well, and so on. of course, everything is very simple, but it's not just, uh, the same harmonies are there, but masha and the bears influenced it. you remember, balay, who doesn’t know, lyubochka well, yes, again, i confess to you that, uh, when i tried to modestly compose music, uh, one of the first songs that i composed, as i thought it turned out to be the songs of the reihipa group zelin hmm because there was such a move yes

yes yes yes yes yes yes yes yes yes yes yes yes yes yes yes yes yes yes yes and we will live there. oh, and i swore to everyone who speaks? yes, this is yura says, yes not and what is a peanut asks? i couldn't hear. well, i could know somewhere, on the radio , the music is in the air. yes, uh, well, that's a little, but it happens, sometimes under the influence, so let's not criticize the masha and the bears team. and let's just say that it is really very accurately conveyed. ah, anxiety. yes, of course, you are the creators of such positive songs, then you consciously combined the best traditions of russian music. there, from the thirties, you can trace everything, especially lyube of course, the finds are just like this in combination with a knee-deep voice. this is a fateful acquaintance to find your performer for the composer and vice versa, to find the artist, but i will also say fateful that we met

with a step, and then another misha andrey - this is because shaganov moskovsky is like that. here is misha andreev, he is ural. that is, this is siberian, even andreev is the main one, that i have you, yes shagans, well, there are a huge number of battalion commanders and clouds. that's all, yes, everything is a combatant, of course, goosebumps are whining. here i say, i do not share it, but in life on stage, because you made it. that's absolutely uh monolith just like ivanushki to hell with age. here their charm goes on, what the girls go on. uh, the factory continues. well, not all, but they continue to eat and the roots, guys, too, the fragments continue to come together. oh, well, not all of them, well, not all, but two, just went to the acting room. yes , but still no. yes, here yes, here igor , please tell me today. well, firstly, i also

want to note that you do a lot of work when you need something fundamental. you are probably one of the last composers whom i know, whose songs are sung by everyone from and to, this was to some extent dictated by time, because after the 2000s, hits that sing all over the country simply did not become them, because there is too much variation in taste and social try okay, but what is happening right now is quite a disaster, that is, he is quite a song. yes, i gently passed the author's competition, let's say, which i bring to you, which you supported the competition, i supported it, because i need to say it again. first source composer who creates a melody, and our podcast is called the melody of my life and igor patronizes a wonderful competition, the authors, where e. young authors have the opportunity to provide a song and the main prize in any form. it's

just not only, uh, a turnkey song performed by someone famous, and such an opportunity is provided, he just clicks. on a certain button, and this song goes to his repertoire and all kinds of support from channel one and all, so to speak, mmm. uh, show business cars. here in the propaganda of this song. so that pay attention to the author. i just want to compliment you for the song. true, i was present there, but there was something to live there, remember, it was an excellent project, heavy heavy. and you , in my opinion, didn’t come to sing a piece, but you honestly told me why i still appreciate our relationship, that valer was some kind of crap with the light there, since the video version. uh, there's something . it's not clear you can't be seen there, in short, yes, but i participated. yes, i remember, i remember, i remember that there was some kind of logistics, there was an inconsistency

something like this. this is god bless him, we are entering a very pleasant trend for us. here you are how to create songs there, let's say a horse, which many when the stargoevs think that this is narodnaya is the author of this song of the shagans here igor matvienko rejoices to our viewers and me, and he, uh, wants to continue to create which we really wish you that new ones will appear songs. and as an example of a melody that is associated with a melody of joy in you? why is this program good? here you throw it in, without preparation, you need to think about something but this joy is such that i now have an academy, i speak there as a student. we even had an assignment to write about. for example, it 's christmas all the time. we have it

conditionally in moscow, there in all the restaurants in the parks, they play these episodes there, but they are all american. well, why do we need ours so much? yes, and here we began, well, how to think about this topic and realized that we have a little joy, another with an element like this . light sadness, i don’t know where it came from, maybe from dostoevsky maybe even earlier. that is, we always have some kind of such nature. perhaps that is why for me joy is still something like that. uh, early chernovsky and boy, banana. yes, this is the first. yes, what does he have to do with you chernavsky father they are there, and then appeared. uh, a character named volodya presnyakov i remember very well. yes, this is a young kid who, by the way, is a movie above the rainbow, yes, and leonid dverevnyov is a brilliant poet who wrote the text, and how they came to this

