our vast country also has its innovators and genius master engineer or designer and not only going to run your standard. you have no business, ready to manufacture or project advanced technology. you come up with a miracle bearing a unique computer program or a non-standard concept in a restaurant, and your earthquakes will recognize me people. and we will help your dreams come true to us write to us write to us write to us write to us. i am yarmarkarmanov, elena cyprus, and we continue our conversation with hiblai gerzmava. this was the first contest. and then how will fate develop, that is, they already begin to work in these theaters, but to serve. how do you say music or is it that they have such a level, they

rise to a new level. and further. they still need to do a lot of work on themselves in order to gain a foothold in our laureate, they all need to work very hard in order to be exactly us. and we already have the next stage in life, of course, after the competitions we have , uh, a wonderful concert. e in the tchaikovsky hall and beyond. we are going to the mariinsky theatre. valery aleksandrovich will be behind the console and for us. it is very touching for us. this is very important for both the stanislavsky theater and the bolshoi theatre. mariinsky they are all curved in opera performances, of course, and in they are all races. according to our large opera house, and for us the big opera house is the bolshoi theater in moscow, this is the mariinsky theater, the helikon theater of stanislavsky nemirovich-danchenko, and they are tremblingly preparing for this directly for them. it is very important to serve as the main part in

the first theaters in russia and this is hmm big career. the most important thing is that this is the biggest chance in life, many of them may have, but they don’t care what kind of people they are, after all , not only artists, young people are people who have grown up in completely different conditions with different technical capabilities, even with different worldview. maybe they have something special that they didn't have. so when did you start? they are all talented, and i want to tell you that we had so many applications. we had 800 applications. this is colossal for our time and for the first competition. uh, that's a colossal e figure 800 people and from all over the world and we were absolutely proud of it. they are all very talented, but they need a lot to do in

order to be in the profession to stay in the profession. after all, many, you know, can be laureates of the most important competitions, but then not have any kind of career, and here the main thing is that they have a subsequent life, so that they would be interested in staying in the profession in order to serve in music, and they are all very young to them. there is a lot to be done, but it is important that they understand that they can do a lot in opera music at the opera house. scene in cameras. we were looking for talented guys who, in their entirety and in the aggregate, can be very interesting for the audience who will come to listen to the winners of our competition. yes , and it is concerts and performances. it was very important for me and for me all my team that a hmm they were diverse and that they

were able to give what is interesting to those people who will come to the halls now. is it important to popularize the genre? well, for example, to somehow synthesize a consover or in some other way more, well, to attract a more massive audience or not. what do you think, if the discussion, so to speak, between contemporary? here and in general, well 8 it's for the opera indeed it's a lot, but if we talk about culture, there, of course, it's completely different and scale this art form, like uplifting the audience. and how do you say, again forming a revolution, in general, well, why do marketing tools exist? i just understand that, for example, operatic vocalizations are built into hansacimers, or there are some other osyntheses, there are some other

some kind of mix in which you can uh still, well, there is a lot in pop music, but if uh, the famous hopper sounded as a reference. yes, but pieces of arias. here's how you feel about it, and i feel great about this , because i'm sure that as singers they should be educated for different music and in order to be important in the profession later in the profession and be able to be very stylish and it's expensive to do something in bohm style in another genre - you also need to be able to do this. for example, jazz and classics, where there is a synthesis, for example, and a little, but a little bit of classics in jazz. for example, i hope our competition laureates will continue to feel this need, but i have had this need for a long time. i have a lot of jazz music and a jazz program. e, in which i

connected. uh, these are the fabric of classical music in jazz, but the most important thing is that it be strong. uh, if it listens beautifully, if hmm if there are uh people, but full halls, and people who come, uh, to listen to this program, then it works. so it's important, so it's interesting. and in order to become interesting to others, it is necessary that you were interested. very important. there are also a lot of aspects, it is important that you sound in this music, it is important that it be stylish , i repeat, but they say that it is interesting what you say about style, indeed, of course, it is important that it be in style, it is important that it sounded expensive and stylish, so that there was no bad taste. this aspect has always been very important for me in general, in principle, taste and style in everything should be everything related to music. it should be. that's so delicious. i'd say

