[000:00:00;00] minova’s pictures for which thank them, they absolutely fell into demand, but, but a separate clarification in the book was next to him, uh , the beautiful crocodile gena working at the zoo, and it’s clear to everyone by the crocodile that films are made only about one hero in the movie datanian and the three musketeers hero d'artagnan, all the rest is just a background, and in the film romeo and juliet the main one is either romeo if you choose leonardo dicaprio or juliet if you play her olivier hussey or galina ulanova in the production of the fifty-fourth year of the la arsham, and accordingly, if two cartoon characters wandered around a modern city with people, and they would simply draw attention to each other, and hmm , the result would be completely wrong , so the producer's decision to make crocodile gena a living person was absolutely sniping, magnificent and fair

producers iloyan, blindness, zhalinsky. uh , quite widely known in the profession as vampires of the middle bands. this is also their work. and besides, with the same director dmitry dyachenko, they did, just er already well, the last film bogatyr and more or less imagine how to spud a modern viewer, and it was clear that the role of the new crocodile man, e, required an artist who was perfect in deplication plasticity of a cartoon look and cartoon behavior. therefore , ah, when hmm, perhaps the best cartoon artist of the modern sergey ilyevich, garmash takes in his hands, uh, an accordion and sings. let pedestrians run clumsily through the puddles , it is clear that he is the best crocodile in the world and an absolutely gorgeous dancer. he is also made up quite to himself animated sergey lavygin and dmitry lysenkov, so this is a combination of a fairy tale and reality, but it was sustained in the picture, and

most subtly, and one of the serious differences in this synthesis is the ability, uh, to pronounce an absolutely monstrous blizzard at serious cabbage soup. so the artist dobronravov, with a very serious look, says that a serious tornado is able to carry away cheburashki, with their light weight, literally thousands of 2 km. and this, by the way, is the same sign or applique artist, about which the artist dobronravov, of course, is also, yevgeny pavlovich leonov, on a striped voyage, once said with approximately the same expression on his face that tigers should be walked around the deck at night so that there would be no rickets and with exactly the same expression, garmash, in turn. he says that he has a new animal, this is such a feature of the belarusian eared shepherd dog. in addition , the artists

savelyev and kuzmina played an excellent role in the syntheses of fairy tales and reality. they found, uh , magnificent let already crumbling old mansions from the art nouveau era of art decor. e, by throughout our south coast, usually a fairy tale in our films and cartoons is depicted either with disney turrets, which is already completely sprinkled in the teeth, or with some kind of italian red roof tiles, which also, in general, has nothing to do with our south. and as for the decorative mansions. they just create a feeling. let cheburashka, who has lived a little crumbled a little, but still wonderful fairy tales, eventually collected 6 billion 600 million rubles. and i will say, as an expert. we just don't have that many viewers such a capacity of the film market to collect 6 billion from the outside, a. uh, it’s obvious that thousands, or even tens of thousands of families, went to this picture, for the second, third and fourth

time, which completely, e, dispels the whole world, that e cheburashka raised his money during the christmas week, when the audience goes to the cinema the most, because the children want to go to the cinema, and adults can take them there. they do not work. and with us, as a rule, for the past 5 years, and the first week they moved apart. from whatever hollywood premiers so that they do not interfere with the domestic prime minister. so even if we had hollywood and had, uh, in the first 10 days, no one would interfere with the lambs, and besides , it’s completely impossible to get people to go to a movie for the second, third, fourth time, uh, which will look exceptional to them. and the film a wonderful film hit. e. went in and hooked. as for my colleagues, i will say the following, ah, when a film

collects such gigantic money, it’s not worth telling that the author succeeded. and what they failed to criticize in this situation is worth just sit up straight and think about what the director dyachenko and the producer iloyan, the jalinsky walkie-talkie hat, know about our viewers and our homeland, which we don’t know, uh, and why they work for an audience of 25 million people, and we only for 2,000 internet users, of which half are familiar mothers. and so, those curses and mass anathema that fell on the film cheburashka e, on the net and in paper publications. e rather sadly draw e. hmm, this is why guys don't like my profession. i remind you, this is a podcast of grief with fire and i, its presenter denis, were on fire with a story about the leading domestic serials of the month with some interspersed with foreign serials or major films of the central

