[000:00:00;00] that is, because creativity implies, in a good sense, chaos, such a kind of creative disorder, when it doesn’t exist, when everything is bureaucratized, and now everything is extremely taken everywhere, then creativity disappears, then for the sake of which all this was created in general, there remains a bare industry that no one viewers are needed. she is not needed. i know for sure, because i've been there for 7 years, as we found out already. lately, i just can't count. and i'm not in this sense, not the industry. i said people don't want to count, so they refuse to be in the industry, as far as people i am 7 years old. i have an author’s project there, which was started not for the industry, not for money, but for the sake of ideas and for the needs of my personal human, yes, in a conversation in a dialogue, in order to read , i don’t know to tell about what people are interested in is called literary gatherings. stripped off. all. here, i just know what people tell me and how much we miss it, nor the industry from creativity. well, as if alive, my burning

eyes are texts, and writers are poets. i tell creative talented people who are not in the industry, you know, which is good news. now i'll tell you, then, due to the fact that creative industries have appeared. eh, the understanding came that, generally speaking, it needs to be supported somehow with money, because in general, there is no creative industry, the music film industry. it certainly cannot develop without conditions; it is necessary to invest money in it. giving people tools and equipment means conditions in the regions. now, many schools of the creative industry have appeared in many, which, in general , in our opinion, well, you can imagine themselves such good houses of children's creativity, in which there are good tools, good. they also exist only even in a parallel reality, where people are already creative, because these are professional institutions in which people are given the opportunity to learn at a very good level in order to realize themselves later in these same industries. well, in general, something good.

producers or how creative the actual sounds too manly, but like perfect i started my project with no strings attached. that 's from the word completely and without money. i just it was very much needed, i was on fire inside. and this is a necessary element of creativity. if i was entered somewhere or given the opportunity. i'm not sure that even this would turn out the way it did, that is, there would be no soul in it. well, let's say, 25 years ago , i played the guitar in the city of vladivostok, for example, and there were a huge number of groups that could now grow into excellent musicians in the creative industry, then there was no one invested in any instruments. nobody gave amateur musicians of these conditions. no one invested in revolutionary bases, which means festivals and so on. what happened in the end all sang and died. now, if there were creative industries then, if anything , it’s a plus that i’ve been talking about poets

and writers for 7 years. we know and who have never created any conditions, but they definitely have a yellow lantern, supported by their parents there by someone else, definitely a talent, you need to support it at some point, but embedding it into the system means killing the talent. that's how you say more than that in the beginning there was a word in the beginning there was a word very important, how and what you call it cannot be a creative industry, it seems that the industry, that is, a person who enters the creative industry. uh, how to say it, so as not to disrupt our dialogue with new concepts, yes, but in the creative field he must understand that he will have an implementation and not just a point yes, some kind of separate implementation, but that there is an industry that accommodates much there are more creative people than some kind of exclusivity, when it is in the word creative, so you say, yes, tsvetaeva ahmatogo now we have performances? yes, but they are one second and that's it. listen to what

far to go. i mean, there are some bohemians can't be they can't be gone was called turkish can also list in our point actors directors. uh, there aren't any theatrical movies, maybe . they cannot robotize. it's impossible. let's. let's take an example of the work of creative industries in the film turkish gambit, which was the result of a work of fiction, first. second, uh spectacular spectacular cinema, then inside music that has become popular means that there are a lot of these terms, which are all parts. here are just these very creative industries, without which this film to him and the magnificent actor arose. so just because yes there was a point magnificent actor, a point wonderful director point, and a wonderful composer, not 35 are the same, it does not happen. this is then

digitalization. and robotics that is, you just insert the program. e in robots, and they will now already try to do it. the only thing that tells us is very dangerous trend, what you're talking about, now it's not good. here they tell you, let's prosper it, let's say yes, what about the premiere? here on march 17 i had the premiere of the play, which was born from my literary gatherings, i took the liberty of it. eh, that's how it happened. i did not take such courage to be in one person, that is, the author of the actress and the director, but it so happened that i had to and it turned out very well in the end. and here egor was e says that from the audience no, it's just that you don't live. this is the one i'm burning for, that's why people's eyes light up and my main task was to sit there, when now it's a performance, just a performance - this is a form more. well, as if bright, when you can tell some things to influence

