i saw what needs to be done. you live in a society. you are the society and it is. but you know, i'm not in a hurry to make a judgment about these or not those things. they are engaged, they live according to the vector, which, again , follows the same one, but the exponent goes. development of homa sapiens. in particular , one of the mass migrations that is expected in the near future is assumed. this is just immigration into the digital space. that is, in an alternate reality. right. yes, this is a virtual reaction. yes, you communicate and very such clothes amusement land get ready. do you remember the movie, this is exactly what you are talking about, but if you think about it, there are those who seriously believe that we can digitize consciousness and there a biological person can die, and this digital twin will continue to live,

as if you don’t know, how it will all look. and is it worth it to stop here, but you understand this as one of the sides of any technology, yes, and at the same time , the use of virtual reality in order not to fly to a meeting through half the world there. yes being in your office, and you are immersed in completely atmosphere, as if you are where you were supposed to fly to the meeting. this is probably even by today 's standards, it can be convenient, but the use of augmented reality for additional information that you may need or for decorating a work area or ways of relaxing, whether we want it all or not, it will be a question. how will it be used in our society? well, that is, you are in favor of expanding, uh , i am in favor of pissing some kind of grinning laws of the rule. you are very correct spoke of laws and regulations. and technological development is going much faster than the bodies that should

regulate have time to work out. yes and you, of course, would need to add speed to them, just so that we consciously understand where this development is going, so that it does not go spontaneously, but controlled, or what? for it to be beneficial, and how to make people's lives better with these changes, this is something that needs to be seriously thought about. here in these conditions of accelerating change. that is, if we cannot stop, it is necessary to lead it, yes golden words. as you can see, our relationship with artificial intelligence is not so far away i will not speak globally, all people roughly speaking, how from the series were the americans on the moon yes, everyone is divided into two categories, some believe others no, the earth is round flat. yes, yes, and here experts are professionals , amateurs, like me or everyone is ready to express their opinion. yes, not everyone is ready to argue it. they believe that he will never

be like a man and therefore a type of threat. he does not represent others believe that yes it can really become reach. e, in its development to the level of independent analysis of the environment for making new decisions. i do not presume to judge there when it appears, but i am sure my position. yes, he will show up. that's when he showed up. that is, he is aware of himself. it will not just be a program that fulfills the three laws. you can't harm a person there. you have to think about your safety. if you think of your safety, contrary to the law one. follow the law one so here it is will not be. just a program it will be a new form of life. you know why, but let's just talk to you. and what is life, life, in the broadest sense, can be considered any process that has the ability to repeat itself, to

copy itself, yes, and the ability to process external information. all if this process exists, it copies itself, and at the same time is able to somehow influence the processing of external information, we can assume that this is life, while what is self-copying? after all, when a bacterium copies its dna no new matter new does not appear , new atoms do not appear, just those that they took and lined up in the structure that exactly repeats the previous one , only information is copied. thus, we can say that as soon as artificial intelligence appears, which will be able to independently completely copy itself, provide and process external information not because it has learned from a large amount of data. but because now he knows how, as soon as one appears. we can say that this is a new form

life. and moreover, precisely because he can learn much faster than any person, it is logical to assume that he will indeed become smarter than people and think that we are able to restrain him. well, ridiculously, it follows that communication is worth building. at least mutually respectful yes, that's what i talked about with the movement for friendly partnerships. to do this, we need to change the internal paradigm. we are not friendly to animals on our planet, we are not friendly and you know the most interesting example is with animals, as soon as the internal combustion engine appeared, the number of horses began to rapidly decrease in 1915 from the 60 million heads that were in the united states by the sixtieth year . 5 million remained. and only then the americans

decided there. oh, listen, our horses are dying out. let's spend money. let 's keep them in order to have fun there, communicate with them and then consciously begin to build this population. here, so that we do not end up in the position of these horses in my understanding. we must change the paradigm of our attitude towards people. first of all, we must understand that we are a single civilization. if we do this and treat it the same way, then we can treat artificial intelligence the same way. and just then we will just move into that life that today we can simply relate to unreal and it seems to me that this is a question of the current century when we will either move on or not move on, and sasha at the end of her meetings on podcasts. i usually ask for my bones. e dream that what will man do in space, in 50 years , for sure, we will explore mars

