now we will start listing galaxy with us. i want to start a conversation. you know what is it, in the current realities, they still talk, yes, well, a joke, what is it? yes. this is somehow not fashionable. moreover, it is old-fashioned. that is. well, they say some are not just young people and girls, but some are right up to the skeptics of the present time. well done, he says, do you want a joke. do you want a joke? that is, it became just a joke, just a joke, but such a short, uh , joke like a meme, you know, well, yesterday there or or do you want a joke opens and reads to you with the help of a gadget in our childhood. you remember gadgets. it was an appeal, uh, to a person who carries you yourself such a completely different meaning, and my daughters do it differently. they don't tell jokes, they talk. dad, look,

cool, yes, well, yes, read something to tell to play. maybe this reflects, as it were, the reality in the sense that, in particular, the youth. yes, she stops communicating with each other earlier. to be honest, let's say, well, my childhood is there . youth is there further e in the yard. yes, when everyone was going it was like, uh, not that cool, as now, he says, the youth was generally, well, it's cool to tell a joke vying with each other. yes, i'm not. listen, i'm tired. yes, i knew everyone there, everyone knew how to tell, and this was a means of understanding memory, you know, how they loved for free and counted in their minds. here is the generation, that is, the girl had to be impressed. you were not supposed to read from the phone, but to tell about the memory from the heart, that is, to prove yourself, and now, just about the girl, to impress. two options as far as i remember

this is when you know how to play at least a few songs on the guitar, that is, there in the company. yes bravo band i played the guitar in the yard. i told you about it. i'm dubrava , everything from the beatles, daeva, our polish heroes then were really like that, that is, well, the guitar, that is, you don't know how to play. goodbye, but i know jokes. and then, in principle, there would still be such an option , in sports there were guys who, uh , stretched or something from brusalim, could portray it already, yes, but basically at all times i’ll say this more all the most the best, if you get them to answer all the best performers, whether it be classical music or frank the senator, for example, or carusa. it's not exactly the greatest vocalist. this is the greatest storyteller, because the song it's like you, what you wanted to tell, here you know how to tell. that’s it,

listen, you don’t know how to tell the perfect solfeggio, you don’t take high low notes. that's all, therefore it seems to me that the joke is still such a safety of communication precisely from eye to eye from the mouth. mouth and what you want to convey, of course, and show, as it were, degrees and your you can already tell with your erudition of emancipation, by the way, about this . eh, now you understand. why as they say dear, the spoon remembered a joke for dinner, and the joke that is there, there are two of them out of this joke, this is the great yuri nikulin yes, who was also the keeper of jokes. uh, and uh, his club there is a white parrot, so the story is next uh, there is such an anecdote. i'll tell it to you now, so, uh, the company is sitting. well, that is, in some kind of vector, well, let's say, there in the nineteenth, then, yes, we are cavaliers there. well and that means, uh, they’re sitting and

, uh, the new man in this company is just some kind of hussar , he was introduced there, please, he’s passion there and everything is there, yes, which means he got into the company in this, they sit in a circle and just 244 and all ha-ha-ha there 78, and like everyone else they laugh , and it means that he asks his friend there, too , some young officer there, says, tell me please, but what is happening says, you know, everything these are all the people, this is society. we love jokes. we we love so much love and so often we gather together we tell each other jokes that already, well, as if everyone knows them by heart and that they will not be repeated for a long time. we just remember imitating them. here, let's say. right now, look, here is 302 there ha-ha-ha. he says it's very funny. i'm like, i'll tell you later. he says, you are there, well, you sat down here. such a person got used to it, and at some point there was such a deathly silence and the lady next to him stood up, the one who was sitting slapping him once stood up and left. he

sits simply and says what happened to the other says. listen well, bro, we are we vulgar jokes were not told in betrayals. well, here's an old joke. you are for sure. you know what he came up with. eh, nikulin, he came up with two sequels. that is , this anecdote means, and everything is the same beginning. uh, this, well, new comer. this person says, there, 147. complete silence is just dead, and he looks at everyone like that and suddenly. well listen. well, don't get upset. there are just people who know how to talk. and this and well, another third option. it's already a joke when he says there are 210, yes, and again silence rude. he says, well, listen,

well, do not tell funny ones. yes, you, and this , i think, is also correct. you said that a joke writer is a profession. i think this is a story someone is telling. in passing, i wish it was like this yesterday, and then the narrator gives some angle to another, because you will agree that sometimes you know the same joke, but the person tells adds some little paint, and he plays in a completely different way an anecdote is like a case, they told me really, when the elder in the caucasus speaks to the best there. eh, toastmaster you will go to moscow tomorrow. we need to have a wedding. and in this pocket he has a pack of rubles there once, well , as a fee here quickly counts right in his pocket to the touch hmm money. and what about the wedding right in the grandson? well, that is, we will not go anywhere further,