cinema distribution, the next number of our program will be the series wendy a compound word. eh, and not even translated, because. this proper wenzedi name is the name of a girl from the addams family who was once played by christina ritchie and who has now become the main character of the series directed by tim bart a-a. barton has nothing to do with the family. adam from the old had not, however. everyone guessed that sooner or later he would have to have with his great passions for skull skeletons, as well as the corpse of the bride, and domestic resources did not agree on how to write this word among themselves, therefore the word venzedi. eh, written in russian, you can find a variety of transcriptions. uh, a monstrous sight, but nonetheless. the addams family has a habit in the country, uh, everyone knows that christina rich as a wednesday girl is absolutely impossible to beat, but jenna artek's new performer looks enough

simple. and as for everything else from burton personally, i expected more, and he himself has always positioned himself as an utter rebel nonconformist fighter with all sorts of standards, norms and obsolete prejudices, but at first in general, uh, he fully complies with his rmm and troll, uh, vs- everything for which the rest of the 6 billion inhabitants of the earth can not stand his homeland, but for sugar smiles for free advice for the constant cult of some unknown freedom that is only in america and more. no, it is nowhere in the result at the very beginning. younger brother wednesday adams gets hit in the neck and she enters the public pool to her brother’s offenders with two bags of goldfish to the song edith piaf nori darian, to the song that stirlitz thought so well, everyone

is looking forward to what will happen next, because it’s already clear to everyone that goldfish in bags are called piranhas that now all these fish. she will shake out into the pool. this is a wonderful sight with her , the picture of the girl begins. after that, they are exiled to some kind of hogwarts closed school named after its main graduate student never more was, uh, the reference to his most famous poem, the raven, and the school is populated with all kinds of freaks who try to look original but they fail because freaks are now it's fashionable and absolutely everyone is freaks at the moment when rebellion becomes nor from the standard m-m, it becomes rather boring, when you see another girl with purple hair , the truth immediately comes to mind that, uh, the more ugly the girl's face, the more furious

shade. she dyes her hair. and therefore some kind of mass riot that exists in the school. uh, she usually looks pretty mundane, and the heroine herself does almost everything that girls at her age do, welcomes, as usual, a plump bespectacled man is checked by a psychoanalyst, does very, very standard things, which for some reason are considered a rebellion. the fact is that, ah, the liberal public, but first established in the usa and then in all other countries its crystal norm, and against which this thing is already quite dangerous to rebel and no timbat. he this he will not do otherwise. he will simply be burned at the stake in the center of his beloved hollywood. in addition, firstly, and modern american cinema shoves african americans into any hole where they have never been and could not be,

and secondly. in all moments of the picture, and always dominated by a woman, and any woman, positive negative men occupy some secondary position, as suffering persons get hit by the horns, sometimes they are more or less reasonable interlocutors, but, in principle, they are not interested in heroes in all other positions. tim burton in the same way follows the categorical norm, and modern american life, including the norm of the curse of our country. last year, i literally noticed that the kansk contest was ah. i put it on ironclad conditions that only pictures that challenge some social standard are taken into the competition, and at that moment i just thought that the challenge in social standards was just thrown by our side. well, at the same time, this is not the challenge that america is ready to accept by the ninetieth anniversary. people's

artist once first came here you considered handsome or vice versa scary. do you remember what nickname i gave you, yes, gross and something i thought that it means a beast, but in reality it meant a freak. and women like you. i don't know, you only had children with two women you were married to. at least i have not yet met anyone who would rush towards me with a cry. hello, i'm your brother in general. maybe i locked all the doors in the house so he couldn't come in, so he climbed on the roof and went down through the chimney. no, i'm for you

i can't even say everything tonight. at the moment, the transfer there is nothing interesting, i'll watch the concert, he's a simple answer, win 100 million and an apartment from donstroy.

