blind death yes, a tragic, absurd death, and, as it were, absolutely not amenable to any. well, in general, aviation would have lost a lot of justification by its death. what happened there? you know, here we were just celebrating the naval aviation holiday for the first time, so to speak, on the island and getting ready. eh, there were demonstration introductions being prepared. so, uh, on low planes from 39 there, on all the planes that were sharp in the center, there were demonstration flights. one of the flights was on a plane 133 indicative aerobatics with questions. so to say all the maneuverability to show me he made five or six flights. and now, when they took the flight film tester, they were one to one. here is just one to one speed altitude distance dimension, here is one to one, but on this flight. that's something happened it's hard to say that well, something happened and it turned out. so, to accept the reduction in speed

did not come out completely. and when he had already added momentum to the full , it was already a bit late. he did not catch on, or something, or the cable broke. uh, no, it was just sharp on earth it's not even a rope. it's not a rope. there would be a gust of cable and would have left, that is, we had a lot of cables torn very badly. i won’t tell you the truth if you break the cable on the second braking. first we pull the rope. uh, such a first load, then the cable is pulled. and now, if you pulled out less than 100 km there, then you already have to jump with us, uh, yura roots hmm , so he jumped, because the plane practically lost speed there and when it almost stopped, the self-tapping screw broke, jumped off pavel, he almost jumped and fence something all worked technique good theme. that the catapult works at such a height to zero to zero works in fact, this is how much it is thrown out of the cockpit. this means that it throws out about 75-100 m, approximately at the same time, uh

, the parachute swings open in a special way additionally, and it was even already visible. there 's footage of this let's say, so events are not very good. uh, when he straight jumps off just goes below the pub leaves, the lantern jumps out and he already lands with filled uh, these parachutes are wild overload. up to twenty, probably, yes, single overload up to twenty. and if i'm not mistaken, in saki, we had a platform for training all sorts of naval pilots, there was a platform back in the soviet union that was created. here she was why was she there is any, that is, practically the flight crew goes to the ship for training every year, he goes through all sorts. that is, we arrive there and conduct ground training there. we cling to exactly the same aircraft carrier. buried in the ground, but there is a possibility, if something happened , to roll along the runway and stop refueling in the air. eh, serious moment. yes, air refueling is a big deal. that's

especially at night. it is very peculiar there. parallax turns out. that is, we have the cone itself, which we must get into the second cone; it is located on the right, on the left, or rather, and when you pilot, it turns out that you somehow have to bring it to several sides. and this parallax is very complex. and so, when you then learn how to do it, then it will not cause any doubts. we have guys there, they just stuck right out. well, he moved away, but it's during the day, but at night, and at night it's harder, but at night, the aircraft is illuminated for this. here is 124. we were there when we were preparing, they were assigned there for refueling. there is a special illumination lamp, they illuminate the plane, that is, these whole concept of the horizon, like an airplane on the horizon. you see it, and the cone itself, which in general, well, it is also highlighted, and you are in it. uh, on the one hand it is more difficult, on the other hand it is easier, that is, on the one hand. you can’t see this car here, because when there is 10-15 m to the car , somehow my heart skips a little like that. here, a

it’s just easier from the other side, that is , this prolax does not exist and you go straight into the cone already with an aiming thing, you stumbled and that’s it. there is also, as far as i understand, some kind of psychological preparation , because after all, when you work above the ground , you look for a platform, just in case, always in extremes. you can sit on the forest, and above the water, yes, all the time. you understand you're not going anywhere. if anything, this is precisely what naval aviation is about, that going to sea is a one-way ticket. that is, for example, i'm not even for a fighter i take on the ship. this is understandable, as if i were taking a heavy plane, which enters the sea there for 12 hours. here he flew normansk. well, there at the airport the first one still left for 12 hours. the sea left, he left the cube, he went there towards the bosphorus and that's it. and if something happens, then you can't get anywhere. it

is located in the ocean, and therefore, as it were, with the pilots here, you need to get used to this. and secondly, it is without oriented terrain. the most important thing, this is the main thing, if you have tragic means on earth and you can somehow understand where what? how in what way, then you want there, nothing works there. come out i satellite navigation. still. well , you don’t have some kind of landmarks, a navigation satellite is the last 10 years, 15. and this, and before that, there was nothing at all. only we had a navigator’s course, who were preparing to fly to the cube, and they flew to cuba for a very long time waiting for the weather, because when you pass greenland, everything happens there, and the oncoming wind is 300 km / h. here, when they go there there are very large flows of horizontal fuel, we had special permissions and they, like naval pilots on ships, were by numbers , only they only allowed individual ones who calculated the way to come to cuba and

