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Understanding 9/11tv Vladimir Mulyavin 1TV April 17, 2023 11:55pm-1:31am MSK
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the impartiality of our dear guests is our guest vladislav ludwigovich misevich. the musicians are one of those who stood at the origins of the creation of vio pesnyar marina mulyavina, the daughter of vladimir mulyavina and two beautiful actresses anna demidova and anna banshchikova vladislav and for you, who he was vladimir, he was still a friend, brother, competitor, father. it's a lot to take on. may i say one? and i 'll fix it. uh, that's from the beginning of the songwriters leonov take any photo one microphone on one side of misevich. he sings from the other side. walks always they pelika microphone. well, when the equipment appeared more, of course, yeah, they made money with the rich. well, yes, thank god, practically a combat comrade, a brother with whom i will say that i came from a family. we had three children. uh, in the forty-fifth year of birth and at the age of 14, suvorovskaya is
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a well-educated pupil. in the army, and then we met when we were recognized for military service in one year before that by the evs, which means that i was not brought up in the family. and uh, volodya is still 4 years difference. he is older than me on the verge of friendship on the verge. uh, paternity, or rather musical the mentors are something together, but in no case is there any friendship there, let's go, although sometimes he called volodya but this line was for me and he was just a terry father to me more than the rest of him, so to speak , maybe so to say, because the father, but according to my wisdom i won’t be under yet, than i walk, but he has already shown himself. eh, that's what i was missing. i got it from her, because he noticed me in the army thanks to his friend, because we were introduced in the army, because we played dances with him to remind. it's already some takeoff. well, i didn't think that it got out
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in such a story. that's amazing modesty konstantin and note, please, all of you spent huge happy difficult years together and at the same time, well, it was a great honor to say that he is my friend, of course, what kind of friend i can consider it to be, but i can’t speculate about it in the know, but we see it, although then the relationship was broken, but this is a separate topic and not all actions are. eh, right, even right , including people, but they are a conditional life. a there are so many obstacles that are shown in the film, so many difficulties that had to be overcome, is it all true, or everything was easier. but i want to note one detail that is close to me, which i like the relationship, volodya to the ministry of culture candy all of them to party workers then, so to speak, the party permeated all our
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ministry as the cpsu ministry of culture, all the more so. it seems that the group was a caress and the state turnover did not harm harmed, but who was the defender from this party oppression. the most important party is pyotr mironovichrov, first secretary of the cpb central committee. he protected us from them. now we understand that he softly defended us softly not publicly, humiliating his subordinates uh-huh but they are such an apparatus and lydia by the way, yes, she tried very hard in some way, so that he himself, so that he would not go beyond, i dissuade. that's from rock opera. they gave oxygen. then, of course, he said, dad always, that i couldn’t hear the music, my man was missing. well, because the lesson is alien to the soviet state. what is the final about? remade three times three times we were called, and
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we worked a month night rehearsals a month 30 days. in a row, how the night old-timers worked at night, because the price was no longer in the pocket before the show , we even had some such text, i don’t remember exactly in some scene, what are you giving out rock music for there, like for some such folk ones, there was such a one, yes, for the second show, uh, officials from the ministry of culture already came. uh-huh well, not the highest prices there, probably, well, there were such, but also at home. well here's to making a decision although they don’t make a decision, okay , the minister shouldn’t have come, as i understand it, zamy, at least no one came but with enthusiasm, for example, as marina said about her mother, she was more sweet. and it all affected the way i walked. how did you limp? yes, at the very beginning, we thought for a very long time how to do it so that it would not look like that she was limping right away, you could limp to
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make it look. so this is a beautiful, very beautiful girl woman, yes. she has this affliction, but because of her strength of character and because of her here, it seems to me, she radiated some kind of such power, and as if she was illuminated by a spotlight among the crowd and so that it was not visible, and i remember that after this project i immediately had another project. and i go to the site, and i, i understand that i 'm lame, and i'm already yes, i'm playing a teenager. i think that with me i still remember right now. that's what my leg is, how i walked, right? well yes it is, because you i would very much here. already in my period there were many such such prices, there are some and their partings there i really want to leave some different ones proudly, so that, well, yes, and this and this is necessary. it was supposed to enter into such a simply mechanical , well, yes, so that it does not interfere, in general there, if you return to the hand, i now caught myself thinking that i really want to hear where this can be done. uh, because of course it's olesya there, it's belovezhskaya
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pushcha, it's all there. but as? rock performers do not really perceive them so far. there is a very bad one. this is a concert, which directly explained, weakly recorded on tape. here is an option. this is also a concerto, but with better quality, but this is already the orchestra of the national orchestra of ženovich. they did it yes with livons with an e woman. there was no good record with peter vladimir. lord draw everything there is no listen. you simply have to. yes, but in housing it happens somewhere on the stage. now here we live happened. it is not like chaliapin impose.
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and to re-release in our age of technology to take an archive record and pull everything out of it will not turn out to be nothing on the sly. we do the mastering. now this artificial intelligence. he can somehow improve, probably, somehow tighten up the story in the film about that, i said, guys. do what you want, but the voice of the father should sound in this film, here is a song about the share of our actress performs. he actually has an amazing voice. she absolutely understands that she was in the composition of the songwriters for a short time, which practically no one knows about, well, it’s just known that there was a moment when there was a year or two in the composition after the birth of a woman, lyudmila took her share, then she lingered a little after the share , but again it was
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no women, there is such a thing, because the promised distant was not in songs, she works. she had two options to press the million women on board, promised her wife that no women in the letter were more interesting at all. now, if anna told her, her mother screamed that for some reason i didn’t suit you, i’ll be in front of how much he persuaded her. lida come on, you will sing. i 'm not talking about the share in general, so that she sings on stage. she told vovka that you, that my whistle is enough for me? unfortunately we have to say goodbye because they are late for train. thank you all very much. bye bye.
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death grave life having calmed private go away l. i cry to the saints you will fall asleep, it hurts to live
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love, you are not strength, who knows who my life is to part and bitter step into you. my dear my.
