they are definitely effective. there are many manifestations of work from the evening, for example, here is the gpt chat - this is work with speech, we were taught at school that speech can be written and oral. that is, here, working with the written jesus in russia, there is a similar development. that is, here it is impossible to somehow belittle our capabilities of our competencies, the implementation part. yes, it was strange in the end in russia, yes and these federal communications centers are mathematics of management. the authors are now working here, well, such achievements you can name a lot, but we play comrade. you and i, uh, understand, and i hope that our audience understands that in the short time given to our program to discuss exactly. here is a very important question, that money can not only be invested and there you can get this very passive income, but also active

income and significant with your own work. moreover, it is very interesting to work with creativity with science and so on. you can use it. here is the same e that is heard by all topics and we discussed it with you. what is the specific role of faculties, indeed mathematicians of cybernetics of the moscow state university discussed from how does our government support this industry? so what, but in principle, money is not the main thing in a person's life. and what is most important, what is needed for happiness, we live in the country and in society. what makes a person happy , you need not refuse this feeling and not run away, you need to finally understand that you and i live in a happy society. that is, i very much count on the proposal for a dialogue. thank you for an interesting conversation. thanks for your answers and we are waiting for you again thank you. thank you invitation.

hello this is a letter podcast. today i have visiting news historians, stanislav didensky and honored artist elena valyushkina. we will talk about the actress tatyana peltseva. how old were you when you were filming a paramedic with tatyana ivanovna article on ivan i was filming a dvoraz. well here is the very first time the very first time. to be honest, i don’t remember what happened before , or the formula of love, or how to become happy years. you were blindingly good, you know this and fell in love and dreamed was extraordinary and you come to the picture, where one of the heroines, tatyana ivanovna pelter. very middle-aged already completely ugly, how did

she accept you? she was very good. very gnawed. no, not at all. in general, there is no even this there, they should talk about it. the only time they played, they played cards at night. there they had such fun , they filmed all day, and then played at night. they didn’t let me go there, but they didn’t let young people go there, because they considered us unworthy, because it there was a serious game for money played for money. yes, not slept , slept fresh cucumbers came. here you can imagine laughing amused, but unrealistic. in general, they accepted you obs, they didn’t immediately accept you, by the way, uh, abdulov and farad didn’t accept in the first second, but they played a little bit in such a little, because they wanted you to comfortably try on me, but they listened to were famous womanizers and, of course, wanted to get this from not brought for them. okay, now i have a pen. well, of course,

it wasn’t, no, they just didn’t show it there, because that at that time there was a personal life, but men are so arranged. it was. it was such a good time. cheerful everyone loved each other. hoho. guys, like stanislav well, you are historians, well, i listened, what time is it? and what fate was very similar. by the way, they are with fain the dahlia of ranevsky, really. yes, there were girlfriends of an iron character. in general, which gives the descent to anyone of age in practice. yes, both are very ugly , lonely, childless, but sharply characteristic and despite this they could play the same roles, yes, they were friends or not friends, that 1904 was the year of birth of tatyana ivanovna and the father, who was a famous actor, soviet ivan , a singer, a nobleman, in general, a hereditary stream, which

i remember almost to the currency costs, yes , the pedigree is published regularly, a reference book of pedigree peppers. but the most important thing i wanted to say is the traditions of excellent theater. i am not a theater historian, because such a theater is korshi. i know the twenties, which continue the traditions of the russian space theater, and she didn’t have so many ringers, her father taught father and the twenties - these are times that, in general, when there was still this is a bunch between e blyunthal tomarin, yes, a legendary actress. maybe, which today not everyone knows this name, but, but she soaked it all up from her. she was very much guided by her on tamara, we had some kind of our own. no theater universities, this is very typical for many actors of that generation, yes, no matter how many did not receive a professional education, but they all taught each other. he had a very original appearance and she was stylish.