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sberbank online. thinking about what to invest in, start investing right now in sberbank online? one could expect any chaliapin series , ah, producer zhukovushakov. e ladies, worthy, who have already made in the past years the series of sofia godunov and grozny and-a series from our russian among the novikovya. in general, they did it so well that even the main zealot. uh, old russian antiquity yegor stanislavovich kholmogorov is not very attacked these paintings by godunov, even praised this word of a serious expert. and

the truth is, probably, they should have invited director alexei andrianov to stage their permanent author, who staged all these three series, as well as for other producers, did the akunin spy. and well, andrianov, for some reason unknown to me, is now filming an adaptation of some french detective, and the series was filmed by yegor nashkin, the director of the film uh zuleikha opens her eyes, which, frankly, went through domestic ee channels of insane success ah, the screenwriters, he had natalya nazarova timura zubaya, known as the gravediggers of our serious prose classics, fedor ivan chaliapin, was a figure, to put it mildly, complex and contradictory, as they always say about characters with a bad character, but somewhere around 2/3 memoirs, but chaliapin. they are full of incredible compliments. all the rave reviews hmm about his

voice and his work ethic is certainly wonderful and important about his incredible success both here and abroad. and plus, in addition, uh, another quarter of the memoirs were written by chaliapin himself. he published two books, however, knowledgeable people. they say that they were all written by alexei maxim than gorky, with whom chaliapin was a serious friend, and only later got upset over the monetary issue of paying these same ones lower, and of course fyodor ivanovich also spoke about himself in the most exalted tanks, but no parallel ones. the memoirs of a shaypin friend came out, and our first impressionist konstantin alekseevich korovin, who, with a kind of sympathetic friendly smile , described his friend as a huge two-meter child with a rather specific, and absurd and capricious

character in memoirs, it was already possible to get acquainted with the real chaliapin, and who ate in three throats, sang in 4 throats , constantly jammed with conductors, quarreled with everyone for a fee. and he said that only birds sing for free, and hmm, at the same time, he constantly invented some incredible miner with investing his money in various candle factories and railway lines or somewhere else, and all sorts of different ones, when all this stories and the operation fell through he said, well, absolutely. impossible to live in this country korovin's phrase in his memoirs appears somewhere on the stretch. every five pages, and everything ended with the fact that the man once again said it was absolutely impossible to live in this country and stopped living in this country and grumbled at the country in which he moved until the end of his life, as capricious people often do.

and when he became famous and vampiric, uh, in contracts, he began to demand some kind of utter bird's milk, and firstly 1,000 rubles. for the exit. secondly, they subscribed for a whole year to a box for their friend gorky and finally, two soldiers with naked swords, and near the dressing room to scare away journalists. uh, the head director of the imperial theaters, telyakovsky, laughed terribly and signed all the contracts, while saying that he would still give nothing but money, and chaliapin would still lose contracts and chaliapin would immediately lose contracts, and, despite the incredible success, popularity and uh, great life. still, in some ways he resembled chekhov ’s ekhov, but hmm, at the same time, everyone treated him especially tenderly, and even more so

the author of the memoirs himself was important to the cow that in parallel with all his focus, fyodor ivanovich nevertheless worked incredibly, he could sing at night, scaring the neighbors, and he taught all the arias of all his operas, including women's ones, in order to have an idea about a hmm well, the action itself, like a director, like a specialist watching over the battlefield from above, he was also extremely grateful as well. to your friend the mammoth dalian dramatic artist, who taught him how to learn arias from the beginning reading them as poems, but among opera artists. it was absolutely not accepted. everyone got drunk at once. uh, leading the leading, uh, opening phrase. and chaliapin initially read poetry. e from the sheet. and it gave him more or less understanding. and with what intonation to sing.