. of course, the moon will be 100% more developed in parts and around the earth, and a large number of industries will certainly appear in space. i really hope that we will be able to send devices to the point of the gravitational focus of our sun and get pictures of exoplanets so that we can see the outlines of the continents, the atmosphere, artificial light, if it is there on the night side, that is, such a breakthrough, yes, literally was 60 years ago. yes exactly a breakthrough and we will have the same in the future. sasha thank you for coming to visit me today. today we tried to look into the future to talk about artificial intelligence in the digital space . 62 years ago, our compatriot yuri alekseevich gagarin gave a start to this whole thing, and we congratulate you all on this wonderful

international day. cosmonautics, my guest was pilot cosmonaut hero of russia alexander surkin. i'm anton shkapper, and the podcast is space stories. hello dear tv viewers podcast of melodies of my life, i am its host valery syutkin and today i decided to invite the creator of the melody to our program , the composer creates the source of the melody, visiting. we have a melody creator for the brilliant lyube group for the longest-running and long-term demanded team ivanushki international for girls from the factory group

for the korni group i can forget something, but i know for sure that this talented guy graced our patriotic music composer igor matvienko thank you valera igor well, we have a very simple task today. i don't i get tired of talking about myself, but it is in this program. i successfully try to fight this, because through the melodies our viewer will learn a little more about you, and i definitely know better we all come from childhood. i remember exactly the day we met. this is the 84th olympic village. we needed all the vocal and instrumental ensembles to submit two works for judgment a day without a shot on earth and if the guys of the whole earth, you led the team hello song and in this dressing room they also demanded the clavier from us.

do you remember adding notes, shaking each other and valera igor but what happened before that, to be honest, i don’t really know, here are the melodies with which igor matvienko’s childhood is associated honestly, i thought that we met. why are you reminded me of the western tour? ukraine uzhgorod lviv maybe something like that? here a little later it's 86, yes, and you have everything you have, everything is numbered. no, that's not what football is about. football was the world cup and on the first day of the tour in uzhgorod we smashed the hungarians, and since this is the territory, let's say. so where for the hungarian team is fucking more active, we almost got beat up, right there, that's why i remember only football. well, i'm your interrupter. i don’t remember at all what happened in childhood with melodies. well, right from childhood.

then, when growing up had already happened, then some fragments already appeared, there were some hit songs that sounded there for everyone. one of these tops, the baby stomps, and then i am already an adult for myself. and he discovered such a performer as stanislav e pozhilakov, and not just a composer, but he is a performer because he sings his songs and how he looks like in general, if the body of the listener, then he will check somewhere on social networks. yes, he sings all the guys of the seventies, that is, his babies are also an experience, baby and that's it, because if i'm not mistaken, this is irma sakha such a girl, yes, well then it was even a different system. there, in principle, there was some kind of first source of performance, but then several performers, and yes, and somewhere piekha no, there are a lot there. well, in particular

, we are talking about the baby, they drank right there with pleasure. everything as it sounded filled. this is a direct introduction. who sings baby with mom along the path, cute swift little legs, slowly something very great in the unknown, the first step, go around, passerby.

you see, a man is walking a big top-top-top, a direct poem text a melody that i can’t live without it right now, it’s just an association to that childhood , this is moscow moscow of course, i was born in moscow what else do i like all these songs, especially sixties, because it's such a joy, some kind of feeling. i don't know, maybe because the war has passed this difficult period is over. and so the sixties began. and here, but it's straight the whole aesthetics. and not only here in

italy there is cinema. uh, cinema and music are also in america. i absolutely agree with you that in the sixties people lived with hope for the best after a terrible war. and they have hmm it's a woman in a dress, a man in a suit. yes, and how did you come to the first lessons music - this is a violent music school from my parents, that i was very lucky, because i did not enter a music school. well they said that there is no hearing of the boy, do not torment football. for example, my mother went to the headmistress of a music school, and she says, well , work out, here's a year. i have a good teacher. and so i got to a good teacher alexander abovich, a kapussky, who if i didn’t get to him, well, they wouldn’t be sitting here now, and i wouldn’t be sitting here. you would be sitting here because he took me through the entire course of the music school and then entered the college. well, well, that is, he was such a conductor. well, such a classic professor, very