landed already in cuba here, especially uh , mr chamomile scout. he was with a lot of fuel. but uh, counter the plane. they planted on the edge. that is, if you’re somewhere to the right, you’ve flown in somewhere, then you won’t sit on a cube, there won’t be enough fuel , just people working in naval aviation. preparation in all countries is the same, but i 'll tell you. so, for example, there were pilots. unfortunately, one has already died. this is sasha raevsky, hero of the russian federation , honored test pilot and kolya diadis. and here we are, when we sat down at night, timur flew raw food, and i flew from diordis, he flew behind my cockpit, like, uh, a designer pilot flew, you fly there. it's dark there. here we fly out under the clouds of 300 m, we are pressed down below , it is not clear what i am talking about kolya. listen, this is something the weather is not very good. come on maybe it won't be the same. you must be at the airport. it will be very bad there. igor, we are two heroes. we cannot do otherwise. after that, for

myself, so to speak, naturally, my teeth are very heavy, like bags you sit. here, as it were, here you are sitting in a bag, i don’t understand, when you come to the ship and see a point and then , as it were, you start to take root in me . and it's very hard. it's training on purpose, yes, but now the question arises of my old comrade you. check or sailor i am a naval pilot, that is, i celebrate a lot of holidays navy day. celebrating aviation day. we celebrate the day of the armed forces, that is, we celebrate all three branches of the armed forces of the branches of the armed forces, because we slowly relate to each of these types. i am a sailor. why? because, after all, the main point of basing is the ship of the americans, their carrier-based pilots have maritime names, that is, they are all captains, captains, first rank, there are other piloting techniques. is the same. the technique of copying is the same and the same, because after all we, well, not

we can cancel the ordynamics, we can't beat the physical law, it's all the same, but the school is different. do you know what is different? i can tell you that the russian school is one of the most important. i’m timur, a huge merit, not only as a carrier-based pilot. we at one time. they were the first in the country to begin flying aerobatics at night for complex aerobatics at night. we flew, we prepared. we even pilots of the second third class began to prepare at night for complex aerobatics. this feature is such a one thing when you fly in the plane from the points would have flown gained altitude , flown down, sat down, the whole process will end. you sat in a chair, slept, ate a sandwich there, and that's it, but it's another matter when you take off for you this flight. it's like nothing why because you need to take off to perform complex aerobatics, that is, turn your head. this is quite enough in three dimensions, then get ready

to come to the airfield, come in for a landing , sit down and landing for you is like an option, well, strength is the main thing, because it’s very difficult there overload there i have to look around so that my neck does not collapse, because you turn at overload and then it hurts for a very long time muscle. if you don’t warm it up with a helmet , it weighs almost 2.5 kg heavy in order to fly in it. that's the main thing, why are military pilots called pilots, and civilian pilots, because i don't want to offend them. they are also very good, very preparatory, but they are piloted by an airplane. that is, their task now is to take off and land along the route; the military pilot's task is to fly. how is the bird? i thought that the most still dangerous, this is a landing, especially on a ship chattering, night wind, god forbid a snow charge. i thought that this is the main thing, no , this is the main thing. here we have after say, so

20-30 landings. we began to train the pilot to fly aerobatics. that is, he takes off from the ship, comes into the zone, or airborne more aerobatics and then enters immediately was not allowed. why because, uh, the load is heavy on pilotage and then it is very difficult to get ready for landing. now i remember we, uh, we went to the service. and so we did. so we sat in saki flew in. i i flew there, then it means, uh, the ship unexpectedly left. let's get ready. timur took the people and flew away to prepare us. the red-haired genes left us there in charge. we flew off and arrived there, and the ship is already preparing for preparation. he says, come on, here the plane 125 flies there, if there is still hook made it back. here 133 also flew caught. he says, well, that's it, let's fly, we have four planes. they need to be transferred to the ship with uh, sag we fly sag, but the ship still does not fly. more he becomes at the gas station for training. and we are already moving on to any

