and to some extent, american cinema has begun to do this. eh, now, in my opinion, he has been quietly copying himself for the past 10-15 years. there is also some kind of crisis there, but uh, as zhvanetsky said, it’s the artists who must be able to succeed , now this phrase most often has to be repeated to everyone. maybe, probably, about the salary it is impossible to lure late. and who are you , zhanna, you need to go home to relax in the bath , take dinner.

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teapot, and this is dima was previously known as dima okno but smart home appeared with alice the window is closed alice turn on the kettle is ready. smart home with alice so it's better to leave beautifully into the sunset easily. after all, there is a scooter. trust your luck and win the same electric car in the big scooter raffle. register on the site, order your favorite products and participate in the drawing of thousands of prizes . details in the scooter application. hello , i'm glad to hear you dad cartoons, we have a tournament. and we have a live broadcast. but it’s okay that all this home internet and tv of yours is in my tariff can i talk calmly, of course

you can on the balcony, look, manage do ntv and profitably give home internet. it's good that we have a dog. apply for

a credit savings card for 120 days without interest , the most profitable in the country, now wow is sold in russia, and tens of thousands of them are sold only on auto.ru. why aren't you an author yet? in the world of hundreds, you can't. iota says, you can set the tariff as you like, you can unscrew the gigabytes to the maximum, and a minute to the minimum you can iota burger king has become more profitable, we return 50 rubles. by cards peace industry, presenter roman karmanov, manager and general director of the fund for cultural initiatives elena kiper, producer and clip maker are our guests.

and like it or not, they come out with a certain spirit? yes, they are brewing, there are predecessors. uh, here's how e is modified. uh, this is the inner philosophy in connection. well, this is a very important change. here, uh, or here's how it itself is somehow the nosphere. this is the inner one. how does this happen? here you are taxiing there, inside there is no taxiing, but we are doing fine tuning. yes, that is, naturally. today a young man or a girl has to tell that there used to be radio receivers. and there were two such wheels, one wheel for coarse tuning, and the second one is fine tuning, this is it. uh, fine tuning. she is changing, of course. and, of course, from what we did not teach and what we now began to teach differently is the ability to position yourself, but in this

market, but job search. eh, because if a person does not know how. sell ​​yourself the right way he will not be successful in offering himself correctly. that is, it cannot be said that it was different before. it's just that the mechanisms used to be different. yes, today this is a video business card. this is correct. uh, a prepared portfolio and this also needs to be taught. that is, if we just teach good artists, then they will be successful. e, not them, but others, but who will be able to do this, and plus these ones, which for the profession of an actor can definitely be called social skills, because this is not literal. yes, acting is not movement. but this, i mean it today, of course, an artist can no longer be successful, but in what is connected, but i'm more right, yes, here we serve the audience. this is one philosophy. we viewers

forced to think and another philosophy. we don't care what the audience thinks. this is the third philosophy and so on. right now wait, i understand that young people should be confused now, in general, because they can see. uh, they're the same. in all this, they watch serials at night. so they actually bathe in this, in general, and come to your university, which are considered successful they start there that they are now preaching higher education. uh. naturally, we meet our students with our outstanding graduates. recently, we had a meeting with alexander access , a wonderful e-producer, and he, among other things , told, and it seems to me, that for today's producers. this was also a good lesson, because today they often didn’t know how to do anything yet, the guys come and say, well, yes, what is the salary? well, of course, in the hands of 100, says a student who still does not know how. and he doesn't even have a degree. and we made a toast how when you invited him somewhere in

transcarpathia they met. and vladimir anatolyevich nakur invited him to quit running the circus at home, leaving the circus. uh, he came home to the chicken and called, he opened the door and alexander leonidovich realized that he didn’t even recognize him here. who is not that he seemed to have forgotten what he offered him and he says, well, i'm ready to work for free and at the moment you need me, you will start paying me a salary. and this is a very honest approach for that at the moment when he began to pay wages, apparently already vinokur could not, in principle, take a step out of the apartment without the help of this director, then another word is the producer, who was not there. but this is the understanding that you have to spend some time trying to convince that it is impossible to do without you. this is also very important art should continue to educate. still, entertain. here, art should both educate and entertain, you know, there will always be an example for everything. eh, yes, that's how my