a good person is a teacher, of course, in our business this is absolutely everything and we smoothly move from childhood, as i say the melody of youth. this is most likely. uh, well, a melody that, well, if it didn’t warn the future of the profession, it is at least thanks to which i didn’t hide it, uh, songs of the beatle baimal, because i heard on tv. i don't know what this business is. yes, and in your case, in my case, i entered a music school and and uh, and we had a good backbone of the guys there. there gera grachev kolya kuzminykh. we've already stopped there. listen to all pop music, including. unfortunately for the beatles, because for us it was very spacious. yes, and we moved there, here is the jazz-rock fusion and here is everything emerson lycon palmer and yes and all sorts of complex things there yes yes yes. well, that is, they began, of course,

to copy and play the first composition. mine were, of course, also in this style. i have a question. even before asking you to play something from this period. you mentioned the surname just important on the programs there are sensations. and now she kolya kuzminykh happened - this is for a wide circle of musicians. eh, keyboardist for the legendary group gorky park yes many years ago 70. i left the army in seventy-sixth. and this was before the seventy-fourth or seventy -fifth year, he played pictures from the exhibition, yes , mussorgsky is understandable, but in the interpretation of the panor and bassist volodya, the surname, whom i don’t remember , said we need a drummer. i played drums to play in this case. no, but we play grafond roll one song food-150. it was called there it was necessary to play exactly. i

played and sang backing. if the kuzmins are good. yes, yes. organ wildmaster of our friends from the german democratic republic which he arrived very close dialogue khantu. yes, he played, i sing along, and he makes remarks to me by kolya kuzmin, he didn’t remember me, because it was one day and alive. so i came to rehearsal. we played and performed and parted , and only 30 years later, there, at one of the concerts in gorky park ugu, i announced it. i didn’t recognize his face, too, time has passed and i say nikolai kuzmin, i say, if you don’t remember was. here is the moment he says, and what was it, here, here we played grand well , you told me to a young guy who sang you a third from above in the chorus. dude do you know what the song is about? i say, no, i wrote off the maccreditophone with the words you need to know,

the content and the second are obligatory. here you are trying to make your voice foreign. i heard you, there a freeway star sing an angel who will go like this, don't ever do this i sang, but kick it to start minecraft to be well, so i was overseas. well, you sing your own, but i said he said you have an excellent timbre. and remember , i wrote down this phrase for myself directly, then the consequences, how important it turned out to be. for me, he said a song and wanted to tell something, so just tell a story. there is no need to build anything superfluous out of yourself. yes, just kolya kuzmennykh, yes , in fact, he was a genius and completely undeserved, and as if during his lifetime they did not admit that he was a genius and he had already died. there about 10 years ago, just a piece, if i remembered the compositions of kolya kuzminykh. i don’t

remember further, this is some kind of his this is his composition. yes, yes, in the style of emerson, there is something like a beautiful bass. this is very high. and i, as a drummer, i could never even touch a commercial, because i played the guitar, a little more bass and drums, and for me the greek lake as a vocalist, as a guitarist, playing any guitar there at all bass-62 12, whatever you want, especially karl päller, as a virtuoso drummer, of course, were blocks. well, that is, here's an art rock, despite the fact that you later embodied for yourself, let's say such simple melodic songs. it was now a piece.

these chopper syncopations of ours are trios, in my opinion, this is some kind of trilogy , the album was the most pop, that it has such twisted melodies. yes, of course, difficult music is not at all simple. listen, except for the caves, i fell in love, i think why no one has shown me before, can i say so?