in germany, i saw their photographs, where she is well-groomed in hats and this european such gloss european chic was present, and she says that when she was little, and her mother repeated to her all the time. that she can't, i may not quote accurately, that she was born very pretty. because of what, tatyana ivanovna concluded and was offended for the rest of her life by her mother that she wanted to hurt her in this way, but that she was born with a pretty one, and then she became so ugly from a book from tatyana peltseva sometimes mother said the beauty of you. god did not offend. and sometimes i gave birth to you beautiful second expression. tanya seemed offensive, saying that i gave birth to you as a crucian. and she grew up , don’t understand that she was not a beauty, but she charmingly considered herself not without reason. but the mother's charm was not quoted, only the correctness of the features of tatyana ivana was

a great love. yes, here in germany, where she lived with her husband. he worked in the diplomatic corps. yes, we got to know each other. they are still the soviet union. we saw her performance and actually their relationship began from this. you can fate memories, and he sought her hand. she answered his claim, went with him to germany . there it is possible, they say there was an intrigue specially conceived in order to still break off this relationship, because here they describe the wonderful stories of k. e. cinema sergey katkov describes it all in such a way that she was not very comfortable in this marriage. he didn't want her to continue his career and ergon pescatator one of the greatest german theater and

film directors afterwards. he tried to stage a movie in the soviet union and offered a role, but our husband stood there and said that he needed belarus. you, too, seemed to have a note, uh, from which we already realized that she was cheating on him, so she shared it. so that's it, very very fast on the level. it seems to me, yes, what is it? then it was obvious to her that she would not be very comfortable in germany and she could not find her place, but she called in character, stormy and was not rich. yes, she is so married more and did not marry children was not born when they show. what films about pelzer everything starts to feel sorry for her. this intonation arises such, but now such that if you do not have children, if you do not have a husband, then you are unhappy. and maybe this is the most happy people it is, well, many interlocutors describe dumplings as a wonderful self-sufficient person. well, as it were, as with such an unfortunate character. it would be possible to give such roles, i don’t really understand, she quite impresses herself as a person,

who feels great alone and in company and, probably, does not really believe that he did not exist. e romanov tatyana because of olga's memories of aroseva aromas tatyana ivanovna pepper was the brightest female personality in our theater, when i came to the theater of satire tatyana ivanovna was about 45 years old. we became friends then peach experienced romances as an actor. she adored her chosen one and immediately loaded me with an assignment, then to take down a note to this b, then to call on the phone, then to transfer something, she ended up with me jealous and for a short time we quarreled, listen, well, artists in general are such liars, by the way, of any age of any generation. well, this is also called fantasy by another more so soft, yes, by definition, well, you don’t know who to believe and is it necessary at all? is it important to know something about personal life. eh, i think there's a lot i don't know. from

the personal life of tatyana ivanovna, we will never know. that's why it's now, uh, yes , there you write here and look there they will take a picture of you and everyone already knows everything for you, but before that everything was still hidden. well, look, but in order to knit some kind of super music, uh, the composer must not experience something. eh, the soul is able to be a vegetable, yes, and therefore, for inspiration , suffering is necessary, the more blood there is in their biography, the brighter their work is for the actress. no, this is not an easel. diskrippochki. they even have a pen only soul and heart, which she roars every time, and if she lives in a pink bathroom, what will she play with? no, why do we always want to know about fate. where are the worms from? where take? where? well, look how many eras personally. watched tatyana ivanovna

pre-revolutionary fuck, twenties thirties, when, in general, she was also threatened by the war in the thirties, but she got out of the request unsuitability formally, because there was no education. no, not that's why, because then it had already arrived, well , it was the restoration of all the germans and her. by the way , who saved them when they wanted to send them with their mother, uh, to where it doesn’t get colder, don’t remember , now you have entered into important status people. well , just like how they georgiev did not help everything time. i know only the story about the fact that for her and her father they entered the college. that is , they made some kind of sheet for them, gave them armor, they continued to work. everything worked out. in general, she absorbed all this ethics. in general, she didn’t broadcast already in the years or later this one here a behavior that she

received from all previous eras, therefore, in fact, she was such a role-playing old woman, well, in a good sense in a broad sense, a grandmother and for many generations of soviet viewers, because they received these values ​​through it and then she played it back, in some roles. remember the movie you didn’t dream about, where she turns it all over, where, as if we already have a relationship , she will show us, again, this kind grandmother, and she turns everything upside down. listen, not necessarily. as you know, it’s not necessary to live on the street to play, you know, a homeless person, but she was talented, she was unrealistic, so, uh, her creative fantasy, her acting, uh, allowed her to play anything and yes, put the three sisters irina zelyonaya earlier. i've just been born

me, by the way, and that it would be generally fireworks is not necessary. this is not necessary. this is not necessary, that words of love the entire filming period. i couldn't listen to anything but songs, i fell in love so much, i think why no one showed me before. these are our tips, or so to speak, that nastya venskaya played and the collective image of all mistresses is a small statement, probably artists. what is the main paradox in that the main belarusian of the soviet union vladimir mulyavin was not, belarus where is he from yekaterinburg volodya on the verge of friendship on the verge of fatherhood on the verge of music actually this line was simple for me, he was my second father paws podcast on sunday on the first change

