it was possible to get acquainted with a real chaliapin, and who ate in three throats, sang in 4 throats, constantly jammed with conductors. uh, quarreled with everyone for a fee. and he said that only birds sing am for free. at the same time, some incredible shakhermacher was constantly inventing with investing his money in various candle factories or in railway lines or somewhere else, and every time this whole story and operation failed, he said, well, it’s absolutely impossible to live in this country . this phrase. korovin appears in memes somewhere on the stretch. uh, everyone every five pages. and it all ended with the fact that e ball once again said it was absolutely impossible to live in this country and stopped living in this country and grumbled at the country to which he moved to the end of his life, as capricious people often do. and when he entered

into fame, ambition, e, in contracts he began to demand some kind of utter bird's milk, and firstly, 1,000 rubles. for the exit. secondly, they subscribed for a whole year to a box for their friend gorky, and finally two soldiers with naked sabers, and near the dressing room for frightening journalists, and hmm, the head of e, the director of the imperial theaters, telyakovsky , laughed terribly and signed all the contracts. at the same time, he said that he would still give nothing but money, and chaliapin would still lose contracts and shelyapin. he immediately lost his contract, and, despite the success, popularity and , uh, a wonderful life. still, in some ways he resembled chekhov's ekhov, and hmm , at the same time, everyone treated him especially tenderly, and even more so the author of korovin's memoirs , it was important that parallel to all his tricks. eh, fyodor ivanovich still worked incredibly , he could sing all night long, scaring the neighbors, and

he taught all the arias of all his operas, including women's ones, in order to have an idea about am. well, the action itself, as a director, as a specialist, observing the battlefield from above , in addition, he was extremely grateful to his friend, the dramatic artist mamontalsky, who taught him how to learn arias from the very beginning, reading them like poetry, and among opera artists. it was completely unacceptable . everyone got drunk at once. uh presenter, uh start phrase. and chaliapin initially read uh verses uh hmm from a sheet and this gave him more or less understanding. and with what intonation to sing, and if the most popular in those years, yes, and in subsequent years, the tenors , e always performed the same character

of the lyrical hero-lover, then the bass chaliapin could perform completely different characters and hyper-villains and superheroes, and he always needs was more or less understandable. uh that he sings let's say so uh that's why he became so famous not only on our stage, but also at the international he was the first person, who approached the kings from a dramatic point of view and was extremely grateful to dalsky for this science, and as a result, everything came together, firstly, fyodor ivanovich's gigantic growth was one meter ninety-five centimeters, which makes an indelible impression on women, although they are not in this they admit, secondly curly voice, uh, incredible diligence, finally, uh, fedor ivanovich actively lobbied the russian opera at the moment when the first sprouts began to appear throughout europe and russia in particular. the first

germs of nationalism are historians. they say that nationalism appeared along with universal literacy, and in ancient times the aristocracy was absolutely cosmopolitan, taught a variety of languages ​​and more or less attached to ethnic priorities, as for the illiterate masses, they sat in their ghettos and did not take any part in public life, but they began to accept exactly at the moment when uh went, mass literacy was the flip side - this literacy was the emergence of nationalism, just at the end of the 19th century, which, in fact, coincided with the mood of chaliapin ah. actively promoting on our stage , and the opera hmm by rimsky-korsakov and glinka, contrary to the wishes of the director of the imperial theaters , the former vsevolozhsky before telyakovsky it is clear that the whole conflict is always built on, hmm, all sorts of different anecdotes from

the life of a star. e, the people treated chaliapin absolutely as vysotsky in his time, and , firstly, they adored, secondly, familiarity. thirdly, he constantly told how each of the citizens of our country has. he thumped with stemlodia. here with fedya everyone thumped in the same way and er. from these stories, by and large, form the series. uh, uh, because, uh , the main advantage of the hunchback performer is his gigantic growth. uh, all the other uh, surrounding characters, the author had to somehow slightly lower, and they took on the role of very serious and powerful people, and artists with a powerful comic temperament. there mammoth plays. uh, a standard and wonderful comedian and unsampler, who is remembered in the film mainly by the fact that his hero pisses from the parapet into him the director