service. it was in october and the first flight from the ship. i did in december 20 there on december 6th. here timur comes, says, tomorrow we fly. i say documents two landings in the month of october. i was flying somewhere. just, as it were, just for nothing to be normal, here is seryoga melnikov, here is a spark forward. here is the combat after death, i sit down in the park. seryoga melnikova, we quickly flew off, so to speak, sat down ivan bohont, as our regiment commander, too. so they brought the two of us, i sat down as deputy regiment commander, which means that here you are fighting ahead. i took off. and after that, i yelled at myself with obscenities. i'm already sorry expression. i cursed myself to myself until i sat down, because everything is falling apart. i can't figure out those arrows. i can’t go out on a lure to put this car in the forest for 2-3 passes, then 2-3 hours of tension, then this is well, and we well,

what did you do two landings there? and i didn't fly anywhere for a year. before this ship. there , in general, i flew there like that. after that, it means that everyone else was checked on us in approximately the same way. i always say, that's how to fly from a ship. i say, well, it's very simple. take a dump truck to a ten-story rooftop house and eat on this dump truck. how convenient is it for you to eat on it, and now take off from it, i sit on it on this dump truck, about the same mass, tell me, i don’t understand, but there is a training system, which means, well, i understand, there is a strip in saki imitating there suppose an aircraft carrier simulators exist, as such, mugs do not exist. why because e imitate e, the landing process is impossible, but impossible. unfortunately, why because the first? well, maybe it's the lanes there somehow in the machine you will reach, well, on the lane you need to slow down to maintain the direction. and if it's wind and if it's something else, it's not just

like that, but there the time here, the infection of a second, can't be measured. it is not measured in minutes by hours , it is seconds, and you need to be ready for this. he is the fourteenth here, they ground the plane. remember, in the sh-sheremetie at vnukovo , an old pilot came up and ground the plane, he says, i ’ll show you now how to get on the plane about but i’ll spin the wheels spin the wheels and it turns out that in order to turn on the reverse, you need the blow to be 1.4, the blow didn’t fit, it didn’t turn on, and to switch the reverse, you need to get into the cab. there are four operations to turn on several tundras so that the car, uh, in manual mode, turn on the reverse. here is the result you cannot teach the pilot. uh, like a surgeon? well, as they said to you, you can’t teach the pilot to look like and see how to do it? i came to have the operation. it's complicated, there are seconds. it is necessary to prepare for such a huge preparation. well, we think so, i guess i'll be right i came to school for 18 years.

uh, somewhere at 22 23 graduated from college, came to the unit and further years, 10 to the first class, maybe up to a pilot with the highest qualification, and then fly for five seven years. and that's it, an expensive pleasure, yes, an expensive pleasure, and preparing a ladle is 10 times more expensive. yes , it is believed that training has fallen to the pilot - this is approximately. if so to speak , fill the figure with gold. that's about what the state costs is preparation. it's difficult. it is very difficult and the most amazing thing is that we always have a balance. that yes, for example, we didn’t take, so to speak, bears and didn’t teach him to ride a bike. this is possible, but not every person is able to quickly master. we were selected there, here is timurov nadelovich. he had a very serious preparation. we selected each pilot, starting with the school.

that is, we first asked how she flew in her first year, how she flew in her second year, how she was in her third year, how she was in her fourth year, that she got a recommendation from these pilots who flew with them, and only after that we selected them not everyone came there, they took there whoever comes from the sea. i didn't have never been chosen. only there is a very limited circle of people who, well, thoroughly dismantled so. the exact product of you is generally about 20 people, probably , just now even even less, to be honest, because now the main group that flew to the deck is already, it is already all in age, which came out in fact. what about behind no one? what about behind your back? well, look. unfortunately, the ship has been standing for a very long time. that is, we have been practically there for years, probably the last five we don't go to the ship anymore. but how much do we need, probably, well, in general, the question is actually complicated. why because everyone is talking about it, and this is already a discussion that has been going on

for years. 60 relatively speaking, here, of course, we discussed the moment when they were really needed. it was there in the seventies , eighties, nineties, there were no questions. they were needed. now i don't know anymore, to be honest, because, well, there is a fairly large number of hmm weapons , which, like, there are a lot of things. decides on the battlefield at sea, including, and how is the selection from naval aviation going on now , too, uh, someone is monitoring the situation in educational institutions or not, to be honest, today's graduates who are graduating, but they still need to be trained and prepared. that is , we have what was before the school, it is slowly moving into the troops. that is, we give initial preparation. well, the number would be, and further and further troops. and the troops - this is not a school. these are ready-made people, and they will already be trained for special tasks. to unfortunately, so today, well, somehow the selection takes place or not.

