[000:00:00;00] whoever was the negative positive divisional commander was called ognev , the negative divisional commander was called glotov as for the names of the german invaders, then a variety of uh inventions were invented on this account. carriers of absolute goodness and absolute truth, they must in any case remain alive, they can only be hurt. ah, in this way, the picture, bandaging the head with bandages, uh, or hanging the hand on the uh screw binding, and the characters are obligatory in in the finale, they delivered some kind of pathetic speech right into the frame, and so nikolai kryuchkov spoke to the immortal garrison and mark bernes to two fighters. and vladimir druzhnikov in konstantin zaslonov and ivan pereverze in the film ivan nikulin is a russian sailor of some

type. uh, whoever comes to us with a ball, and he will die from the sword, otherwise he stood and will stand russian land words by alexander nevsky folk music, and all these films, of course, looked quite tiring , there were rare cases when especially gifted screenwriters . uh, they knew how to saturate completely stilted event. uh, links to great dialogue. in particular. that's what happened with the movie. uh, according to the scenario of evgeny gabrilovich two fighters. and the phrase i am sasha saralmasha. oh, remember, on the tram, i handed out 3 kopecks for a ticket and in the park treated toffees forever remained in the memory of the people and in the history of russian cinema with other films it was worse, and the people of russia developed quietly from this total hat, the slander was tired, and the national cinema, along with world cinema

at the end. fifties moved to the stage cinematic military romanticism, and here you need to make a reservation that people often confuse uh romance with romanticism, and the romance of uh consists in the fact that a boy and a girl, holding hands, run along the embankment and kiss with a view of the sunset classic romanticism. e implies the constant disappointment of the current reality from the outside. e. hmm sad. e, a nobleman, and who periodically flies away into the distance with his imagination some idealistic worlds imagines a wonderful life that is absolutely not in line with a bad reality and ends very badly, either gets lost or commits suicide or goes out from the infantryman, and approximately in this direction and uh, the heroes of uh films acted in the late fifties and almost all of the sixties

, eh. these films were obligatory about very young people, and it was guaranteed that all his heroes would die in the finale, and even from the very beginning it was often clear that they were not residents of the very first, and the romantic film in history was the angelaida picture, a channel in which e chain uh hmm heroes of warsaw the uprising was in ruins. warsaw and behind the scenes. uh, the voice warned all these heroes to die by the end of the film, you see the last hours of their lives, and approximately in this degree the rest of our heroes existed. eh, already our cinema. eh, definitely carried away. again, in some dreams as flashbacks to the former peaceful life, which, of course, was idealized, but it was all very similar to uh, romantic uh, going into

idealistic dreams, and this was , of course, in the film chronicle of a dive bomber and in chistye prudy and in film tankin invasion a.i. uh, finally at its best in the last picture of a romantic movie. and the dawns here are quiet, there flashbacks to peaceful life and memories of beautiful men were colored against the backdrop of black and white wars. wow, of course, this is, uh, total sacrifice. mm, it was very much in demand at international film festivals, which at that very moment switched to pacifist cinema and, uh, tried to read the same message of our films at exactly that moment, soviet cinema had the greatest result at international movie theaters in 1958.

uh, the golden palm of the cannes film festival was the first and only film received by klotoz, the cranes will fly away, and a year before, uh, the special jury prize and the prize for the screenplay were awarded to hmm, the drowsy ballad of soldiers four years later. uh, the main prize of the venice golden lion festival went to uh, andrey tarkovsky from the film childhood bathtub. there were films winners of slightly less significant festivals, finally, and the dawns here are quiet in the seventy-second year, they were nominated for an oscar, though they lost the film has a modest charm. bourgeois. ah. everything, it was really in demand at the cannes festival, for example, our film the lark participated in the sixty-fifth year about how it was in germany during the war on the anniversary of the outbreak of the war. e, e is running from the concentration camp

together with a training tank the crew of e, the film of course, was the forerunner of our modern film t-34, but was much more honest in the middle of the film the crew was well aware that they were not residents. they had only a few hours left, and they decided to arrange a real dump and in a good way for nightmare all this rear germany with a harbinger, lyaz. the roar of the advancing guards tank corps, and the film was a success, but had no prizes. uh, in the same year it came out, a wonderful picture of yuri lsenko. uh, checked mine no, filmed with a yugoslav director , a surname that i will never remember. and this is a film about how ours, together with the yugoslav partisans, took belgrade and, uh, v. the height of the universal dances of fun hugging. uh, hmm flowers. suddenly they find out that the city is mined,