the vsevolozhsk noble and majestic character is played by the same e, comic artist boris kamon hmm, and so on and so forth all together. e as a result. uh, with some stormy chaliapin spree , it turns into an absolutely zoshchenko blessing. when the townspeople take it to film the sprees of big people, ah, they get some kind of janitor's adventure because, and for the first time they appeared in the mammoth opera , uh, chaliapin utters uh, absolutely watchman phrase, where are you going? and korovin described this scene a little differently; there was a quarrel, but still not in such formulations, appeared. there. uh, korovina says the phrase of the classical registration. polyclinics. here people work. and you make a fuss, huh. well, and

so on. in general, really from uh, the series very seriously smacks of zoshchenko's proyza. a not to mention when the revolution happens, a and hmm in uh. bad bolshevik tribes tumble in the apartments of the great star, and in the picture it certainly looks in its place play the role of korovin alexander yatsenko, who looks from the side with an ironic squint to ongoing events. well, this is the unconditional merit of the artist, they have always been an ironic observer, and the unconditional success of the production, of course, should be considered female roles, and everyone who has seen the photo. first wife chaliapin ballerina tornagi hmm, probably sympathized with fyodor ivanovich because she was a perfect bedside table, and and uh, an invitation to the role of this little agile frankly speaking, judging by the photographs of the lady. uh, absolute

angel. maria smolnikova can be called a great success, uh, casting and serials in a whole smolnik many may remember from the film, stalingrad ah. she is certainly good-looking and generally a sincere person. chaliapin, after the darnaga, went to his second wife, maria pelt, who was much more attractive and, of course, uh , one of the most important beauties of our screen, yulia snegir, is playing her now they are shooting her as margarita in the master and margarita quite deservedly, well , i should add, when uh screen scandals. uh, after all, they are already starting to cross all sorts of boundaries, the authors behind the scenes are launching a voice outstanding singer. eh, mildara, drozakova. e, who reconciles everyone and who pleases everyone. in general, we can assume that with a sin in half. eh, the picture is relative. no, it still didn't work. to be honest, well,

you can watch it once? the next series in the distribution is fandorin translator georgievich khartishvili, who hid behind the guise of the writer boris akunin at one time. uh, he came up with a game of fandorin in which all of russia wanted to play, but they didn’t know how, but the country was artificial, devoid of aristocracy. it just so happened, but reaching the noble level of prosperity. and most importantly, the level of education is very scary. she missed the gallant century that had not taken place from her, and she felt very strongly about some noble crinolines, witch uniforms , balls, at the governors and so on in the seventies. uh, there was practically not a single kuchiro granddaughter who would not imagine herself with a fan, and on the governor's floor there was not a single great-grandson of peasants from a farm without pants, who would not imagine himself in a duel and at a noble distance. here i am

actually speaking, this one so it is ah, and hmm in those years everyone wanted the nobility everyone wanted to get around. uh, everyone was imagining themselves. uh, in some special beautiful interiors. at the same time, to be honest, they treated this quite ironically. that is why in the seventies, all sorts of matchmaking were the most in demand and interests. sarah uh, dogs in the manger d'artagnan and so on. e with great irony relating to this e hidden shameful passion for the life of the nobility, and the translator shvili at that moment was working out his vocular , more or less learning to build an intrigue, and hmm to navigate the literary process. and what is important, like any translator , he came up with the correct end of the boring translated novels, and uh, the game of

detective game was announced immediately, the name fandorin was taken from the fantomas saga. eh, obviously a character named fandorin had to fight with a scoundrel named fantomas, and some calm ridicule, what was happening was always present, the reader felt her. and at the same time, uh, the author himself is wonderful knew russian history. at least at the level to fight off any archive claims, however. ah, over time , the zoom generation came to us. which was not able to be interested in anything but themselves, who did not perceive any artists older than 18 years old, by the way, this was the artist leonardo dicaprio who, even at 50 years old , is able to look at 18 a and e knees, which lost the thread of any story, if the heroes on it, uh hmm, 5 minutes after