zurbagan by the way, what is a zubarbagan? and by the way, yes, this is a fictional city from the work of alexander grin perfectly. and not in one. she has a whole cycle. and this one is there all the time. here is zurbagan , there is something that i associated with, like some kind of wind, i would say zurbagan, this is it. oh dry, yes. but it’s not not this right here, but it’s some kind of something that he was already striving for was the soviet era. this is the epoch well of everything that we love now. and then we were a little. well, that is, we wanted this breakthrough, and it happened in show business and here volodya presnyakov was one of the representatives of the new music of the new image, dancing yes and this falsetto , of course, is there at the level of uh bg there, and i don’t know, well, these are right on and

so on beautifully. well, look, i never change my mind, that's a compliment. vladimir presnyakov jr. yes, by the way, this also applies to the eldest, they, like children, have such a pure love of life in them, and petrovich is the same eldest, he’s right here, despite the usual guys often begin to grumble with age , just like you and i don’t. they are such that vladimir petrovich, volodya, they are very bright and light, and igor yes, we became spectators very grateful that you are a person who likes

to spend time at home, without extra people . for us, the exception found the opportunity to come to the laps podcast program under the heading of the melody of my life and his story. fixed. look igor matvienko we all have a birth certificate. i am very pleased that our interlocutor today , with his songs, with his melodies, has actually become a witness to his life. it was podcast of the tunes of my life about my tunes. igorka told us today thank you. thank you. the reserved file is clear to me. your forest.

i understand. your forest is our parental blood. and sometimes hearing the voice of an ancestor, a sucking gray bird forest and healthy. i fly to you in the head, i busya

i fly to you. an inconspicuous dragon makes its way around the steep, where

the grass is high where the tsaraslekku is. for god's sake

the song of alexandra pakhmutova and nikolai

dobronravov belovezhskaya pushcha was performed in the podcast of written life performed by the group quatro but, of course, in general in our historical timeline. it sounded and became insanely popular in the performance of the great team, i’m not afraid of this word, because in this case there will never be a lot of pathos of the group, about which we will talk today, which we will remember today, of course, it is difficult to overestimate the significance of this team . in the history of our country they were called russian beatlas. although i think they are much cooler. throw me, uh, in every possible way not fresh fruits and vegetables, but i like pesnyary more than the beatles april 10 at the first channel starts showing the series half an hour before spring. this is a line from the great song of this great vocal-instrumental ensemble, which

was loved by all the giant union, and i dare to say just two words from myself. i remember those concerts. i remember those full houses and the fact that i was at these concerts. it's even hard for me to believe it myself now. it was just out of reach just like getting to a beatles concert by the way, this is a podcast, as i said pesnyary in my life. i am the presenter konstantin mikhailov and my colleague alexander anatolyevich, today we will talk about how the film was created. uh, that formed the basis of the plot. what events took place in this film, where is the truth, and where fiction took place to be our guest vladislav ludwigovich moiseevich the musicians are one of those who stood. one of the founders of this great group, the very composition of ladies and gentlemen, is at the origins of the creation of vieva pesnyar. yes, the very first composition is the main composition of marina mulyavina. today we are visiting. this is the daughter of vladimir mulyavin. marina hello. hello, and two beautiful actresses are anna demidova anechka hello, and anna

banshchikova. hello hello girls played the same character. but perhaps with a difference of 20 years, they play a period. there is now the fifty-eighth year. according to what it turns out, about you, here they are with us, the eighth almost eighth renouncer , and here i play the pocket video of the sixty-eighth to 76 yes, several periods are displayed youth childhood childhood youth and you play the same woman you somehow adopted from each other what - something like the truth, it seems. you have to be like, and you succeeded. hoping you agreed on techniques about gestures about speech patterns, like how your people comb their hair, we had three directors who filmed different periods. yes, that is, anya was filming with one director. i'm with someone else actually. we saw anna for the first time today. yes, that is, we knew