yes, hmm there's a singer coming out. she is a singer. she should be luxuriously dressed. uh, she must have beautiful hair there is art. yes , specially comes in order to both look and listen to enjoy, yes, aesthetic pleasure, and operatic art. i am sure that this is an absolutely aesthetic pleasure. you can return to the world the world is trying to cancel the russian culture, well, unsuccessfully, as we can see, but nonetheless. in general, he tries and tries quickly, apparently, that's why it gives us more chances. uh, or uh or limitations of opportunity or some kind of internal e some internal borders? i will now say a very important thing. i think that, as it were, with this answer. i'll

probably, uh, hmm finish my answer here. so let's say. uh, from time immemorial, russian singers closed festivals, opened and closed opera houses, and we have the best singers. and it showed the world it showed. practicing it showed it all our lives uh hmm in the opera world. and of course we're a bit closed right now, but uh, trust me, it's mostly music ministry for us. that's when it's there, when we can say that this is the main art in the world in the world of culture. i'm sure those who want to abolish russian culture are quietly shutting themselves down at home in the evening. uh-huh no one heard include integrated into each other in the world culture, that is completely

impossible. it seems to me that russian culture cannot be canceled , but how can tchaikovsky or rachmaninov shchedrin be canceled ? the most important thing is that we have it and we have it. history is very important. where do you find support for yourself? well, what you give her. this is absolutely what we know. but when you need personal support, well, my support is my family. eh, this is my job. this is my home, of course my home is you and it seems to me that this is the case for everyone, for all performers for all musicians. because after you come home, when you are hugged, the whole house is just that, then

important, what it takes to let go everything that was before, and you tour a lot. of course, and accordingly, when you return home, that is, your family feels a lack of communication with you , probably, well, we are in touch all the time, of course, but, of course, we are always very much i miss home very much, because i am so a very family clan girl has always been with us, and such a mouth i was brought up by such people in this kind, and with my mother from my father's side. we hmm have a very strong family, so of course i miss them a lot. and it is absolute happiness when i come. here are the houses a little. yes, it didn't stop you. it's simple, because you know, the ministry of music. here you already have to somehow measure it, how to balance it all, when there is a family where you want. this is also a difficulty for many,

by the way, and restrictions to step further, because something slows down and slows down, first of all, the female is realization. she seemed to always be at the hearth of the house. i am this is very e for a modern woman who is in the creative industries, who are in creativity, because it is connected with an investment of great energy in his profession. again, service. this must be measured. that's how it balances you out. the main thing is that the singer is a woman and a woman musician. she should be happy. that's when a woman has happy eyes, when she has a straight back, when she sounds great. the voice, she is beautiful, she glows from the inside, so everything is in order, because we are touching the great, that's what we do. it's really great. this is classical music, so we say we serve in music in order to serve to be a happy person. this is

what you need to be a man now motivation? how many things do you need to do to be next to such a woman? well, i don't know, it just sounds too much to wear on your hands. it seems to me that families where, and a female musician is a female singer, they must understand that this is not an ordinary person, that she needs to be cherished and cherished, that there is a contingent of families that understand what it is? well, regardless, even cherish. eh, that means they don't even take care of it.

when you go on stage you are absolutely not cold. you are absolutely tuned in to what you have brought to the stage now and, of course, some other facets of a creative stage person are opening up and uh, there

, of course, uh, well, another human gradation works, i think yes, i listened to one podcast, smart, just from the series. here's what we mentioned at the beginning. eh, so how to start listening. eh, opera advice was like this. so it was very simple, you have to come, firstly, in general, settle down. in the armchair. can be closed eyes. but sit back and not look at the stage, because, well, from the point of view of the podcast writer, nothing much will happen on stage. there will be something sketchy there. in general, some people happen, but nevertheless you have to immerse yourself. e in voice. uh, that's all, how right the author of the podcast is, the author of the podcasts is not true, because. and if you come, if people come to opera houses, you should definitely see what we have in price, close your eyes, sit in

a comfortable chair, you can also at home with beautiful records, but the audience comes to the opera in order to view in order to take for themselves what is important to him now and, of course, the totality. uh, opera and voice with cynography orchestra, sound of the orchestra singers conductor hmm stage director's decisions. this is all interesting, but do you listen to pop music? well , of course, i listen to different kinds of music. i was brought up on very good different music. i really love in ours someone from pop music, who is closest to you in terms of high art level. these are the names you want. and why will it be, if now it will be named someone's name. eh, what will happen to this person? he will grow in popularity.

