that to abandon neutrality and join nato france is preparing for one of the largest strikes of recent times against pension reform. trade unions today intend to bring up to one and a half million french people to the streets of cities. stocking up on petrol. the gas station fired many hours of queues. after all, at least for a week the oil refining industry is becoming, and also transport and energy truckers, in protest against the government's plans, have already blocked the main transport routes with trucks. highways of france in paris, demonstrators stretched a 25-meter banner on one of the road bridges with a call to get until the cabs withdraw the reform bill. on the eve of march 8, the popular front made a gift to women - husbands and sons. volunteers are now in the special operation zone, they came with flowers and gifts in the donetsk republic, they congratulated the women of the servicemen themselves, who today, along with

men, defend their homeland, warm words were addressed to doctors, nurses working in hospitals, but in new territories, throughout country representatives of the popular front. representatives of the beautiful half of humanity came home to work and were presented with flowers on the streets of cities, but no doubt more expensive than all the gifts and bouquets were the congratulations of march, which the members of the popular front brought to the front line. everything was fine, please. and you, our dear wonderful girls, with all my heart and on behalf of the entire unit. good luck, may the hardships be forgotten on this clear bright day , longing will pass, laziness will disappear. let all the tears dry up, and we will provide a clear sky. we speedy with the return of the children of fathers and sons , we congratulate you on the holiday. hurray for the glorious spring festival is an additional opportunity to see the attention to your loved ones, words of admiration and gratitude

are heard on this day, for special health. all the best such news to this minute. see you. you and i must note that truman is a documentary filmmaker in general, and in fact, when you read roman, you understand that the real prototype was still impossible to come up with so many real details of some nuances, and in general, his feature is his strong point - this is precisely documentary. and it seems to me that he just found very good material for his documentary history. i think the point here is that this is a collective image after all. this is a novel and no, a documentary essay. oh, well, inphishing , we know that it is difficult to have a lot of wonderful non-fiction on the hoods. there

, the most famous of them is, uh, incold uh, in russian translation, but this is still a roman, and it is important here that this is an image to collect? in my opinion, there were just a lot of them, and girls in real life, and you met such girls in real life. or they were only in new york in the forties. no. absolutely not, not only in new york in the forties. eh, and i met her, and with some of our amendments for our time, they live and work for her. uh, and now uh, the fact is that this figure is, in principle, characteristic of e bourgeois society. yes, that is, precisely according to this logic, that there is a conscious fantasy about an ideal woman housewife, blah blah blah and so on and so forth unconscious phantasm a, ka-around which is organized in reality, as if this subject yes, the collective subject of this society. and this phantasm is such a razor, arthur, do you understand

here? eh, this is some kind of tear in the fabric of this being. and this being is in a society broken through in this place, right? because in essence, what does this image e tell us about liberated sexuality, first of all, yes, yes, the characters separately mention that holly is not shy about anything and even at some point, e, she begins to count the number of her lovers and note that there were not so many of them. holly says and the characters note that the first time she was at all embarrassed when she talked about someone anyway is, liberated sexuality, liberated from the conventions of bourgeois society from the conventions of marriage, there and so on and so on and so forth is not a trade in the body namely sexuality. it's important, right? and, that is, to some extent, this is, in principle, the idea of ​​​​freedom. and that is, at this point, and bourgeois society discovers that it is

not free internal, but yearns for freedom, hates himself for having a-a deprived himself of this freedom, hates himself for his cynicism. and for his duplicity and e. that is why this image of a is associated with some tragic stories. well, the fact is that literature everything remains bourgeois, and it must propagate something yes, that is, it must always punish this woman, after all , someone has a slightly different tone of this novel. i would say more admiration for holly than. uh, nastassya philippines is delighted, but slaughtering her nonetheless. still , it is absolutely necessary not to slaughter it. you see, she is also experiencing a catastrophe, that is, as a result of her some kind of games with the mafia. she goes every thursday, uh, to the sensing prison. e. and transmits some encrypted messages about the weather. she gets paid