the existence of each other, and the third was someone that the third karmaskar did not? no, we had three mulyavins. yes. yes, it seems that the normal two of us are enough. you watched the script and watched some material , how close it was right away, but tell me originally when we were discussing the actors and the premise of some other people. we were looking for external dissimilarity even in dad in this mulyavinsky mustache. we searched. to raise charisma , here they are to show the mother of that woman, such she was to show the father of a musician of a man. and just so tired, what the actor did was no longer gleb, but our second hero, who played the father, was artyom volobuev. i

was already at the end of the shooting, when one passed, the second, the third, i heard my father's voice timbre. you hear, it means that a serious assessment is really unique. it's just the audience who will look. and those who have seen it seem to know the ensemble itself. yes, well, really, artyom it just seems incredible to me, and it looks like incredible speed, and about marina, i wanted to say that marina participated. here we were filming the first day, it so happened that we were my first shooting day. e was at the funeral cemetery in minsk, the brother of brother valera , and it so happened that we were somehow very important, in fact. this is e. coincidence, but we ended up in a cemetery, and we went to them and we went. where is buried. yes, mother, look at the grave, karmal communal. we approached, as if asking for permission, roughly speaking, that we will do this. and this job. and marina

was always with us and helped us a lot with things. in fact, we use things for real things, everywhere karmal, yes, which the father gave and, uh, anna even wore earrings, yes, which the pope gave and wrote, then a song as his guardian angels. project something. i think that it was volodya himself who was the guardian angel. it seems to me that how much you sated this one with things and your souls project. i think he was on set. exactly. from there, maybe, some things were born, there the intonation came at the end of the project. it all exists, for sure. she watched it. that's all so mystical. they go through life. uh, things happen, which is definitely without his blessing. just couldn't get it. but if he were alive, do you think he would approve of what you filmed he was a man,

so creative for him in any way it didn’t matter to him it was a man who bore made his child and released him into life. everything i gave you everything, so you think he said you do what you want, i went to the studio to rehearse. i knew him, in principle he was like that, if the group existed now under his leadership. it seems to me that he had a severe war with pr people who would say image makers do it do it. so he would send them and just do it, so he considers it necessary, because he did not care how it was for him. e looks at people, and how he looks from the outside. he just stood there and did his thing. his job, and he knew that this music does it and convey it to people. the film will have this plot, where he will show his character, and this is not only in the film it was marina in my life, i know that the first script. you've almost completed it. yes, uh, in

the sixteenth year in 2016, when i nevertheless, or rather in the fifteenth, uh, decided to write a book co-authored by the wonderful priest olga brillon. e unsaid vladimir mulyavin and lydia karmaska ​​tell about the history of their parents and now at the presentation of this book. co. came up to me. young people, actor, screenwriter, uh, director, producer, so they said, but we already have developments and work in russia and in belarus, so we would like to consult and maybe something will work out, they brought me the script. of course, i was shocked by the script, because i can say that the sands or not, because the songwriters had a much more interesting life. but who knows the whole truth and is an eyewitness to the questions

, who will say, because they said, the girls, especially marina really and that's why i got caught up in the idea that i was bigger. well , at least, or equally to the viewer and listeners than, uh, some kind of judge. well , of course, and so i would like to go. well, two or three series. i was in public. i was the public and did not compare, but simply found out about volodya, who i was not accepted in the team there, i was a child prodigy there , i studied first-time at school. there to say something, uh, i could understand, i was also brought up on steam locomotives for repairs nearby in orenburg 4 years later, but i learned so much, although i looked at the book a lot has been written on this subject and it seems that i was already

prepared, but in the cinema and especially the second time i watched twice twice for 8 hours without coffee without a toilet, in short, a professional relationship. well, no, it was a desire to see. and if the acceptance of responsibility and felt everything, then they will ask me, i must say from the very beginning, like marina, not only marina is an intellectual, soft. i won’t say at all, boys, it ’s none of your business to tie it up with this. eh, such a value to show something, especially what i knew but he was not even initiated into the biography , it turned out, everything was the other way around. uh huh but i'm through to this preview. eh, that feeling of distrust. uh-huh it was and when i sat down i started with the fact that there were three episodes, uh, i had nothing to do with it, moreover, marina uh, lidokarmalskaya, grandmother, one grandmother, the second, i only heard the urals at uralmash grandmother, and he only knew

