the integument of the state of the revolution is lenin no no no i mean i didn't misspoke. oh, i'm not quoting. in this case, that for the blocks of the first book the theme is the eternal femininity of solovyov, yes, which here just was the rustle of a dress and so on, in the second book is the city of a snowstorm. music dance, demonism, stranger here is my convergence of absolutely femininity to the ground. yes, such a city, of course, a smaller factory was taught at school. yes, the windows are yellow, eh, and then the third book is the same topic, symbolic already endured. this drama is transferred to forms. e political structure of the constituent assembly of the state. this is the most paradoxical thing about heat. in this in this sat on the field of kulikov, we taught at school, not understanding. how paradoxical this is. the history of political

poetry in general, well, this is vyazma, this is tyutchev , of course, yes. in general, why is this political poetry on the kulikovo field, because such a policy is a policy of politics - this is a way of representing private will in a team, well, in a party. yes, this is politics, relatively speaking, uh, the blog, uh, uh, in his later poems , gets to where tyutchev did not go . yes, because uh, this one is symbolic that there is still progress. no, this is not progress. this is a completely separate top of the block, in my opinion, this is not my favorite poet. don't think my favorite poet is a strain. i say this honestly, yes, but this titan, alexander alexandrovich block. he is absolutely unattainable, he is separate. this is the peak, which, in addition to all the symbolisms of acmeisms. e, exalts glory, god is different, yes, but there he didn’t go down in russian. we will return to who is this classic phrase that a poet

is an instrument of the language agree. it was the pass that he said, it was he who took the upas, octavia is dangerous. yes, not translated badly translated , the fascia was translated a little, but nevertheless, we still agree with this. no, i don't agree. why a poet? this tool of language is not at all. well, because it is not a tool after all, and vice versa, language is his tool, as it were, this is his tool. this is his material, with which he works, and which he vaginas, he does not. wait wait, and hmm these are tools, but the tongue resists. yes, for example, i am fighting for the sacrament of the future tense. for example, why it is impossible to say by a flying balloon an incoming person, yes, but even where i am afraid, i take into account the nature of the language alexander savicheva to marry created an extension. yes, but it still works on the material of the language. brodsky, in my opinion, argues. eh, something that is shameful not for him or for language, but simply

a poet is impossible outside of matter, if we express ourselves by smells or telepathically someday bypassing language, then we are we will overcome, and as long as there is no telepathic poetry, the poet works in language on language and, of course, language is more than a poet, but this is absolutely accurate and in general, language is the most mysterious thing. where do all these grammatical categories come from. er, why is there no future participle? who so decided who in general? no, each language is embedded in its own way, there are e languages ​​in which they are, so potentially, they can also be in russian, but, but, but something is not there, for example, no, e has an active verb, but it is not we have forming e, various tenses and forms. i remember how unlike all other european languages. this is our great difference to someone from the english horror. according to

the word defending god what a complex ugly, whether it says we have, he is deus protections. all right, just four words. yes? yes. well, brodsky is right. ah, yes, the matter of language, i can’t speak a package to compare with any doofu, because we don’t have tones there. yes, how not to pronounce, home or before, we don’t have long eyes. uh, it dictates the initial conditions to me, so i'm sure, in a sense, the tools of the language are good, kohl soon talking about language, and political translation. moreover, this is important for you . is this thing possible or not? in principle, you can translate. yes, perhaps, in principle, it is better when it is the language of your e common language family. well, for example, i don’t know italian there , but it’s worse if it’s english, because martyrdom is translated into russian poetry in english. and about 30% is cut off,