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the wedding host was chosen. now you choose two french fries or two rustic potatoes for the price of one. in the big game, the big bookmaker venline is the general partner of the russian premier league. this is a podcast of the dogs of my life, and we talk about the film for half an hour, listen to the address, well, we have everything, both in cinema and in life. here , the lady of the heart, anastasia, took the place of our wife . hello. this is a lady. role in life, the same
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lyudmila yusupova, who was for a short time and as far as i know , even for some reason, sometimes on posters they tried to directly close the letters of her collective image, because the story is artistic and yes, this is really the only woman where my heroine sits. but then the consequences were sealed with a capital letter with why did we share her song in our program
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was more than other programs for about 2.5 years. somewhere over 2 years. usually one and a half to two years. and here for almost 3 years the european share, and that means, she stayed on here and did not know that do something hurgan, the next program was taught. and here is such a transitional period , volodya says, well, let it be, as marina said and there was a trip, or the czechoslovaks are somewhere in the gdr . she started. eh, how would she go there in this, although she, well, the song with her was nothing there and the beginning of half a caprice you don’t understand that volodya conditionally left her. she began to exercise her rights a little, but volodya asked for such problems in such problems so that he himself would not participate. in this me it's so to say order and so on and, by the way, and the question arose on the set at mosfilm.
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e. stefanovich's film disc, which was the record then, by the way, by law, with his third wife , they wrote the record from those records that we wrote specifically for this film, which means that's all. it's going to be a busy life today. uh, i had to go somewhere. i speak with isupova to do something, and she started at the wrong time. it's all intrigues, some kind of intrigue began, so she needs to go. otherwise, she will die to hang herself, i don’t know what arguments, damn it, and volodya says, there at that time they claimed for the record at the same time during the filming. it ’s still, uh, here are some pictures, and she’s sitting there in the center, when we had a great relationship, nothing sounded. this suggests that the plan with volodina of our country was not there, on the contrary. come on, let's go here, it's something else , and suddenly she says, that's it, let's come, we'll remove the tears there. they forgot the cries, and that other thing,
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he says it is necessary, and then they remembered the records. and what to do with it? well, volodya started there . well, he just behaves like that. well, there is no need man in the cut of the movie romance. that's the kind of life the team does not need an artist. i don’t understand the crown has grown, yes, it turns out, of course, as life happens, and the artist , so something behind this our bazaar was watching, he says, guys. no, you’ll ask questions, yes, you’ll do it and bring this option literally in a day, uh, smeared it, and when she saw, the second tears of the third and not slovakia didn’t work out for us, because, uh, hmm such a story. no, you are a series, so just the same my heroine - it's more like a collective artistic image. and this is lyudmila yusupov's plus video, which i watched, listened
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to a lot of music, and listened to a rock opera. and, in principle, she collected some images of soviet singers, that is, she read a lot. is it possible to say that nastelinskaya played a collective image? all of vladimir's mistresses need a bold statement. everything we have is a mistress. he no, he must marry. he can't do that. yes , somewhere i feel sorry for nastya, but she played on the verge. here are all these voices, which is probably the collective word for voice. here is what he looking for vices from different singers, not all sexuary. it's not on stage, it's like that, but the image of a really girl who strives to become a star, and there's nothing to stop before. uh-huh, like this, probably, yes, and how did his wife treat her? well, this,
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of course, we will see in the series, i wanted to say, it’s just that ali’s song about the rock opera is very disappointing that it’s gone. unfortunately, i didn't listen to any videos. i'm just recording from the concert. this is what it is. yes, in the performance of soup here are preserved, only a single record. this such a brilliant work. and it seems to me that it's just that it's just not yet heard by everyone and i really want to believe that hmm , when people watch our series, it will take some kind. yes, that is, it will, in principle, give a new breath to this hand, because this is a very social release. yes, people will finally see and hear. can you fix it? you yourself are now ripe. cool. it inspired me a lot, in principle, here is pesnyary. when i plunged and i heard the entire filming period. i couldn't listen to anything but songwriters, that is, their weekends, when i was
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at home, i spent several months. i only heard them i watched, then i couldn't even now i love cinema. and i watched only documentaries about songwriters, only interviews, nothing else. it just didn't fit in my head, i fell in love so much. i wonder why no one showed me before. why didn’t anyone tell me before what kind of group this is. this is our advice, and your favorite songwriters, except for the share. can you sing there, huh? yes, we are punished late, that the words of love, previously spoken, that gave quite others hours until spring. in fact, i have a huge number of songs. she also performed. no, it's the title of the movie. yes, yes,
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half an hour before spring, yes, there are actually a lot of amazing songs that i think are hits. in what year was it written what era somewhere in the beginning of the eighties , eighty-one, eighty-two. nastya and what was shooting in this film for you ? belarus but now i feel such a strong relationship with this country with this people with music, from there. mom, it turns out not, but it seems like yes, because for me now it has become like a second home, and of course, the partnership with tyoma was a fighting one, and which was played by vladimir mulyavina. this is a very important stage for me in my life, because tyoma is really an amazing actor and person. there was just a story when we
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recorded, and just the same rock opera, it was the philharmonic. and a lot of takes were needed drinking the same song there so serious is strong, and i sang, as if under a plus, but i sang it myself, that is, i fully connect. yes, and i laid out so much that at some point i lost my voice, because it was recorded there before the belarusian police. here, which means that i lost my voice and i was so, well, so worried, because there is the next scene, well, i won’t be able to speak. and noticed it. tyoma, he is so attentive and sensitive that he immediately brought me some pills there, and warm water, and i have so many was valuable. in general, yes, yes, yes, that is, what was completely in his duties was not included in his object of attention. and it's very cool before. what was filming for you?