what kind of life was there. uh-huh, the years are about the same in their military and and then on and on i started in the service in the cinema, forgetting that i would do something there. and we, well, knew that volodya should be the first one. after such under-preparation, when they showed childhood, where everything is laid down all this life, which is unfamiliar to our generation in general, well, you can imagine how they lived after modern chamomile, everything is shown reliably. uh, well, there was a bigger budget, the locomotives would have been something, there are some other more authentic details. yes, i was trying something. i remember vitalik said. well, how is it the first shots are on fire on this commanding officer? everyone wants to be filmed near minsk at home. my first mother-in-law, the city of borisov is all one to one. i immediately into this material and suddenly i light it, a table lamp shows a light there, it burns like your spotlight and i'm vitalik well

, listen, well, the power is great well, as a light bulb , there weren’t such, in general, even i’m a locomotive on steam locomotives is not so bright. these are the lights that shine, the halogen is back. we had dugouts there. from sunflower oil in orenburg to grow sunflower and oil, i remember for many, many years there was oil . there was no electricity. and here such a lamp burns prodon. eh, no criticism. fine. it will cost now. yes, educational program. in short, all these the details are important. this shows how scrupulously you approached this, they turned out to be so insignificant, so he asks for a costume lesson. who cares who remembers the costume fire? yes, but the costume itself is a mustache, you won’t please everyone, and they themselves are like that when you knew that there were mustaches, of course,

a mistake. that's for me as a child in general. here you see the man. here, it is true, that this is the size of the mustache, there volodya gradually went bald already at first. well, documented, yes, yes, but it's unconditional. uh, these dressers are tyrannizing there. today, so tomorrow, so-and-so no one, how did you manage to direct the writers of the script after all in the right direction. and how did it happen that out of absolute untruth from the filming all of a sudden. uh, the script came to life and became uh, close to the documentary basis, we had to defend it or you could immediately join the union, told what god would say. then we just sat with the script already in the computer and changed some phrases, changed some scenes. i told stories. hmm , i don't know, maybe i can convince and

work. and we talked, how did your beauty work with the second beauty talked. i didn't have to push e in. i was just saying that this is it. so it was absolutely trust worked plus the book helped, surely you already had it ready. consider your script as much a page of a book as even show it with you. yes, i have it with me . here's a piano, here's vladimir lydia karmalskaya. here they are yes, i now want to this story. imagine when i watched it. mom didn’t become at 61, dad didn’t become at 62. and this one is unsaid. they are not them, this is what is left for me. so it has passed, and i look at one

anya the second. i understand how i wanted them to say how i wanted to talk, how i wanted to hug. this is everything on such a high level, and when artyom is standing, and i am father's daughter and for me a father. i just wanted to hug him under his shoulder, a movie , when anya suddenly stands in front of you, as if her mother’s soul had moved into her, she tells you that you didn’t have time to tell me, tell me you felt like that. and when do you look at yourself? and you understand, then, that this is my granddaughter. hmm. my granddaughter lidochka was named after her mother, she played me in this film, we are uniquely alike.

she is very similar to me. i want to say, well, it seems to me, for us to say that in general this is a huge responsibility. actually. i have already said about this, that it is a huge responsibility only if you play some kind of fictional character. yes , there can come up there to fantasize you something to come up with this person. and when you play, and the person who is nearby, uh, and her daughter, there and here, who lived on this food and who knows all this. this is a very big responsibility. and that we are kind of very hmm tried to do this, as if no one was here. uh, how would you fool to come up with what it is? yes. it needs a shoot. this is an exam. yes? i remember the first day of shooting. and when they told me that marina vladimirovna was here, i was standing in front of the mirror. i think, my god. now i have to get out. well, i mean, i understand. that i am marina's mother yes, i understand, i understand that i now need to go out and go out. well, in fact , the mother of marina vladimirovna i go out and marina vladimirovna said, she looked at me like that,

i would say, very similar. i understand so, that you, and not even the songwriters in general, have not listened to before, or, as always, as a group , the younger generation, probably, were not familiar with the work of the songwriters in as much detail as i am now familiar with, but uh, i think that this music, which, which young people should definitely listen to, because these are the songs that are saturated. well, i really can't find the word to write what i feel when i listen to music. it's so. it even brings me to tears. this is good. this is love. it's warm. this is what must be in people, because if we grow up, well, our children will grow up on the music that is now playing and which they are listening to, then they will not grow up to be the people who grew up period yes, they will not grow up, true, they will not grow up as a person, as a person, true. day after