the start, they began to measure the width of iphones , while the generation - this, of course, heard something from older comrades, primarily from hollywood, about russian autocracy, and bolshevism, and so on. hmm, more or less even ready to see how everything happens there, but since to come up with a hero more or less adequate, to those distant events. none of them could and did not want to, or even the prose of the popadans flourished, when a modern character finds himself in the old days and tries to, uh, bend them to his own ideas perfectly, and in this direction. began to make good money, cunning producers hmm more senior generations, however, uh , it was still somewhat uncomfortable for young people to get into a foreign environment. they fell into someone else's. charter and of course, all plots of this kind began with the fact that the heroes were dragged on the rack or to be shot, because now they were accepting

their spies, and it was much easier to take to come up with all the beautiful tattoos of the past to transplant into our present, which was invented for the fandorin series, and the authors suggested that the bolsheviks lost in 1917. and that russia still exists e, the absolute monarchy in the country is ruled by the monarch e nicholas iii performed by maxim matveev in general, more or less explain. how does the absolute monarchy, a, mount with post -industrial existence, the authors did not even come up with such an explicit question hmm and why? everything, e, what is happening in the situation is such a hodgepodge of e, fandorin's monarchical yesterday and sneaker-shirt today in this way, but the whole charm of akunin's prose standing precisely on e was absolutely killed. hmm old

idioms on some hmm candlestick a witch's uniform and others and others, and everything that has been moved into modern times today has practically nothing to do with this beautiful entourage of old ironic novels and relationships has no question. uh, how akunin attributed the female to this akunin quite calmly attributed it to the complete alteration of his work. perhaps and rightly, he is a practical man, he knows well that what kind of nonsense from his book do not put. this is all it is located behold and the readers re -count what he wrote. ah, so his attitude to the fiction of the writers of the popovs it was quite positive uh and supportive uh with the audience it was more complicated story, azazel uh. this is such a, strong, solid.

the legend of the m-th semi-fascist sect of highly gifted orphans, who, having been brought up and, having received the right education, begin to quietly crush the financial management system of science and art under themselves in all countries of the planet, and at the same time cutting off all possible competitors and all people who could become them on the road, because the most important thing in the production was that the characters walk in sneakers and eat bigmag. um hmm topic. uh, the main one more or less somehow disappeared and the power of power, and the director nurbek and gen e is a rather serious professional, but he, in principle, is ready to insert absolutely everything that the producers instruct him to put on. as for the producers. these are the chicks of alexander tsekalo's nest, the producers of remezov, nelidov and filipuk, and they are hmm, given that tsekalo has settled in the united states for quite a long time

and is clearly not going to return to autonomous water in free swimming. eh, they have it in their account. uh, the series is the end of the world, the series is closed gestalt hmm and the series is the monastery. e hmm in general. it's a manner. e is similar to the directors of the middle class, who in the nineties took to stage the master and margarita a, because, firstly, there is a large budget. here, secondly, at the ball of satan , you can undress a large number of pretty girls to the goal. and thirdly. is it possible to clap like that in a brotherly way? satan is on the shoulder, and the performers and his roles, most likely, most often they were great people's artists of the ussr , and this is exactly what we are now seeing in the production of fandoria. uh, i don't believe that someone watched this all the way to the end in all uh, licenses for this painting. uh, as some key points, only

episodes are given that were all concentrated in the first half of the first series of a six-episode movie. and hmm, the critics, apparently, did not watch the picture to the end, which is what it deserves. it was a podcast of grief by fire and i was its host denis gorelov with a story about the leading domestic series with some interspersed with foreign series and major films of the central theatrical distribution. all the best. there is a wonderful joke. advise some guide. take dante hello we gathered our thoughts today to solve an unsolvable problem.