even brighter. yes, due to the light and something else, it’s not an industry due to dima, who is a very good color artist and studied pointwise and would not individually agree with this pointwise. it's all about people. first of all, you can play a bunch of instruments individually, and no one will play them, egor what do you do? today, filming series films what is happening now, where in what part of the industry, because now creative people are now, in fact, they are trying themselves in many guises and there is also a pro fund. i would also like to talk. yes, yes, et cetera, uh from a professional point of view. here's what's being prepared. i am still an actor. hey, i work in film. uh, and sometimes in the theater, but rarely here i am going to make a movie. here is the new article. so this is a new director. that is , it is already passed some kind of experience,

directorial. there is no such thing, so to speak, right? if everything works out, when we see the edut er, well, it's hard to tell the shooting. i think filming will start. you need it 20. e, the end of the twenty-fourth or the beginning of the twenty- fifth house, that is, a year and a half two. yes , probably, yes, that is, this is the beginning from the beginning of work to the final product. i think that for two years you are based on some material, this is a book that captured or not. this is an original story and is based on a real life story. e life. i i saw that yegor supports very literary and even poetic contexts and form. and yes, here, that is, you have a lot of family supports. yes? no no, are you carers now people will understand that this is poetic? i just wanted people to not understand. what is gatherings, it's not, well, it's not

political contacts, it's such a monologue, in fact, about a living person, after which people go not to the lower closet and open it. uh, hmm, the books of this or that poet writer that we tell. this is my special task, and it is performed by yegor in this case, as an actor involved in this or as a sub-producer once he was as a set designer. it can be said that the gatherings looked different, he painted the backdrop very cool. this is because he draws very well. uh, if i'm doing a live broadcast, then he's watching closely , people are asking to be online for editing. yes frame yes but no. i am alone in all the faces of the producer, organizers, directors, author if i, uh, all of you and egor read. it was the very beginning, yes, before i became it, that is the beginning was not without a head and a mountain. these

first two gatherings were moms, then yegor was yes, well, how to take into account the authors, in fact, they were those evenings, too, two films. we came out. this year where we play husband and wife. well, this is how i think on the site. nevertheless, there are a lot of fruits. they need the people and the fund. do you have how is how? well, not people live together and do one thing together, who gives birth to the generator, the most important one, go, yes, well, in different ways in different ways. mostly. i am egor if we are talking about the background, then he is creativity generator. e money. i mean, not my money. and most. well, that is, they are all ideas well, that is, there are a lot of ideas and how to implement

these ideas, but if not, then i have the means now 11 years ago, and it was created. as i understand it , in order to finance specifically, yes, that is, to attract resources, or what? or was there some philosophy behind it he speaks better. yes, he deals with people with mental disabilities. our main, probably, motto is we learn to live together, we succeed. we want these people to live with us in society. we believe that they have the full right to benefit our society. it’s just that in soviet times they were closed to the internet and were not given the opportunity to be with us in cafes in theaters there to play on stage, and not just in separate such societies, but namely, to be integrated into our society, as they need in other countries in a certain way, that is, to help

with specialists there. yes, the foundation informs the society about such people and takes care of such people. here, uh, here from childhood and further already for adults up to you have in mind if it's not curative we don't treat kids because our kids don't need treatment. they that is, they need rehabilitation in some kind of socialization. and in principle, that is, when we summed up the results, we realized what it was. one of our first such tasks. one of the main informing is what berries said, what is now, what is the level of informing? how about it, how do they talk about it? how many talk about it, where about it. they say it is the merit of our foundation. that is, when we came then 10 years ago, 11 already all the same in our organizations that we rely on no informing - this i can i earlier this. well, now i can tell for sure. this is me, that is, plus organizations that, well, even before, long before their emergence. eat like an ant. here are