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now i will not forget. this is a podcast of the dogs of my life, and we talk about the film half an hour before spring. i think that now we all need to listen to, even to my generation to listen to the music of the songwriters again, because it was for us. as a given, like the sun, like the sky, the music of the songwriters. she has always been in our lives, because even in the cartoon. well , wait, in a few episodes, not a single song of the picers sounded at all. it’s for sure that yas mowed the stable, which is for sure, yes, and therefore the most interesting thing is that modern children, no matter how old they are, they may have heard and even quote, but they simply do not know the first sources. so they know very often. yes, in modern films , music is already used. she forever she leaves no one, because she stand. so this

time is actually such and such you get at this time. it's kind of naive . colorful, i just want to say that you get here and you want to go right there. there is a feeling you will return. who remembers him? yes, father, but it happens for the first time to visit to see. it's just because, well, it's cleanliness to stay is tremendously appealing. if you start listening, right here uh. i now want to say that we are opened on january 12th. e in philharmonic to do concern on birthday. it's dad's birthday, and we are going to such a company and sing songs and this year we have raised the class of 68-71 folk arrangements what to do dad. it's just a cosmic something universe in our cinema and a funny scene where the musician is played by zhenya margolis, and he really plays our neighbor in the stairwell, which means that he is knocking on our door. you

are probably all that he comes, says at night. why? it can be somehow quieter a little, that at night here. uh, vladimir means playing. i here is the karmalskoye answers him. well, what to do if volodya can only get music at 5:00 in the morning. yes, my mother called it cell time, when dad worked, when the sun begins to pray in the cells, and that's it, a very beautiful definition of a person. yes i studied on the slope in the safon, then i myself studied the afflete says, drop the clarinet so that you don’t see her again. it was difficult to take, but everything he did. he knew that full of those to whom he says it, uh-huh and sing. i didn't drink, no way he exactly i found that the place there for the chord and the solos were things in character in the most accurate way. e,

determined the role of the opportunity. this applies not only to me, but also to sheparov and borkevich. eh, all those who went through those who stayed for a month, two or three are still an amazing gift by definition. how this person can be used, he did not say to replace there, until he turns this person inside out the musician, he never let go. yes, yes, but there was competition, amazing conservative people came, then with amazing thinning, competing with each other and without saying so, so i came up with, come on, here we are on the grass, of course, by not humiliating anyone, not a blunt leg there, but captivate with your music and that's it. sincerely, so to speak, this is sincerity not only in his music, but in the ranking, which later helped him to make the following language. and volodya took some experiments there, let me play like this, come on , try it or not. hear the game like i

said whatever. even in response to the fact that he says something, and on the back side it shows him if it was argued for the task that everyone had come up with, he admitted this and forgot about what he had said before. generally the story of karmal, who er, gave up his career. and yes, she was very supportive. it seems to me that she was more popular than volodya, yes it is important to say this, yes, but she did not sacrifice her career. mom left at 55. she retired after working from and to with literacy. i understand i refused. yes, initially, when , of course, the demidovanchik was definitely louder, and then this is the goal to create from it fought for it. she was so strong woman.

so we tried to do it, that she, that such love was huge between them, that she was such a complete support for him and this one, uh, like a strong woman who stood behind him and in fact some many his decisions, and yes, were adopted. yes, she somehow tried to restrain, apparently, his frantic temperament, how would we, how would we try, uh, to convey with an artistic whistle you had to learn how to whistle. well, just like the karmal people knew how to whistle. i think that few who could learn were due to me. there was supposed to be a stage where i was supposed to whistle and we rehearsed there, and then we refused it for a moment. she didn't fit in the picture there. here we rehearsed a piece. it did not succeed in whistling like a pocket, of course. yes, but i have prices. so, where we whistled, where i whistled, but this whistle was recorded for us by a man, a man, yes. the most important thing is that

they are different. we are different, because at the hiss of the cobra more i began to think on my own, about what is the reason? yes? timbre? no? here is a snippet. let's get a look. eh, everything was.