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what do you remember? well, as i understand it, minsk you looked at each other like that, because i am minsk. the first time in belarus in minsk. this is even amazing people. well, they are just amazing people. i also got sick on the set, and make-up artists immediately began to write to me. and the dressers, like you, anechka , get better, they sent me medicines. they just lifted me up like this and put me on legs, because these are people who cannot close their eyes to the misfortune of a person about what is happening to a person who is constantly interested. how are you sincerely. here you always feel that a person is sincerely interested. how are you doing? and you are connected to it. you also talk. how are you? how are you? now i’m even going to minsk just because i miss you. here are 2 years. i have not been and it turns out again in the spring. i'll be in minsk insanely bored. a long time ago. unfortunately. now i understand that this is not forgiven. necessary there are a lot of good things about minsk that it is
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clean there, that it is beautiful there, that it is tasty there, that in general amazing people have to go a lot has changed. and what is the main paradox in that the main belarusian of the soviet union vladimir mulyavin was not belarusian? where does it come from? sverdlovsk yekaterinburg, i want to ask, because it’s a symbol, and belarusian music , for me, for a boy from the soviet union , the belarusian ensemble pesnyary sing in belarusian, can you sing something, well , i’ll sing a piece, i remember something, yes , uh and no doubt all the guys are belarusians, but ovulyan, russian russian happened so that he sang in belarusian to feel the belarusian language. he sang in pure beautiful belarusian language. you asked me here. he understood, he spoke, i say, he understood everything , he spoke belarusian, but he sang better and he
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didn’t speak because he didn’t want to spoil it with his i don’t know not pronunciation. or it could be a misplaced phrase. he talked about poetry. here in the verses of this here. the main thing is that he has already shoveled. well, uh, well, i was born in orenburg and refuses belarus was mean, but i i would like to dwell on the pedigree, but still, uh, it means, well , my parents ended up in orenburg during the war, my father is pole, well , the muscovite of the belarusian maternal line, because my grandmother, as it turns out, uh, my mother’s mother spoke the language, but i don’t boys understood similar to polish, but not polish , and when he came to belarus at the age of 17.
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e, in the army line, along the military line , i stayed to live there, then i heard the language i spoke, my grandmother, i will have a question for each of you, what is pesnyary for you in your life and before that, while you think to marina , marina was the question at the origins of the creation of this multi-part film from the idea to editing the script, thanks to her, her book, what you experienced on the example, marina, i was very afraid of this. so i began to explain to you that, uh, to see living parents. not proven. so i don’t want to let this go, and with me and vlad i say that with the consciousness of an adult. you were able to put your hands on the head to create this movie this book. and that you
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yourself left a small trace. in this story , you consider it a monument to awareness. this a monument not only to parents a monument to songwriters who were invented. anechka nastya vlad marina what for you songs of your life before the answer. i want to tell a little story of our block we are the last scene of our block. we filmed at the very end, that is, well, in filming it usually happens in different ways, we could shoot at the beginning, but here it so happened that the last scene of the block is at the end and i just walk down the corridor, as after our quarrel with volodya mulyavin, when he said that our creative paths diverge and i'm going down the corridor, and i have these pictures in my head, how we met, how we first
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danced. like our child all this life. i go with me these pictures, as if i myself lived this life with me. no, no, this happened right to me. i go understand, my tears well up further. i go out and see how he plays, but with his ensemble, and therefore i will say that pesnyary is for me. this is a small life in my life. that's what i lived cool thank you for me pesnyary is the soul. here i have, when i listen to their compositions, the feeling that my soul sings and and it’s just as good as they are with her, but the feeling is as if some kind of internal purification is taking place, and after filming i didn’t always, or rather, very rarely listened to songwriters, because it immediately causes me a huge storm, inside the feelings ,
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this immediately touches me very much. this is something very intimate, of course, igor ilyinsky is no less than a relationship. you know what else? filming, when i arrived in moscow, i was so inspired by the compositions of the songwriters. e, showed it to my friends to my friend of the operator and we got this idea to shoot clips remove life and we assembled a team of guys. it's just that the lyceum, in which they also fell in love with this music and on their own. we have recorded three videos that will be released soon. it was great, it was such a unity. and it's cool when i got united thinkers and guys for my generation. i've opened it. and it is the same young people who made the discovery themselves, infected others, and this is wonderful. vlad do you know how well
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the meaning of the pledged name sounds in translation explained what belarus is well, singers, well, yes , singers, but uh, a few a few such an interpretation. well, the singers tell some stories, probably, well, to put it simply, the guslars, yes, who before volodya were called bessars before us and are proudly called yanka kupala , this is the song of the soul, there is belarusian and everything and no voice maxim bogdanovich when they came up with this name, a i was a witness of this moment, because i did not know literature, but volodya was instructed in our pool of this school and me as a witness. uh-huh we in the city of pinsk went to the district library, and he immediately pulled it out. well, what about the east and pesnyary we but they didn’t think that we would be in such a great
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sense and significance, and now this happened and tormented me all the time. well, how will people survive? kolos was bathing pesnyary, and suddenly it was the philharmonic artists who swung their hand. yes, and then there were leons. well, all right, but here only pesnyary, how did you go, more or less harmoniously, without complaints, not to volodya, but to us. and these are generally okay volodya and these are not here to do, nevertheless, everything took place and i will be until the end of my life. now, if i wanted to say, everything, only snipers, this is, well, the brainchild of my dad's brainchild, so music is everything i never thought it would be my life. especially it became my life after leaving them i say, why did you have to do this? it wasn't me who was supposed to write the books. it was you who should have told me, because when i started a conversation with my mother, mom, come on. she says,
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look, look how old i am, what other memoirs. and now, bit by bit, but thank god, birthdays are held every year and we are trying something new. thanks to the national orchestra published books published the second book. olga brillon. i also helped there. and this is about the belarusian stage, where colossal, e, material is given to my mother given to my father with songs now at the state level we are ahead of us this year the pesnyara project will be launched i really want it to be faster we have been working with him for 4 years everything is being done, and i want to the youth, after all. determine how to name this genre this music pesnyary sasha what is pesnyary for you
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? how does it sound to soak it all up see hear and carry with you until the next concert. if you're lucky to get to this concert again and, of course, until they tour and come to your city to listen to records. i really hope that everyone will actually watch the film half an hour before spring. and make many interesting discoveries, like the younger generation of actors of course, adults will cry and rejoice and remember and be surprised and learn a lot of new things and will rejoice at what they see and will be proud that these are our pesnyary i hope that this will happen we will remember this and save when we watch a film half an hour before spring about the pesnyary group on
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channel one. thank you. guys. you participated in this project. thank you for doing. this it was a podcast pesnyary of my life alexandra anatolyevich konstantin mikhailov thank you for watching. we'd better meet. until
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spring what is completely different? for half an hour of spring, that i can trust completely others, for half an hour i see veins, i hear calls, it would be easier on earth for half an hour late. we are punished that out of
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love it was previously said that it was completely different. words of a completely different country of wonders if i knew fate in advance. i would come completely
