he needed to believe in us or he needed to see us. e on gorbushka, where we presented an album recorded on our own, right here, friends helped us put up a platform, and we are all there and he got there at that moment, he heard us, he bought for 200 rubles. album with our sound engineer alexei lesnikova, it turned out that everything seemed to be accidental, in fact, it was not at all accidental. and if this happened, firstly, to this day we say this no matter who we come across in our life. we should always be grateful for any movement in our direction, which increases the trajectory of our flight. even if it's a kick, we have to be ready for this moment. i'm seconds. what can be now there will be a deliberate lukin, yes . the worst thing, i listen to a russian person is laziness. oh, i don’t know the worst thing, but it’s necessary to look for another person

who is lazier than me . no. but it seems to me that ai is somehow closer to reality than you are sorry, because still, perhaps, we need to move towards this and give the prerequisites. and at least let the universes know what doors you want her to open for you, and then she will open them. on the one side. yes, on the other hand. i asked myself the question several times. and anna, what is the goal? where are we going? yes, where are we moving, what do we want to achieve there, that the title of people's artist or, you know, definitely not ringing artists. you were just in the process. this is the very, very big buzz. that is, how is the way of the samurai there? yes, they say something, yes, that is only path. but the lord gives you the opportunity to write music, gives you the opportunity to produce it, before that, the ability to write text makes it possible to perform all this. listen, it's okay. and it's already good. hmm

, here, well, of course, the stump is clear. we don't do all of this. we need access to the viewer, we need to give back. and we need this live contact. why was the pandemic so bad? precisely, because there was no possibility of reaching the audience alive, physically with their feet. yes, it was impossible to look into your eyes, you had online concerts, well it was not that, well, it is clear that this is not on the scale that we are used to, because you are not lazy. and i'm lazy, i haven't given a single online concert, because i'm interested in it, i can't make it shorter. i know how to say that and here we are here listen, you and i seem to be, here, like on one leg never sat in the kitchen and the girls manicured how i cook. you don't know, mom taught. where were you all this happened? olya kormukhina says to me. here we are going to pilaf. everything is not let's get together. i already promised so much. you have to

wake up easily. in principle, we can clean the house as well. yes? well, we can, well, well, don’t disgrace me, say, god, and i’ll cook it. for example, i never had anything but children, but i had three children. yes , i have one daughter, but nevertheless, i never allowed me to clean my apartment either. i really don’t like it when my things are touched, my home, my fortress, and plus i have nothing to clean anyway. why because, but the computer said, we are all a little warm creative people. i have, when there is some kind of corral, as i say, for example, there is something wrong with the song, or i have some one thought . i can’t, i twist the twist always in my hand with a rag. i don't even know when i take it. i start to rub clean and so on, and i have it chip. i have to leave the apartment alone, going on tour, i don't care if i have an hour and a half for this, i have to leave perfect cleanliness. if i'm late. i

run and look, mote, you understand? i'm running late, mote anything is ocd i get you so i will say that a person is accustomed to everything in life, such a creature that attracts to everything, because i was ready to wash and wash and clean and cook and that's it. but my husband said, you know, he says, i know, the woman of my dreams cannot iron my shirts, there are special people for this. i stood up. i resisted resisted. i'm exactly a month old. until i realized that, but, it turns out, it ’s possible. it’s very cool. this is necessary. yes, you need to get used to it, but now i have a different one, i just uh, they said it was like, i'll iron my own shirt. you will never stroke me, and they just don’t let me iron my things, in general , he does 50% you understand that i see how a person strokes and understand about this is a podcast 20 years later by his kostya mikhailov and ah, city 312 and utah today remember 2006 as 20 years.