uh 500 dollars for it, i think, or something like that 200. yes, when the severance pay, well, good money good money and 43 years old, yes, and she transmits some messages. here she mentions it in a conversation. actually with a hero. and he is the only one who probably guesses that this is not just a weather report and at the end endings when she starts to play herself uh, trying to become a good wife of matter, rather probation. yes, she is pregnant. she cooks, she cooks different meals at home. she is getting married and expecting a baby. and in general. uh, so to speak, refuses, you can say from your way of life, plans to switch to some other way, it can’t be rendered, because it happens just badly, i get arrested. she should shamefully fly to janeiro, and it’s clear that for a new yorker, flying

to rio de janeiro is like flying from moscow to siberia yes, into exile, and the village to your aunt in the backwoods to saratov, yes. and it's a shame you know the scandalousness of breakfast at tiffany's, after all, well , novels of course, in that the punishment frame is something completely different. ah. well , the artistic frame is that at the beginning they find out that she is in africa. yes, and in general, somehow. here she travels remember e bartender. and actually a hero. someone saw her the angel of birth of some expedition, and from her there draws portraits and some means here. well, it looks like collies agree. they with each other, for sure. it turns out that the scandalous thing is that and why is she not punished, or what? and how does it happen? she should, like, sit and cry for being so bad, and sitting means

thinking about her bad behavior. she travels through africa some men. this is a terrible scandal. these are horrors. a nightmare should not be like this, and this is the scandalousness of this text. do you think that truman is doing some kind of slap in the face to society. uh, bringing out holly and punishing and in this sense he is the predecessor. uh, the next generation writers and beatniks. all kinds of kerouacs, uh, and so on and so forth paves the way for them, but of course, this is a slap in the face of public taste. yes, and self-questioning of the narrator. yes, let's say two things about him, that a, firstly, a transparently hinted that she refers to the people of the moonlight, yes, lost to women. yes , but on the other hand, the narrator himself says that he , as they say now, is running around mobilization, both of which, of course, make him

an absolute outcast for american society in the 40s of the forties. yes, he is not at all. patriotic absolutely outcast outcast not uh contemptible. do not search. yes, it’s not clear how those who earn money, who are engaged in some kind of creativity, grumble, for which you still and no one pays, but let’s note that it is precisely this holly that brings him closer, of course, these are two outcast vausiders. yes, two places are the scandals of this society. yes, this woman is a tearaway and a young man without a certain occupation, shunning female society and only such a storyteller, and can earn the trust of this heroine and can, ah. authentically to tell on it, as much as any other narrator would be unreliable. we'll start with the fact that he understands it. they perceive him as prey, firstly, because he is lost to women, and secondly, he is not rich. that is, she

can be sincerely open with him, and he knows her reality, that is, not her mask, with which, relatively speaking, she walks. yes, and she, as a person who let him in. close, he, maybe, to describe her, the fact of the matter is that no one else could describe her, no one else understands her. understand her, only he, because he is also in a situation. here is the opposition to this bourgeois society and its ideals. but i would not say that they directly oppose themselves to the ideal, because they are already hanging out in clubs and using it, in my opinion, let's put it this way. eh, successful. uh, the lifestyle of successful rich people. they are at least walking it already. i think in particular. it seems to me that it is fundamental that, and they are both in this structure, but are in the same position. this

brings them closer. this allows them to understand each other and that is why this narrator. a can tell about it plainly yes, with understanding. this podcast is a must- read. i am aglaya on batnikova, director , writer, host of a podcast, visiting me. vadim levintal, writer and literary critic. we’re talking about truman’s romance with tiffany’s breakfast, i also want to draw attention to the fact that holly, in general, doesn’t behave very nicely, that is, a friend comes trying to take away the gentlemen and holly, while she goes to the toilet, informs everyone with the help of ephemisms about that she has a venereal disease. hey, that's a bad move. ugly, and there this life is not on the boxes, uh , not necessarily, if the ability to handle things, the inability to handle money is everything. e, in general, not pretty, but