the employees in moscow and 17 in rostov-on-don, i am directly the director of this fund. we are not the faces of the foundation, and, as it were, its creators, but rehabilitation through creativity, including different ones, how the mechanism works is the direction of the activity of a huge number. i understand that there is a lot to do there. i have in mind how works, creativity during rehabilitation. how effective it is, very very we have a lot of workshops. uh, including, there is a recording studio and music workshops and art and sewing workshops somewhere such guys have the opportunity to learn how to record songs learn to play musical instruments the art of sculpting wonderful things from clay. and this is a great opportunity for their implementation. and how

would they find these talents in themselves , and through this syndromes of this concept - these are small motor people, in principle, autistic children with autism. right them here, uh, thanks to this they are pulled out so their pedagogy. well, as if out of their what tells us here. eh, from time to time pedagogics send us reports on how, how it is, as on the example of a particular child? how it happens here is such an amazing change there here are a few girls with autism there and just very straight up huge huge breakthrough of a breakthrough stay in moscow we have this kind of, uh, centers in rostov in rostov we have uh hmm here 17 teachers. and these, in my opinion, are two large and large offices there, as far as information is concerned. excuse me, i just hosted for a very long, very long time

, a volunteer program on the radio above the radio station, which is just, uh, that is, our guests are the foundations of the organization no. these are the founders. yes, yes, it’s strange that we didn’t meet there at the wrong time, but this is not about that, but about the fact that, well, you can endlessly inform and try to personally drag. and you can shoot, for example, a kind of movie. how is anton in general? conditional here. yes, at some point, yes, yes, that's absolutely, so the topic went, yes. yes, they released it. still, it went still, it struck. some kind of gap, still there in the minds of people and so on. well, uh, you somehow use it all now or something like this for 11 years, but from the point of view of the industry, i don’t know anymore, because you can make a hero out of a person , there is, uh, not a single documentary film, and they also won our international festivals, a very good film. i dream of making friends, a very wonderful film i need money to make a sequel to this movie that we have. this story is about

guys who uh make cartoons in film college. children with autism. yes, but it's amazing and we have director yulia sapogo, who is very immersed in this topic, and she just eats it and she has a chic team, in my opinion, now they still haven't found the pressure of the film yes, given that i'm there i have already come up with the series as much as possible and the programs have been made for a small 5 million. yes , think it should become popular. yes of course, we do it one way or another, that is, we are not the author. i mean, and here is anton, there is a wonderful movie nearby, which we once used in all possible ways, that is, we took them out to the regions. that is, we showed agreed agreed in cinemas. there, in the vanovo region, not only in the vladimir region, they gathered a hall in cinemas and discussed students were invited there, but, for example, just uh, why, including

us, uh about our guys, yes, directly, whom we know and one of them is there brought up, we can say we are filming, because we still have it. well, as if the autistic spectrum is very large. it is very dependent on the specific different, like any person they are different and very famous people. there are people. in general, the syndrome of the master. yes, well, as if broad features and so on. and just because there is, now two here is rain man. and anton is nearby, but still they are different. there are people with autism, who are quite the contrary plus. i'm a new hero, we just filmed. we continue the podcast of creative industry on channel one today with you elena kiper and roman pockets and wonderful actors. actor's family. egor beroev in general this is about the heroes in our society, which are among completely different people. eh, i think it's very poor so far. in general, i present.