mother says, don't eat there. this is misha my brother. once ate he had stomatitis was there no, that is, my mother was an example for everything. not from our, uh, big family life, but therefore, uh, we can say that at the performances of merhold in recent years there were half-empty halls, the jewish theater of newspapers, which was in the building of the current theater on bronnaya where konstantin bogomolov works today, he, this chatr closed because no one went there. mom told me that her parents. it was just that at work they offered tickets for free and people no longer went. even those who knew yiddish, although of course there were all of them less and less and it was a great spectacle. eh, on the other hand. right. tabakov , when he says that the theater is impossible to tell, there is a great director, but his performance is at his performances. no one has ever seen a person die and continue to tell how it was brilliantly funny. it's just funny or this performance was seen and, uh,

a sufficient number of spectators will say, yes, this is one of the most powerful impressions in my life. or no one saw them. and then no one will ever believe that it was a great director. excuse me, i'll leave right away. yes, i give money for art. uh, let's talk a little about this topic. uh, i love the far east very much, the far east because i myself am a far east and i have always been a little offended by the lack of attention to the history of the far east , which, in general, the wild west will envy , generally speaking, the development of the far siberia and so on. here, there are guys who make , uh, a cartoon movie about the daughter-in-law. ah. he's not at risk. eh, there are werewolves inside, he's some kind of superhero, so the king-priest. obviously, there too. is present. he says where the flag is raised. there, it should not go down there, that's all, but nevertheless, such a fairy tale in which it does not take risks. it's just such a superhero, and

when i posted this video on my telegram channel, it means that people came and said. well what are you doing? why do you turn it into a non-risk character, it means some american comics, and so on, what you told them, listen to it will be cool, if through this the children pay attention, in general, to the figure of the admiral and so on similar. this is the transformation of the transformation of adventure history. really. well, really , about your non-siberian far east, this is extremely exciting, how do you feel about this genre in general, as i understand it all. there is a fundamental difference to find a common language in the modern viewer to be him, of course. this is one situation, and the second is stupid to indulge him to do. it is absolutely mechanical, relatively speaking, to read. e that he consumes such and such a product, where, relatively speaking, some character wolverine does this and that. and now let's have

russian admiral to do exactly. they also hawala and so on, and they will tell you what you are doing, and you will answer but we are interested in attractiveness, you understand, there is so much. subtle things they are largely based on an understanding of their activities, that is, there is the concept of a producer's view, which is more cynical. your task in 2 weeks is for you to see as many people as possible, and at least the grass does not grow there. this is one approach, but there is an approach after all, when there is an author who is responsible for what he puts, uh your last name, under this you can’t get anywhere, 10 years will pass. it will see everything. and all this will return to you in a completely different way. and therefore, again, yes, seek a common language with

the audience to be understandable, but in no case stoop to its low-grade taste, i will say a banality, but it seems to me that this is the answer to your question. sorry, but the mythologization of the hero is a common situation. how much do we know? eh? well, i don’t know, we don’t know, but, at one time , they tell us there that there were deer tales. yes so lenin came and he was two meters tall and so on. that is, it was during lenin's lifetime. and when he died, it means, no, he did not die, he came, there and so on. and the same thing happened about suvorov during his lifetime. yes, not about what is there, uh, alexander did not die there, but in reality there is a hero man, he is a hero. here, just such a real, absolutely mythologising consciousness of the people, that is , there is nothing like today and, uh , today's mask of this is not, but this is the always masculine consciousness. if we talk about soviet mythology, it has suffered a terrible collapse.

well, if you look like that, this state couldn’t just do something even for a century with all these methods of propaganda with all this history, and i have a clear understanding for myself that the soviet union collapsed when people began to carry western records and appreciate them like real art and even smelling flowers. well , in order to make such a person, here is the kind of mythologization that was being done then, and not only pushing a person out of this culture of the environment. you know what i'm talking about, and in fact, here we come to what we started, yes, when you do something, you should do it. this talent would be doomed to do it talented, because if you do it, it's mediocre you doom yourself to reproach, it's not so bad, but it has the exact opposite effect, er, to your

goals. yes, yes, that they watched films in the villages in the villages, when this is a great art that can get into the shower, that is , marketing does not matter here. i had to think to empathize. yes, uh, but anyway. i also read memories of contemporaries, which told that people from the plow came to small houses of culture and empathized with these films, because they are works of art and that they simply cannot be made if you go out to the audience, but the fees show now very different. that is, now the mountains are generally a phenomenal movie that would have failed at the box office. uh, a year ago, cheburashka just struck. this wall is not trust to russian cinema. it seems to me that here it is, this stream. there was still some