we are now selecting from pilots who are no longer at the school, that is, we are now selecting from trained keys who have already gone through a certain trained school, and they already want to get to moscow from shortening their flying life. yes, we are reducing it on the one hand, on the other hand, even the lieutenant. if you take it, then he won’t fly to the koran tomorrow, he flew in dripping years there for four or five years, and then only we put him on a ship, we don’t immediately take him on a ship. you know, i'll tell you so me. so impressed was our flight at the preselection there in the north. well, yes, i want to give you one thing. right now right here. oh, by the way, there is also a certain gift. i've also prepared ahead of time. i want to give you a thing that is dedicated to you, but everyone will know about it , let's go for a second, and then i'll call . after our flight after all

that i saw sea pilots. i wrote a song, that is, i wrote poetry, and vladimir lebedev wrote the music, this song is dedicated to. thank you so short life is based on light buttonholes, but the soul of the sea sea struggle in the pilots

of a special category, two oceans must be protected. she passed me blue. below us, without end , the sea eye starry road is short, as life in words measured me about the soul, the sea cry ice, no vacation. sea sea fire, happiness, we have a romance with fate and grace saving every time we do not come and

that strip take-off is such happiness. this is a podcast of the creative industry and

elena kiper and we are talking in the roman karmanov studio today , a psychiatrist is writing somewhere else with the great soviet and russian writer sergei lukyanenko, but seriously. well, that 's right, yes, the former ex, well, the former is not always a big mystery of how a writer gives birth to such massive huge works. how is it all born? how are you? how do you compose? or they themselves come on their own. i really don’t think that the profession of a psychiatrist is very important here . doctors, of course, there are many among writers and among science fiction writers too. well, there is dentists, therapists and surgeons, this does not interfere, but in fact, a medical education, probably, gives some kind of plus. like anyone, teach education in general.

from looking at the world in a systematic way, and since childhood i loved science fiction and for me, as it were, the main favorite technique, when i started writing, was to introduce some kind of unexpected fantastic assumption into the world, and only after one single assumption appears. you can see what is happening in the world. is it possible to teach to be a fantasy? uh here's a tricky question can help learn from you now there are, uh, two projects at once. as far as i know, these are the stars over the donbass one and another workshop of lukyanenko - it's all about young beginners. uh, unknown, uh, writers, well, who or who thinks he is a writer e according to your observations. here uh. how many people from those who were seen can become a writer, really the future? well, the stars over the donbass, after all, not exactly my project. uh, i'm in it. it started 5 years ago as a project. uh, cultural

assistance, uh to the residents of donbass because people were completely out of touch with the media. they could not see the favorite performers of the writers, and we came to meet with the readers. they just showed that they were not forgotten. as for the hmm literary workshop. eh, it's really here. i think this is a very big deal. uh, writing is a very lonely job writing. for the most part, he sits at home, at the computer and writes. you know, how in the first years of soviet power, writers gave the name of a single handicraftsman without a motor. here we are, we just got the motor is a computer, and in order for a creative writer to develop somehow, he needs to communicate with colleagues. if necessary , listen not only to the voices of readers, everything is clear there. there will be those who will scream - this is the best book i have read and those

who will scream that this is a terrible graphomania, in general stop writing forever. and here is the opinion of colleagues who also write support for their criticism. their. this is very important and for this just existed before. uh, all kinds of seminars where they were going to write or and young authors under the guidance of the masters. like uh snow. belenkin. e, strugatsky well, there are many of our wonderful writers there. they, under the guidance of these, er, writers, studied, sort of trained. eh, they understood what was good and what was bad. this tradition was broken for a long time for 20 years, at least. and now we have revived it. we hosted the first such workshop in the fantastic city of korolev near moscow and gathered 36 people from all over the country. uh, they came together, for the first time they saw that there were the same ones nearby. eh people