dante in 35 minutes, these three brave aleksey nikolaevich varlamov, writer, philosopher, rector of the literary institute and archimandrite simeon tomachinsky dentist, or either all the same, or all the same dentist yes, i am vladimir legu yes, and we, as i said, will try to decide, well really unsolvable problem. but you know, dear friends. here's what i want to say right now. i would like to talk more about dante about the divine comedy, as a book of direct action, that is, this book for every day, if we read it today only as we look at it, as a story about the middle ages, we write dissertations on the impact on the concept of purgatory. and so on. it's all wonderful. interesting and right. this book is part of, uh, our cultural code and so on and so forth, but it was written for what dante himself remembers. you said in one of the letters. yes, he says to take a person out of the state of unhappiness in which he is now and bring him into a state of happiness.

yes, the hell of purgatory. paradise is a state of happiness, the father of names, what do you think about this e you question is actually quite correct and i absolutely agree here that the divine comedy is more about such self-knowledge. yes, because dante is, in general, a symbol of a person, that is, each of us, and his path of ascent. yes, this very difficult path through hell through heaven in an hour, in fact, for the sake of what the ancients called it to become kapoksta, and yes, capable of god, yes, that is, he had to. eh, really somehow transform something to do with your soul, in order to be able to generally look at paradise, its inhabitants and about it. beatrice speaks in one place. dante's trouble was so deep. and that it was possible to save him only by the spectacle of those who died forever. that is, he had to

pass. here, through all this horror, e, where he fainted there a couple of times, and so on. eh, that's it, the time of such fears is to tremble in order to really cleanse e from the inside to become a real person. alexey shakes. it is possible for modern man, and perceive this text has been written for a long time. yes, many centuries ago, as a text. uh, for every day, i don't think about every day. so i don’t really imagine a person, but if you don’t read them on stubborn philologists who will be every day. eh, read one chapter of the date, after all, in my understanding. this is some kind of book that burns every day , i don’t really want to, i don’t really want to. but in general it is curious that there is a very different perception of live. dante is very different. here, look, for example, mandelstam in his famous conversation essay. dante wrote that reading dante is such a difficult

ascent, you need to stock up on swiss shoes with nails in order to go borghis , a well-known argentine writer says that reading dante is a pleasure, that he generally reads books just for the sake of enjoyment. and here is dante - it's just that this is super. such beautiful poetry. in nietzsche , one can come across the idea that dante is singing, hygiene among the graves, well, he loved some paradoxical ones less, yes, therefore, perception here one of the french romantics in the 19th century wrote that reading hell is all that reading a florentine newspaper. yes, that is, this is actually the binding of this great immortal creation, who is the reality that was created. it also has a place to be, so this is a very planned thing. difficult very difficult and therefore every day i read something very different. i read pushkin every day. well, pushkin, you can add to this collection nikolayevich your still moving, he said that

you read there to swim in the sea. i know why about every day, but there is such an approach, perhaps reading the date, that there are, uh, three levels, and each subsequent one is deeper than the previous first level. it's when we realize the greatness of this book, yes. something like that, probably, could be, that is, not literary greatness, but there are people who are convinced that the divine comedy is the result of a certain spiritual journey of dante's revelation and so on. something like that could be. this is first class first. i mean , not on the plane. yes? first class in comprehension. yes entry level 2 the level when we talk, but such things can happen to me and the third level is the deepest. yes, the most serious and closest to what dante wanted is when we say, listen, this happens every day. yes, i tell my students and i don’t think that dante would be offended by such a comparison. i