e total long words long words in russian long words. yes. here, but it’s good from german, because you also read long words, please, some of your own poem. for a long time you lay in the ground, celebrating the useless, and finally. the hour struck, she woke up from her sleep, raised her head, straightened her spine, the bone vertebrae crackled, crunching the vertebrae of lightning, the terrible thunder of a mortal , proudly struck. suddenly the heavens trembled large hail scattering towards me and cloudy, turning on the fly into sharp elongated drops. akin to grains that yearn to sprout, and it doesn’t matter if it doesn’t sprout emerald grass or brown forest. what overgrowth of frequent have you lain in land for a long time idle useless, but here it is

honest. what a time this has been waiting for, for it is better to sleep through the vanity and disdain the unrestrained immovable brief than to stray in the darkness with small ridged surfaces to the touch from time to time to stumble, laughing, merrily, preaching everything is good and glorious. that's why they call you the name of the original, not knowing the river of speech, these are great poems slowly classical. well, dear friends we had wonderful poetry the life of wonderful poets. a life of great poetry. and i'm alexei varlamov writer and rector literary institute and my two wonderful guests dmitry petrovich bak and maxim albertovich thank you very much friends. thank you thank you hello this is a paws podcast and a podcast

first persons today our guest is a person who is certainly the first person in the culture of our country, the minister of culture of the russian federation olga borisovna lyubimova and i am a journalist, natalya lysova. hello, natalya, you became the minister of culture in such difficult times. in general, under-entertainment is not for art. that's now when you reminisce the very first month, what do you remember? what sensations do you know, i was supported by one uh my colleague, and when he came up in the first days after the appointment, and he came up to me and said the first six months, you will feel as if you were scalded with boiling water. and that's okay. we all go through this so much and this is the comparison. in general, i returned to this with my head several times, because somehow it is fantasized that you have been appointed, and you are driving there in the back seat of cars and such

like this, i can say, i did not have this feeling in any of the chairs. not in the back seat of a car, not entering the uh administration of the kremlin, or when we come to the government for a meeting . i didn’t have it like that, because it’s an incredible feeling of responsibility that your nervous system has to handle, which has to get used to carrying it , uh, and respond promptly to both joyful and bad news, both tragic and unexpected turns of events, therefore, of course. the fact that ahead of us all was waiting for the coronavirus for 2 years and then a special operation, and then it still could not even come to mind. yes, well, definitely roasting, i would even say such roasting is a good word. i don't remember any recent appointment that was accompanied. this is such a hype in social networks, and well

, let's just say bullying. yes, with pulling out some youthful teenage posts there, some teenage photos. and what was it in general, what kind of reaction was this? it's hard for me to say. you know, i just remembered the moment. remember the movie. scarecrow stunning rolan antonovich bykova amazing team and cameraman mukasia and fantastic roles and remember lenochka there without merging. here with e. i burned at the stake, but screamed, behold, i remember this state very well. this is, of course, very unexpected. at the same time, i can’t say that i’m glad that i went through it, but it made me a lump in life. and what did you do, how did you go through these days completely introverted, not allowing at all, in principle, to read anything to yourself after the first reaction, stopping any, as it were, i then returned to maintaining social networks, which i i always try to do it myself and now too. i

have returned for a month already. it seems to me 3-4. just by simply turning it all off and more, regardless of the personal, not what was written in the comments, because it would destabilize me very much. i was very worried, including for my family and children. it was most important to me that no one offended my children at school. but it was the most adolescence . you understand? yes, they are some kind of older son, he was in e, perhaps that the tenth grade accident. so she was 3 years less anyway, on the contrary, all of them they were very supportive, and it was very important, and at first they too and too. understand here, they also did not have social networks from the very beginning, even before all these social networks. hey, here's the first post. they same learned increasingly on tv gave. well, of course, well, of course, both the father and the children are like that, well, no matter how we dad knew, but this is wrong until they appointed it, how would it be incorrect,

and they found out on tv. and somehow , on the one hand, this alarmed me, and on the other hand, it made me very happy, because they were not happy. and that they did not write sms scared for me. they were all waiting for me at home, and they are very much especially the son. and the son. why son? why was nikita scared? nikita was absolutely right intuitively afraid that this would entail very serious changes in my life. how will you be, and what will you have even more work? no. it was very important humanly that they were not fantasizing at that moment. and can i now have a new phone model there again. you're already ministers there, but can i, but now how and where can i go there? i don't know rest friends, that is, at that moment they were not thinking about the hypothetical benefits that might entail. there's some kind of career growth of your parents. they thought more about what would happen to us. and you will have guests. can i? and we will, we will stay at home.