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hi all. this is a podcast, a free program and i am maxim tankov. today i have a special guest, especially because he is a member of the team's most successful coaching team over the past ten years. eteri tutberidze. daniil markovich glichingaus. yes hello. hello max, first of all, probably interesting, to all our viewers, and i, of course, still wonder too. how do the three of you interact, who has what role in your coaching trio? well, let 's interact in order. we're great because it's
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a testament to that, the number of years we've already spent together and hopefully more. that in general we do everything together, except that he does not participate in the production process. sergei viktorovich this is sergei viktorovich dudyakov. this is another member of the team or tutberidze, with whom we have already recorded a podcast, for sure. check it out for those who haven't seen it yet. and yes, well, uh, it turns out that we have built into the training process. and so that all three of us are from the very beginning to the end of training on ice. first 30 minutes of training. we are passing. uh, rolling out, obviously in skates, showing exercises, i bring athletes to their senses, because they are often sleepy in the morning. and after that we
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begin to engage in jumping exercise programs. and at this moment we are all three. well, if someone is not at the competition, then all three of us are on the ice. everyone makes a remark, we call together, we give a task, we discuss the training plan in advance, so we do everything together. don't you ever argue? no, well, everyone argues in the family and people who love each other and colleagues at work. eh, disputes are an integral part of this work and we can disagree with each other somewhere, but somehow you see, we always come to some kind of consensus , there is a different word, in short, to a decision. we manage to find these disputes and this golden mean, so that everyone contributes, when i started training, i started doing it much later than you were the most difficult for me. here
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kill the athlete in yourself, that is, do not compare with yourself. a. well, you know what i'm talking about the difficult way and when it happened to be done, when you realized, well, it would be much easier for me to do it than for you, because as an athlete you have achieved everything, that is, for an athlete, as we understand . the main thing is to become an olympic champion. you have reached this goal. you have taken place, as an athlete to the maximum, absolutely not taken place in terms of results. and it helped me more, because i knew what not to do. how to tell athletes? what is don’t behave like this, don’t do it like this, because i know from my own experience that this will not lead to anything good, and therefore it was easier to understand them in some way, because i myself was like that when you
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there is talent, but you didn’t use it, didn’t order it, it’s right, of course, it also depends on the coaches and on the parents, that control is still needed, and i lacked discipline in sports, so because of this it’s a little easier for me to perceive when i see , excessive emotionality. it's athletes or disobedience. i see in this myself, but at the same time i am trying to convey to him that in this way to the result, you will not get discipline. this is the most important thing when you are a little over 20 in the team. eteri tutberidze. she already had polina or a stump she already had an olympic champion yulia lipnitskaya it was a challenge for you. that is, you were afraid that it would not work out, that you would not fit this team. of course, it was nerve-wracking anyway, because you haven't listed
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everyone yet, but, of course, yulia lipnitskaya was already an olympic champion at that moment, and in at that moment, sergey voronov was still skating, mm, who, on the whole, was generally older than me. and i, by the way, an interesting point. yes, i competed with him. he was always like a senior and literally 2-3 years passed there, and then i come and say, and now , therefore, how it was, can you remember this moment when you met seryoga? well, he drove up, bowed to me and tore me. i was so devoted to work that it was immediately clear to me that i was not just here and not just what you say, in some way i i understand, and i tried from the very first training session, and all my enthusiasm and everything is invested by the athletes, and
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it seems to me that they felt it and perhaps because of this it was easier for me to achieve their respect in a shorter way, because they saw that i was on fire and worried about all their results and training. you know , well, yes, sergei did not call me markovich before him, by the way, he is always in conversations between. well, there me him. you know that at that time we were close friends and friends. and this my roommate is perennial and in all competitions. he always said danil afterwards in the end. yes, i don't know how sarcastic it was or not, but it has always been home. i say that with my work and the way i put myself in the team. already become uh, you can call me normal for the older ones. but you also received this respect from the recognition of this georgievna. how do you think due to the way you gave yourself
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to work. well, i think that everything is very simple here, she perfectly sees talent as athletes. so it seems to me, in general of all people, all their good qualities are bad and if i had not approached her, then i would have heard the answer negative and the word no, literally. there, in 2 weeks, three, maybe a maximum of a month, i will explain why i am so clinging to these words that you yourself uttered about work, because when i ended up in crystal. and with his reputation there , a sloven is a person who does not go to training and so on. although i knew that this was largely untrue, i made one decision for myself that i would just work, as i show that i work. if people see that i'm working, everything will be fine. it doesn’t matter what kind of person i am, and it seems to me that it also worked at some point, that when
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i showed up for every training session, that i was always at the rink and so on. i worked with the guys there, which for eteri was also a bit of a civil moment. well, let him try, let him work. well, yes, of course, if you show interest and say that you are doing it is stupid to refuse you about something, yes, let's move on in our conversation already. stop talking about the team. now let's move on to your personal. a many, as i think, are mistaken and say that there is such a choreographer. yes, and markovic all the same. i think you're also a thriller. tell me how you two personalities get along with the personality of a creative choreographer and a pragmatic personality of a coach. there is such a moment, yes, which is very easy. to actually show the difference between a choreographer and who i am, because any choreographer is. he comes to put the program and leaves to put
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the program somewhere else, and so on. he doesn't go to work every day and doesn't grows. this is the team of the very beginning of the children before the olympic medals, therefore. if we talk about how does it get along with me? and i like to teach. i enjoy it. i like to share my knowledge, the process is interesting and the result is interesting. of course , it seems to me that nothing can replace the emotions that he experiences when he sees the fruits of his work, when you lead an athlete from an early age, you teach him. and now he comes to the most important start of his life - the olympic games. and he has it there. god bless everything
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develops and the pride that you feel at this moment. it seems to me, and there are these emotions, for the sake of which you have come all this way. speaking emotionally, well, wait, i understand all this, yes. you are the choreographer that this is, probably, even now i thought, i can’t find analogues. well, maybe you or there somewhere in switzerland yes, there is someone, well, a choreographer, who is also a coach, who well now, yes, there he works with athletes all year round. it usually does the job. but you can quad salchow flip there teach to jump. that is, this is not only working out the hands of sliding, skating, well, there is a reason for this, that i was still a single skater most of my life and skated with viktor nikolaevich kudryavtsev but, uh, time showed that he taught me the techniques and understanding of jumps and
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further, it was only necessary to correct the technique that i had in my understanding with the technique that eteri georgievna sergeevich offered, and when the three of us got used to it, found common denominators and began to absolutely go in the same direction and equally make comments on the technical parts, then here we are roughly speaking. we complement each other. and if someone is missing one, then in terms of comments. this does not change the work in training for an athlete, because these are not two different opinions. no, yes, it's you always, you will always hear plus or minus in different words, but the same information is just from different coaches. andrey maliver, head of the orchestra , house concert, where is my muse, that is, we will live for another two years. yes, great. we are very happy. how do you deal with such happiness? to visit each other, i will not say.