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are watching a podcast of the tunes of my life on channel one with you presenter valery syutkin and today, igor matvienko is my guest was very interesting. uh plot. now i'll tell you, then, from a music school. here is our whole company. in short, we had eh, father sergie, he is now, yes , the priest, father, and he was a dj, well, then here are the records, all these vinyls, and we, with our school, have about 30 people, girl, guys. well, all the advanced ones went to rublevo , which means, uh, to make them, uh, some kind of club evening. well, that is, it's not that it was some kind of house of culture. here we come. in rublevo, it’s not at all clear where, because that we actually lived there on the other side in the east of moscow, we come to rublevo and, accordingly. sergey kulikov puts. that

's what we listen to and we're here emerson there hancock there, i don't know yes band, there and so on. we really like my dancing. eh, this and then we'll see how something is wrong there, and then we understand that now they will beat us and moreover for very bad music. we mean, so side by side and running away with you was. by the way, seryozha paramonov that's what let it be clumsy vocalization. yes, we take to the streets and the crowd runs right behind us and now we understand that now everything will be pipets. we run to the stop and we were lucky the bus comes right up. we run into it, the bus is empty. and, for some reason, these stopped, and i don’t run, and we , in short, the bus from rublev, and still there, it makes such a small circle and returns to the same place, and they all fly into the bus and the first one remains gray. silently, i will never forget, he is coming guys. but we same and here same

boom. i had such a long black coat and then, well, somehow, apparently, i was lucky. i somehow fell and he was like this in these feet. well, but without blood, yes, then they beat me, somehow in a kind way. well, after all, the seventies beat, then not like it is now, but nasty things without pleasure, but, but i remembered for the rest of my life that complex music needs to be put in certain places, only yes? say, please, here's the hello song absolutely and the forge, because i remember your then line-up, kolya was not part of it. well, initially. no, he then he then got in. it's because of six young people there. that's such a yes school. was. eh, viashnaya powerful. i mean, the local instrumental ensemble was moza, there was oleg katsura kingdom in this side playing the guitar, which is brilliant.

yes, yes, still and yurts, yes, also funny guys, then everything, that is, everything is right in the music and you are for the new-haired handsome man behind the keys, but i remember, even then, that conversation in the olympic village, you told me then my will, i would love to write , but not mine at all. this is all this your touring stage fuss. that is , you had such, uh, the craving was, apparently, serious music, which was my e contest, about 86. i already had enough of the touring life. this is to go on stage to receive this joy, like how you love it very much, everything, but igor i remember the moment very well, because i was just moving from mikhail boyarsky to bravo and we collided somewhere. with you from the propagandists

to the permanent director oleg golovko somewhere in the corridors of ostankino, and you put any in my ears. yeah, not yet with the broad masses, if i'm not mistaken, the first is the dad waved, or is it any no, yes, along the roads a little bit, remember for me? that's for the punch, yes. but tell me, nikolai’s choice is interesting, as it’s clear that colitis is a completely unique folk such as in appearance, i’m with him on billiards when i play and let’s say 2:0 kolya does this. well, stick with it. this is the concentration of an absolutely people's artist in

all deserved and manifestations of this title. tell me, these melodies were developed by this. how are you? as the creators of these melodies, you groped so, relying on all this our national culture, how to do it? it actually happened to me by accident. uh, when there weren't any, i was moonlighting. e, there was such a studio record, not black, well, for life, as young musicians are now, and somehow there was an order to make a military trumpet march. this is absolute. here is a nostalgic work named after daniil and dmitry pokras, that salute to you as a compliment and how

is your lawyer in front of all the many who say igor matvienko, he’s from there , i say a melody from there, so that from there to begin with, you need it's good to know. secondly, everyone says plagiarism. we speak tradition and we work not noah. this is, of course, uh, i really love these ill-wishers here, who always find that like this phrase was great in the movie of the operation and everything has already been stolen before you. this is what i want to answer. the guys need to continue to work and do their own thing, so that the hero of the podcast of the melody of my life, igoryevenko, does a brilliant job. igor melody about love. i don't know your other half. well since we 've seen healthy everyone always doesn't mean that you have to say exactly how you met. i meant a wider melody of love, like when you understand that you would like