we won’t have to move to another apartment , that is, it kind of calmed me down a lot, to be honest, at that moment he became your subordinate in this format, well, we spoke separately, even bureaucratic you decide that, of course, the father is responsible and signatures all this is all. yes, of course, it fits. yes , but it's simple legally impossible. let's remind you who your dad is. uh, well dad all my life. uh, taught at gitis. now he is the rector of the shchepkinsky, the school has been serving the small theater for many years, therefore i am very happy for him when a person is 76 years old, and he has three or four works at once, this is really like that. solution it seems to me that favorite work is a favorite thing, yes, and he lives by this, therefore such a hereditary workaholic. well let's so i'll talk, then already in general about your childhood about that circle to which you grew up on nikulin's mountain.

uh-huh, where the traditional, as we know, great people of bohemian art live, and as far as i know, from early childhood you were under such patronage, for example, nikita sergeevich mikhalkov nikolina gora, indeed, the village of workers in the science of art, therefore, really the environment where we all grew up, i can’t say that it was some kind, as it was customary then to say major environments, because, on the contrary, we our great grandparents grew up in the nineties at that moment and their parents received meager salaries in theirs. uh, institutes, like my father was, who dragged my mother there, my grandmother, me and our housekeeper, who generation lived in our family and periodically her parents borrowed money from her, because it was very hard to live, so yes, indeed, it’s all in front of our eyes grew there were some wealthy. people grew up, footage of fences around. well, in general, rather lived in the houses of their great-grandfathers. and in general, we continue to live. just trying

repair them. uh, touch up roofs and so on. it's a very, really important component, as far as work is concerned, as they say in the industry, really. since childhood, i know and understand well, well, a number of areas in culture. and everything that concerns the fact that you mentioned nikita sergeevich well, firstly, a certain sergeevich in general, rather about those whom i love, i will kill him. uh, very strict about people we treat well when we were kids no heartily filmed our outstanding films if we are asked to breath was allowed to be present during the filming of burnt suns. one, for example, so that most of the scenes take place on nikolina's mountain. well, of course, we held our breath, afraid to move, watched how he works together, uh, with most of the nikolagorsk children who played pioneers in extras there and so on, and then uh, it really

happened that it happened to me. it is very expensive that nikita sergeevich entrusted me with writing a number of scripts for his non-fiction films. i was once asked, are you the screenwriter mikhalkov and i directly grabbed by the heart and i say. are you the screenwriter mikhalkov and ibragimbekov of the queens mikhalkov was a hem, if it’s a feature about relatives? look at mikhalkov, this, of course, is some sergeyevich mikhalkov here, and our entire team, which i gathered in order to do, uh, this or that project. eh, of course, i just reverently followed how the master works and just got high, because working with him is really very very cool. and now this is such a very close star comrade, to whom of course we can consult to argue and share gossip, of course, too, but one of the beliefs that he is your godfather no my dad is godfather nadia, therefore, when nicky sergeevich says, uh, so that more can, yes, it's true, and my

godfather is such a wonderful now living vlad zamansky, he is amazingly absolutely fantastic actor now he has practically lived in murom for many years and prays for me. in this sense, i am a very happy goddaughter, and my godmother is gone. this is, in fact, pilyav's aunt menshikova from the pokrovsky gates, aunt kostya from the floor, that's completely marvelous inside. yes since childhood, you were born and grew up and matured in this actor's creative environment in general. here you become officials. become one minister. is it time on your feet or vice versa? this is some hint for you, of course, this is a hint. just why be cunning if we say that it is better for a person to hit. eh, just from one industry to another , you can then look at the situation from above. may be objective. i'm not sure that you can look from above when you don't know everything and the background, yes, everything about