kind of protest in society, it seems to me , because they went, uh, that's all the generations. this is one of the few media creatures that, uh, are so warm for. first , people my age, who will be children, watched it, then they watched it with their parents, then they took to this cartoon, uh, offered it to their children, because it's not a secret for anyone that the nascent generation in our country. in general, it begins its cultural life from views in soviet animation, because somehow we all understand that it is safe. it is psychologically correct that nothing will happen to a child, and the phenomenon of this animal cheburashka is that it really covers the entire country and plus, of course, there was a language found that did not contradict the understanding of this character in some way supplemented it here you can there is

as much as you want to talk about something about your taste perception, but this is a fact, because this film has been visited for 4 months already after the new year and continue to walk to this day, which means that there is something in it that turns out. yes? i agree, but it seems to me that if we talk not only about cheburashka, but some other films. my daughter just went to see it. i haven’t watched it yet, in my opinion, it’s called burying ivan, it’s from these yakut films that i was completely blown away without a bath. since yes, yes. yes. yes, i know the plot , i want to still have not reached the cinema. but here comes the understanding that after all, this kind of film is not like that called first. venda yes, what do you need to let people see. this movie. they shoot it and the absence of some hollywood e new releases, but allows this film to hold out a little more time, respectively, to get the same

box office that they deserve, but in a different situation. naturally, they would have been swept away, some new ones. well, it's for gourmets. or not for gourmets somehow a full hall is normal people sit watching and not a single star, even our russian one, even some kind of uh, at least some that called, the sensational picture that came out. uh, very small print runs, and this entire room was made up of a selection of fairly intelligent people. i'm sure those who are interested in cinema, because it was not advertised in any way, only those people who went to some festivals knew about it. here in particular. i went and was told that the yakut cinema is some kind of phenomenon, that they firstly live absolutely by their own internal production. they play these films at home, which they do, they do not generate income. they with this income is removed following there some absolutely some interesting situation of their well their national film industry. by the way, this is interesting, a topic that

goes against the grain. eh, all of the things that we just talked about, here they are, eh. enough protected from some kind of flow, yes, and they did their art. their film screening and moreover, they delegate it here, and it has here, yes, music has it here. the same thing is happening, i must say also my today's guest, the incomparable kamila valieva where do you find strength after the olympics for the first six months? i think it will be incredibly difficult to continue. i just set new goals and go towards them calmly, slowly and trying to make the path a long distance, not a short one. if you could choose anything, where in this directed your talent. i would also like to act in films to get this experience of filming in a film. where do you put the toys that most toys give you. i distribute to children. if some

famous figure skater brought me so much toys. i would have taken everything, where and how kamilova. will rest from the fans. day after day, anxiety anxiety, and with them insomnia, and so in a circle you can help yourself afobazole helps to cope with anxiety and insomnia afobazole 4 weeks for the most pronounced effect. do you know that you can use mobile communications three times cheaper? 1,200 minutes talk time 25 gb internet plus unlimited music and video services. order a tinkov sim card and

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complivit active balanced complex vitamins for children from 280 rubles. burn fill a bunch of applications for loans in banks. compare will help fill out just one application for a loan and get approved on the best terms, and the largest banks for comparison. if the credit is in the compare application , you know, we had a very famous producer not so long ago. uh, so he is. and men love prediction. here's how it will develop further, then he said that most likely. well, here's my prediction that there will be songs in 2324, based on more they will be popular, while it will be the producer to expect from. in general, such a statement was simply impossible. this is his feeling inside, that is, from joyful songs, there is hookah rap and so on, we will go somewhere to emotions.

finally, deep, because people have accumulated interesting things there. uh yes, as far as cinema and theater properties are concerned. the only thing is much faster than the movie. may be. tarkovsky, maybe this is a matter for next year, and there another five and 10 years will pass. and so, please, i mean, a new phenomenon based on the present just now. maybe we'll go through this foam right now, some kind of primary foam, and then there will be two formulations. if not about me, it's not interesting, right? this is where i want to see myself. and how then i will understand, and then i will cry, cry, laugh. this is one approach two. show me what i don't see in reality. show me that story. i don't want to see all this at all, i have enough of this in my life and, uh, if we talk about pain, how about a cut that is now unconditionally