tell them, you know what i'm saying, you wake up on saturday morning and you have to go to the first couple and it's hell. then you get up, because we need to drink coffee, there a little bit and already somehow life is getting better something already, if already purgatory and if everything is fine in the evening, then here it is paradise, but in a sense, of course, not in such a primitive everyday way, but this path that we go through all the time. isn't it, you understand? i say, everyone has his own ladies, yes, yes, so i remember my dante, i read him in the first year of philology, because i had to read, a and a the beginning was a thick book that could not be borrowed from the library, because it was all sold out only in the reading room. it was the first book in my life which he was reading so he read three lines and got into note look, what does the next three lines mean, again a note. eh, i mean, i felt myself. here then for the first time as a philologist. why reading like i used to read books before. i'm wondering, for now, yes, i 'm reading there, the eye is flying, looking at the lines, and

now figushki doesn't work. look, it doesn't matter. this is paradise, this is a piece of land. yes, it’s hell or in another order, yes, but in any case it ’s difficult reading in this sense , mandelstam’s position is closer to me, but the fact that in this book there is a vector which actually myself. yes, he explained to you. why comedy starts badly and ends well. yes , a very big question. was it so in the life of the date itself. that’s what starts badly, i understand, but the fact that everything ended well in the life of dent himself is quite debatable, some kind of your father dante i agree with alexei nikolaevich that dante’s rune really reads, but mandelstam wrote all the same about the first reading. yes, these indestructible swiss boots with nails. this is the first hard bite. that's when you need all the time it's me looked the same way all the time. e in a note. this is for the first for the second forgiveness, when you're already familiar 25

times. yes, then this, of course, is completely different . hmm, it’s really a kind of interlocutor that you open to at any point and somehow it touches you. eh, regardless, actually. what part are you in, because, well, if in hell, then of course, it's not just terrifying. and somehow it cuts you off. eh, there these same terrible, so to speak, images of all sorts of snakes somehow connect with a person. yes, and they turn into one of those terrible such scriptures the other day i re-read, of course. well, purgatory is really our uh, ascension to god is for me it's like a metaphor for earthly life. yes, that is, it is precisely the efforts that are associated with internal purification, yes, and when she speaks, i go up in order to gain vision. and where we see the british, and paradise - this is already completely divine objects and communication with saints, therefore, or there, his communication with

adam is wonderful. yes , this is the first person that strikes me, of course, an episode from the divine comedy. that is, here are some, uh, pieces become familiar to you. and they keep you or keep your vlade do not despair. yeah, uh or get inspired. here is the ascent to god in this sense. i think that having overcome this first resistance of the material, then you go to some other, comprehension closer to you, you know what i wanted to ask literary children. maybe i'm wrong, but the cervantes has as much as he likes, he is dostoevsky in the 20th century there under the japanese, but the decree does not work. here is theatrical and non-mathographic no why, because you understand this scale as scale by scale, but here i began

to re-read, again, the divine comedy and caught myself thinking. well, and some books around the divine comedy caught myself thinking. in general, dante was not a very kind person. well, at least in this book. and look what happens there, he travels through these three areas and actually does what he interviews. yes, he asks this asks. it asks him. it's amazing with artistic point of view is convincing. it is possible to say so, there are absolutely such people there. well, this is one of the most classic examples of the second round, hell meeting with the ball of paulo and the french full francesco yes, this is a famous medieval story, not even a legendary actual one before our eyes, but a blow. here are these two people, paul and francesca, who fell in love with each other, but this is lawless love. yes, therefore, they are in this second circle. in general, dante well, or a lyrical hero. i do not know how to put it more correctly, he sympathizes with them at this. and here they are in this

position. they have absolutely no remorse for what they have done, but from a point of view. dante , they are just there, because well , they have sinned, so they have sinned, although the person who killed them both. he is in a more difficult circle of hell, in general dante is very fair, so he is very fair, but it is not by chance that we say that in our tradition mercy is higher than justice. here is dante's mercy in my opinion. there's nothing like an impeccable artist more than that, a when it means powella and francesco meet him and see that he penetrates them. sympathy, but justice, the stronger. than sympathy, however. they say, they tell him that if we could we would pray for your soul before god they can't they are in hell. yes, but in them that 's human so strong that they would pray and the lyrical hero does not even have a movement of the soul. maybe somehow change and wants to, maybe somehow forgive them. they really do not repent. this cleaning says, because if they repented, then they