he can write out a certificate for himself without content, let him be popular, people are ready , you know, it seems to me that if i have names now, of course, but it seems to me that something will be dishonest towards others, but pop stars, uh, who are loved and everyone has their own opinion. hmm no no. of course i won't. i really love. i hmm now, if in such a narrow circle, i can even believe such songs with pleasure. uh, well we're not at karaoke we happen. but if suddenly it happens somewhere on vacation. uh, all of a sudden the situation is hmm karaoke, so to say, you will absolutely not be ashamed, funny in karaoke. believe me, it seemed to the earth that it was hard for opera singers to sing. ah, popular songs. well, i was present several times and it seemed to me that

there were not many of them, but maybe a song by soviet composers and security, for example. but i invite you on may 8 to our amazing concert with oleg neat amazing, he has music, amazing program with him. uh, forties seventies loud. tell everything is here, i was brought up on beautiful soviet songs e we now also sing them , there are families where children grew up on this beautiful music, and it exists to this day. that is, if a child has grown up, er, and listen to good music, then he has grown up, and he will continue to drink and listen to such melodic songs, which we are talking about now, now it’s just a little different. a trend, perhaps, so to speak, but i want to tell you.

ah, that those soviet songs and those songs on which we grew up, they still sound to this day. believe me, they change a little in interpretation. eh, in some arrangements it's always very interesting. and at least i enjoy doing it. and for example, when opera singers, for example, sing, you have to be able to do it. eh, not all opera singers can sing quietly, for example, with a small opera sound and a song quietly. many people know how to do this with tenderness, for example, you would sing a song of tenderness on new year's eve on channel one, i sang with pleasure, e, our beloved, smelling on the stage of the kremlin palace. she went out and sat down at the piano. we hugged her and it was very touching that the opera singer who sang the entire concerto to operatic sounds. quietly with tears in his eyes, and it

was in memory of my parents. uh, uh, there were photographs in the back. e, a of my parents. it was very touching. i stood there crying. my voice trembled a little, but i sang tenderness, i sang with a small sound , a touching sound. here e. what, when here goosebumps? this is how we know how, that is, the bottom line is that opera singers can also sing other different music, and with some kind of laboratory rapper , you could come in and sing easily. yes only the most important thing is that i like the song, that it is stylish, that it is fashionable. that's when the mogu could not just trade for some other music that i don't like. i'm still a very selective person, a very selective musician, so i have uh and all my programs that i have. they are very , very carefully woven from what would be interesting to you. and you receive such

proposals, of course, often, that is, there has not yet been such that you easily agreed. hmm easily disagree easily disagree but with pleasure, but i can provide for my own and operatic lives. well, this is here in support, probably, of this topic further on new year's eve for the first time in many years, uh, authors began to write both words and music, that is, as it turned out. in general , this skill was somehow lost in general, and along with it, the authors were also lost, who were somewhere in the shadows. generally dissolved. well, why be an author if no one knows you anyway. so maybe this is also the case, maybe that's why the songs are also somewhere. in general, share and good songs have. yes, good songs to sing. in general, i'm sure that in rap.

there is music, in general, the author who is able to create a work that can satisfy the great singer, because i'm sure that after all , you probably have internal interests, in general, well, in general, azar should always be present, there is always the most important thing so that it is stylish and interesting, because this synthesis, which, well, is difficult to combine, as if an opera with something with another , this must be approached very carefully, so that it is, well, it didn’t go so that it was that it was that it should remain in his life friends. it must be stylish and interesting in order for great cool projects to take place, which we will talk about in the creative industry podcast roman karmanov, kiper our guest is people's artist of russia velikaya hmm thank you for today's conversation.