and if the most popular in those years, yes, and in subsequent years, the tenors, uh, always performed the same character, the lyrical hero is a lover, then the bass chaliapin could perform completely different characters and hyper-villains and superheroes, and he always needed to more or less understand . and what does he sing , let's say. that's why he became famous so not only on the stage, but also internationally. he was the first person who approached the kings from a dramatic point of view and was extremely grateful for this science to dalsky. see what makes a lasting impression on women. even though they don't admit it. secondly, an outstanding voice. uh, incredible industriousness at last. e, fedor ivanovich actively lobbied the russian opera at a time when throughout europe and russia in particular, a

the first sprouts have gone. the first beginnings of nationalism. historians. they say that nationalism appeared along with universality. and in ancient times , the aristocracy was absolutely cosmopolitan , taught a variety of languages ​​and more or less was not tied to ethnic priorities, as far as the illiterate masses are concerned. then they sat in their ghettos and did not take any part in public life, but they began to take it exactly at the moment when uh went, mass literacy was the flip side - this literacy was the emergence of nationalism, as times at the end of the 19th century, which actually coincided with the mood of chaliapin ah. actively promoting on our stage, and operas by mr. rimsky-korsakov and glinka, contrary to the wishes of the director of the imperial theaters , former vsevolozhsky before telyakovsky

. it is clear that the whole conflict is always built on, hmm, all sorts of different anecdotes from the life of a star. e, the people treated chaliapin absolutely as vysotsky in his time, and , firstly, they adored, secondly, familiarity. thirdly, he constantly told. uh, like every citizen of our country, booze stemlodia. everyone was drinking with fedya, just like that , and from these stories, by and large , the series am is formed, since the main advantage of the humpback performer is his gigantic growth. uh, everyone else, and the characters surrounding him, the author had to somehow slightly lower, and they took on the role of very serious and powerful people, and artists with a powerful comic temperament. there mammoth plays. uh, a standard and wonderful comedian and unsampling, who

is remembered in the picture mainly by the fact that his hero pisses from the parapet into him, the director of the vsevolozhsk noble and majestic character plays the same e, comic artist boris kamon hmm, and so on and so forth all together, and as a result, e, with some kind of stormy chaliapin spree turns into absolutely. blagon, when the philistines undertake, uh, to film the spree of big people, ah, they get some kind of janitor's adventure because, and the first time they appeared in the mammoth opera. chaliapin pronounces, uh, an absolutely watchman phrase where you go, and korovin this scene described a somewhat different quarrel, but still not in such formulations that appeared. there. uh, korovina says the phrase of the classical registration. polyclinics.

here people work. and you make a fuss, huh. well, and so on. in general, really from uh, the series very seriously smacks of zoshchenko's proyza. a not to mention when the revolution happens, a and hmm in uh. bad bolshevik tribes tumble in the apartments of the great star, and in the picture , of course, in your place looks the performer of the role of korovin alexander yatsenko, who side with an ironic squint looks at the events taking place. well, this is certainly the merit of the artist they staged, yatsenko has always been an ironic observer, uh, and uh , the unconditional success of the production, of course, should be considered female roles, and anyone who has seen, uh, a photograph. first wife chaliapin ballerina tornagi hmm, probably sympathized with fyodor ivanovich because she was a perfect bedside table, and and uh, an invitation to the role of this little agile frankly speaking,

judging by the photographs of the lady. uh, absolute angel. maria smolnikova can be called great luck casting and serials in general smolnik many may remember from the film, stalingrad ah. she is certainly good-looking and generally a sincere person. after the tornaga, chaliapin went to his second wife, maria fett , who was much more attractive. and of course, uh, one of the most important beauties of our crane, julia snigir, plays her. now she is being cast as margarita in the master and margarita quite deservedly, well, i should add, when scandals are on the screen. eh, after all, all sorts of boundaries, the authors behind the scenes launch the voice of an outstanding singer. eh, mildara, drozakova. e, who reconciles everyone and who pleases everyone. in general, we can assume that with a sin in half. eh, the picture is relative. no, it still didn't