sorry now said 20 years. wait. this is how it depends on how yes, time accelerates very much, that is, before it was how old you feel, as if there was a feeling that somewhere it slowed down almost everyone does not have a single person, who told me as much as here on the passport. you know, i started getting closer to my age. i don’t have that many, 44, that is, in a year. i'm a woman berry again, what does it mean? somebody knows? tell yes it is when it's through the whole berry in the buttocks, like, and the berries are good. yes, there is something else. well, now she's figured it out. this is the second wind in life second wind. well, in short, here, i have it now, because now i know what cree is. forty, so someone from those present here knows that i worked so busy, the crisis of 40 guys, this is a powerful thing - it's very hard. it's you,

when you face right here one on one with what you have worked out. and what are you without embellishment at all. and well, if there are no relatives nearby who will tell you something kind, in principle, horses can be hoofed, and now they are not. in general, there is nothing terribly terrible in this, that is, it passes. each of us just covered you to one degree or another, no, i didn’t cover you at all, not in my thirties, nor at 21, it probably was a crisis three years. i really don’t remember this, but at 40 i was just fucked up. and it was great, comrade. now, if someone from the audience, so to speak, is still approaching this milestone, i want to say that everything is ahead of you, and it’s just cool, because when you exit this state, it’s such a thrill. you know, in general, you are still young and beautiful. and dory is already less of a divine

state. by the way, yes, i wanted to say about this that i watched your video string. uh, for a minute you look. it's just there chic. it looked the same somehow in 2006. maybe even tastier, you already know this one for gourmets, and for a minute the song gained about 3 million views, there were at once one and a half million per day in telegram and a half million. yes, that is, the resonance was back out. you know, the most amazing thing is the song itself. i wrote in a calendar morning. the next day the recording was made; the recording was made, but maybe six hours at the most. that is, there was no fooling around with the clip. just put the camera and two take two takes, that is, the shooting took half an hour, and i rushed on. this is, apparently, the conduct here helped to do it from above. it's 7 months. and besides, the song

is made absolutely not according to the laws. hit, it's not a hit tune. she has non-hit words, not a hit orange army copy of semyonovich yes, that's an amazing thing. and now it was necessary to go through the crisis of forty in order to write this song, you feel different or all the same utah 2006, of course, a different person. do you understand? in general, we are so arranged that we always deny ourselves of the past. that is, we it seems that in the past we were there, well, something didn’t finish, misunderstood. there were fools there, everyone had their own parsley. well, what do you need? here? what does the crisis of forty teach? yes , for example me, but competently arrange crosses. here i am well done, and here. i'm done, but there it all worked out. how many points did you have? it’s just that there wasn’t a single 40, that is, somehow i

somehow never really thought about it at all, what i do, what i do, for whom i do and , uh, how is it right? that's all covered one mom, that is, we can say that in my crisis of forty i was born, if not according to my passport, 43-43, no, wait, the most fun, you feel yourself at 43. no, i feel myself now. well, close to forty and 43. yes, according to my passport, i am 43 more than the first person of my approximate first age in my acquaintances. first. yes, yes, everyone stopped somewhere around 30-35 right. that's what i thought too. and now i realized that let me tell myself, in the end, the truth. i like it this way and it's okay. can you imagine how you and i will talk at 50? yes i represent because i say no now. this is impossible. so everything closed the topic of age and part. here

in the same cube, failure will be 30 years later. and let's how it happens. and so-so. that's exactly 30 people. we switch. look how beautiful he is, and there are the audience. we have this hint 20 years later on channel one with you kostya mikhailov yuta and aigur 312. we don’t have a single blow. well, i'm just this, you wait, i'll reach my. i’m currently playing the song one there is a beautiful one, moreover, it’s in a major key and there are such, like, well, you you will do for me. there are a couple of minors no passers. yes, it will be more normal for you there , everything has to do with it, and this is a good analysis, the sun. i always say yes, this is a historic moment. you agreed on this today at the end of the clue weakened 20 years later the song i'll stay

city 312. at the end of the tunnel, the bright light of a blind star will leave footprints on dry foliage. they still fight under the skin, let me be more, maybe i won’t return, or maybe i’ll stay with you. i will stand

with the ashes on the dome, i will remain the flame of your hands, the breath of the wind. i'll stay snow on i will stay on the cheek in the summer on i flew for you to restore light. and i'm walking on scorched grass, then i'm not

afraid to go home. or maybe i'll stay with you?