something, for example, personnel politicians, for example, when they leave or leave us, uh , leaders, theaters or museum leaders, because you need to understand very well the corpse you need to understand someone you appoint very well you need to understand the mood very well you need to know the position of old people well . it’s difficult when you have 200 federal cultural institutions and you don’t really know how the volkov theater differs from the novosibirsk theater. u , who probably went out as a girl and for example, you need to know what the word is novosibirsk may not need disgusting. here you see. here, look, you immediately wound up. it’s better that together the culture knows this in advance, if he goes on a business trip to novosibirsk, we’ll tell you that this is an abbreviation to blame. e, novosibirsk academic theater and ballets. my name is natalya loseva. i am a visiting journalist. i have olga lyubimova, minister of culture of the russian federation. so you remembered our life on

nikolina hill. my parents have been laughing at themselves for a long time that my family is very secular. i've always been there a crowd of friends and all life. i remember how my mother and father dressed beautifully there and left for the premieres and returned late. and i, on the contrary, am an introvert and i have been a terrible pathologically clamped child since childhood. it's just painful. they let me go, dig, go, please, well , it's all some kind of night, these seats by the fire, and at some point dad told me very funny that i was sitting, darkly so you are lacing. remember, it was fashionable to wear these boots, so jeans and lace up, which means daddy says shoes, why are you so gloomy? well, i went to hang out with such doom means 14-15 years old. dad says don't you want to hang out? i say i don't want to hang out. for some reason you are going, then i would be so doomed, because my uncle said. some friend of a guy should hang out,

you know, he said that no, you need to hang out, you can’t sit like that. i say, listen to the stereotypes directly about people, cultures, everyone is all different, i was not going to culture. i'm happy, above all the same, my rebellion was a rebel . of course i remember. by the way, i'm after high school. i already studied in english the special school was completely wonderful and i was accepted there very much by the church girls. yes. well, yes. well, as it were, it's one of the other, well, we're a church girl with disgusting mountain behavior. well , you know what i am. here. i'm in the service. everything was running fine. at the lesson, well, here is the hour of the liturgy, i had enough patience. and the hour of algebra did not have enough patience, but then i say that i studied at a school where they loved me and accepted me like that and began, on the contrary, to support my some virtues is not very big sincere. laughing about my shortcomings and some teenage language without bones.

here, the only thing i always blathered something so witty. and, of course, my algebra teacher at the orthodox gymnasium brought it up. he said very sadly to my mother, it seems that i don’t know, unfortunately, i’m afraid that your daughter in life can only become a toastmaster, and dad. in general, we lived somehow with this mother, i must give them their due, they were very sorry for me. here, uh, but on the other side of the pope, he graduated from the school of working youth and started working as an illuminator. contemporaries, therefore, uh, my children, too, to be honest, they are famous. in general, rather their human. wait, and your older child is the son of nikita, he should already be at the university at the institute. yes, he is studying to be a producer at the ranches. well, for now, uh, i also think a little that higher education is a ski track. well, that is, varya just said that he comes there to be a teacher. hmm, it ’s interesting, but unexpected, what to teach.

right now he is thinking, maybe russian literature, there and so on. this is for me absolutely unexpected, but i, of course, at the same time, among other things, am now very glad that my children do not study in creative universities, because otherwise they would still study at institutes. it would also be a conflict of interest on this side. by the way, i would be a mother, who, as it were, on the one hand, they also hide. that is, nikita has friends. eh, here are his classmates now. eh, well, now, maybe someone already guesses. and so, well, this is an additional responsibility. i understand him very well. my grandfather translated almost all foreign literature is grandfather, who is beloved translator lyubimov, yes, and cervantes and simply and rable, and please, you, uh, there are a lot, in short, the floor. exactly from the second year of study abroad there at the moscow state university zhorka, and now it all begins. and thank god we had 200 people, and no one ever asked me if your grandfather was or not, and i never told anyone, because, well, it