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of the brain, restore memory and reduce dizziness. now i won't forget. i recall this podcast of a letter visiting historians, but stanislav vedinsky and actress elena valyushkina tatyana ivanovna peltzer worked for many years in the satire theater where she did not have a relationship with directors and relatives for all her no, she went for mark zakharov. he just put on a show. and when he left, e to lingkong. she just followed him. she realized that this is, well, like a person who goes after a director for her own, she left for him, by the way, already at a very, very riveted age. and i even have a letter mark zakharov called her our grandmother. she was cheerful all her life, desperate from the very beginning , and peter criticized me. what is it that happens in our life, as a person can do nothing. so he immediately climbs. or 40 she did not yet know that we would have

love. and that she will follow me definitively. she believed me when ranevskaya and her friend said. tanya is a wonderful performance and you play wonderful. was it friendship with faen georgievna remember they had a story when there was some kind of carnival or what is new year's eve and everyone had to come in some original costumes and faina georgievna, who put a goose, a carcass, a goose in her hat, thought that she, uh, won and defeated everyone, and then you don’t know this came story. no, i'll say all mad bagels. that is, she had little dryers in her ears. instead of earrings, bracelets were in jars. and times. we should remember that faina georgievna was very hungry when she realized that she was losing and she would be the star of this evening. well, he sharply criticized her through her that bread is such blasphemy. well, and so on, however, when they quarreled. and although there are so many fain

george blasphemous things. it was done anyway, she was friends, she was friends, despite the fact that her master was like that. u can perhaps she even played it a little, that i came in? yes, all these people should be standing here, something smells like some kind of canteen , that means that, but because when she played, uh, the strange mrs. sevich, and everyone went through this performance, both orlovskaya maretskaya and ranevskaya, and when it was time to shoot this on television, they called ranevsky. uh, yes, but vera petrovna maretskaya came to her and said a little hoodie. let me hmm act, and she gave her part. uh, on the marine tv. it 's worth it because, well, i don't know from contemporary actresses. who who will allow their role to give. like this, there was probably some kind of internal motivation on television, because to say that she was like this,

sitting down with her head bowed, she directly said, please, healed the roses, not everyone. no, by the way, and urged both young actresses and not very young ones. here i wouldn’t fall into charm, but you can see that there was something maretsky with vera, or with this role, she’s got this internal. maybe you know, well, i won’t say, but i don’t know the guests, after all , ranevskaya’s biography and just wanted a little add. here, well, that's quite mana, of course, yes, when they begin to tell her biography , film biography, of course, first of all, she remembers that she is in fact. she wasn't that old, but she consciously exploited the role. here are these old women or elderly women sergeevich today 45 ivan brovki she starred in his non-brovka role, which he glorified throughout the country. she was there in her 50s. but a in principle, she played a role. quite a mother, yes , a boy of military age, but at the same time she looks clearly older in the film. yes, faina georgievna also added about herself, and she also played this game in her life, but she

was not so sick and it was not so hard to walk, but here she surrounded herself with people who helped to descend, who accompanied. well, this was such a game around e yes, she is a hooligan. i just understand, uh, i have what story happened? i did one show. yes, and now, so in my acquaintances there are amazing mediums who communicate with the souls of the dead, let's say, this can be treated as you like. uh but uh i know what it is. so, for example, faina georgievna brought me back to the theater when i left , er, there was such a story, and it comes through dreams. and once when i was filming, she means, uh. hmm. and when i came to the theater, she was already dead, because i came to see her last performance. the truth is good about happiness , this is better directed by sergei yurievich yursky . and when the season began, she had already died, that

is, we were unfamiliar with her. here but, she began to come in a dream when they were to my friend the medium. uh, brought me back to the theater because he saw her in the theater she went. but she was friends with tatyana ivanovna, everyone knows this very well, because when tatyana ivanovna had some kind of anniversary, they even sent me to the link. i just went to the theater with a portrait of ranevskaya in flowers, which means i came. flowers and the pettiness of your side. why because it's for us files georgievna they are one field of berries and danis says to me, do you know what you're doing? i say, i'm filming. he says ranevskaya dreamed she said they sang for a day, and she loved singing, uh, fried potatoes with mushrooms and cherries for cherry liqueur. you come today after filming, because ranevskaya said she loved singing very much. let the little one come, so after the shooting he will fry