that groups of sappers and german saboteurs are operating in the sewers. and that the explosion is scheduled for midnight, and this total contrast between the general fun and the joy of liberation and the creepy, and the stabbing explosions of obscene language, and the skirmishes that constantly go to the dungeon and are only ten steps away from all the people's joy, uh, the picture is very strong i remember it and it was actually a very expressive film. mm, certainly left in the history of cinema, again, as always in romantic cinema of course all died. ah, over time, true, and uh , the central government and the authorities of our cinematography got a little tired of the fact that , uh, the countries that hardly

participated in the war or were on the dark side of the force. ah, so actively welcomes our films and, uh, they read into them completely different meanings that the authors often had in mind, perhaps the trigger for the transition from e-romanticism to realism was the american film the longest day in the year 63, which told about the landing of american troops of normandy and e, showing wide three o'clock. a panorama of the heroic actions of the american marines of the american marines of the american sailors and, uh, the local french resistance, which of course was completely sucked out of the finger, because no french resistance existed in nature, and if there were any actions of the underground in france, then this was mainly there were also armenian yugoslav and jewish underground groups, the french, had almost nothing to do with them. and the film was in general, quite interesting and lively. but he

completely pissed off the politburo with the fact that it was not found in the three-hour film. at least a few minutes to tell about the actions of the soviet karma at that moment, but hmm despite the fact that it was not shown in e russia. eh, there were quite a lot of furious reviews in all sorts of collections like on the screens of the world, where in one of the texts. i distinctly remember the author. this picture with the creations of the nazi channel helen riefenstahl, er , i’ll say, honestly , there was no connection with the riffin films in the film. but hmm , the author of the film managed to scold, and in response to this film we launched, and a multi-episode epic film called the liberation of europe, as everyone understands the word of europe, in the process of filming , the film merged somewhere and left. in the end, it just got the name of liberation, and

the rhyme with the longest day. uh, there uh was in the final, if the american picture ended with the surf on omaha beach. where the american marines landed and the wave of wolandal across the sand the perforated helmet of the murdered american hero, then in the release, as everyone remembers, ended the whole story that nurse zoya descended into the underground passage and saw in the rising waters of the flooded berlin metro the helmet of her beloved deceased captain tsvetaeva, uh, the reef was completely distinct, but only those who saw the film could read it the longest day at that moment such uh, in the country there were at most a few dozen exactly from that moment into the cinema. some kind of dry military prose began to penetrate, and hmm to sell certificates to the commandant's patrols, some completely

disorderly victims. without any be that as it may, if in the films of classicism people were not killed at all in the films of romanticism, people were killed without exception, then here comes the reality. hmm, no shoes of people during the war are completely unpredictable. e and say that they kill the best or, on the contrary, they kill. the best are absolutely impossible to kill everyone who doesn’t get hit, and in the sixty-ninth year the film in the war was released, as in the war in the seventieth film, officers, about which there is a separate conversation in the seventy-second, they will be old men in the seventy-fourth. hot snow at seventy fifth. they fought for the motherland, e, they fought for the motherland, by the way, it was a rather unique picture, because no one was killed in this film. the fact is that mikhail alexander sholokhov, who wrote the script e, was not going to

write a little love, but it is immediately clear to everyone who sees her i read that a gigantic swing was made here at roman stalingrad, but he simply did not have enough gunpowder and some already drying up writing abilities. he limited himself to only allergar battles in the don steppes hmm before stalingrad but because i assume. that all his heroes will fight in stalingrad and some will die there. he left them all alive, all these films no longer made it to international film festivals categorically, and the world audience was completely unprepared to look at our victory, in the future there were several more very important films, and in the eighty-third film there were torpedo bombers. a year earlier, a wonderful picture spring with vladimir gostyukhin, but rather little-known, but serious and important, but hmm

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burger king in the application. for viruses with you, a podcast by fire and i, its presenter denis gorelov, our conversation today is about military cinema and the film officers, the main picture, without which not a single holiday is complete on february 23, which is always shown on the air of central channels, first of all the first film, officers, tells about three generations of the trofimov family who serve the soviet union in the most important shock troops of the ussr and at different periods in the development of the red army, first the cavalry. the second generation in tanks and finally the third

airborne troops, and shortly before the picture was. a new doctrine, uh, of the soviet army, was secretly published, which said that from now on, uh, the main striking force of the army is the airborne forces, and in the film it sounded for the first time . this, uh, a serious line is exactly the same as for the first time in a blue beret appeared in the film, and a new thing is our paratroopers, and, unfortunately, it is in the final shots of the film, and on all the heads of the paratroopers it is arranged according to the statutory order. e hmm the cockade is in the center and at a distance of two fingers from the eyebrows, but as a person who has worn a cap and earflaps in this way for 2 years, i will say. honestly, there is no more disgusting type of headdress than two fingers