who were completely passionate about this, talked for a week, studied each other's texts. uh, the lecturers came. i mean, it was a kind of cauldron where they were brewing, and i just saw that when they left, they are still boiling, they continue to communicate, argue, uh, show fragments to each other, i mean, they got the opportunity to communicate. i want to get to that boiling point. but how, if i just wanted to, well, that is, i did not write, i'm writing. i have a very moderate relationship. but i would like how to do it? well, it's just that it 's hard to get there, but because it really is a selection process. and there come the people who wrote their first there second novel that they write. and maybe next time we will do something really. perception is more open e where you can come to see, and you often generally go out to a large audience. well, if in

the format of learning to work with colleagues with young authors, then for the first time, that is, we had no. we had, of course, these kinds of events, but they were usually one-day as part of some fantastic festival. uh, they met and discussed the work of young authors, but as a rule, it was a short form. the stories all this lasted, there 3-4 hours, this is the maximum. well, i don't know, it's not very serious. and here it was complete. there is an opinion that there is a deceived generation. well, this is about my age , maybe a little older, these are people who were brought up on soviet science fiction and who had, in general, a conviction formed by science fiction writers. again, what, in in principle, by 2023 we will already be on other planets. and we will have a completely different world. and now when nothing happened, but this is a phenomenon. yes how do you feel

that such a generation really exists? maybe you yourself treat him the same way, but to some extent, when i was still a very young man. i ran a science fiction club. i was 20 years old, i just corresponded by paper mail with similar clubs from other cities of the then soviet union, and i remember that when our reusable ship flew buran, uh, they wrote to me, well , people just wrote from some distant corners of the country. yes, what a holiday it is for them, that we are starting to seriously explore the cosmos, that they were waiting for this, that is, yes, indeed. this expectation was not only among us. by the way, here is ray bradbury wrote. uh, literally years there, probably 10 years ago. e some article. uh , about the fact that we should have been on mars now, we should have been living on the moon. instead, we traded everything for the fact that our mobile phones have become thinner and the screen

shows more colors. i have there is a test. i tried it when she spelkoved e went to learn how to write, and before that i studied at the university film academy and started writing the first script. and now my first script, which i put in the closet, began to come true after 2 years. this i mean that e writers are those who have the power of the word fantasy. and it is farther in the future it materializes. you just understand it. i ask so carefully , you understand, because a huge number of films have come out, and the apocalypse films sometimes have the feeling that this is somehow begins to resonate with our reality. well, you know, here i can say, as a science fiction writer , yes, i can really say, as a psychiatrist, that this is self-programming, that is, by writing some kind of script and setting

out some things that disturbed you. eh, apparently, since you wanted you to continue to move in this direction , both versions are quite real. so just take your pick a couple of weeks ago. uh, another one almost came true. in general, from the universe of elena hyper, news appeared about the fact that an unidentified flying object appeared over the usa, they shot down them involved in general, but therefore, in principle, what surprised me that no one was very surprised at this event, something surprises you, now in our time already somehow you imagined that the twenty-second twenty- third year twentieth year. they 'll turn around like this for us and can you see beyond the horizon? well, of course, i had no idea, that is, uh, the same covid. i honestly thought that by the end of the year i didn't think it was a matter of months, but i thought that dissipate by the end of the year. i remember february. we

were flying from abroad as a family and we just saw that part of the plane was sitting in deaf masks, and somehow it even amused us. what a panic among people, and a week later we flew to the city of london and london gave the impression of the city of london from an american post-apocalyptic film, because everything was practically empty, we went into a huge bookstore and there were only sellers in the store. and my wife and i are no one else, and here i realized that it would be serious, but i i still took half a year, but what was happening, but everything dragged on very strongly. here, uh , you understand, of course, you can look ahead, but the future is really a lot of options. too many different forks. yeah that is, after all, this is our universe the universe of each person or our common one, because when we all believe in

the same thing, in general, our synergy can lead. what do you think, can lead to we can, one way or another, maybe, at least at the level of creating some kind of general psychological picture of such a general ideas about how the world will develop, that is, you know, it's called a self-fulfilling prophecy. that is, when a person, uh, begins to predict something and follows this path himself. e with people with states with the world. this can also happen, if we continue this topic , then whether writers and creative people can create such a reality that politicians will follow and public figures will eventually end up somewhere in a very good place, but we are trying. we are really trying. i when everyone was sitting and fiction writers wrote about epidemics. i tried, on the contrary, to avoid this topic in every possible way. here. uh, well we're trying we're trying we're trying to write. eh, good things and