would betray their love, there is such a complex moral and ethical complex, that is, all this complexity, all this depth of human relations. dante certainly shows, but he passes by, well, he passes by them all. and this is his such passage through the parting grounds. eh, and rai, i may be wrong about this, i don’t know what i do n’t want to take. what is it we each have our own given, yes, the first word that dante utters in the first chapter is mercy of pity, that is, it turns out. if you agree with your vision, yes to a person so, who does not have mercy, but he himself begins with this , this is where the text begins. this is his first word no, mercy, of course, do not agree, then you know more interesting. i agree it doesn't end well. i didn't start arguing. there is such a story that here, like everyone else, where is

justice, where is justice? why are you still lawless around? well, how is justice in hell, but mercy is in heaven, and on earth, how will it turn out, so to say, e in this regard, really danton, after all, he studied law in a balloon for him this idea managed was very important and not accidental. there is a katon, he put the guard of parts and so on, and she, of course, is present, but dante is compassionate, and you are not accidental. i fell as i fall. it 's all to him, on the contrary, wilgel, he says, listen dear. if you now start to squander your emotion here, you simply won’t get there. where do we go? you must step back and accept divine justice as it is. these people have chosen their own path. you 're right, yes, they don't want to confess. and by the way, here the cleaning is wonderful. this is where the phrase strikes me. that only a few lines are dedicated to each character of dante, but this is eternal life, this is eternal life,

you understand, that is, they are frozen in this state terribly, because the frozen state is only in hell. eh, everywhere, otherwise dynamics is everywhere. in particular, the wind to drive so far and drive francesco they are both interesting. yes, it 's not fire. here is such a one, the first household association, yes or school, i don’t know, whatever. and ice. yes, ice is the ninth circle and there is also a striking thing, when he walks , i don’t remember who he is talking to. here , well, like, give me an interview, tell me why you don't want to talk about it, and then yes, he says, well, i'll write about you. yes, that’s what i get from this, when i’m among the icy swamps, and you believe so much that it really happened, that is, when, uh, they talked about dante. yes, that’s it, it was printed during his lifetime. yes, that he was in hell, when you read this, you really have the feeling that he was somewhere, he saw something, but i generally here, to be honest, i think that i don’t know, there the lyrical hero is not lyrical, but it seems to me that this is the result of some kind of spiritual experience. this. well, otherwise such

books are not created, or such a book could not have been written in another way. and you know, that's what's interesting, what am i talking about? what turn i wanted to offer you now, i start , maybe from the fact that you said that, uh, fair, but not sympathetic there, yes, but this sense of justice is stronger in him. than sympathy. that is, he believes, it is clear and should feel sorry for them, of course. well, they deserve it. let them be here. no, look. excuse yes yes even this manfred , uh, sicilian, yes, which in general, excuse the church. it was excommunicated from the church, dad, he died before that he repented before god and he is not in hell, in any chapel, right? well, he had other qualities. it was wonderful, dear, yes, papa, who realized that he could not deal with these difficult things, papal and wanted to leave, or rather go away. praying to god to dedicate him was not allowed to do this, in general, imprisoned him in prison and his church, by the way, the roman canonized where dante places him in limp

among. worthless. yes, because from dante's point of view, he is so active and active. you have to behave like this, and if you don’t lead, then the place, and there is contact , you understand, he really is, after all . sometimes it seems to me that his position is more complicated. he can fall like a dead man, but at the same time, this lawyer is in him, this lawyer, he does not die in him, and he believes that everyone here is fair given, but according to their deeds for me. uh, incompassion and compassion is impossible love. yes, but a let's remember the end of the divine comedy, which almost everyone knows, at least the last line, which is actually the beginning, not the end. here i could not eat, but high spirits took off, but passion and will. i already aspired as if the wheel given the move is love that moves the sun. and love shone for dante, this is not a metaphor. this is what i think is sometimes confused beautifully for beautifully finished. it's not