by the way, this is a film that is connected with the planting of the legendary corn. this is just one of the examples when a feat was noticed and , in general, its popularization, in general, is slowly growing, yes, there was a wave quietly, then now it is turning into a hero’s stomatism. we also talked in person. and so on, but for some reason, for some reason, for some reason, it's all like this with us. all in all, pretty accurate. no, there are no semi-books about heroes. there , conditionally, we are at that point when we are supposed to approach this, just. we realize. how should it be next. we simply could not understand who the hero of our time was, before we had changes in society, political, political and civil society, we could not understand who the hero of real heroes was, because there was confusion in the head and, uh, society very ready for compromises. now we have understood that

there can be no compromises, that we must be determined, either we are at the same time or we are for something else and these heroes began to emerge. we must be beginning to understand who the real hero of our time is. e that the heroes of the time are not there not a director who is trying to bring dirt, vulgarity and humiliation onto the stage, and he does not become a hero, but a person becomes a hero who saved lives there before we assumed this, but we could not decide for sure, because very there were many people. uh, including actors and famous ones there singers who gave birth just for the fact that the heroes - this is what is vulgarity vulgarity. here is depravity. that's it like this, and often had to give up roles. uh yes, in the script, of course, of course, and even now . i believe that five times more and say. can't afford it because

he earns a woman family. and i have the opportunity. uh, here, but i must say that i am very pleased that now we have become leaders in film distribution with this film of the world and uh, this topic is interesting this topic is sincerely interesting interesting to people. they want to watch. they want to be happy for this hero. they want to experience. they want to cry. it's just about a person about a living person. and about a person about his choice about the fact that this is a person who lives with god and it is obvious to him that he is not a hero at all, and moreover, god was not obvious to them when i talked with damir, when i was still watching the documentary, that god chose him for this role simply because he is a true believer, he is, as it were, a believing person. he prays in every flight and muslims, and he says it's not me at all. this is god, this is obvious, but not everyone would hear this

, remove the landing gear. he heard a man of no faith. it is quite possible that he did not hear that he lives very modestly with him, an amazing wife, and it seems to me that people, that is, in soviet times, they filmed about such people about ordinary people. and just so bored. uh, i'm sure that well, egorov is five times more, so i also think it suits him more when you are filming somewhere, well, in the entrance or something else, when people well, why and what is there a detective film or something? well, why don't you shoot there about here? well, i’m talking about something about that, well, we’re not filming it. we'd love to film you go to this to film it. uh, the need to feel, uh, the heart. well, well, something that is in the chest with the heart there to empathize with the soul, and people are tired, uh, of laughing after a swear word, because here, well, as if there are these humorous programs here, where swear words are simply named and the hall is roaring and you feel strange. i'm not here, i would be present now

here we were with damir, just on such a program and it’s very strange to me, i don’t understand what is happening for me and the people have already begun to understand this project of a gathering. eh, he started as a project too. uh contrary. i really like the phrase of the kandera fazil who says, you know what you need to eat, swim against the current, and he said wonderful what you need to stand against the current? here is this position. here, as it were, which well , the gathering, it began in spite of, because it is, well, as it were, who needs xenia, uh, pulled out authors who are unpopular platonov there andreev postovsky, that is, well, how would you understand platonov who will come to platonov now platonov is still there read no, people came and enjoyed it a lot and they were really

interested, they listened and it's not only that not shadows. this is a story about the author, about his life, about a man, about his love , about his shock in life, about his changes, just about valuable things, that is, to place accents correctly or ksenia turns out to be such radzinsky, but only about not not about history. i call, yes, edward razin a about a letter about writers. yes, i'm talking about, i propose to talk about the family. i'm suggesting anyway. she will take on ksenia , she will take on artists too. so she wants to take over the artists there, too, to talk about the history of a person, and to tell as if she personally knew him, that she is talking about gumilyov. so it seems to me, as if, somehow, someone really personally knew a person very cool. i just want to be loved back. that is, when people listen, they suddenly remember, they blow off the dust from these , and so they turn away from the phone, and books well, books and classics. this is the wife. our