in the eyes of the wind you hello dear friends. this is an anthropology podcast on

channel one and the host of anthropology and the podcast of the same name dmitry dibrov, and just like once, thanks to the anthropology program, many of you fell ill with an instrument that was born in russia and still is. this solution emphasizes its own. maybe today's broadcast will be infectious for those of you who closely in the daily routine in front of you olesya rostov comrades. this is the conservatory for you, the moscow specialty organ. excuse me, where is the local authority. here is a cross between an alien machine and a welding machine. what it is? this is an electric musical instrument. the term vox is so named after its inventor lev

sergeevich, who invented his extraordinary instrument more than 100 years ago in 1919 to still present sound.

it’s interesting to you that the composer knows better what is the merit of the term vox the vox term is one of the most responsive instruments i know, because

look here i am in control of two of the total sound parameters, pitch, tone and volume. and at the same time, it reacts not just to the movement of a hand in an electromagnetic field, that is, closer to the container or further than the container. yes, the same is true from the antenna, but it reacts to the movement of the entire conductor as a whole. that is, i actually play with the whole body, i can play any part there. play and he understands all this if i hold my hand the same way and turn my head already the sound the sound is already changing. eh, and this is not such an extraordinary, heightened sensitivity to the performer's action. i think this is the most. the main thing in the range of characteristics is still shocking in practice. you do not hear how the sound of the sound passes into the musician, comrade. yes,

after all, this is the divine nature of sound. this is musical mysticism for good reason, for example, the most beloved director alexander row from time immemorial used the term vox when you needed something mystical and barbarian beauty and koshchei the immortals and, of course, ivanushka and baba yaga slept on hmm , these unique sounds were made out, right ? but i can give an example of a fairy tale to the ditch of vasilisa the beautiful, where the composer leonid polovinkin took the terminology for the beautiful image of vasilisa about the first composer who wrote for the terms combined shostakovich, he wrote the party yes the part of the terminology for the film is one. a. as a composer with a conservatory education , you have grasped the very right terminx, because you are

one of the most respected performers on this instrument. you show your works. uh, spitsyn was written by you before the term god saturday, because, probably, where all his possibilities are used. yes, but i don't think that in every terminwok dog you should use all its possibilities to the bottom. i have many different compositions where it is shown. like this, like this. well, here's our conversation. uh, i think it's local. grandfather generally talk about electro musical instruments. as a phenomenon, the thing is that we most often call electric musical instruments, electrified instruments, that is, an electric guitar. at it has an acoustic ancestor guitar and after electrification. she became an electric guitar into a synthesizer. we call it an electro-musical instrument. but it is, in fact, an electrified organ transferred to other technologies, a synthesizer order

, not a piano, but an organ, and there are only a small number of true and electro musical instruments in the world. here are the first concerts. it's a terminx and another tool no less. interesting. we can't bring it into the studio because it's like this, half a ton black cabinet and called a synthesizer. ans is also an author's instrument. it was invented by engineer evgeny murzin, you can see it here. now, on the video, what the ans synthesizer looks like , see in front of me there are such little pictures on a black background. yes, such fools, these are not holes in a punched card. and these are transparent stripes in a layer of a special such non-drying substance on the glass. here is a glass with little marks that move now the sound is born by the light. it is absolutely true that we get some special sound as a result. yeah, uh-huh.