’s considered that and how will you be later under each line of gargantua, i integriel and says well, here's the granddaughter, please don't do anything knows. well, what is it, and you are something, as it were , on your loved ones, you never know, beloved, of course, i always said so, they tell me staganki. i say, it seems no, it seems, no, we are not sure, but lyubimov may be alexander then it was more important at the zherfak. i say exactly. no. precisely i would like to, but no, as it were, and so on the sidelines. he says, well, let's do it, so that the audience does not have a difficult impression. i 'll tell you what i knew from your dad's interview, that when you were a girl, he read aloud to you all of dostoevsky and so on, yes, so the question is a little bit. dad read me all russian and all foreign literature, not only dostoevsky, just one book. uh, russian literature is one book of foreign literature, and i did the same thing, you read the same thing. and this is the basis of any relationship. i believe that at this point education. you may study poorly. olya, well, that is, when your family gives you such knowledge, no, but then, of course, we all sat. uh, booty on the floor in

the hermitage and looked at the ceiling at the judging glances of those passing by. so we are people together they tried to guess the flemings. name of the canvas. standing, away. it was important for me to tell them. it was important for me to show them the prodigal son. it was important for me to go together, of course, and then it was important to me when mikhail borisovich petrovsky showed it to me. and it seemed to me that it was important to him that i knew very well where the rembrandre hangs. do you understand? you were also very pleased with him, but then again, who studied what, as it were, i believe that what i could and knew to tell them as i know or for example, uh, in israel to tell about what i know, about, but gospel events and show, it is to go through the belarusians together, there and during our trips, because i could give and knew. and uh, we could discuss it together, we had time to do it , and it seems to me that this part

of our family tradition is still such. well, i don’t know if you dreamed or thought that you would become a minister no, but i think that even if you thought about it, you definitely couldn’t even imagine that you would have to be a minister of culture during when russian culture is cancelled. uh-huh what are your predictions? how do you feel? this time is really, probably, the most difficult months for all the first months, special military operations, which were associated with high-profile interviews of people who, quite recently, were long-term. the budgets of the recipients, let's say, are so endless , here it is, loud for many hours, who quote terribly indeed those who remain , insult those people who continue to appear on the stage, there goes such a thing. bullying real school yes when people really confused and understand me easier, because my task. and

save and save everyone who is nearby. that is, i do not have time for my own reflection. probably if i sat on the patriarch's ponds at 12 noon and had breakfast with a girlfriend, probably by 2:00 in the afternoon breakfast would have ended with a panic attack. well, since i have to work hard from 8:00 in the morning and understand how completely we are changing the repertoire, we are suspending all contracts , we are returning the collections that were in other countries. uh, our federal and not let me remind you of the federal this is what was abroad at the time. how many outstanding paintings there were many, we had a sufficient number of exhibitions there, which took place in a special operation of yours in order to return the joint correctional work to russia. my colleagues, our ministry of transport , helped us a lot. it can be no workshop culture on its own and of course the ministry of foreign affairs, but the threat that

these works will not be returned. they will never return to russia was completely non -figurative. she know it was important to us. here even with such loud, as if words, like a threat, not to wind each other up, but it was important to understand exactly that every masterpiece that is in a friendly or not friendly country for the duration of the special operation will return back and remain in the museum fund of the russian federation everything returned. yes, it's completely back. it was a very big job from south korea to say. we have huge connections in western europe. and these connections have always been there. therefore, if we are talking about forecasts, and we are fine we understand that the inter-museum dialogue will, of course, revive, because at the moment the largest collections in the world. not working with the russian federation, they rob themselves, you know, i will give an example, we had a very beautiful exhibition of elena yuryevna