nevertheless e we see that by the end of the book. for example, i already cried from sympathy. to holly how kind and generous she is, what a wonderful person she is. and in general, some of its qualities are manifested to the generosity of courage. these are the actions in what things, that is , in what this optics of the author is manifested, uh, allowing us to see beauty in her a good person, firstly, she knows how to make friends. yes, she is friends with a storyteller, who tells us all this, but she loves animals, after all , she loves animals in many ways. sincerely in their manifestations. yes, she says that, uh, how i differ from other women, then i am still each of my men. i try to fall in love with such a recognition. i would suggest you, uh, do a thought experiment. so you say, so, here, she does not know how to handle money there blah blah blah. a let's try to build from the contrary. yes , it means a woman who knows how to handle

money, and the household, which means she stands firmly on her feet, knows what she wants , always tells the truth. uh, never puts his under already there and so on and so on and so forth. and about such a woman you can write a novel. well, how can you, well , try to remember everything, at least one roman e, in which, as it were, it was told about the heroine, who now represents this official bourgeois ideal. after all, you can’t think of a single one, there is one in which the woman becomes natasha rostova yes, on the basis, but at this moment the novel ends in the next story there is nothing to tell first, there is nothing to tell secondly, there is still a mention of the word female, that is , some will stop terrible deeds. yes, yes, yes, yes. well holly we are fortunately invisible in this state. we see how she tries to enter him, but then the situation throws her away like a champagne cork and in the end. she remains

, uh, in this, by the way, a witch, because in the film she is after all. well, as it were , it lands, but on this correct lane. yes, all this is a settlement. yes, but in the book she, on the contrary , breaks away into the third cosmic one. let's discuss the movie. ah, how it differs from the book in the book there is no love story between the narrator, uh and uh heroine between them friendly relationship love friendship i would say friendship is admiration, but there are no and no yes yes, there are no erotic experiences in this sense , and in the film they tell us a story, well, relatively speaking, cinderella yes, like, i met the principle. well , there is still such a moment that breakfast at tiffany's in the film is some kind of, almost not tiffany's product placement they hang out in this store opening some boxes.

and by the way, he’s not a film critic, but i’m sure that this store paid for everything there, that it paid for everything in the store, but the point is that in the book itself , in the novel itself. uh, tomorrow does not exist in typhus, as a kind of image. paradise for holly and why does she tell fred about this paradise , she is called the hero fred by the name of her beloved brother, that is, she says, i will call you fred no matter what your name is, you will be fred and now, she is conditional to our fred shares with him her intimate feelings, because she falls into depression. she has bouts of sadness. she calls it climb the wall, and then we understand where it comes from, because she had a difficult childhood. yes, she generally wandered around potehas, ran away from home. and here is tiffany for her a place where there is a calm place that saves her from depression. she arrives there and lets her go. and i think

it's completely different than what we see in the movie where we just see in a jewelry store. yes it's not played at all. well, it seems to me that the important thing here is that this very store. eh, this is, in principle, as if not to the image of her, this is, in principle, a bourgeois paradise. this is what a bourgeois paradise looks like. you come, and there it means, uh, they sell you. uh, expensive, and you've got money in the area. yes, they sell for a high price, which means that they dream of giving you all sorts of beautiful things there, they carry coffee with you. this is a bourgeois paradise. and here it is important, after all, that when she talks about this, here is a person on the wall, they are sleeping as a narrator, but remembers the word angst. yes, angst. e word out philosophy of the heidager, in fact, well , let's not, that the audience is completely, but here we will confuse, but we will only say one thing, that in accordance with the philosophy of the heidager. this is the feeling, angst, and it is something that gives birth, they generally say consciousness. yes, that is, outside, but this thing

that it is called there is consciousness on the wall cannot be. and this means that in a rustic paradise, where there is no angkong and no consciousness, you cannot be. because, as it were, vegetables, yes, and that is why in the book we are rather glad for her that she ended up in africa. yes, there are payments, well, who doesn’t wants to travel around africa, so look there, i don’t want to spend the night in a hut in africa. and that's it. it also seems to me extreme, and on the other hand, how objectively sad is the finale of the film, when we understand that, well , everything will never happen to this heroine again in life. she's just that she became boring, so now she's going to be a soup pot. yes himself big and so until the end of life a and b surrounded. so these jewels and so on and so on are a burden. well, that's it, there is nothing more to tell about you. but about that one who travels through africa we feel that there can be a few more seconds a few