most is what we are made of - our cells. that is, if we remove them, then we will really be devastated, then we will and then we will not understand. why do we laugh. for some reason it's not funny. this is some kind of laughter, a sin, as the holy one said, and we begin to fill up, because this is our dna, our poets, our writers, our artists. we are an amazing country, great people lived among us ordinary people who want to tell him surrounded. this is what an ordinary person, in fact, but there he has a gift in this, he was surrounded, that is, in the context of the country's history. and do you understand how it all works? well, how would it, how did it move, where did it go? and how urgently it needs to be returned. well, it’s as if it’s easy to at least return your attitude to this to school everywhere to return love for these names to return, so that we fill it, so that we understand what we are, so that we don’t be like empty air balloons, where the blow will fly there, but you know what an interesting feeling arises. here is uh one

history in 2007, in my opinion, one very large walk, in which i then worked, decided to release book collections, as collections were done abroad, and uh, the question was what would be the first collection, in general, what hmm and the editor-in-chief is the general director he it will be, uh, a collection of classics. here are the names mentioned, that means everything that our critics said, that, well, firstly , no one needs all these classics at all, which means that everyone’s shelves are full. look at the trash cans they take out entire collections, in general , no one will get young people from these cabinets released collections with millions of copies sold. as a result, it is understood by millions. so, about the feeling that there is an e world. here is this uh, glossy conditionally, yes , which, and there is some of our people, our people with this code, a temporary world, damn it. here we recently watched, they sent us all

the video series, where the uh transmission of the field of miracles. our outstanding actors of those nineties are participating, which means that nikulin herbert obdulov and-and there, well, the very best there in general nikulin yuri nikol and they are spinning this drum. and we then somehow perceived it, in general , now you look, fuck, lord, why were we taught, what was laid in us? when alexander abdulov alexander gavrilovich a, the lucky winner of the field of miracles, rejoices throughout the country that he won a vacuum cleaner, but he was a gambler, so he happily won. and this is the kind of materialism that was instilled in us back then, that is, these are other values. here is a soviet man, he will never be happy with a vacuum cleaner, but here it is

here here it is here i am these nineties, when it became, suddenly for some reason, popular and valuable that a vacuum cleaner used to be somehow. well, well, well, anyway. well, it's kind of gradual. that's how it somehow here we are here it all fit. and, of course , naturally, when we have come now, values ​​are changing, naturally changing when we began to understand that there are returning. yes , there are more important things, and moreover, those things that are even in the same hollywood films, but there have always been this and mutual assistance of the victim. love is there and honesty, and truth, it was all the same it was invested, as it were, in what always and at the same time consisted in us. naturally. the main thing is that what we stand for is a classic , our classic is what this tuning fork gives us, because after all, there is only one truth in the world.

we continue our creative industry podcast at the roman karmanov studio with a wonderful acting family, yegor beroev and ksenia alferova, and here we are, returning to the beginning about the heroes of our time. here, too , suddenly for some reason, and the people began to confuse the people , it seemed to some that some parts were very insignificant, that to pull out the intimate details of life, but big outstanding composers of bards. it's okay. that is, here is a person who is taking on this, as if he is a talented person. this is, as it were, this is a progressive, this is a creative creative person in the bad sense of the word, because creative is still in my opinion. this

creation does not arise for me. about this word. but thank god. for example, a director made a film about one famous composer, well, a fresh story is enough fresh story, well, it's disgusting, and i even talked in one place there with my friends, and they tried to convince me that they want to know when they listen to music. this is the great composer. they want to know who he slept with guys. well, what, and what about the guys? no for 60 so guys, are you already born? i turn around in the soviet union we are me i am with you, as if the same, in principle, brought up, but no matter how it is not our stories, we cannot think about it, we cannot look. here's what was in those all magazines and newspapers. terrible when we saw there, amazing actress. well , mardzhakova is there under a dropper, when

they climbed up to take pictures on the cover, it ’s impossible, it’s not we can’t do this soviet people should not be russians, yes, russian russians are russians. well, as if intimacy , privacy is very important. and by the way, if i just read a lot, you know, over the past 7 years, because, in principle , i take gatherings, i read everything that is about this or that writer’s poet, then i tell what i think is important to tell everyone beginning. from pushkin my first very uh, all this is the word. i suddenly began to meet the word liberal exclusively in a negative context in the 18th to the 19th at the beginning of the 20th century, and that's all our white migration is the so-called, well, the outstanding part of the white emigration, it's negative. yes, i mean, they all talk about why the west is so alien to them, that’s exactly how they, unfortunately, talked about it, that everything is very