from the eyebrows in this position, and the hero is standing there. similar to pensioners gathered on the boulevard to play chess. here they are pulling on the same myself. uh, their berets, and the view is quite disgusting looks like a pancake. e. well, it just so happened that only in the seventies paratroopers. uh, fought off the right to wear a beret on an oblique angle. e under e. left diagonal corner to all those interested in, er, the russian character and the russian national idea. it is necessary to show this picture the film ah. oh, the class of laconic legionnaires, who always respond to every e-magomedhana of the devil's crack, with clear and furious peace. and the film was shot by one of the brightest, uh, box office directors of the soviet cinema, whose name is unknown to anyone vladimir horny, and it so happened that

the soviet cinema, but obeyed the two main centers of power. on the one hand, this is the communist party, which, through its lured critics, promoted the state cinema. e sergei gerasimov sergei bondarchuk stanislav rostotsky, on the other hand, the unconditional force was the creative intelligentsia, which very strongly lobbied for intimate cinema, and hmm, such an intelligent one with a mood where an intellectual hid in a corner playing the guitar, as he said at one time, zhvanetsky film of averbakh films hissing films of eldar aleksandrov are a rare case when e intelligentsia cinema. it didn’t just pay off, but made a profit, but at the same time , film journalists and film critics did not pay any attention to the people’s box-office cinema and , uh, people who did not fall under either the state line or the intimate intelligentsia. uh, the nations were completely

unknown. until now, nobody remembers and, uh, the director of the most popular soviet film of all time was not in the know and peoples pirates of the xx century. boris durov i think that people who listen to the podcast will forget it the same after it ends. and in the same way, no one knew the horn, some exceptions were stanislav govorukhin and, perhaps, vladimir valentinovich menshov, they still knew how the hosts of the film screening had a period of conducting this program, plus both played in the cinema and in person and more or less knew which helped the fame of both themselves and them as directors of box office cinema. and the horny never made a movie in his life, e, which would have collected less than 27 million at the box office. e, tickets for 27 million

viewers, the script of the film was written by the well-known u author the dawns here are quiet boris vasilyev a paratrooper who was once blown up by a mine, after which, after extraction, he became, uh, an armored officer actually. uh, the most important writer, uh, writing for military romantic films, sometimes uh in honor of especial sentimental effects. uh, especially impressive uh, hmm excited young ladies, he sometimes allowed himself to do nonsense. in particular, there are a lot of claims in the film the officers were called by the final scene. meetings of two. e. the main characters imagine that the commander of a tank division, a major general, called to the new commander of the district , a lieutenant general, might not know his last name. it's completely impossible. eh, especially since the surname varov is quite rare, frankly speaking, not ivanov and, uh, of course. he should

have known. uh, who is his new boss, so conversations, like found out, the old devil was completely excluded. vasiliev always answered that he intended in the script and in the final film, but to draw a line of arrests that, uh, mowed down our army top in 37. purely in army circles about him, they say a bad year, however, but by the end of the sixties . uh, after all, the central leadership decided to move away from exposing stalinism. and hmm, first of all, e did not want to somehow compromise the socialist system with mass repressions and, oh, the cult of personality and repressions. throughout the eighteen brezhnev years, he spoke with practically nothing, but all the pieces of the script written by vasiliev about a. uh, the arrests

of the main characters have been eaten. uh, the script was given for editing to the second screenwriter kirill rupoport. uh, i think that in many ways the merit of uh rappoport is that the picture looks so perfect. the fact is that even in matters of arrests. uh, vasiliev was going to release a completely impossible scene where hmm commander trofimov is in the cell. on lubyanka meets the inscription on the wall i'm dying, but i don't give up, long live socialism concor varava e. same. in general, some kind of sentimental nonsense, but the film. in general, in the result came out completely. realistic and correct and in this picture there was a historical measurement of two people's artists yumatova lanovoy and the fact is that 15 years before the film a black cat ran between them