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so absorbed in working very distant. with you a letter you know little, dad and i will never part ever.
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and that's it. it's in one in my tariff watch and control beeline tv in the up tariff and it's profitable, add home internet on your side there are moments. when you need someone who is the fastest, when the scooter no longer wanted a carrot, they will overtake the desire, when just not now the scooter will save you from being late, when you need the fastest scooter, this is a fact, and delivery is always free. for those who have just joined, let me remind you that this is a free program podcast and honored coach of russia daniil gleykhengauz is visiting me. i want to
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make such a genealogical tree of your programs a little. do you remember the program with which you realized that yes. here it is. probably i can be a director for myself for you for myself, i began to understand this even before the arrival of the criterion. when i worked at moskvich, i began to put on programs there, they entrusted me and when there was a response. well, at that level of competition, that the program is interesting and unusual, and something. and the new “i” has already begun to understand that this is mine and that it is necessary to move in this direction. a further, if we talk about the first such serious productions of loss, then probably this is the very first - this is a short program of a blanket of drinking, with which he beat javier fernandez at the kapuff russia grand prix stage in a short program. and so, this was my
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first such significant production, because, uh, before that, i started to stage small and satyan. i had very good contact. we became friends directly with him, and he himself said, this is a game, that he wants me to put one of the programs on him, because at that moment, uh, yulia and adyan had to go to america if the student headquarters, well, or you don’t need to represent. yes, they had to go to america to marina zueva to put on new programs for the season and yulia put on two programs. and they put diana in the free program, because they entrusted me with the short one, this was one of those e. significant productions and a high level are already my one of the first programs then. what do you think is your favorite program, your
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favorite production. here's for you. uh, that's the most terrible question one can ask director, because if there is only one, then you did a bad job for 10 years, because at the initial stage of your career i remember when the olympics took place in korea where alina zagitova won and evgeny medvedeva won silver and i was interviewed at that moment somewhere else i could stop at five programs, including their olympic programs. now, after so many years. it will not even be true for myself if i name one, and you can name at least one that you consider a failure, well, or let's not speak so harshly. she can't be did it anyway. all. well, to the maximum, as it were, yes, but the program did not go there a bit.
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i think that i can name and that is because i remember it well, because anyway, most likely, if i sit and think now, i will talk about the program that was there 5 or seven years ago. but if we talk about the latter, then i didn’t go. eh, and, perhaps, for me, the program that i staged did not go in, and not shcherbakov's short program vostok e in the olympic year. i was just thinking what to say in this, yes, that is, uh i liked the music, it just wasn't olympic. well, maybe i had my doubts too. but we listened to everything and decided that we started betting well in general. we liked the way they interpret this music and the promotion was interesting, but when i saw it at the competition. twice, then the second time, i already understood everything for myself. and though it was already all the middle of the season i.
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i talked to anya and her parents and said that believe me. i feel that this program needs to be changed, and at that time i was already doing what i was looking for music for the next year and one of the compositions that i heard, i immediately realized that this is clearly not for the next year. this must be done here and now, so that anya will go with her to the olympics. well, if, of course, it is still taken to have such courage, both for the athlete and for the coaches, to take and change the gram in the middle of the olympic season like this. i just remember i started having problems with the free program. we could not skate it in any way our jesus christ yes. article she and started such a small panic that it is necessary to return the old one, it is necessary to put something new, but in the end we still did not dare, and now we left everything that everything turned out. yes,
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it happens here. uh, two sides of the coin on one side. it’s difficult if you decide to change it, it’s difficult to skate and have time to prepare yourself with this program for the competition on the other side. this gives sometimes you need to change. that is, you are psychologically. if you, for example, rolled up that program badly several times. you are already too nervous and you go to the start a little depressed in advance. and here new program and everything was reset from scratch. and how are you going to get out now? and i was wildly worried, just when she skated it for the first time, because i thought that i was now also the second program there, something would not work out for them. well, i mean, she'll come out and say it all doesn't work either. and when she goes kotova cleanly the first time. although we had only been preparing for a week, the feeling was already that everything would be fine, and in your trio everyone agreed
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that the program needed to be changed. someone had a share, well we didn't ask initially sergei viktorovich does not really make a decision about this in terms of the program. but when we told him that we would change, he , too, seemed to be worried. will she have time to roll it, and with eteri we discussed this right at the competition. we were in italy and after the free program i came and said that this is different music and a different idea. here we have discussed. when she heard the music, she also immediately began to say that she sees it under it , we discussed everything and came to the conclusion that it is stronger in any case. and what should you try? how do you look for music ideas for new programs. i already heard somewhere in one of the interviews that you, i am lying in bali and listening to music all in a row. well, but i know it's a little different,
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because you do a lot of other things besides music. yes, this is actually a huge part of the work that is not visible, because in order to come up with all this you need to be creatively saturated, for this you must still participate in the cultural agenda, let’s say, and follow it. uh, not only who released what song or track, but also following performances films for trends for trends for everything and it takes a huge amount of time. sometimes it's hard for me, uh. with this, because i know i have more to find. ah, when you are endlessly listening to music, you yourself get bored with it.