hello, i'm larisa guzeeva, this is a podcast of letters. my guest today is the great galina konshina, the wonderful actress olga khokhlova, uh, we will talk about the fine ranevskaya about the greatest ranevskaya, both actresses play in the fain raevsky theater we play my play in different performances. i've been playing him for 10 years. just uh, it's a coincidence. and what about your paradisal gift in general? you could have done it, one to one, just like that, i don’t make thresholds for us. yes, i play, i play. she does not like this word, ranevskaya is my net. this is a very touching 86-year-old single-skinned woman who can no longer live in this world with her longing. i uh, remind the audience

in some bits of uh action. remarks for her performances in order for her to be some recognizable, for example, there. well, what a beautiful belvedere apollo he is, damn it, and or something else. well, how uh? well, that is , the audience, i recognize, but these are also her roles. it's not herself, but she's different herself . here's how i have it in an interview with natalya krymova , the last one, very touching, i deliberately leave this parody. well , because you don't play the same actress ranevskaya frontier of a person. yes, and what is surprising is that the audience comes up, then they say, well, this is some kind of witchcraft, this is some kind of magic - especially one phrase that was expected from you fill, oh, which you will do exactly one to one like ranevskaya and i will say. this is beauty. yes,

terrible power. and how are you? uh, well, basically, uh. yes, i'm doing it, but it goes there after such an irony that the theater is now m-m different going there, like in the garbage and wire, not a single person , only masks, nothing. i'll go to the seaside and immediately hide in the dressing room. the artists will start running. and i myself will throw myself to someone. yes, he arranged a couple of dedicated parks, because beauty is a terrible force. how do i love you? oh, do you play? what e? i want to supplement what galya said, the performance is based on the same play and directed by the same person lev palcha shilava the great , you are playing in the same directors. yes, i

play. well, maybe she walks her jokes , so to speak, and so on. and we even have different names for faina's performances. and we have a lonely mocker, and well, as it were, why not? well, there are three sisters playing a lot of corpses . correctly, i came up with the name, because initially the name was i was a miscarriage of stanislavsky, i didn’t want to and they say miscarriage, because good taste. thank you. in general, the first performer, and faina georgievna on stage. except for the crust, svetlana ivanovna, who also plays and she drinks another one another time. thank you for defending the title, and i think, faina georgievna well, it seems to everyone that since she swore, she was such an ulcer, but there was no vulgarity at all. eh, not one second. she had good taste. and she, uh, hmm, it was such a masterly presentation of everything. the first would

say that this is of course, well, i want to say about how one to one to play or more than one in one, the audience is waiting for ranev’s precisely ranev’s, that faina georgievna will come out now and, of course, we are obliged to convey that here we are playing ranev’s one in one and is always annoyed by you. applause when he finds out, yes, then this is how the director staged this performance for me. it’s as if i’m going out for her, so that everyone knows and loves her, as if you know, as if you were like something? remember again . and when she walks there between us between the audience, i just feel like her presence. she is present sometimes energy. it turns out that the audience does not even need it anymore. they just take it out and that's it. you know, they laugh and cry with us and that's why.

uh, the more ranevskaya, the more nevsky performers, the better, and i’m watching this one in the film, i want to tell you that i’m looking forward to every episode, because it’s not important even i don’t find fault and don’t ask questions. i'm just glad and happy that i see the image of faina georgievna. i think that they are on ranevskaya - this is already a myth. the legend they are so overgrown with various. yes they so much written that we like. eh, we can hardly add anything. although i have one story still overgrown. how much is attributed to her. yes, there is such a phrase in the text. e in a dialogue with a friend. she says faina well, you just need to write down after you and i say ninochka. you know what is already writing down the worst that is attributed. i don't know what i said anymore. i even arrest that. aristotle said yes, you see how we are different. well

, of course, it's perfect. well, that sounds like a real talent. it's self-doubt and painful and dissatisfied with himself and his shortcomings. something i've never seen in mediocrity. i don't recognize the word play you can play cards at horse races in checkers on stage. i need to live, i receive a letter. help me become an actor god will help. once she wrote it was ahmadulno, the more the name is famous, the more unrevealed it is, and this can be said by the name of ranevskaya so that they don’t write after all, e, i’m defining it for myself. what is it here is this mystery is a mystery and what is the secret of such a long popularity in different countries and in a variety of people.