commercialized, which in other words you said, and that it’s not at all ours, that no one is there does not read poetry no one needs. uh, no one needs to write poets and no one needs them. let's just proclaim that we want to see creative people in the new time, eh? the results of creative results in great personalities, which is how to preserve our true values ​​and traditions of our country, so that we do not fall apart, so that our originality does not disappear, of course, education is an amazing country of nationality, we are multi-confessional powers. and we have a lot of our primordial values ​​and traditions. why do we take strangers and more, we have wonderful ones there and even a large-most part of muslims, too , why for example, muslims do not allow themselves to use swear words there in their speech.

why do we use it? well, as if this is a separate topic for you a lot. how do you see education? it is very important. this is also a separate issue, but for people, er, that is, people with insufficient education. that is, i would not allow it, i definitely would not give it, neither grants nor money. you wouldn't let pictures of some outstanding people, including, or if you don't like, there is this poet, well, books too, when there are biographies written by those who do not love. this is impossible to read. you don't really understand why you did this at all. this is really important and the knee moment is also important here, because we are just forty and 40 plus we have a very good base. then it began to destroy, they began to destroy it, it will return. but as you know, times do not choose. yes, but still the final thing to do good is to make the final question the final question. eh, after all, times do not choose. we live in a time in which

we came across and many have a discussion. all in all it goes both external and internal people themselves understand whether it is a good or bad time. here is the current one according to your assessment. we are at a good moment in history, we got perfectly bad good. interesting when something really depends on each person, it always depends, but now you really just change something inside yourself , very important things start with yourself. well, that is, are you aggressive and angry , angry at someone and hating, this is one story. yes, if we all fill up like this, but this leads to destruction countries, or we create something within ourselves in the family a little further a little further in our small workplace. each of them can do a lot for the country to change this amazing feeling when you understand that here and now personally from you. it all depends on how you raise a child, what

you invest in him or not. that's how to say, no one will be able to remove the responsibility of themselves, but the chance itself. we have when , yes, it's true, we have a chance said, egor is the hero of the point, finally, uh, on our air xenia alferova he was our guest and was the ambassador of russian culture. can you say that, yes? elena messengers? yes, how can i see you , fortunately, that we are here with you, friends, let's finish the creative industry podcast today. elena kippernov was with you on channel one, dear friends. all episodes of the creative industry podcast. you can always watch on the website

of channel one odin tv dot ru hello. with you, the schrödinger code podcast and i am its presenter grigory tarasevich, editor-in-chief of a popular science magazine, who also called the schlötdinger code. and today we will talk about time. and we have a wonderful guest psychologist tatyana berezina, professor of the extreme psychology department of the moscow state psychological and pedagogical university. hello tatyana , hello there is time in all sciences. here is theology, yes physics, but since we will talk not only about the essence of time, but also about how to manage physics, we will not touch the good is that there are many. and i recently came across a study about biological and psychological time, which made by scientists from the university of liverpool. they studied how people perceive time during isolation about

tatyana, how covid changes time, like any isolation epidemic. deprivation, what does it do to our time? but the fact that time changes during isolation is a fairly well-known fact. the only question is how it changes . there were studies when people volunteers were naturally placed in an isolated room, where they did not have a change of day and night, there were no social contacts, nevertheless there was something to do. some kind of hobbies food interests, and they had to manage their own time somehow. well, the first study, in general, was very strange , they showed that in people, uh, the rhythm becomes not 24 hours. a 48. that is, they slept for about 12 hours, and were awake for 36 hours. although they seemed to lead normal lives, the second study had a more natural option. yes, it turned out that they somewhere