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that is, you sat down, you want to spend 2 hours to find interesting music and an hour passes there and for you thirty are already there the fifth composition coincides with the second and you start already like this so you need to pause, otherwise it's useless will not lead, but also often, it happens that a thought or some idea comes. that's just on its own. you absolutely did not tune in to the fact that you are now going to work. you were in a car. you were sitting on the bus after the competition. it would seem that even now you are clearly not thinking about work. well, once again, and some thought comes to mind. you begin to develop it, and as a result , a whole day is born from this. i'll just give an example when i understood at all. well, i have been watching this for a long time and noticed what you are talking about now, but at some point when i came to the coaching, you tell me max i have a crazy idea. do you know about
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the wednesday dance? i say what kind of wednesday dance, and you tell me, well, there is a wednesday dance on social networks. it's a gap there now. i say, no, i didn’t see and you are doing this program kamil, and through and we need to go there, they start russia, but before the championship , russia comes home and my six-year-old daughter dances the monogram dance. and that is, i understand that as far as you saw this idea earlier , the wording used was not the best. wrong because. i told you that well, about the war, you are not the best example of this , because i myself said about you here. now, here's a great story. that is , tell me, that is, in general, that is, you didn’t find it cute, found it, that is, she told me that you were watching. there is such a yes, also the issue of communication was discussed by new demonstrations and she tells me that this
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is such a dance from the series. i say show me, she showed, i'm like that, yes, cool he says, he's very popular. i speak but i i came across him on social networks or on the internet, and i say, well, we need to think about what can be done from this, because it’s just to repeat only the dance. this was done by all the people of the world, and the development of this topic so that it turned out to be a whole issue. that is, my task was to find. and i generally loved the family , of course, i watched everything and knew. i specifically watched the entire series in order to understand what would be, uh, the difference with the films and i had to figure out how to get there? what should be the beginning? i realized that it is necessary, of course, you need to use the item. sweat in yourself. reveal the secret thing. this is daniel markovich, but
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already when i was lying on the side, there, getting excited in general, people began to sound it, but i had to come up with the beginning. i used the original soundtrack from the film, because i think that for someone these clicks and that music is even more recognizable than here, because this is a connection of generations, let's say, and further it was necessary to connect it all musically, and we came up with a very cool movement with this religious, how she climbed through the side, all sorts of broken positions for raising the legs of the boats, that is, so that it would not be just to get out. here they clicked on play. here the choreographer should not and camila repeated the dance completely, that is, the task was to integrate the dance. in a whole issue for those who are not in the know, we were just talking about a very sensational program in the world of figure skating about the image of a venzda - this is the character of a sensational
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television series based on the story of the addams family and our wonderful kamila valieva became the very benz and and danya, along with this georgievna embodied it on ice in her in a sensational show to us in my today's guest room, the incomparable kamila valieva where are you after the olympics for the first six months? i think it will be incredibly difficult to continue. i just set new goals and go towards them calmly, slowly and trying to make the path a long distance, not a short one, if you could choose anything. yes, she directed her talent to this. i would also like to act in films to get this experience of filming in a film. where do you put the toys that you give. i give out most of the toys to the kids. and if if only some well- known figure skater would have brought so many
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toys in my childhood. i would take everything, where and how kamilova, lieva will rest from the fans. i really want to fly to the sea for 3 weeks in my first june already igor in mathematics. well paws podcast on friday on the first map for life. anxiety is anxiety, and action can help with them. and you know that you can use cheaper. cheaper
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big continues where you burn fill out a bunch of applications for bank loans. compare will help fill out just one application for a loan and get approval on the best terms, and the largest banks in comparison. if the loan is then in the application compare day to day anxiety anxiety, and with them insomnia habitual actions no longer help
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to cope with anxiety and insomnia and four weeks for the most pronounced action i was going to leave for breakfast. there is cottage cheese with strawberries. it contains the highest dosage of the substance from
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more inflammation pentalgin extragel against more inflammation in muscles and joints credit card tinkoff olerlines with a limit of up to 700,000 rubles. mines mile and compensate them for airfare. fly for free i will have time to issue before april 30 and get free service forever tinkoff he is one of a kind. i welcome those who have just joined us. this is a free program podcast and my guest is the honored coach of russia daniil glychingauz. tribute you are super successful coaches. and it would seem you with pleasure always. come to work from an airplane flying to half the country or half the world. you immediately go with your suitcases to the crystal and side. and when i ask you, why do you need it? you tell him it's love, then. explain to me why you came up with your show. why don't your athletes ride in
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other people's shows? and you took yours. well, firstly, our athletes skate in all shows. uh, and with this. we don't have any restrictions. what about our show? hey, let's be honest. this is not a performance or some kind of new year's production. this is a divertissement, these are demonstration numbers or, in general, their uh, competitive programs. and as we all understand, we try it, at the end of the season , after all the competitions, and in theory, the athletes do not know about it, but in fact we we only prolong their form due to the fact that they continue to skate their entire programs, performing complex elements. that is, if we are talking about the fact that the season ends at the end of march, the beginning of april, then after all, until the beginning of
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may, this month, uh, no one would do anything. at the very least, they started slowly. maybe cunningly to the new productions and so on. and so, uh, our athletes continue to train at full strength, because they have to go out in public. they don't want to be worse than they are, and they go out and show all the same triple axels quads and ride. with its most complex programs all month, it’s clear what it gives athletes. and it makes it easier for coaches to enter the season later. well, of course, any break. uh, negatively affects your form, that is, the state. and the longer you continued to perform difficult jumps, and the less time passes before the start of the season , the more likely it is that the recovery, which still takes a long time, preparation no one immediately goes into difficult jumps, but that anyway
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, this period will take at least a little less time than if they already did nothing did, and i work in yours. you are already in your second year and i observe a certain trend in the creative development of this process. that is, if last year there was one opening, this year it is already in the opening, you skate yourself in great shape, you skate a huge long number. and what's next, that is, don't you think that you are still developing and over time this is the version that this is more than just a set of indicators. well, of course, when we only did it for the first time, we didn’t have the time and opportunity to do something else quite grandiose. now we are gradually, a increasing the number of productions of interesting numbers, and we skated the previous opening for quite a long time, therefore, of course, reading the comments and