gagarina and a long inter-museum huge international project, which was called the duel, it seems that on march 8 the prada spain museums were supposed to open in the moscow kremlin france and england gathered here in 5 days. and all our exposition was destroyed there, respectively, a few days before opening and suddenly the entire union of museums, which before that is always inside us. so we are all complex there one and the other shared the other. no. this is how he straightens his shoulders and says, we have rapirani in the state historical museum, in general, we decided on a ring. i'm so for a second in the museum potash 5 million. only the state historical museum and storage facilities. and everyone starts just in the moscow kremlin of course, this exhibition took place. this is the reaction of a healthy person to the abolition of russian culture. if speak about how we should respond. i am convinced i was asked that we should continue to study great french literature great

english literature, we will not call by other names or invent nationality. uh, the same rembrandt velazquez, which are kept by the ukrainian artist ivazovsky, they will not be ukrainian belarusian at all. they will not be artists, except for those very flemings or there spaniards or italians or frenchmen who they were. and there is one more very important point. do you understand? we have all the time some kind of juggling, inclined to somehow endlessly blame. and i'm wondering who was the art critic who wrote that aivazovsky was not even an armenian. uh-huh, you just understand ukraine. he knows that this is not so, that he is ovanesov. of course, and the fact that this is a lie and the fact that you are lying, as an art critic. you go towards the political situation and step on your own profession, i can’t help but ask about resonant appointments , resonant non-renewal of contracts. so on. that's when you prepare such a decision.

do you understand what the resonance will be? uh-huh, that's how you discuss it, how is it generally taken into account? yes, you understand that he will call, who will tell you your beloved? what are you doing? firstly. uh, what you mention happens extremely rarely, yes, and the system , ideally, of how a person ’s contract ends, and it is often extended and extended, just a claim. mostly. we most often go to the ministry of culture, what are you prolonging all the time? why don't you have frame mutability? you see one side. see, there is another side which tells why the same faces in culture for 20 years. make way for other young people there, then, uh. and so on , they are resonant, and then we take this into account, there are specifics. why is it done none? eh, there are no sporadic random solutions? it's just, uh, unfortunately, you chess players have such a notion of zugzwang, yes, when

you make, uh, of the two difficult decisions, which would be safer anyway, there were situations when they still let you bring up those personnel decisions that you considered necessary , if it didn’t occur to me in the first 30 seconds and nothing stung me with a needle. uh, no, no, one way or another, these were compromises that we discussed, decided and came to a common decision, as if yes, a compromise is sometimes a decision that leaves everyone dissatisfied, but nonetheless. at this stage it should be so, then you know. for example, i think, especially if we are talking about civil servants. if this is the wrong decision, then we will understand this in a year and make a different decision book sagas to save on the number

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away. i have the minister of culture of the russian federation olga lyubimova, we all know. what a huge number of creative people fled through kazakhstan upper lars earlier later, someone from your close circle left , of course not, what, of course, from friends and me, got again and went to the family, that you pinned, that you wrote that as a decent person, i am obliged to resign my post, of course, it is impossible to continue the bet there. i don’t know what to sit next, uh , leave through upper lars, i don’t know already their common term. uh, well, sort of, i've been hearing this again since i was appointed. that i immediately owe something, in general, owe something immediately, and yes. and so we talked with you about this, if you like, such a plot arc for me. for me, already at that moment, by february of last year

, the mining system was ready for me to just not even hide there. we all left because of the social networks that were popular at that time and moved to other social networks. just at least because they didn't call to kill our compatriots with you. and uh. i said goodbye to this life. i can’t say that i strongly reflect on this, which means, uh, if this is such a relationship, if indeed, they developed this way, then they were, well, somehow superfluous and god will judge them for the truth. well, i got the impression that you are personally interested in the fact that artists go to donbass , so that luhansk and donetsk artists tour and go to some exhibitions. look, when again the first thing happened that we could do in march right away started, we took ours from there. eh, colleagues, now our compatriots.