good meanings of the future of ours, this one is our literary workshop, it was just, for example, built on what we teach those who are trying to create a positive image of the future. well, first of all, the future of russia, of course, our country. well, as a matter of fact, the whole world, because those who write about a nuclear war, about an epidemic, about the invasion of the planets. i don't know where the moon is missing to the ground. they will always find their reader, people like to get scared and write something negative. it's quite simple, but write. eh, positive things, even. utopia. this is already a challenge. unfortunately, i didn’t read it, but i watched the draft film, and there is one of the worlds where there is no oil and gas and everything is very peaceful. well, yes, but it’s actually not that completely peaceful there, they still manage to conflict a little somehow. well, yes, i removed there from this

world, neftegaz, uh, i decided to see what would be there, there are several such interesting worlds. uh, there is a world uh, with victorious feudalism, which has developed to the present level, and so on. there the picture was quite interesting of different worlds. unfortunately, of course, in the film , it was only possible to slip along the edge, not always successfully, when your hero is born. you him like, uh, psychotherapist. well, as a psychologist, but you build it up or he himself begins to live in this world, but i usually get into it. it's ka tak, meaning, uh, i'm inventing some world some situation. eh, let's say. let's say it exists in the world. uh, passages in other worlds to pass through which you can tell some interesting smart story. this is the spectrum book, that is

, aliens have arrived and placed portals to other planets everywhere, but in order to get through you need to tell something interesting and smart. and here are the main characters - it has this ability. and so he travels between worlds. and accordingly, from this idea grows, as it were, a general framework, and then you start to add some there. well, as you know, that's like, uh, wind. here, there is such a general stained-glass window, and then you start to fill uh, multi-colored glasses and it turns out some kind of picture in general. at the beginning, you need to come up with some kind of this frame, this very thin grid. which holds everything, and then put the multi-colored glasses there correctly, it will be beautiful. i'm roman karmanov, and i'm elena kiper, we continue the conversation with sergey lukyanenko social networks really guide us now and

are we able and should we, for example, refuse them at least to some extent? i think that, of course, we need to distance ourselves, because, ah, you understand, there is such a cumulative effect. e accumulation of surrounding opinions. uh, a person comes online. he has some views. he involuntarily finds like-minded people. those begin to support these views and the person very quickly becomes radicalized. here he is from some moderate position on some issue. he quickly jumps out to some completely extreme level. e that they are good, therefore, of course, you need to control yourself in the network to understand that it is a network. it influences you too now, 61. 30 million people already visit metars and live there, well, there are good i will calm the news two days ago i read

that there is no universe losing popularity dramatically. uh, investors stop investing in them and so on. people refuse. they don't, i'm sure it 's unlikely that these scribes paid for inferiority . look, what a wonderful virtual house i have, how many rooms there are, pools and peacocks are walking, but at the same time , everyone generally understands that here he is sitting on a sagging sofa, and he has builds some virtual palaces and parts appear, because children are born with gadgets in their hands. for them, these universes. they are already sewn on. they know how to share. i think they can. anyway, i'm looking. uh, for your children, for their acquaintances. i have a feeling they are. here is the current generation, it is calmer and healthier about all this. eh, for our generation - this caused a little,

in general, the appearance of all such conditional virtuality of the network. it was kind of a shock. many simply, as they ended up in depth and began to choke for the next generation there, perhaps those born at the beginning of the 2000s, but yes. it was such a very full-fledged environment, and they dabbled in it with pleasure, but the current one is already somehow differentiated. that is, uh. i made sure many times. uh, what, uh , the children grab, let's say, some box with a board game, lay out some card figures on the floor of the table. here they are playing with him with less, and even with much more pleasure than in some network games. games will offer all the senses. i'm sorry all feelings, if there will be entrepreneurship, yes. that's where part of the population, of course, will take advantage, but this is still very far away. and how do you yourself react to the emergence of various new products you go to explore? what is there

or so in general to rebuild? no, well, i like something, i go and explore something, i reject something. something just understand that, well, i don't need it. there, yes, an interesting gadget, an interesting technology that i think, so, in fact, and where will i use this wonderful gadget is not needed specifically for me. someone needs to, well, i try to approach more sensibly. but the universe of sergey lukyanenko is being launched in many formats. i would call it in the creative industries, we call it the creative industry and interpret the creative here, er, there are films created. ah, your books. and how to negotiate with you screenwriters and directors, how easy it is not for you to work with them, but for them to work with you, of course, you need to ask them. the golden man is gone, in fact, i always try to relate with understanding. uh, especially to the director,