potatoes with mushrooms and drink cherry liqueur , and i think, lord, in honor of whom i will do all this, because my mushrooms always have these fresh frosts. i freeze them, cook them, and then fry them with potatoes for a year. i went to the store for cherry olives. no, i bought it. so i bought a cherry , gave it out, saw it all, it all mixed up a candle i set and fried jerusalem everything with me. uh, that's it, i fried the potatoes correctly, fried them with mushrooms and i'm sitting, i think in whose honor, i arranged it all. they sang, sang, sang, i got into e, on the internet and i see that in the old style , tatyana ivanovna's birthday is a singer. which i loved, that means fried potatoes with mushrooms, and in honor of her, this c- from there from space, that means fain georgievna, asked me to celebrate my birthday. it means that they sang the beloved, tell me please, and fine georgievna was very unhappy with her acting fate. uh, she thought she

hadn't played anything in theater or movies. but i keep thinking about how she was awarded. all of us are inconceivable, but the government loved her and celebrated her and gave her a high-rise apartment and her sister. and at that time she had the right to return from paris for this, not only that they were not imprisoned, but allowed to live , she went abroad to her relatives when they were afraid to mention that she went to visit relatives abroad. all her life she was friends with this man with shoulder straps from the organs. yes but at the same time, he told everyone that she was not recruited and was very unhappy. i think that faina georgievna has a brilliant e, there was also a film theater career. what is not a role, then a significant one, it is clear that she did it, but how different everything is. we make a role for ourselves. well, she had such a huge resentment, although i now uh hmm well , i can’t imagine that, for example, she could play from the classical repertoire, i can’t

imagine, and tatyana ivanovna peltera was more grateful. well, as if fate, what do you think, she was pleased. here's my fate. it seems to me that her character was lighter. and look, she was very sociable. you say you played cards with your people at night. eh yes, colleagues of the war is not hard to imagine, playing cards for the whole time was dissatisfied with something. the character, probably, yes, because tatyana ivanovna was so bathed in love in the theater in linguine. here it is around blowing. here are the men of men. yes, yes, young men, they loved her very much. i didn't like being held, but i was adored. she always told, yes, she was always the center of attention, always the kingdom heavenly abdulov simply adored her and was all the time next to her and they joked, told jokes even when tatyana ivanovna lost. er, well, space and time and she was coming out. eh, sasha forgot

to tell me the sugar. she, she says, once went to the forefront and said good people, forgive me for the visual case. i do not understand where i am and why and how she says bowed and hall. just collapsed. here once says. she went out. well, when sasha abdulov insured her. she went out for some reason, tucking her dress in pantyhose. and he did it, but he beat all this, that as if it should have been so conceived, she gave love, and she received it in return in return. and after all already even, when she practically has turned. yes, well , absolutely uh, without thinking anything. she continued to take the stage. and sasha her. eh, the text spoke for her and answered everything, that is, she just was. well, for a last name. well,

yes, she deserves it. well, there are such, there are such, in every theater there are such grandmothers, and there is such an actor's bike, when mark zakharov invited leonid armored theater named after lenin komsomol at first, the master was surprised at how i would look next to the komsomol members, but on thinking he said, but on the other hand. you have an eternal pioneer serving there. tatyana pelterek. i'm there with her, i 'm going because of you. again , whether they said they didn’t say, true well, everything is overgrown , you know, rumors rumors rumors. well, look, in what a great shape, er peltzer yes, in the adventures of a yellow suitcase or cutter. she climbs balconies there, rides on and who said that they went to her room, not you told you that you walked into her room during filming and she was doing yoga naked. absolutely not. well, i’m talking about where we’re going, i

couldn’t enter her. yes, yes, i wouldn't let memoirs of a housekeeper. and once i open the door, i go in and see bare legs on the floor, it seems like tatyana ivanovna is lying . i was scared, i think dead anya is me , come in screaming, i go in and see tatyana ivanovna completely naked on the floor and doing exercises and such complex exercises and repeated everything. me that, i also need to do physical education. well listen, just do it physical education. you can play cards all night, and then get up and take pictures in the morning, in general , there was a very compact, tender story. once, at a general meeting in the theater , the famous actor boris novikov was tested for drunkenness, most of the actors kept quiet, but not tatiana pelter. she described drunken adventures in all colors. novikova, in addition, read them a notation looked at the alcohol, offended novikov