work. to be honest, well, you can watch it once? the next series in the distribution is fandorin translator georgievich khartishvili, who hid behind the guise of the writer boris akunin at one time. uh, he came up with a game of fandorin in which all of russia wanted to play, but they didn’t know how, but the country was artificially deprived aristocracy. it just so happened, and upon reaching the noble level of prosperity. and most importantly, the level of education is very scary. she missed the gallant century that had not taken place from her, and she felt very strongly about some noble crinolines, witch uniforms , balls, at the governors and so on in the seventies. uh, there was practically not a single kuchiro granddaughter who would not imagine herself with a fan, and on the governor's floor there was not a single great-grandson of peasants from a farm without

a matte, and who would not imagine himself on duel and at a noble distance. here, i myself, as a matter of fact, this one there are ah, and hmm in those years everyone wanted the nobility, everyone wanted to get around. uh, everyone imagined themselves. uh, in some special beautiful interiors. at the same time, to be honest, they were quite ironic about this. that is why in the seventies, all sorts of matchmaking, his sarah, dogs in the hay d'artagnan, and so on, were in the greatest demand and interests. uh, with great irony relating to this uh hidden shameful passion to a noble life, and the translator willy at that moment was working out his vocals, more or less learning to build an intrigue, and navigate the literary process. and what is important

, like any translator , he came up with the correct end of the boring translated novels, and uh, the game of detective game was announced immediately, the name fandorin was taken from the fantomas saga. uh, obviously a character named fandorin had to fight a scoundrel named fantomasen. and some calm ridicule, what was happening was always present, the readers felt it. and at the same time er, the author himself knew russian history very well. at least at the level to fight off any archive claims, however. ah, over time, the zoom generation came to us. who was incapable of being interested. uh, nothing but themselves, who did not perceive any artists over 18 years old, by the way, this was the artist leonardo dicaprio who, at the age of 50, is able to look at 18 a and e knees, which lost the thread of any

story if he heroes uh hmm 5 minutes after the start they started to face off at the same time, the generation of iphones has, of course, heard something from older comrades , primarily hollywood, about russian autocracy, and bolshevism, and so on. hmm , more or less even ready to see how everything happens there, but since to come up with a hero more or less adequate, to those distant events. none of them could and did not want to, or even the prose of the popadans flourished, when a modern character finds himself in the old days and tries to, uh, bend them to his own ideas perfectly, and in this direction. started making good money, cunning producers hmm older generations, however, uh , getting into a foreign environment was still somewhat uncomfortable for young people. they fell into someone else's. charter and of course, all plots of this kind began with the fact that the heroes were dragged on the rack or

to be shot, because now they are already being accepted as spies, and it was much easier to take to come up with all the wonderful entourage of the past to transplant into our present, which was invented for the fandorin series, and the authors suggested that the bolsheviks lost in 1917. and that russia still exists uh, the absolute monarchy in the country is ruled by a monarch. e, nicholas iii performed by maxim matveev in general, to more or less explain how an absolute monarchy, a, is mounted with a post -industrial existence, the authors did not even take such an explicit question to their heads and around. everything, e, what is happening in the situation is such a hodgepodge of e, fandorin's monarchical yesterday and sneaker-shirt today in this way, but the whole charm of akunin's

prose standing precisely on e was absolutely killed. hmm old turns of speech on some hmm , a candlestick, a witch's uniform, and so on and so forth, and everything that has been moved to the present today has practically nothing to do with this beautiful entourage, e old ironic novels and relations has no question. eh, as akunin himself attributed to this, akunin quite calmly attributed not his own work to a complete change. perhaps fair. he is a practical man, he knows well what nonsense you can put out of his book. this is all it is located behold and the readers re -count what he wrote. ah, so his attitude to the invention of the screenwriters of the popovs was quite positive and benevolent. the story was more complicated with the audience, azazel,

it’s such a strong, solid one. the legend of the m-th semi-fascist sect of highly gifted orphans, who, having been brought up and, having received the right education, begin to quietly crush the financial management system of science and art under themselves in all countries of the planet, and at the same time cutting off all possible competitors and all people who could become them on the road, since the most important thing in the production was that the characters go to sneakers and eat bigmag. um hmm topic. e, the main one more or less somehow disappeared and merged, and director nurbek and gen e are quite a serious professional, but he, in principle, is ready to stage absolutely everything that the producers instruct him to stage. as for the producers. these are the chicks of alexander tsekalo's nest, the producers of remezov, nelidov and