seconds. yes? yes, vadim and what do you think, is this an autobiographical novel that is? well, to be honest, i wouldn't have studied hood's biography in detail. i think that maybe maybe, why not. we again protrum, on the hood, we know that he is a great artist, but he is also a great journalist. yes, he wrote a lot of books. just documented, and the book cold-blooded murder is a documentary novel orders. really quite in fact, the rather high-profile famous murder that took place. ah, terribly cruel, in fact, such murders happen in america and not only in america, but one such is not one, but the hoods in this book are issued through one. this is a murder, or from the description of this town, a description of all these characters. well, that is, living people, yes, and those who were killed by these two young people of the murders. he spins their biographies. yes, they are

good, and so on and so forth, but he shows. uh, that is, he and private uh, goes up common. yes, he shows, in general, how it works. this is american society. and tomorrow what he introduced the same technique from the particular to the general. yes, you are absolutly right. it seems to me that in this sense, breakfast at tiffany's is also such a photograph of e society in many ways, a at dryhabern. it looks like this character. how do you associate it, after all, the film shot one way or another, nevertheless it became, uh , the material for a hollywood film is also a classic, the film is also important because, again , since it is so popular, it is obvious that ah, this is some very important fantasy, again , but for people who watch and watch this film another thing is that it seems to me that this is still a separate work of the hall, of course, in a completely different way. well, of course, such a sheep, she is, as it were, hovering in

the clouds. and just like that, she doesn't. here is this predatory nothing, uh, not dangerous. yes, deer bam yes, yes, yes, that's quite right, and the eyes are like that. but holly has a terrible past at some point, fred notices that some suspicious man in his fifties is following her on the street. uh u starts getting closer to him to find out what is going on and this man u tells him that it turns out holly is his wife. he is a stichasa farmer and she is his wife, whom he married at 13 and is called moon. she was three, and he already had many of his own. he already had many children of his own. uh, and he says looking for my mistress. so, uh, the characters know that it turns out that holly's name is actually lulamey. here and uh, holly, out of the blue , meets the love of this ex-

husband of hers. she, that is, we assume that she maybe even pretend that she does not know him, yes, because some simple person. eh, he's just dressed, maybe very much with him. well, it smells like manure, and here holi, who can be said, e, in the company of hollywood stars rotates and producers. uh, in the best clothes, a very fashionable famous itol, so to speak, and, but suddenly we see , quite unexpectedly for me, at least that she throws herself on the neck of this ex-husband of hers , consoles him, spends the night with him, escorts him to the bus, tries to explain to you, that she no more lame. but i think it's quite such a touching thing, but i just wanted to get back to oddrihan, that i can't imagine audrey hepburn being a texas farmer. that's absolutely not. yes, this woman on the screen shows that she is all these horrors, so as not to worry. yes, yes, yes,

yes, i wanted to mention something else. uh, there is such an interesting twist that holly, uh, is still an ac in communicating with men. i consider a virtuoso and this manifests itself, by the way, including, uh, and in the fact that when this man she chose leaves her yourself husbands, having learned that her reputation was ruined by her arrest and connection with the mafia, he is a diplomat, and he urgently leaves without saying goodbye, leaving her some kind of terrible letter, uh, and she is in the hospital because she has a miscarriage due to nerves and comes to her. uh, fred brings this letter. she tells him. i need to make up my lips, because a girl cannot read such letters. uh, without yes, yes, yes. well, not only is it stupid, there, in general, she puts on makeup for a long time before reading this letter. well