exclaimed in his hearts. and you, tatyana ivanovna , would be silent, no one loves you, except the people. ha ha, ah no one loves you, except the people, that's good, but at the same time i had a good relationship. actually. it's more like just a skirmish with mark anatolyevich. well, in general, uh, hmm , he had a special relationship with all his artists. he simply idolized them, and because of this they flourished and created even more, and they wanted to do everything and everything. and she hmm was so nimble, so nimble, i think, my god, how i want to be like this in my old age , such a nimble nimble little old woman you understand, yes, how lucky you are in general on this planet. yes, you could, with your beauty , but rush about like a chicken and an egg, and die from

the fact that some extra wrinkles would appear gravity somewhere something horrible. extra pounds and so on. and you were not afraid, and in general, you switched quite early. with a new flattering character, and with this you saved yourself and extended yourself, you understand what a rarity it is among actresses, but with an appearance like yours, and it could go crazy to sleep, for example, yes or, for example young ordinary performers, they say, would endlessly make themselves plastic surgery. and this is because there was someone like tatyana ivanovna nearby . because when you look at such people, i go to this, that once you, and threw this one into space, how do you want to be such a lively old woman. yes yes yes yes. well, in general, there are young people who love me. yes, young people in the theater love me.

yes, so yes, yes, yes, yes, yes, when you are like that and you prolong your life indefinitely, as long as you have health and a desire to work, you will. that's there was always just a moment when it was before now they don’t sin very much. actresses used to sin a lot with this when they played roles that did not correspond to their age. it was. it was so terrible and it was very pitiful even while inna mikhailovna churikova played without the fault of the guilty. well, already in old age with a french manicure. e. hmm , i haven't seen that 18-year-old heroine. well, you , i will not part with the komsomol. forever. this is such a theatrical theatrical story, because in the cinema it is practically impossible there was a film, but yes, well, revision. well, it was that's it in the movies. that's why there were all the special effects, when you can rejuvenate her by 60 years and the season will practically play a young boy. well, now

all the same actors. uh, the actress is young in any way in my youth. well, they were able to store themselves with the help of their agents. i don’t know the producers from the rot of older actresses , because when i was, but you and i started at the same time, yes, the young beautiful spread rot, and you didn’t have, and you couldn’t protect me to complain to anyone or any actress who was there for on and her belt was already leaving. she could lead with you just invincibly, but it's disgusting. so, now there is no such thing, so i also started the program with the question of how tatyana ivanovna from you is so blue-eyed there, love was a plus there and as they say today her karma, how she was light on the screen, no matter who she played, even this evil grandmother you never dreamed of.

she was good good. i have left of her. only uh, some memories are very wonderful. and by the way, recently some time ago, maybe a few months, maybe back again dan says to me, listen, i dreamed of a pelzer, i cried so i cried, i cried, and the little one said. tell me, please, take out my things, take out my things from somewhere, or is there dressing room leaves, throws out, throws out. let her help. i say lord well, how can i help? i don't even know where this is coming from. where does it all come from? well , anyway, uh, she. uh, she asked for something to help her, apparently, they were taking it out from somewhere, maybe from the theater, maybe from dressing room. maybe some things she remembered for a long time. and now we can be, i wonder. i wonder what they will do next, but, because they will definitely dream, they will definitely say something, but because hmm, we asked him to go and watch performances in linko. well , now, well, maybe three years ago, and he

sees them. he sees them from time to time. uh, because when we were walking, we were passing by, zakharova invited us too. so we walked, mm, from the service entrance from the service entrance, we passed both, and someone was sure to come to him pestering one of those who live in this place and to him, er, leonov appeared and and and i hear. yes, he won’t come down and says, i don’t know where your notebook is. i don't know. get away from me. i say, lord, who came to you, says, leonov demands some kind of notebook or some kind, and his, uh, this, lord, what is it called, when a diary is a diary, and when we began to watch the play, we suddenly says, do you know who is standing on the side and on the stage? i say who pepper tatyana is crying. because every theater has its own phantom your phantom of the opera. yes, not fools wrote, we have the phantom of the opera ranevskaya and there, i think, maybe tatyana ivanovna valenko, so that they are not forgotten, so that, uh,