filipuk, and they, given that tsekalo has settled in the united states for a long time and is clearly not going to return, went to autonomous water in free swimming. eh, they have it in their account. uh, end of the world series, series close gestalt hmm and the series is a monastery. e hmm in general. it's a manner. e is similar to mediocre directors, who in the nineties decided to stage margarita a as a master, because, firstly, there is a big budget. here are the second at the ball of satan , you can undress to the goal a large number of pretty girls. and thirdly. eh, you can clap like that, fraternally. satan is on the shoulder, and the performers of his role, most likely, most often they were great people's artists of the ussr , and this is exactly what we are now witnessing in the production of fandoria. uh don't believe that someone watched it all to the end in all uh,

licenses for this picture. uh, as some key points, only episodes are given that were all concentrated in the first half of the first series of a six-episode movie. and hmm, the critics, apparently, did not watch the picture to the end, which is what it deserves. it was a podcast of grief by fire and i was its host denis gorelov with a story about the leading domestic series with some interspersed with foreign series and major films of the central theatrical distribution. all the best. hello with you, the podcast is a must- read. i am batnikova's main director and writer. today we are discussing the diary of maria bashkirtseva with my wonderful guests olga breininger - a writer, literary

tropologist, translator and vladislav gorodets writer, architect, diary of maria bashkirtseva. this is a well-known work. uh, a girl from 12 to 24 kept a diary, so to speak, from adolescence to death. and this is the end of the 19th century. uh, europe uh, an aristocratic russian daughter of a wealthy landowner who, uh, studies and spends time in europe lives a stormy and secular life. but what is interesting to us, and in this diary and in this document why he is included in the corpus of women's autofictional prose , let's call it that in fact, whether he is included or not. it's still a big question, because uh, after all, in form. uh, this is a

diary entry diary. uh, how it differs from all previous diaries in that it was originally written for an outside observer for the reader. that is, it is written not for oneself, but for others and the bashkirs - this is repeatedly emphasized. and what is here autofix elements e? because the bashkirtseva considers herself a heroine. she speaks directly about this and describing herself, as if from the outside, she introduces herself into this text, as a heroine, as characters, and often abstracts into the same. e emphasizing that the author of these lines, he, of course, understands everything. but the heroine, there was a silly thing like that, that is, she actually has an element of the game from the very beginning. well, not that games, but some kind of appeal to the public appeal to the public. yeah she says what i intend to do as well a photograph of one's life, and the task for oneself to be as honest and frank as possible,

that is, this is a self-portrait. and moreover, the reliability of this self-portrait is impossible even some kind of unspun. this is the condition of the game that the bashkirs set for themselves, we can say so. we can say so, but if we take into account a stands above the author himself, then we need to admit that this is not autofiction, but an autobiography, because autofiction is always a deliberate mixture of truth and fiction, and since bashkirsky declare that it will show myself just the way she is, uh, ugly ugly in any situation, without trying to embellish herself, then in general, if you follow one of the main definitions of autofish. uh, those should not be referent, it turns out that the bashkirtsev is not non-autofiction does not agree. this can be perceived as her declaration

of absolute truth and to the last word, as also an element of the auto-fictional narrative. she can be, uh, also part of uh, and the plot is part of the story. yes, i'm telling the honest truth, but in fact, you never know what, he says, we have there is no way to check. yes we have in geography. this is such a frame. yes, in which we operate, er, and even this text. uh, we're from the start. we can doubt its absolutely documentary. at least, because we, uh, do not get the exact dates of the birth of the heroine, uh, the date of birth indicated in the first publications of the sixties sixties was not an exact date. eh, the bashkir was born in the fifty-eighth year, because e mother was already after the death of her daughter. here is the mother to engage in the publication of the diary to edit. and she shortened her life for several