i leaned over and got to know this talent of charlie tea roosevelt, yes, yes, the president or the opportunity to watch the film dream is here, but therefore for me , it seems to me, the secret of this popularity is in that extraordinary depth, which maybe not everyone even understands initially when they see her image human personality, so it goes through the screen through the frame, because the personality of the actor is everything i want to talk about even today. here's how she's beaten since childhood. she was absolutely a happy child, but with an exalted mother, of ​​course, this exaltation was transferred to her, which then yes flowed into this one. here she is in such some kind of depth, uh, in her curiosity for life, but it all comes from childhood, how she was not disappointed in humanity, how she was not disappointed in people. she after all by and large good,

saw nothing, was disappointed. she wrote, but it still didn't turn into hatred. she didn't . this is another disappointment. yes, not always carved into hatred. this is watery longing for those, uh, gone to akhmatova. in pushkin about about pushkin about this love and jealousy for natalia for his ex-wife. i hate his wife. he was looking for a duel, he says, somewhere she simply hated natalia, as if she were alive, and they lived at the same time, and they lived in the neighborhood, and they had the only lover they fought for him. when you were wondering , they lived in the wing, yes, which natalya goncharova lived from pushkin why didn’t she write about herself? yes, memories of memoirs are just memoirs, each cook writes about herself, i don’t know. just said it would be a book complaints. yes, if presented asks to write about himself refusal. i don't want to write badly about myself

, it's indecent. so we must be silent. i know the most important thing, i know what must be given, and not enough, so they live with this bestowal. memories are the wealth of old age. if i gave in to requests, i began to write about myself. it would be a mournful book, for 3 years i wrote a book of memoirs, fasting 2,000 rubles on you. in order to purchase a warm coat. i guess i broke everything and the advance in vain. now we have to return. god bless them with money i will collect, i will give an advance. well, this is how the diaries work, but she also wrote. uh, letters, maybe from childhood, that dad was a rich man, and she was, as it were, unloved in the family, because she was ugly, maybe it's girls. that's not how it happens. we are all mothers. why, when she writes that she is the daughter of a poor oilman. well, we understand the irony. anyway, for example, i don’t really believe that her parents directly

told her in the eyes faina you are such an ugly girl bella was just very beautiful, yes, she accidentally heard it, random conversation between mother and father. this is the same trouble. yes? this is it, she already conveys it this way. well, how would we know because of her that children are such dreamers, in fact, a jewish family, a true believer. uh, rich parents do not happen for the beauty of children they do not like, on the contrary, maybe there is no father with grief, what did he say? poor mother , well, how will she live? uh, how will she find you a husband? she also stutters to everything else. let's tell the audience why she began to stutter the actress herself i felt at the age of five, my little brother died. i pitied him for a day, crying , and yet i drew aside the curtain on the mirror to see how unhappy she had become in tears. at the age of 6, the governess took me to a visiting

menagerie. in a small room, a thin fox with human eyes was sitting next to me . there was a trough on the table, two tiny dolphins swam in it. drunken, noisy ragamuffins entered and began to poke the dolphin's eyes, from which blood spattered. now. i am 76 years old. all 70 years. i am learning these tortured. well, somehow, well, horror, but horror no but this one characterizes her impressionability so humane. here she began to stutter. yes since then. yes, she really was ready to give everything in relation to people. yes, being harassed at the elevator theatre. well, that's all too. we, to me, to whom, on the contrary , developed some kind of character in her. perhaps, through this pity, some kind of pity, uh, for people around. this is such a dramatic pity that this is what was expressed. here in

some kind of m-th human love, yes, yes, yes, yes, this is such a peculiar, love is pity, love of course, that's when she got paid. she sent money to her friends in the envelope of her salary. that's how it is, maybe a lot of people were paying. help and she helped no one. take it. take it and i don’t need anything, he had a lot in the refrigerator, but from time to time some people came and took sausage from her there, i can’t. take the french perfume sent from paris, i don't need to take it, she said, but i'll die. uh, no one will ever know what good taste i had. uh, remember, yes, because well, she got dressed. uh, hmm, worse than mediocre all the time was in girlfriends lyubov orlova about whom she said in that wardrobe in which the moth would not learn to fly. and yes, there