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people's desire to see new discoveries, we did it. it cost me a lot of energy costs and so a kilogram and a couple of kilograms. yes, i deliberately lost 3.5 kg so as not to be fat in a suit, because i haven’t skated samson somewhere else for a long time. yes, yes, you and i decided this year to load ourselves as much as possible and i am very glad that we have set women's number for our three olympic champions, because i generally say that i want a men's and women's number, but with a men's number for now. there is a lack of status and there are not enough athletes of adult boys who have won everything. you could invite, of course, the guys. e from st. petersburg but
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it would be very difficult to find so much time, because, otherwise, how we feel about the show. and not everyone perceives rehearsals. uh, it's with the same enthusiasm, because for them the show is already a vacation. and we don't change anything. we can't lower the bar for us. how much we work out, competitive program demonstration performances, we will also roll in and work out this program so that it does not seem raw and not ready for the viewer. well, for me it's actually also a big difference from some other shows, because i worked a lot abroad, where a lot of attention is paid to rehearsal. and for me there is no problem to always be at the rehearsal. even if i can afford, in principle, do not come, but here some guys don't ask. why does he need this rehearsal? we same yesterday rehearse already. yesterday they did. and i say, because
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it is your work that will be at this rehearsal and become even better. to be even more harmonious, well, yes to the athletes. well, it’s sometimes difficult to rebuild from the fact that this is not a vacation, but no less important work. it understands, only the pain is also paid for and necessary. well, it’s not absolutely everything, of course, everything is individual, but in the general mass it is, of course, but if you have any ideas, then move on further, maybe do some of your own. that 's it, a stationary show, a performance, or after all , it's hard to think of so many bright characters right ahead. to do this, you must first think it over completely to come up with, so to speak, a scenario. the idea, and if it’s really worth it, because you don’t want it to be so bungling, if you already
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do it, uh, this kind has already been done, then it should take a lot of time and money, until nothing none of this we don't, but who knows in general. i think that we will ever we will come to this, but, when well, the last part, probably, of our interview, we will move on. this is a summary of the past season. yes, it was difficult. yes, we talked about this with everyone, and even in the absence of international competitions , summing up what you are satisfied with, maybe what was missing. the season, of course, was difficult , it cannot be repeated, because in such a situation, none of us. was not. the absence of international competitions puts a moral pressure on the task for ourselves that we set for
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the coaching staff will not allow ourselves to lower the bar and not fall below our level in terms of the reason is that, well, there are no international competitions. you can relax a little. that is, we said it, that we cannot afford it, and therefore the productions and the training process. we were treated exactly the same as in any other seasons. well, maybe, they gave a little less load than if, well, than last year, when it is the olympic season, it’s clear that things are going there, everything is already at the maximum due to the fact that there were a lot of competitions. and there was a good prize fund, which motivated the athletes, if suddenly someone lacked motivation for various reasons, but, in general, we lived this year and i can’t say that while someone has lost shape or our competition has lost in
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entertainment or in skill level. we saw perfectly that at all the russian tournaments that we held, athletes showed the level, well, in the women's singles higher than at any international competitions, that the grand prix , the european championship, the world championship at the moment we remain the strongest federation country in the women's single skating, as well as in park. i wanted to add for mine. yes, just like in the skating parks, well, it seems to me that the boys also pulled themselves up very much, because this year they somehow competed with each other. i also thought the overall level, but looking, then, 5 and the world is on the boys. still there is. where to grow to work the level is very high single in the world. ah, so there are ideas. how to get out of this situation. maybe your team? i don't want to swear and nobody's names are called, because when i was a little
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younger, and i was already sure that i was there now i will name the future olympic champion, but not everything went so simply. therefore, we will work, as always, and i hope that we will be able to bring it to the highest level and compete with those guys who are now winning the world cup. concerning? how next? don't know. a difficult question, because so far we have not received information about when we will be returned, when we will be admitted, and this, of course, is depressing, because when you already know all your life that you have a main tournament. it's a 4 time world championship year is the olympics to pretend that without this everything is normally difficult. you are already used to
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a certain empty, so of course i would like to return to the international arena as soon as possible to show my level of my program, so that the whole world looks and respects us for our work. yes , i think that these are golden words and we can draw a final line under our conversation. thank you so much for coming, for talking to me in such a cool way to our favorite sport , as a coach and choreographer. thank you was very happy. thanks to those who were here today. with us. i think that our conversation turned out to be very informative and interesting. eh, visiting. i had danil for hingauz, and maxim trankov was with you. friends hello hello. hello
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today, we gathered our thoughts about the land of the will further with all the kuzmenkov stops. boris alekseevich akimov, i'm still vladimir, legoy. yes, strange as it may seem, and this is my question to you now , cottage settlements are growing around big cities. a person who lives in his house on 10-12 acres with a smooth, beautiful lawn and trees. does he live on earth or not? i think this is such a transitional period, as it were. well, while it flies there on the ground, it must land. uh, that is, after all, a cottage village. it's kind of a gray area, actually. it seems to me that the gray zone is between the unambiguous ones . my dog, when he does not fully understand what i want. that is, it’s like such a city dweller who decided that i still want to be closer to the earth, well, as if closer to the city
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, closer to the metropolis, it’s as if it’s 40 km to me there, but these 40 km will always stand in traffic jams behind these fences from a professional flooring of freedom outside a window. here are these spaces. no, that is, it still seems to me that this is such an inferior life. e on earth because there is no will there. exactly i agree with you. well, he's definitely not in town anymore. the question is, where can he be heart and soul, but i think that it’s more likely on earth than not on earth, you know why i asked, in the summer i ended up in a cottage village near moscow, and despite the fact that i myself also live for some time city, but everything is simpler there, and here i go, and there you know, like a zoo at the entrance to a school, there are also some crowds of people walking around the asphalt. eh, these very tracks and so on. i had the feeling that i was in the center of moscow. here's the point. still, it seems to me that in the sense to which we are talking today, there is land and freedom, then , after all, in which we are equal to the will of thought.