the budget is small here and i will never forget it. i worked in the eighties under the baton of the orchestra , the main guest performer was mikhail sergeevich boyarsky and mikhal sergeevich for a beautiful story, misha tells a joke, which i know perfectly well, but add a little nuance like this. i would even say our country's guild told the circus. a man comes, says, i am the director of the circus with a new attraction. yes, what kind of rides now no one goes at such a time, you have nothing, for sure, we don’t have any expenses of money. yes, nothing is needed, just hang up a poster. here i satisfy vasya live online. as young people say right now, right in the ring, 80 women in the evening of the sixty-first division and for an encore another 202 hang out a poster. first branch, and city ​​changing mood went phone

calls. word of mouth radios. here, in general , women bought all the tickets for a month in advance , men are also interested, in short, we take a hose , everything hangs. hmm, they hang down from the amphitheater. to be closer to the action, but our hero at 78 for two before the end, you understand, loses his mind and faints and the mood in the hall changes, there were cries of swindle. return the money. this is our 78 they are not satisfied with the promised eight swindle director runs out into the arena. ammonia. hero simon comes and says. vasya, what happened the hero pyotr mikhailovich did not put his mind to it during the day on the run, everything was fine, the word run. i remembered eduard smolny, these productions , everything could be said at the rehearsal. here's to the run and swindle. he mikhal sergeevich

, of course, uses our folk and the equivalent of this word is different. when to cheat? well, here's one. well, i’m sorry, it’s also important, of course, the scene and the characters are jokes, that is , if we return, because here’s the situation itself, this situation, it’s already comical what, well, as if, if we parse and i also remembered, uh, one of well, such quite decent jokes, they also know this topic, that when a man such an engineer goes home in the subway , he leaves the subway and stands watching. it's a huge line of men. he's walking in a queue in his neighborhood, a huge one, he's walking. he looks very. your yard what is given there, does it go further? that's very in his entrance. well, what happens, he goes up to his floor, and there is a line to his apartment. there is a queue, he comes, which means to his apartment. bedroom on

bed is his wife. and in turn. so takes all these men off the subway what's going on? she says you don't see the disaster. he told me this. kolya fomenko kolya fomenko had such an ending, vasya says, this is some kind of nightmare, yes. and here is one. you can see that we touched on something very important. uh, all the jokes in the company are what i told. it comes right there. sansa you told on this short on this topic is standing at the door. you know, let's give such a jewish correct and color anecdote, because this is how odessa lawyers tell his homeland funeral man, and i don't believe you left us. i refuse to believe it comrade. please skip. but,

by the way, about uh, national color, yes , you see in jokes, it is very important. yes, uh, to itself here is this short story. yes, e did not affect some really quite like that. uh, well, let's say some ethnic issues. that is, from an offensive point of view. i mean, that is, jokes. you need to be able to tell, as it were, but also listen to them, because there were a lot in soviet times. remember the jokes were about the chukchi. yes, that is in general, how did it happen? what, apparently, the development of these lands and so on, meteorologists went, there are some, uh, drillers and so on, they were laying bam there and so on and so on. that is, some of these cold ones. uh, well, some siberian forests there, that is, these here appeared, uh, jokes about chuk, what is there? well lived there to the south and so on and so on. here in our time. now they can't meet the glotov doctor at all. yeah, i can't even remember any of them. and i why why because uh, now here in

winter time i always remember this anecdote. this means that e is coming, that means a large settlement is coming, that means chubchik to his shamandu. he ah-ah-ah-ah there with this, means a tambourine. there, it means, something is conjuring with a deer paw beating this tambourine, they come and say shaman , please tell me, winter is coming, cold is coming, it will store a lot of brushwood or all the same. we'll somehow make it there, but not so cold, and like, everything will be fine, that the winter will be warm. she will have a cold tail. no, they will freeze, in general, there will be claims against me will kill more. and if i say that they will be cold, well, they will collect a lot of brushwood. well, you will be warm, but less will remain. you can then, as it were, in the spring and such ah-ah-ah-ah-ah-ah, think, i’ll say that the cold will be very oh-oh-oh such, in general, the spirits say that the winter will be fierce, in general, the nightmare is going to be very . a lot of brushwood, they rushed about everything.