here, too, i thought, why did i once get acquainted with the dance, and could not move away from it, but a long distance. he 's incredibly alive. here we are used to the fact that a real musical instrument and everything is made of wood from the skin of dead animals there to sneeze from the hair. yes , everything is so alive. and it’s like, like pieces of iron, there are glass pieces, what kind of inconsistencies are there? but that's not the point. eh, here, like a terminx is alive, it has a breath here, here is a human voice, it has and in the same way an ansa. absolutely incredible in that it there is. here is this living inexplicable breath. perhaps this is due to the fact that evgeny murzin painted and poured his matrices by hand. i have with me one of the parts of the tour for the synthesizer. this is my composition the composition

that i have now called this composition of the almighty yes, absolutely correct. but what is on this non-glass, but transparent flexible film, on which a special substance is applied, is very opaque. and here , scratched by hand, these here. the stripes are not white, they are transparent. this score is for synthesizer. ans my essay is called space landscape. which is the original title, apparently. yes? anna in the world, did not understand professional museum and music at all, and since it is impossible to transfer it to the studio, i was able to transfer the recording. i mean, i painted everything. she anse played. it's all written down. and we will hear it now in the form of a backing track of the finished accompaniment.

here a little more is added, as if such a tapping is such a slightly processed, and i will play the parts of the vox term live, right here in a studio.

y

y still, you and i are forced to admit that the desire for the sky in space is, of course, but it seems to be a stain of this instrument. that is , of course, a take-off, it must be said that those of you who now feel an irresistible

desire to learn how to master this instrument, buy it somewhere and learn it. listen to buy something. i don't know but learn to play. thanks to god, you can be alive and well, which is what your grandchildren want if you are correctly oriented about well, chat and about your great-grandson peter, listen, he has a whole school of terms. and it is very important that she is in moscow and is open to everyone. you've mastered the instruments so roughly. yes, i started in the term center at lida's cavern, from which you filmed a magnificent issue of metrology 100 years ago. thank you. may i hope that it is because of this that it caught your eye. you decided to master these sons. by that time, she was studying with her, just then it didn’t work out, comrades, to skip their nonsense. what is the result of ours, please, in the twenty- third year of the 21st century, we hear the instrument

here in the studio. by the way, i don't remember my own moment of acquaintance with terminvox, therefore i am happy, i live with an individual feeling that i have always known about it. and this is an anthropology podcast on the first , its host dmitry bro alesya rostovskaya and theremin. but we have a community of performers for the term at all , you correspond if we eventually have a whole festival and the term boxing, or at least concerts. there are such these term a lot of doing organizational work. yes, uh, holding a terminology festival every year is even good. yes, a lot to do to popularize termgox. maybe listen more. well, yes, let's, here's what you could show us as a composer, well, in this case , you know

, you still need to show us here. , it's really difficult, because here i was lucky. i started there with a living teacher. but by the way, i then worked out with lida, uh, for a while. uh, like the workshops were open and, frankly, there were just a lot of guys who, well, they played just like that, it’s really hard to listen to and i gradually realized that, but it’s hard for me to sit there for 3 hours, so that later i can get my 15 minutes, and i switched to learning from clara roquemar’s videos and audio recordings. the greatest terminology of all time, who personally knew the inventor in new york, where he also suddenly ended up, but returned to the ussr. that's where they met and her previously not happily broken life as a violinist. has again become a happy life

termgoxist. absolutely outstanding so i looked at her videos. just, uh scrolling on cassettes, then that's it. here it ate one must have absolutely words. depends on what you want to play, if you want to play a contemporary remusic where no one can tell you where to where the salt is where something, you'll have to have perfect pitch. if your interests lie in the field of tonal music, and then you can play with relative pitch is also normal, so, uh, one of those questions too. well, already tired of it. why are there so few performers in terminology, but i just see that, well, it’s a normal executive terminology after all. yes here i am i began to think, and it seems to me, uh, there are, uh, two such suitable clues, firstly, that the termvox has no ancestor and the second reason, which may be even more important, is that a person comes up on the piano. there's