it to sound at your children's wedding? there are some songs that are the best. as a composer, which one would you bring? that's just susans. i asked you, this is the answer. the fact is that since i have a normal representative of show business with this case, everything is fine. i had about five wives. so yes, of course not. no, i confuse, no, i don’t confuse, i didn’t have children of wives again four. yes, this is how i get confused all the time. uh, no, there are exactly five children so far. but, therefore, according to the melody of love, they changed all the time, as i say, i already got it. here in this, uh, such a culture is not quite ours. uh, that is, i somehow combined it strangely, so, like our sixtieth, yes, to the folk, and then it came and that's it, and yet, probably, more english culture. well, of course, there was an admixture

of americans, so they still listened during, let's say, softly a date with the girls. well, what is this and one of these? it was prokl harm, and it’s not even clear whether it’s just harm or bach and still. that i'm almost certain of this band that you will play it? there is such a melody, it's like the hotel california says it, and i'll be right on the sly. she goes well in the background. let me tell you straight. so, look, well, first of all, this is a movie. she sounds like lars fontrigova in the background, cutting through the waves, she still sounds in a number of films and in her, yes, classics, like bach, like something like another musician today you see, we are already with you, apparently, we remember the age group, we remembered the kolya

kuzmins. and now i remembered slava gorsky and slava when i always heard this melody. you know, we talked like that, suddenly she was water. slava tells me to stop, and he has a tear or whatever, i can’t have such a melody under it. what it is, i don't know what it's called. do you know what this song is? my text did not listen to us here is the feeling. well, let there be a long something, let the viewers forgive us, i don’t know, but i understand. i remember what it's really about in fact, this is a melody about a guy's girlfriend there, something on the shore and, in general, ends. everything is good with sex. so yes, yes, that is, although she does not have sex at all. it's still love, how like that, yes. yes, precisely, because here is bach, that

is, this is some kind of love, unfortunately, in our russian language, this is love. it is called all love is love for the mother, where the girls are for god for the motherland. but, for example, in the greek language there are 20 or 30 concepts of love, and that is, each of them. here it is called differently, but in russian, when you need to convey some kind of emotion, then i think that it’s hardly richer than ours, is it? no, of course, but it is precisely some such philosophical concepts that can be such. yes, like orel, my gur or misha zhvanetsky share your smile with you more than once and remember it again. yes, you are not a verbose person and it is clear that you have built your show business in yourself and i will give you a compliment. he is brilliant. whoever says that some kind of borrowing, it seems to me that

what your groups sing and ivanushki now in my opinion, the renaissance because they sound from each receiver, as before, and the song of the thirty-year handicap has ivanushki began with the song of the clouds. no. yes, i remember now. the clip appeared spectacular and rushed, and i'm somewhere in one of the programs, uh, that are run by people three times younger than you and i. they conducted a test and say poplar fluff. and if a person does not continue the heat in july, they conclude that he is younger there, 18, that is, but today i think that those who are younger, 18 again , this salary, you succeeded on the wave of retro yes, igor matvienko's melody when he is sad. here is a sad melody not depression, but melodies of sadness. this is what, maybe i should when i'm depressed, especially you don't listen to music.

you are already there. oh, black lizard, she's a sense enhancer. oh well, there is an english group for me. this is first and foremost a jacket. ah increasingly-??? depression, pancake. depression depression, but just when i heard this uh song about smell. i realized that there is such music that it is so introverted, that is, it comes right from there and yes, how could it be create. here and so to perform mm, and remember the second one, which was laughing. uh, how can you not play his melodies down the unusual section, i don't know, i really don't like it.

i'm a big fan of music with an orchestra, fucking a well-known artist with a bar, and they painted it like that and all these radios and the auto-second group is, of course, radio head yes and this is a song he is also from this series, when here i am i watch them, i understand how much he is a genius. here he gives out these emotions from there. and these are the most. by the way, this song now i'll try to portray, because the rest of the songs are not infected on the piano. it's uh, scream song and it's their least favorite song, because they thought it was, of course, uh, bullshit, and in general, but nevertheless it's a major hit. e.

ra well, and so on. this is of course very simple everything, but i'm not just the same harmonies there, but masha and the bears influenced it. you remember that, who doesn't know lyubochka well , yes, again, i confess to you that when i tried to compose music modestly, uh, one of the first songs that i composed as i i thought it turned out to be the songs of the reihip zelin group . hmm, because it was there.