because the director who we take to shoot science fiction is already to some extent. well, if not a saint, then a great martyr, that is, a person who, in general, took up something very difficult and very poorly worked out for us. eh, if in the west, and even in the east, this everything has already been put on the production line of science fiction films, then in our country it is just now unwinding, but happiness has already begun, and therefore i am patient, as a rule, with all failures and some of the director's own initiatives. e screenwriters. you know, i'm a screenwriter myself , uh, i write screenplays. basically, of course, on my own things, well, sometimes on strangers , i literally did it the other day, the script for one project that is not mine. but i really

like him at first. that's how i joined him. i hope that it will be done, unfortunately, i can not name anything specifically. uh-huh well , how did it happen that with all the baggage of soviet science fiction. we squandered science fiction so much, and in the end we are forced to catch up with it now, too, when science fiction itself is most in demand in all types of creative industries, whether computer games, board games, books, films, tv shows, anything, but we had fantasy. uh, strongly cut off from the western world from the whole huge layer, american english uh , science fiction, that is, thank god stanislav lem and other measures were available there, but not all and, accordingly, when the flood poured into the nineties. lots of good and bad fiction. e readers. in general, i choked on it. he began to read actively western authors of ours for some

time abandoned our floundering. eh, many began to simply imitate taking some good samples when there were worthy samples and trying to work in this vein, that is, there was such a fair subsidence. eh, in 2000 the situation improved a little, firstly, our reader returned. he realized that far from everything that is written. it's good there. it turned out that after all, like everywhere else, 90% is rubbish. uh, and, accordingly, began to look at our authors, who still write about our people in our reality, i realized that this is also interesting. that's somewhere in the thousands there since 2005, maybe a year. in my opinion, there is such a definite revival of our fascists, its rise. uh, i think she's the second best in the world. and how ready are you for young filmmakers, creators

, directors, to come and ask to film. here, uh, try to screen it. and your uh, books, that is, or parts or let's say, well, something that they define for themselves. what can they take on? wow, that's the whole story intellectual property license, agree somehow to get there. well, look, there are several options. first, there is. eh, such a concept when a non- commercial project is being done. it is often students in wild, for example, graduates shoot some kind of short film. they usually turn to me asking permission. i say good shot. well, sometimes i say okay. pay one ruble. that is, here is such an opportunity , too, yes, well. that is, this is not an exclusive thing. this is precisely the opportunity. e people to work out to work. sometimes it turns out good, sometimes not very good, but something happens, sometimes

the situation is somewhat different. here i have. uh, roman autumn visits and love very much. he is so old, just his years, 30 already. and i offered him repeatedly for film adaptation, no one took him, although he is very simple for film adaptation, he is so serious and heavy, and apparently this somehow scared everyone away. e to me in vladivostok four years ago. uh, two young people came up. uh, vladivostok uh, cinematographer. eh, they say sergei vasilyevich we would very much like to take it off. i speak, guys. here no one is taken, everyone is afraid. i will give you. just show what you can do. they say, well, we'll show you. a year has passed. i ended up in vladivostok again, they ran up to me with a laptop open and show they filmed two scenes. uh, from the book, i think, opa, how did it happen and i play everyone well, and so on, it turned out they attracted

local vladivostok actors with fresh, not worn faces, who played in general absolutely on a public initiative, so to speak, on their own, and that is, they played for nothing and played after hours, i'm looking at everything well. i say guys okay. here you pay one ruble. they, in my opinion, did not find a ruble with them and found some. no, no, the contract was signed normally. they found a chinese coin. yuan, paid one yuan. but yes, they filmed they filmed eight-episode series. now post-production is underway, according to the mind, 6 episodes out of eight have already been shoveled there for the second time for the last time. there, everything there was sharply squeezed under, cut down, recorded music. there are good effects. it's a great game there. this it turned out to be a normal eight-episode fantasy series the great soviet, a fantastic writer, damn it, he watched