they ran there. there, then, a tambourine was deposited by a deer paw and i really think, what kind of winter will it be, i’ll go to meteorologists, i’ll ask once about the skis. everything went. so he comes there so this yurt is worth it. there is a yaranga. this is how he comes. this is a fellow meteorologist. so oh great. shaman yes hello tea will be he is like that, but he took tea there, why did he come? he says fellow meteorologist. and tell me this year, what kind of winter will be cold there, like or there , or what chukchi says, i don’t know this for a long time , it will be a very cold winter this year. he says very much, well, thanks there for everything that his comrades said. and how and how do you know, this is me, well, how would i have perfume there, everything there. boomer is. he says, yes, very simply, come here through the window. while you see that in general they collect a lot of brushwood, it means that it is very cold. yes, we have not only the chukchi north.

do you remember the era of total scarcity, when any items , uh, widely used goods from czechoslovakia from the german democratic republic of this wall were especially valued, by that time there were kochev boots, there was nothing, they say i need a toilet, they say german, they say, german. there is, not german means. well, let me give him two sticks, just two sticks and instruction he reads instructions. and what is it? speaks? read, damn it, you rely on one that the wind didn’t blow away like that, and the second wolves always had a huge number of jokes, that is, the jewish theme, there and so on and so on, because there are a lot of good storytellers. yes, and how people would perceive it all. yes, and, accordingly, there were colorful jokes, both about breasts and armenian there. radio, which has become a separate

story there. yes, there are armenian jokes stirlitz chapaev and petka, not i mean. i am now i say, just about national all sorts of things. but partly anecdotes, of course, but it was special when it was the soviet era. remember there, when they joked, what kind of anecdote can be given there for some years? yes type yes funny, like a joke. well, somewhere in the seven they started talking there for 12 years, yes, which is there in a whisper there in the kitchen. that's all they said, but it's still here. uh, how would people continue to do this. yes, this is how things have changed. what do you think, now, uh, it has become open, then there is, when in soviet times there, uh, times they told these here, anyway, this is always preserved. in principle, this is like an example of jewish and all short some kind of guru, i consider it my city. i'm the only one from zhevanetsk who always said to me. in any case, valera is always so fond of everything. a short concert a play a book anecdote a course of treatment

everything is short so that's all it characterizes the way you met your wife here i don't blame anyone for anything. here is such an intonation of a joke and you immediately understand, a i really like these short jokes in mitselsky jokes, when the doctor makes my head spin, and i see. about doctors, and how to combine stylish? it would seem that i really liked a person coming to the dentist, the doctor says, i have a problem. what yellow teeth are yellow teeth. well, about green gas, advised such you know unexpected for what i love jokes man, in short, the doctor says

you know from me. my stomach hurts so much, it's just a nightmare. have you eaten pigeons? the patronymic of the dove did not eat. and you ate the head of a dove , i did not eat the head of a dove. and you are the head of a naked dove ate, damn it, in anything i was a speech therapist, i tried to help, at least yes, medical anecdotes. uh, a huge number of professional jokes in general, a lot, because there are a lot of musical anecdotes about theater musicians, and very often very often, especially people related to the profession. yes, they are, as in the case, there with the musicians. they are short anecdotes that i already knew, they tell with special gusto i draw the whole exhibition. that is,

they really immerse you in what 's going on. you know, there are some theatrical tales, real theatrical tales, which are then told. like a joke, and it was right there in the theater, and there are even people who saw these stories, and you know what else there are jokes for. i have several of these that have been with me virtually all my life. i remember zhenya morgulis telling me the polar. i know that you love to collect musical jokes. i really collected just such musical ones, so that they are good in my environment. spend the evening. i'll throw you one musical anecdote, a son comes from school and his father says to his father. sorry two balls. today i said, in what subject in zoluk. what 's with two points? well, you know, they asked who has the biggest balls, well, i said that the elephant, well, that's right, son. it's logical, he 's big, yes, it turned out to be dad that he got a job and a deuce i got a kid, son, science is running,

live forever, study here he wrote such slow waltzes. musical morgulis hello everyone big shulevich threw a son comes to his father and says, pope what is incompetence and indifference. he says, i don’t know, i don’t give a damn, and about the musical, well, one of the most, probably, the oldest, when, well, friends are going to one says, and i won’t go to the opera with you. tonight he says why you are the prime minister so he tells me yesterday robinovich drank like that, and that's nonsense. and it’s like right away, my favorite topic after all - this association gave you clinging to some detail. she immediately works for your memory, and he flies out when he says, e company of men drove his wife yesterday, natela about the cult, along the way, no, a warning,

what should i ask you dear viewers? and you passed it, or vice versa, you wanted to sleep, and most importantly, that after our program, after this nightly podcast, you would have a good mood. tell jokes. collect jokes. and we will try to keep it. uh, take them with you for later. good night. see you again. bye.