a piano dead in the cinema. yes, it is under the black keys. you've been dog-played, and he's already happy. he was already able to do it. he already recognized his dog waltz, a crooked bad one, but he recognized it, and on the term vox, even this way to the first recognition. here, just to find out the falsity of his badly played trifle, to it’s just to learn it, this path is longer than on other instruments. and it is precisely at this very first stage that a huge number of people break down who thought, oh well, here, well, no, there is no need to deal with the keys. i ’ll go up now, i’ll make a beautiful movement, the seas will pour by itself, but at night it doesn’t pour. so people fall off at this very first stage, and i thought that maybe, i can help them not only as a specialist in the term vox, but also as a composer, and this is my course, it just consists in the fact that a person who is able to find and

hold one note. and you can go back here there is a person, maybe you can do it like this, then right at the first lesson i have a real play already played by every cop for me with all the things there. if you want a fragment, i will show you in general, of course. from one note the piece is very easy to slow down with glissando. once again can you

hold your hand right now? well, and accordingly, in the second lesson of a piece of two notes and then gradually gradually uh, i uh every year at the polytechnic university in st. petersburg, where the room exactly the room in which leo invented the term terminox, it looks

different, but these are the same walls, uh, and here in the polytechnic. every year in september i give in-line lectures. uh, the whole first year. here everyone from all faculties listen to the lecture about the terminology is shown with examples. and uh, sometimes we do. eh, for the whole year it has been such an elective and i even became interested at a certain stage. eh, how to do that to people who have no musical education? that's something still played and you know really happened. i wonder what there, let's say in september or october. let 's say i started out with a window of a year, let's say a girl. i recorded it, even if not in a crazy performance there, but it was recognizably fun and well recorded for a little christmas tree, it’s cold, in winter it’s just on the phone and my grandparents’ parents were happy. yes, dear friends. this is an anthropology podcast on channel one and the host of this podcast , dmitry dibrov, admires the mind work

of a boxing performer olesya rostovsky said that this is a bell instrument originally of flemish origin from corrilene several signs. this , unlike the tradition of russian ringing, is a secular instrument, the correlian necessarily consists of tuned bells and their tongues are connected with the help of special mechanics to a special huge keyboard. he is in russia where the most e, the oldest of the existing instruments is located in the peter and paul fortress in st. petersburg. alexey brought nothing here, and not his father alekseevich specifically, it was he who brought the correlation tradition from flanders to russia. let's see

inspires fortress is another one. yes it correlion of the peterhof museum-reserve so we still have a mobile corelion that belongs to. yes, it belongs to the belgorod philharmonic. uh, a mobile correlion is able to drive its own

carillon car, these same ones. i don’t know anymore, it’s like levers. they are keys, as well, actually built, like a typical piano keyboard or or, let's say, all of the same color, but logically. yes, in terms of structure, these are white black treasures up to sharp and so on. yes, and pedal keyboards. the same thing is built on the same system. yes, it takes a lot athleticism, but you just love such a concert of athletics, because it is considered, uh , that if these are such bells there, here in st. petersburg we have a big bell more than three tons and people are like that. what kind of pieces of metal are there? so it’s necessary with all the dope, there’s not everything. not this way. hey correlian. e. well, of course, we are talking about such beautiful correlions as in the peter and paul fortress, yes, which are of incredible sensitivity to the mechanics of accomplishment. i'm still just thinking what i want

to do, but corele. she answers me. uh, now, if we're dealing with a good instrument, then hitting with all your might is ruining everything and the speed of movement is important on the correlione. all big yes correctness is actually four fingers. here are two. and so. e, yes, you need to have time to play with four fingers everything that a pianist pours out of ten. yes. uh, therefore, you need speed, you need accuracy in all movements. and uh, they need tenderness, and they need huge ears on top of their heads, so that all, all, all the details of the sound of bells, all the details of the mechanics, understand everything during the performance and control everything. yes it anthropology podcast on the ground and we are following olesya rostovskaya diving, taking off. yes , i take off the region old aunt, who all the time teaches me something