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yes, that is, it seems to me that there should be space, there should be such creative possibilities, that is, a person is revealed as a co-creator of reality, yes, and which harmonizes the population of the universe. here he is space allows you to create, the more space, in fact, the better. although of course, 12 acres. this is already better than 40. there are even 140 square meters. this is in moscow , because you can still attach something to build a workshop, but this is not enough, it seems to me, well, you look then ilya is with you. look, uh, 6 acres of the famous soviet. yes, there were no schools of swimming pools in zoos and so on, but people are en masse, there are cucumbers, tomatoes, potatoes, our parents and parents lived on the earth. parents they rather spent some time from early spring. there before uh someone, yes, someone someone until late autumn. all that is, so to speak, the absence of the necessary infrastructure. but uh, how would the question be on earth or not? yes, he touched the ground. i don’t know, i planted, at least
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something, yes, at least i dropped the lawn. this is my first spiritual father father alexander egorov, he said to come to the earth, the earth will teach. that's who bowed, yes, that's the movement, as if made. uh, a little lower back will say so on everyone planted something yeah already started here, well, touched the ground. here is my grandmother. who was born in the village , but here we lived in moscow, yes, there, on leninsky prospekt, she only had apartments somewhere from mid-march, she had a room there, all balconies and all kinds of spaces. they were already filled with some kind of boxes, yes, from which something grew already there, it began to ripen, then it matured. eh, so i spent the summer in the countryside. here, uh, ka- ka- contact with the ground. he was here, not necessarily literally, being there. yes, he is in this trend. here in this desire consciously unconscious, but it seems to me that ultimately lives in every person. here in this call to touch. here with the earth, which will teach. and if a person does nothing on earth, he does not stick,
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like they don’t plant sticks, does he still live on earth or not? well, it seems to me that, uh , growing something on earth is such an important, but not necessarily thing, that is, uh, the space for creativity is important. it may be related to agriculture, but, in principle, this is the idea that a person, if he left. out of town or well in village or he generally lives in the village that he must live in agriculture. in my opinion. this is not true. well, now that's not the case anymore. although. i'm sure every person. he is living on earth at some point, he still wants to grow from something. here you are a lot. what did you do in life, it so happened that you would be engaged in journalism or, as it is now fashionable to say media, entrepreneurship, and at the same time, at some point you understand the decision to leave for the earth, but not together. i mean, well, each of you had such an episode in your life. actually the question is simple and direct. why well, just for freedom, please. e, because, in my opinion, the city of e. so,
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there is such a deceptive construction that there are a lot of people in the city. so you have many opportunities to show yourself there, for example, to make some kind of career there, because people are close to you. you can do something useful for them there. actually, no, because the area is yours free. she is very limited. and you are in the city. rather, the consumer of what you need other forces people entrepreneurs are transferred to create services to break out. that's where to become the one who provides these services in the city. well, it’s also possible, of course, yes, but it’s much more difficult, because it’s like a very serious competitive environment that makes you run and run and run from morning to evening. if you don't run, like, you're already a loser. you seem to have lost, and the village is the countryside of the province, in general it is great for you and the benefits for creativity are enormous, yes, and the opportunity to exist at a much more relaxed free pace. generally. i think the essence of man. she is in this to create here, well, do not constantly run after the carrot,
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which is always ahead, but also go outside. i'm happy well or are you why? well, firstly, i agree with everything that boris said here is a very similar feeling of experience and, probably, i can say that hmm, to some extent, this is so for me. here, of course, and, oddly enough, it was. not in childhood, although i lived in moscow there, well, in a multi-storey building there on some seventh floor, but it didn’t always seem strange here to be hung. here in this kind of box, when you can live here, in a house next to some river or with or without a forest, that is, this is such a call to the earth. i had it. that's how i now understand from early childhood. i mean, i've always felt that way. well, it’s really like an apartment there, then it’s like that there in the nineties, it’s like they didn’t lose time somehow developed, but really it ’s further further, uh, there’s another house, and then a house like that, and then there with a pond, and then with a view like this , a i got that feeling of the end point
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when the cow appeared. i suddenly realized you know how to milk a cow. i do not wag, i answer. i don't know how my granddaughters have the first cow in my life. it's really important. that's where the appearance is. and i somehow hoped to get by with goats. here is but and i have wife means. in general, it was set up that way. i would have the blessing of a spiritual father, what exactly a cow should be, and that's it, when the first cow appeared, i didn't just feel that finally, now i have everything. a here is the very structure of the cosmos, the very structure of the sensation of space. it has changed, that is, some points on the horizon. they just disappeared as unnecessary, and new ones appeared. now i will pin you to the wall, both of you, one smart, very person. somehow told me. that's what everyone says to run away from the hustle and bustle of the city, in principle, what you say in the village said, he turns me into a human appendage of a cow. if a you built your life in the village. so, what are you doing right now, everything is 100%, at some point
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it really is. well, this tempo is what you should there to milk a cow two or three times a day and so on, to feed hay, harvesting, manure and so on. well , because the animal won't survive, yes, whatever it is, there might be problems. come on, just like city dwellers or some cats live there, and he says, i can’t come to your country house. i have two cats at home. here it is, as it were, it is attached to a cat in this case, but this is solved, as in the case of a cat. as so in the case, that is, not in the spiritual intellectual sense. and, in the sense of what do you need to feed her? you just need to build your life the way you like it, but in fact, if you really want to, you can look differently, after all. if you want to reach it yourself, sometimes you can do it that way, or you can make it so that you don’t have to give it, but you will find a person who will help. in the end. this is the feeling that if you went to the village, you will always dig cows in the manure at four in the morning, but it’s not true, and i first, and you’re
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talking about the cow’s appendage, what do you say, of course, this is so exaggerated. eh, here is a benevolent danger, but it is necessary to insure and common sense. if, uh, maybe you are physically, well, not ready to take on uh, everything, time, it means peasant labor, but you don’t have to fall into some kind of edge. with exaltation, and now from one madness to some other, that is, to move gradually mm. so i also came to farming. that is, i left moscow for farming. i came gradually. that is, i left moscow in 1994 . that's consciously, we started filming there. it's just that 1994, yes, then it was, yes, then it was. this is just the period of the house. there is a cottage, there are some tens of acres there and there the first experience and understanding. what is, in principle, well, somehow you are responsible for the fact that it is warm at home for the fact that water flows at home and even , well, a certain habit. yes, but this is on vk . they are just there.
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