, as a result of the vicissitudes of filming pavel korchagin on e. dovzhenko's studios initially approved yumatov for the role of korchagin. however, after the front, after the severe wounds that he suffered there, and yumatov was still a drunken man, and er, after the first day of filming. he washed down after which , the director of the film, am alov and naumov, removed it with the role and replaced him with nala lanova, this was not at all to blame, however. it is quite clear that uh some. uh , there was no more friendship between the artists, and only the officers fixed everything, where they became friends again and as a result, after the officers, they played in four more films and became our main action. dotom is about the same as an e kergdoll

to collect a lancaster in american cinema, and in the key scene, the comfort of rafimov returns from a mysterious business trip, about which he does not tell anyone on business trips to spain and already in the morning he tells his wife that it is time for them to move to a new duty station. e, what causes fierce protests, however, the protests are even somewhat strange, because absolutely all officer families moved across the territory of the soviet union and foreign countries constantly on average once every three years, and the top military authorities. quite rightly i decided that it was necessary to prepare officers for war in any climatic conditions, and if the lieutenant began his service in the far east then as a captain, he continued it already in the arctic after the major moved to central asia and ended up as a colonel somewhere in a group of soviet troops in germany in completely different climates, er, and in other conditions, but in

the picture, but a hero. e hmm says it's time to get ready the wife categorically objects that the child is already changing the sixth school. she can also be understood, but at a critical moment she notices completely new holes on her husband’s back, which appeared after a business trip in spain, it is clear that the episode looks like a rare bust. and it is clear that at the time of the return, uh, the husband and wife had mercy on the fullest and countries that she did not feel to the touch new holes on the back of her husband, but still, but hmm our mental people forgive eh, the creator of the picture, this is a logical assumption. let's take a look at the snippet. well, why can't you at least once in your life bang your fist on the table to demand? i'm not talking about myself.

think about your son. i won't let it get ripped off in the middle of the school year. he is changing schools for the sixth time. is it possible to scold him after that for her? i am also a man alexei man, you see, i need to graduate from the institute. if you can't reckon with us, please. in the end, we are already used to living alone and we are. when we go alyosha it is extremely significant that the new hole in the back of the hero trofimov is not at all sham. these are the real holes of yumatov's artists, georgy aleksandrovich, who fought from the age of 14 as a cabin boy of a torpedo boat at the age of 17, was already a helmsman and in the year forty-three or forty. the fourth received a burst from the messerschmitt, right across the back. and the fact that, uh, in the picture you can see, uh,

serious potholes in the back. these are real holes. in the skin of an artist, they are no imitation. so uh, in general, you can, honestly say what uh what? what are fragments above your head and what is not heard from birch trees weightlessly flies the yellow sheet of soldier's life was known to all the heroes of the film and yumatov and the screenwriter paratrooper vasiliev and the artist of the film mikhail a cavalier chip. add to cart in glory for reconnaissance exits and e, playing a cameo role in the military paramedic. e evgenia yakovlevich herald, commander of a firing artillery platoon and a huge number of other less significant people, including, by the way, vladimir rogovoy himself, who went to the front as volunteers, but the truth was lucky they sent him not to the front, but to organize the amateur performances of the rifle division, but due to the fact that

the division first defended leningrad a. then he kept the germans on the grounds of stalingrad medals for leningrad from stalingrad, he actually also had a picture. and one more episode. e, with which great difficulties and problems were associated, and in the thirty-fifth year japan attacked the chinese in the picture there is a moment where e hmm the command decided to help the chinese comrades a and e. comrade trofimov crosses the front line, where they are met for dressed up as a chinese of his old friend, and for many years, if not decades of the film officers, at least in the priselises walked with this very scene cut out. uh, the fact is that the chinese comrades, who at that time ceased to be our comrades. eh, it was just the sixty-ninth year with the uh of the conflict in daman, and

they were very harsh about all the stories about how we helped them, clearly with the juche idea, put forward by uh, the great leader of korea and comrade kemer, uh, based on there was a reliance only on their own strength and a complete refusal of help. whatever the neighbors, comrades and allies, these ideas were clearly to the liking of the comrades in china, and the chinese embassy presented all kinds of utter demarches on occasion, and demonstrations of this film in full. e from the officers was withdrawn this episode from the film volunteers biting the whole episode. ah. and where is dad, and dad and let's go to fight with the samurai. clear where they went to fight samurai. e from the film russian field. uh,

a tiny episode of the death of the main heroines, non and mordyukova, a tanker on e, the damansky peninsula in battles with the chinese, and finally, the picture of the state of emergency is the most popular ukrainian film in its entire history for some time, even leading the rental rating of the soviet union, but it was impossible to reach in any form the film was dedicated to the capture of the tanks mouth shares of chong kai-shek and e hmm personally, i was looking for his schoolchildren at some smuggled screenings in the cinema of a re-film. uh, they haven’t been shown on tv for 30 years categorically, and now we will see that episode that took off from the film officers there is a comrade commander goodbye. decided to help the chinese comrades well. this is

very good. hello, what's your name? my aleksey aleksey, if you have a family, comrade commander, there is egor, the fifth grade is finishing