when she reads this letter when it's clear that he left her and never. will not appear again. eh, he writes. god bless you and your child all the best. he is actually the father of this child. and here she is reading this and i was completely shocked by what she says. well, what a rat, but i loved him, and that's it. and there is no more talk about him. that is, she instantly forgets about it. uh, that is, after the blow, she gets up, dusts herself off and runs with a cheerful gait. i wouldn't have been able to do it this easy. uh, for example, uh forget a man, even if he is a scoundrel and hurt, but holly absolutely shocks me. she in in general, samurai is so in the feminine sense, well, yes, to live like a wolf with wolves, and how else to survive in this e-cynical world, which is arranged according to the principle man is a dead wolf to man. today i am tomorrow, because these are the key principles of that same capitalism, the torch that

the united states brought through the entire twentieth century may it not survive. i don’t have any beautiful soul there, uh, i don’t know, the heroine of some soviet book. yes, now it does not occur to some such a beautiful stuffy idealist there, yes, to which for ideals there for public good, there and so on and so forth. not instantly, as if rolled up in the asphalt, eating to survive is possible only on such a moderate amount of cynicism, but he still loves the kitten. and you see the kitten, she, uh, is trying to pretend that she doesn’t care about this kitten, like, you’re not his name, you’re not his name, and in general fate brought us together. i am not attached to him, and then, it turns out that he is attached, that is. you see here is such a dichotomy on the one hand. she is cynical and tries to be cynical on the other side. it doesn't always work out. that's all the same, here's her nature, a initially, this is a good person, such as by nature good. yes, but it still breaks through.

she generally sees a name, she doesn’t give the cat and the heroes don’t call by name. that is, she tries not to become attached to people, probably, yes, because weaknesses, of course, cover up vulnerabilities for her. what is the name holly galightly? have you read the novel in the original? yes , in english. what do you think, i read this book in russian, i read incoplat in english at one time, and well, a hooligan laser for anyone who understands english is obvious. explain the word hoodlum, right? yes let's say that this is the name that she took for herself, this is her pseudonym, which she herself came up with, woman, holiday woman holiday. is it naked? hmm e, i would say so, if you approach the translation creatively. this is something like your own on the board, that is, a person with whom it is easy to communicate there, an outcast. and here she is for these men of hers, she is so

naked. that is, e, no need to strain, everything is fine. i am my own, well, that is, they are predators, yes, and an predator in this aquarium, she is a piranha, i wanted to talk more about the fact that this novel was a breakthrough for the hold on the hood. yes he made him famous. and why do you think his early works were not noticed, maybe it's in the image of this and holly, maybe he really met such a girl, and she became his muse. it seems to me that most likely there was no one particular girl, most likely the image was collective. he would just see a lot of girls like that. well, because there are too many of them in real life, then they raised their hands and shouted that it was me it was me it was me, well, as if they even filed a lawsuit, because she really had a surname gulaevna, well, outwardly

she was completely different. i didn't even know her. well there, well, when 20 women come out and say it's a prototype. i obviously have a collective image. and by the way, let's just say so in the forwarding that some features, in fact , a biography, and this very heroine. this features a biography of truman hood's mother. yes, this is a difficult childhood, early marriage gave such pies, a teenager is a girl, generally traumatic, but at the age of thirteen, but also a very early uh, independent life, and a lonely independent life in a big city, i think it's also in new york. now i remember exactly, maybe he took the traits of his mother precisely in order to get this holly on her. and here is the figurative pedestal. you can say that, maybe, in any case, one way or another.

the luck of the hood is that but this collective image hit the mark, yes, that is, it really reproduced to the maximum, uh, convincingly, as close as possible some very important uh story for the uh unconscious of this very different society. that is, if hitting the bullseye it wasn’t, well, there wouldn’t be such a success for the book, yes, and the success of the book is always ensured by some problematic apples getting into some kind of wound, where it generally fester bleeds. and now, when a writer or artist in the broadest sense, yes, sticks his first society like that, but it’s impossible to ignore, and we remember for a long time, and this is the problem, that this is exactly such a woman of otorva and the opposite stepper’s wife. eh, that's it, she calls. without desire, it's

a problem. the problem is that you, uh, deliberately declare one thing, and unconscious you guys have a completely different fantasy. you are bipolar. well, as they write on the internet these days. yes, but you can’t, as it were , pray to the icon, and like turning away, uh, to perform some other actions with dirty pictures. yes, that is a contradiction. this is cynicism, this is duplicity. yes, that is, duplicity within this, and society and it destroys it from the inside. yes, and i want to remove this contradiction , insincerity is felt in this. ok then. you alone will round off. if there's anything else you want mention something separately. i might have, uh, said it was bloody murder. why is this novel interesting? and what is described there? well, the book cold-blooded murder can be a very long time to speak.