a metaphor. he is literally the sun and shone in general, everything in general, the main feeling, love is love, yes, only dante says that there are two problems. where is the sin. yes, or an object. wrong, selected love, or not, measures, love. yes, but, by the way, what does christian christian asceticism and the patristic population say about this. how much is this look? it is close to us, very interesting, of course, the topic and it would be worth studying it in more depth, but i met something similar, of course, not in terms of love. and now the reverend maximum confessor. yes you that our all forces? yes, they are originally like would be kind, yes, they can be directed to yes in the right direction, and so on, they transform a person, they really lead to god, and they can go completely. direction yes and and it's not some kind of evil, nature. yes, naturally christianity understands that

man is created good. yes, but here is how he will use what he has been given to the topic by uh talents. well, yes, well, this is such a common christian idea. yes, in general, god does not create evil, therefore there is a person, and all and all his feelings of desire, his desire, even with us, by the way, here is an embryonic italian dentist who wrote a book, uh, which was translated into russian, apparently embarrassed, and the original dante who saw god, in the original book is called dante the poet of desire, because dante says nothing can be neuro-psychophysiologists without desire. they would say needs. yes, but it's true, but only this desire of dante is associated with love, and the problem arises when you either lost your way, or you don't love it. yes, this, by the way, is quite in line with sin according to the orthodox tradition. this miss. yes, the word sin can be translated from greek into russian as a miss. here's dante about it, he says, it's wrong, the target is chosen. it means you don't love it. what are you worth loving? this is the feeling of love that god gave you which no one else has, there are no insects.

well, you have it and you let it in, and the second is a sense of proportion. yes, alexey nikolaevich a. well, i would like to specify this, because danko understands the object of this love, this is beatrice. yes, this is, as it were, his personal story and his love for this girl who appeared in his life when he was nine years old, who was never his lover never was his wife, because he married another she married another. then she died. and so, as far as i understand, uh, the essence of such an underlying reason for the divine comedy is that at some point dante's life went in the direction of sin, life. yes , she went past, and then, as it were, the architecture of the divine comedy, if i'm wrong, because when the mother of god saw this, yes, she turned to them. speeches and here, driven by love, beatrice shows dante. and from where, anyway? he had to get there, because he lost his way and

the only way he can, as it were, take the true path, that is, love really lies. eh, dante's love for the beatrice love of the beatrice ladies. here it is at the heart of the whole story that moves the sun and shines a chance when it does not make sense. such a strong feeling. he literally says makes the world move by love, but i'm not accidental. uh, vladimir romanovich i write more biographies and i'm always interested in a person's biography, how it turns out, after all, that dante had his own wife, had his own family , had his children. there, his personal drama of the political answer was the expulsion of yes from florence. well, that is, here in the divine comedy you understand that you might want to tear it away a little from considering it as an eternal work. i want to bring it closer. here we are now for the land. i have so, can, brains staged. i want to understand, that's the way it is. in those specific conditions, how it was created and how it turns out some kind of strange life for a person. here you have a wife. here at you have children. here you have a family from which

you were separated. and you love some, and you love you, and i will answer you. why yes please know why because, and when dante says love, he doesn't mean, leave your wife, stop loving your wife. and let's destroy it. no, he says, to love means to do everything to make the one you love feel good. and this does not mean that he can love one person at all. love moves, the sun, the luminaries, make no mistake, make no mistake. now, if you left your wife and tried to marry biotech, then you would yeah, he said you don't love her. he himself said. you don't love her because you want you for yourself yes, you love for yourself. no, it seems to me that you are from a speech in general some kind of fantastic story, because he managed to turn it. eh, some kind of, well, little-known girl, the one that he really saw briefly there a couple of times. e. a media personality of a huge scale not the word in universal symbols, yes, that is, she speaks. really. like, uh, the personification of faith