, can you imagine this means a son. medical i recognized the officers. it was the most dynastic of the most hereditary professions of both the russian empire and the soviet union. it is in this context that the main words of the picture, which the nation repeats every february 23, sound. ah, kamask, practically nameless he doesn’t have a last name, but he says hmm. and we

imagine we were proud of the profession and my father was proud and my grandfather was proud. and what kind of profession is protecting the homeland? there is such a profession as a platoon. ah. this phrase appears on billboards in all the central cities of the country on the day of the army and navy, look at the fragment. and here i am imagine all my life i was proud of my work and my father was proud of my grandfather, and others were proud of wealth or intelligibility. and we are professions and what is this profession? defending the homeland is such a platoon profession. all this is very familiar to me, grandfather in in the twenties he commanded a cavalry squadron, then he was transplanted, like everyone else on the tank, after the war he already commanded a tank division in germany. so all these moves and everything that concerns new holes in the back in our case in the leg, and my family

knows exactly well that's all of the guards junior sergeant gorelov finished shooting. it was a traffic police podcast by fire and i, its presenter, did not burn out with the history of the military cinema of the soviet union and its rightful successor russia until new meetings before new airs. hello this is a must-have podcast reading. i am an aglaya na batnikova director writer. today we're going to talk about leventhal, uh, writer literary critic talking about truman's the hood and breakfast silence. hello vadim e, let 's first tell about this novel for those who have not read it, uh, we are talking about new york, this is the forty

-third year, the second world war and youth. bohemian new yorker a is having a good time and aspiring young writer a meets his neighbor young girl a, of indeterminate occupation a, she is fascinated and they have an affair. uh, tender friendship. and let's figure it out. this is generally a novel about love or friendship. well, i would say, first of all, that this novel is still about the main character, that is, is it the fact that it seems to me that the most important thing in this text in this book is ah and confirmation. uh , the fact that we managed to create a wildly important hood, and the female image is what we still remember and read this book. well, here is the image of this main character. it seems to me that he is important, what is on but uh, she seems

to be as far as possible from the bourgeois ideal women. come on, what is the ideal of a woman, the ideal of a woman, this is, uh, a respectable, but chaste housewife, mother of the family. so she keeps at home. she is raising children. she cooks for her husband. i don't know, there's roast beef waiting for him from work. yes, it is, yes, yes. this is the feminine ideal that bourgeois society presents us with, as it were , conscious yes, and at the same time it exists, but its fantasies are unconscious. psychoanalysts call this phantasm yes, that is, it is some kind of unconscious fantasy around which the erotic is organized. not absolutely, but in so far as the life of the unconscious, it is generally in many respects uh erotic. the main thing is that we are not always aware of this fantasy of our unconscious. and even more difficult

to understand. how is our inner world. in this case, the inner world of this society. yes, organized around, uh, this fantasy about this woman who is in opposition to this ideal wife, the mother of the family . she is completely opposite. well, what could be further from this one, then the mother of the family beautiful. uh let's tell holly is not working. she is 19 years old. she. well, you can say the profession iscort. she accompanies men to restaurants and uh, they give her money for a toilet 150, then she collects 100 dollars and she always lives on boxes. she has friends. uh, with connections, she's always being offered something to do, but she denies everything. well, we know she lives. uh, without a schedule

, she gets up, in the middle of the day, then she dresses for a long time , puts on makeup, goes to a restaurant, there is a crowd around her all the time. u men, uh, motley and uh, actually hence the question. why does such a girl attract the attention of a hero who is starting to write or why is he so fascinated by her well, i would first ask another question. uh, why does she attract the attention of all these men that are circling around her, how, uh, let's say. there are butterflies around the flower, to say the least a little more rude oh and indeed, let's immediately note that the image of something wildly archetypal bonnets in the interview speaks of a modern geisha. that is, we must clearly understand what it is all the same. occupation is very strong different from the trade flew. yes trade flew, we are one thing this is an occupation of accommodating, not a prostitute, of course, but uh, you can say that e earning a body

is so traded this is a temptation, it endlessly seduces, but virtuoso. yes, a femme fatale, of course, but women have difficult fates, a girl, yes, because a difficult childhood. in dire circumstances, rape, i mean, it's all mentioned. this is an archetypal image for bourgeois literature, but on the other hand, and it is taken from reality, but because these women in new york are about of those years, he described not only hoods, yes, if we take, and henry miller’s books yes, in particular, the novel is famous for sex, and there are people like holly goylighter, there are not one, there are many such girls described, and again, we know from the interview of the hood from the memoirs of contemporaries there from some articles that e quite a lot of women claimed to be e prototypes of hollila, but