it seems to me that this is the best book under the hood and may be one of the best american books of the 20th century. and maybe the best non-fiction ever written. yes? let's say this with a metaphor. yes, here, who watched lynch's films, for example, there is blue velvet yes, there is blue velvet opens the frame. uh, the camera is flying on top of such, uh, ideal american towns. yes, here are one-story americans, which means that toy houses have tried such colored cars. this means bushes. someone is watering. so, these bushes with water, in general, everything is just perfect. all is well. then the camera descends descends descends descends into the grass. and there, as it were, well, like a carpet. yes, and it turns out , it turns out that under the carpet there is something noticeable, well, that devour each other. there , just friends, the cold lies. goosebumps in the back and in full horror, because yes behind the wrong side

this pastoral under the carpet. uh, real nightmares and real horrors are swept away. he's talking about it from the inside out. yes, yes, and this is his tool and his success in this is his success, but also great art, because after all, stas has such a passion with such a talent for opening his abscesses and bourgeois society. few people succeeded, yes, yes, and terribly fascinating because you just can't put it down. and most importantly, in the end you sympathize with the killer. of course, they are still scum bastards, there and so on and so forth. well, you just understand how did they become such scum. do you understand logic? yes and at this moment you are seized with real horror, because in a different logic and in other patterns, these

same guys could be, i don’t know, polar explorers, conquerors of space, uh, pilots and try. yes, one is fine. thank you for talking. thank you very much. this was a podcast, a must read. i'm a festering director to write or host podcasts today we discussed tomorrow putin - this is the famous novel of the hoods with vadim the elemental. hello this is a podcast of the psyche and we continue to read the book of human destinies to look for a way out of the most difficult situations and see the light at the end of the tunnel, which, of course, is always there. i am a journalist. my name is natalya loseva, my co-host clinical psychologist mikhail khors and our

guest today, who is mikhail in the literal sense, both a beauty and an athlete, a wonderful girl. how are you? hello oksana, what brought you to us? tell your story. i had a difficult relationship, ah. we lived with a young man, and 5 years in civilian marriage. that was not easy. he was a tyrant and manipulator, and he periodically had breakdowns. and, that is, he shouted, arranged disassembly scandals, and there he could arrange from scratch. ah, the screams. there he raised his hand, well , there were situations, yes, and kia and 2 years since i in the truest sense of the word, i ran away from him and , uh, during these two years. uh this man continues to haunt me, and how could i not find a solution to this problem. he

pursues you in social networks or in the direct physical even in social networks, i blocked him everywhere on my phone. i blocked him too. that is, he doesn’t, well, has no contact with me, and the only way to somehow find me and, uh, how to continue trying to renew communication. this is a sport. that is, as if he himself is also an athlete, and you are either a sheet, and as if we have all tournaments , matches, competitions, they all pass. uh, well, no matter how publicly available information is forced to intersect at competitions, it turns out that he does not play at these competitions does not participate. where are you coming? yes she these competitions in what state of the psychological go to the game? yes, and what he does in this comes and waits until the game is over. respectively. you get out that i get out. yes, he is trying. so how do you get in

touch. let's go sit somewhere. let's be brief, well, let's talk, we need to discuss so much with you, but it's nice, but it's not scary, but well, you say, i won't go with you to a cafe. we have nothing to discuss a complex story, because it’s impossible to get away from him just like that, that is, he clings like claws to himself and just, well, doesn't give a way out, so i had to, a ask the girls. uh, so that they are with me, well, either they put me in a taxi, or we went down to the subway together and drove, but again, this is not the way out, because he is again. followed us. and that is, i simply could not do some nasty things to you, they don’t know. this is such a well.