yes, and there they are in heaven. eh, with god mothers with other all saints. yes, and it's so organic. that is, on the one hand. indeed, it seems to be such a platonic earthly beloved, which he aspires to, and it is clear that this is so, but on the other hand. he is starting to see. eh, the heavenly world is already in paradise being. yes looking into the eyes of beatrice looked into the eyes of his beloved. that's how much through it he starts. well, this is not don quixote and dulcins, you understand, this is a completely different status, love, youth, said demolition of the head, this is something completely different and this is not it means he doesn't love his wife. no, well, he certainly loves no one argues with this, but in general, of course, the situation is unique, especially since b3 is not just a beautiful lady , it is also such a symbol that is from troubadours. by the way, it is by reading the troubadours in the divine comedy that paola and francesco begin to experience each other in the treatment that all their troubles begin, that is, dante makes

another attack against this french cultural literature. and he also acts as a judge. yes she uh, her love, strict her love, exacting her love, demanding. there, here it is, here it is, it's there, it's so pedagogical, it's pastoral. i would even be present, but look here again about, but this proximity or grounding, just, it seems to me, this is probably about only one side anyway. here he is vergil there. and why did they twirl , why did i meet? again, i’ll make a reservation, it’s not my idea, not my discovery, not because the great ones there, too, went there, went down a lot where they went, but because dante is a poet whom to send, therefore, in whom he saw kindred spirit would be a philosopher. well, i can safely assume that socrates would come. well, at worst plato of aristotle it seems to me that this is also such a very non-random moment.

sergei, it was with that poet poet no, well, then he nevertheless wrote the fourth to loga famous, where he predicted, uh, the birth of a baby then a miraculous deed, therefore, in this sense, he is for a poet who is read by christian culture, as something that predicted and of course, yes, it was already written in, as if such a prophet. uh, the pagan great-prophet of the houses to say before christ yes, well, plus what is there, you already said, it is very important that he be forced and his own heroes are launched into the underworld. and he actually sees it. e. in the same place, this is all the origin, even partially of the same, there is an idea that here they should buy their anger with flour and then enter elise yes , who will be cleansed further, therefore, in this sense , virgil was also and for him, of course . and a model as a poet and his sage. eh, and as he also calls him tsvetych. and i think there's a lot going on here. a thunderstorm is not a hindrance when you want

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our thoughts on the topic why dante, archimandrite semyon tomachinsky alexey nikolayevich varlamov and vladimir legoyda are three brave people who are trying to answer this difficult but important question in 35 minutes. but look again, but an interesting point, again, uh, dante was repeatedly noticed there, not only. in dante's noudantes, the first last word is definitely very important, and the last word every part and hell was cleaned yesterday. these are star steel. yeah starry what lasin uh translates like a luminary, yes, and then we went out to see the stars. the end of hell, yes, the clean one is worthy to visit the luminary, and the purgatory and love that moves the sun luminary. it's hmm, i think. alexander sedokov has an idea there that this is a constant reminder of

how important it is to look at the sky and in a metaphorical symbolic sense, do you think it generally delights? cosmology, despite the fact that this is cosmology, such a ptolemaic system , geocentric in the center of the earth , the planets revolve around and the sun, too, as one of the planets between these planets, but also rotates you on one side. do you understand what it is? well, scary, probably not scientifically modern point of view. although, in the same bootleg kutuzov, i read a thought, as clay writes. in kutuzov soviet mathematician. p. and the florence advice, yes, which is such an absolutely wonderful quote , where it’s just the father, and pavel argues that dante has such a non-quickwild geometry, it turns out that there, on the contrary, looked far ahead and saw something that, for example, copernicus galileo and jordan bruno saw there, but could not, but about mathematics. i'm sure i can’t say anything, but in any case, here is the fact that he has the stunning beauty of god’s

world, that he has stunning landscapes, be it earthly.