would be no more place and despite this character. this is love for people. she still experienced so much in her life in connection with this surname feldman and in connection with this. and that every time i filled out, but this e questionnaire, where it was necessary to fill out the fifth article. that's what an iron character that the soviets told me that when she joked all laughed, but young artists were sitting next to them, and they were running down their backs from horror and admiration from this woman with an iron will. but who did she love, what do you think, well, except for her dogs, which she was simply betrayed, for example, she bowed to kachalov. well, she pumped it, yes, and he heard and answered this love. well, it’s not love, probably, yes, which she expected from a man

, but he didn’t know that she didn’t even expect it, to be honest, because she was such a go there, because in the very first letter writes already. she's in a swoon. she lives. in general, to recall what she said, but about her darkness then it was very natural. i was born at the end of the last century, when there were fainting spells. i didn't like to faint. in addition, i never hurt myself, i tried to fall gracefully over the years, this hobby passed, but one of the fainting spells brought great misfortune and for a long time that day i walked along the countertop alley, looking at the windows of luxury stores and next to me i heard the voice of the man in whom i was madly in love. i collected his photographs. wrote his letters. i never send them, hearing his voice , i fainted unsuccessfully and hurt me badly

, they dragged me to a nearby confectionery and put me on a sofa. several years passed and she took courage and wrote him a letter . once i heard your voice, i fainted. i'm already a novice actress came to moscow for the sole purpose of getting into the theater, when will you play another purpose in life? now i don't have and won't have a letter. remember made it up by heart for a few days, otherwise the answer came very soon, dear. faina , please contact the administrator, who will have two tickets of your kachalov from this evening in your name. until the end of the life of this amazing artist, our friendship lasted, which i am very proud of, and about the fall, and mom and dad feldman lived quietly in taganrog and you are a field mar. the devil took to moscow to become an artist, and she knocks money out of dad. my god, there were some fights, as i was perfectly able then get swoon. at that time, i

was perfectly able to faint. that means that you fainted and gave money. and how many gave no? i had to crash down again and, for greater fidelity, knock the vase head down on the floor. then i did not breathe for about 10 minutes, he took out his wallet and surrendered. well, her acting nature is a human tragedy. i can't imagine, for example, the same man with his wife. i consider myself a mother, yes, and i can't even imagine it. i'm not because she was insanely busy. there in the theater or in movie. she had a lot of free time. it wasn't like that. sorry, because the grandson of shcheglov who are irina uh, they are wulf uh, that is, pavel leontiev. you are the teacher of the second mother, who is behind the letter. and she had a daughter. and so, when

she gave birth to alyosha and shcheglov, she read it to her grandson and, moreover, she was a crazy grandmother, if he left somewhere she wrote a letter, how did you arrange it? e, alyosha this is a grandmother. eh, there ranevskaya writes. he says i was amazed. and i have, for example, there uh, in such a text. yes, i had to give birth to a grandson. hmm, there were no temporary children of the grandson. gave birth to songs. you sang to him in the forest there was a christmas tree reading pushkin's fairy tales. so it could be. the fact is that the tragedy with marshal tolbukhin, who is not a legend. no , this is not a legend. friendship in any case, right? well, very deep, of course, no one held. well, why two adults with such respect, relating to each other, could have helped further, er, but there one developed.

here the wife was not married. he was the widower of his death. e brought her, in general, to a complete state. uh, the despair of loneliness and longing and all the kinship that went on like this until the end life. she could be, well, didn't add up to regret it. she says, lord, yes, why is it like this all my life without a family, without children, without roles, like a cow in the wrong direction. for some reason. it seemed to me to be very conscious. my name is michael l. rum now i invite you in my film is not about anything, the picture pyshka yes, new boutiques to play an honest woman. excuse me why are we talking, like coal they expose the frame, guys. you are not art.