and what, it means you took away, completed the construction of big touring fools, because these are people who came to us and many of them had women at that moment , their husbands were employees on a special operation, they played theaters, we are on vacation on tour, and then they left to defend their homeland. and this is absolutely fantastic, and they are through belgorod through all, in my opinion, 54 regions. they passed, and it was important for us to warm them, it was important that they full houses it is important that they are received with love communicate with them personally with artists communicate and communicate very much now with my colleagues ministers of culture four of the new regions. these are very, very, very amazing people in their own biography. uh, with uh incredible fate and dedication. and that's why, of course, i really want to help them, and then , when i became, perhaps you started to bring

there our first museum projects began to bring there our first tours. that's when people go on tour, they are more or less safe places, or it's pretty close to the front line coming up, well first on the front line. everyone gets in the way. hmm , the military will never allow this, because, of course, some of the most courageous meetings come and, uh, young guys, there are performers. well, again. it's a question of do no harm. well, well, this is how you imagine what kind of system. if it has to be to sling the symphony orchestra, uh , to the front line, well of course, no of course, it's a matter of what it's more work. where they let us in. we've got a good job. with ministry of defense. after all, this is work even where the guys perform, our teams perform. eh, and that's a lot. where already rehabilitated not tsinichenko. it turns out that guys are lying there with no legs, no arms, and in front of them are healthy, firstly, it’s

a tradition my grandmother danced on trucks and from the corpse theater, of course, everything related to rehabilitation. you know, there are absolutely amazing performances in the theater of exemplary performances. marvelous absolutely, there were examples there last year. and there, just everything is built in the memoirs of sergei exemplary, in including this was very consonant with the time , just heartbreaking to tears of his recollection of how he speaks in front of the wounded and that he is being torn apart? the feeling that , well, that he is a bibobo. well, where are the people who have seen death, terrible heavy operations. uh, exhausted tired doctors, and he comes, uh, to the head physician and says. well, do i have the right, he says, let's go to the intensive care unit, this is very necessary. there are just tears. it is impossible to completely fragment and nothing in this sense changes, neither in people, nor in the history of our country, and the same the dedication of everyone. we also need to slow down, because i want older performers,

when you think, how else, the main thing is to ensure the safety and health of those who are traveling? well, so that there in the hospital you don’t have to provide assistance, uh, to those who come. ah, that's actually part of the job. i very often cite this as an example, but nevertheless, the russian state circus is a hand. he himself is from the donbass, his family is from there. it's just his personal. otherwise, we just slowed down, we will go to luhansk. i say, well, let's just be careful there without afi. in order not to provoke god there. there's nothing to people not yes-yes. i say, let's, somehow here gently not, well, there is some kind of small program. no, what are you? well, of course, come on, i say, but whom to call? well cat there i say cats. i imagined it like kuklachev, i think. well, these are 11 lions 11. well, yes, and the children, of course, have never been to the circus and of course, this is happiness. and, of course, now is not

the time to take romeo and juliet and the hamlets there, of course, they ask for comedies, they ask for fun concerts, they ask for just such a very peace about love joy, and the happiness of the circus for children take by the hand lead lev lugansky 11 pieces. yes, and some kind of huge show there is tons of water, which means that this face painting is all inflatable balls, everything that once in a lifetime, when you shoot a film about it. this is amazing as well. i want to say that in general i have, of course, i have a document about me now. mentalists, he just tears me apart, because i would have to quit everything altogether. i would shoot and shoot now, but of course, they shoot and shoot for porridge and shoot, of course, honor and praise in to our guys military commander. i sort of grew my encores. they were on tv. you always know that it was such a caste of completely amazing men, absolutely stunning and defiant.