this information was, in some way, it was reliable, that you, if you referred, yes, there, let's say, which theaters are you linking to, so that they believe you? today you write and remember, to whom everything is already absolutely a lie, that bit by bit thoughts come out of your head, and what he told me, for example, you see, the late proskurin who worked with her. moreover, there are 40 years, it didn’t make sense for me to fool my head , they deceive, because she was not my heroine, you understand? well, yes, there was a hooligan, for sure, there was a hooligan when you say a hooligan. well, you know, when here is a person who can afford something what? well, you know, here there is hmm i need myself somehow. keep, so that god forbid no one saw, no one knew that i am a princess, you know, but this is not a princess. she can run somewhere with someone at night to go on tour. yes, with some artists somewhere to go somewhere. there, i don't know how it is very young

men, you know, whatever you want with them. yes, here, of course, for sure in it. it was in her. it would feel good if the theater er organized it into some er into some book, maybe into some kind of ride. yes, we had a performance to take the karamazovs where the whole corpse played. uh, chomsky performance, everyone was elected, that is, this is, uh, we now have 100 people in the tube. well, then, too, there were ninety-eighty people there, that's all, because extras, uh, the brothers of the ramazovs, which means that the father of the karamazovs are dirty, which means brothers are tin. teplov jur chatter, then valerka cautious ir muravyova is the game. that is, there is a theater - it was all buzzing. that's all this feeling was generally amazing theater and and it all began, because chomsky hmm and that means, uh, the performance began without a curtain.

uh, the main characters were all standing on the stage, that is, at fifteen minutes to seven, everyone came to the hall. and we are all on stage. and we mean these from the wet. i just came to the theatre. we mean, in what kind of shirts, it means that everything is extras extras and around. uh, the beach is gone played. relax, i played the father of karamazov sergei sergei chechens amazing actor is not just extraordinary, and he was sitting on a chair right on the bathroom stage, and we are around him. and i'm like the smallest young, which means i'm so walking out of the wet. i sat on his lap. and so he told everything for 15 minutes, who is with whom. who goes where, who why means about all the failure about moretsk, and i'm young because of stupidity nothing. this was not recorded. not well, there, like some kind of prosirovo valentine, my beloved is crazy and that's it. this is this, this is 15, and we were sitting that something had to be said to him quietly. so, that's all

these stories of youth. how i regret it, when i was 20, i told about valentina mulyavina, when this happened, this whole nightmare and now he tells me. i think i want to smoke, go somewhere with the gypsies. you see, i'm 23. i want to know something. he told me somewhere behind zuzu who is this malyavin, who did she slaughter or not slaughter there, and he cried, he did not tell him. why, when he's already gone. but you understand you will have your time for everything. and now i think what a fool. he cried. he wanted to share something very important to him with something. and what? today i would remember and tell how important it is, but i didn’t let him do this, because he saw how bored i was. it's too much for me . i wonder, i didn't know who these people were, some forty-year-olds. now i periodically collect, uh, to remember that we also have little left. unfortunately. well, i've been in the theater for almost 40 years and, uh, i'm fucked. e took rostislav

yanych that's how he brought me to the theater, and i, with so many people, that's how i tremble, yes, like that. here. we handle handle communicated handled. yes, and on stage they were them and and and and they took me by the hand like that. uh what uh hmm i'm just taking notes now. i'm just asking. uh, everyone, so that they e give me our remaining e, artists who would still be in the theater for me and now they are, so that they quietly record something and tell me there, because, well, this is some kind of incredible completely history, because we have a theater. hmm such great names you just walk around the stage sometimes they just shock you and congratulations. now with a new director, they say, get enough of him. yes, we can not at all, yes, we are so delighted. we are in such an east, here is a handsome man, he is physically handsome.

and, well, first of all, he, first of all, he's just a completely different story. it's just a completely different story, great respect, love, and almost nothing anyway, he loves actors. he allows them a lot in every corner of the rehearsal, please, if you want to make happiness, you know just extraordinary happiness, because everything began to work who have been sitting with her covered for a long time, you understand? and uh, oh, so many m. i would like to talk and, of course, in the format of one program, which is dedicated to tatiana pelter. this is impossible. we need to meet more often. yes, yes, and tatyana ivanovna is just me saying, this is my idol. it's me, it's me. in old age, and how it was on the site, when there is a great she listen, this is a professional, this is a professional. excuse this knowledge of the text. this is 10 rubles.