the american tv series, so somehow, uh, and there was such a plot, and a person who thinks that he is talented or not, talented, he has the opportunity to eat that grid and if he is really a talented talent, or his talent is revealed, he begins to write with terrible force. and if not , the talented one turns into a zombie vampire and begins to walk around and eat people. here, at the dawn of your activities. uh, when you realized that you can generally eat a pill already, but in fact the writer, even when he wrote his first story. he must be generally sure that he is a genius. eh, at least potentially. uh, here, without this , you can't do this job without this, because you look on the shelf of bookstores and you become. bad and you think what i'm doing and why am i writing something else? he has already written a lot, but in a good way, probably, it was a book atomic dream. i have such

an old, old story completely written, in my opinion, about 20 years old. and that's when her wrote, i suddenly realized that it was more or less good. i realized that what i was doing and somehow noted it for myself. so it was joyful and then there were several more such works. there were autumn visits, after which i realized that i had written a good novel, and there was spectrum and a few more books. that is, every time. so, at a certain stage, you write a book and think. i'm great. i took some peak for myself and you can eat the pill again. and now young people are asking you how to make money. well, they ask, of course, they ask, because this is a scheme when a person works all day, and in the evening he sits and writes something. well , she's still young. maybe e ride. and when a person is already 30-40 years old, then in the evening you still want to relax a little,

and not do it, writing a second job is also work. now i just advise everyone and say, go and engage in electronic publications, because young people now love it very much. e, such a reading format as e reading from a tablet from a phone and so on, there are a lot of sites. uh, where are the authors like this exhibited and, uh, where people pay. well, a person announces a subscription, says, here i am writing a novel. there, read three chapters for free. if you like it, there for 50 rubles. you will read to the end there or for 100, who evaluates their work as a result, and as a result, some authors become super popular earn big, really big money, but there is another danger here, because he is the kind of person who wants to get something all the time, that he already liked. and

so the young author he wrote his novel all they screamed there. hurray man, suddenly everything worked. he is 20 years old there, he wrote a book and earned there in a couple of months more than his dad earns in a year. his eyes are on fire. he is screaming. now i will write a new book, the reader is screaming, no, we like that one, write a sequel for the person already. strictly speaking, there are no ideas for a continuation, but it is necessary. he sits down to write a second book. so now i'm writing a new one. no, he writes, the third then says to himself. no, i'll write a new one. i'm a writer, he writes a completely new story and all his faithful readers. they say fu is not at all what we wanted and he sees that he has a financial failure and as a result a person starts earning a young author, but he is forced to work. that's purely by order of the public. you always write what you feel, want what torments you almost always. i tried a couple of times, let's say, to work on order. uh, usually it

was connected with some kind of computer games, that is, people create a computer game, it is interesting and they have an idea. but if a famous writer writes, uh novel about our computer game, it will become even more popular. yes, it basically works. uh, but when you write a novel like this, to order, you've been persuaded to be motivated. you sit and write, but do you feel that you, in general, are still doing it? uh, not what he wanted, this is a very unpleasant feeling. i've uh written books like this a couple of times. um, well, i don't really want to repeat ty in foreign territories with our films and our meanings with our books. as far as this is also necessary and there is something, well, it seems to me that there is something i can say, let's say about yourself. i don't know now, i think they will publish much less in europe uh, but in fact they are publishing now and there is

still a proposal and very much uh, everything is actively moving to the east. uh, china is there and there is a lot of interest. there is an interest in our culture. in general, it has traditionally been preserved. and you can go there , you have to go. i'm getting out. there's now book after book in china. oh, well, now we're doing box office. if we talk about our cinema, uh, very high, right here, literally these two months, cutters, this one, while i would say, what high, i mean, until my collection. but we have good news. uh, next year, apparently, will still be, uh, accompanied by an exit. uh, a lot of premier and lay down to cook. i think, i think, yes, i think, yes, i'm saying again, i'm sitting on my own in terms of the number of projects that i directly or indirectly participate in. eh, it's

the price of projects, well, a film project in television. scenarios for the sale of rights to books, i see that we are very active here. now here is a spread on their authors and on the internal production. well, it seems to me that it is going even faster than many expected a year ago, and it is coming. that's good, it goes without centralized instructions from above. as they say, we are all used to what it takes to be told from above to quickly develop your computer, there and so on. uh, it turned out that in the movie industry industry. in general, people themselves, without a team, begin to develop and launch projects on this positive note. it's time for us to wrap up the creative industry podcast. how would you like to talk we talked well. yes, our guest was er, science fiction writer sergey lukyanenko dear friends. see you soon thank you

lord