present in our society, probably, there should be works that, uh, will dissect and artistically comprehend what we are now experiencing with you in this archi difficult. i haven't seen one yet. a good example, to be honest, and people are afraid to take it, because again, what we talked about, if you do it mediocre, the opposite effect is guaranteed, within the framework of what you said, in particular, and the success of cheburashka can you compare it with modern incredible the success of the old songs on the main? probably, yes, they said correctly, there is something in this rethinking old songs about the main thing is rethinking. well, maybe some new arrangements have already settled hits. this is an absolutely correct remark. terrible information appeared that one way or another the market is now, oh, more like that, but someone will

try, or that's what anton was talking about, er, for the needs of the audience, or vice versa, taking him to another reality to saturate him. ah, the movie market. eh, it won’t work out quickly, because the process production is very long. not only that, it is clearly audible that cinemas, uh, are far from easily agreeing to rolling, but which are now being produced, it is true that here it is necessary to produce 10 times more than now. just you understand what's the matter, as i understand it. they will be some kind of distributor and not even being a producer, but i kind of understand that we were talking about these movies, yes, widescreen, movies. for the last 30 years we have existed as a segment. your national, if you want commercial cinema in the global, and to be honest in hollywood, that is, we have always written critical remarks. well, almost like in hollywood, but, that one is better in hollywood. but here it’s not in

hollywood. but he shot with such a budget, but he looks like a big one, you know. it was some kind of competition with the mountain, we are proud of what we have in it. well, i don’t remember now, exactly, he was proud of writing various studies there. that now is already 25% of the market. domestic cinema. hooray guys already 35 and here overnight. there are only 35% at best or 25 and that's has the opposite effect. interesting things are starting to fall, because a huge part of the audience went just to this hollywood production and there. our cinema found its audience in this massive stream of viewers. and when it is not there, now we are faced, uh, with literally challenges, when you need to drag our domestic viewers here and for me, frankly, it’s just a miracle. what is happening,

now, anyway, there are halls and people go to the cinema, and that’s it. cinema is still there and is, and i think, that's when it's all the same root, because according to my feelings , we don’t have such a production that would completely replace the e product that was before all these processes, in my opinion, but on the other hand. i see that the grid is a film grid. it is not empty, it seems to be some kind of such now. a feeling of optimism appeared in everything , saying the feeling that we are somehow recovering faster than e assumed in many cases this applies, by the way, to music, too, i must say. here i have recently also appeared such optimism and sort out spectacular uh events. somehow somehow faster everything went and in general there is a feeling that the next new year, well, usually the most interesting period will be the dough of our company already by the elbows. in general, this

time everyone who has invested big money wants it yes. well, that's right, it's still business. and what do we expect from anton from me this new year 's salad or not, and we actually rolled, well, yes, i'm about to try something. let's talk a little about the young, we still have a little bit of time. here, uh, there is such a legend that we have. well, on the one hand the legend with the other side. it's true that we miss a lot of people. and in the theatrical world , many people are missing, because the master has already grown up, someone has already left, someone. well, in a sense, for natural reasons, someone for some other reason, and so on. all these glades are in particular need of a natural cause, because unfortunately, this is all, unfortunately, uh, not a single outstanding director without raising himself to change. this is a well-known story when tolstoy was asked what he would be like, how he sees the future of bdt. and he says, well

after you, and he says, well, if i die on friday, then i hope that on saturday at the theater there will be a bar castle story, and this and this can be seen by everyone. yes, and the same according to mark antonovich zakharov yes, how painful after the departure of e to e to a contemporary after the departure of galina borisovna volchek yes, well, that's what she did there as a deputy artistic director, who is chulpan khamatova, then, uh, garmash is clear that and he and she they could not become thin hands, because wolf, when she became the main director, she already had experience several productions in the theater. these were successful performances. and efremov, in general , i encourage all actors to try their hand at directing. there was not a single major artist next to tolmacheva kvasha , everyone was sure to try to put something like that, someone more successfully, someone less successfully in the ray.

the double swing was not even very successful, right away it was, uh, yes, one of the most fashionable performances of that time and the same thing, so wait and blame them for being and impossible. unfortunately, we i have to end the broadcast here and i would talk for hours at all, to be honest, because there really is a lot about what they said, a lot of things they didn’t say, but, but we will still have such an opportunity. e aired on air in the next series on the air and the creative industry podcast and others. i'm sure you podcasts in the area in the lineup. podcast, paws on this is our broadcast. this is where it ends today. good luck. thank you. thanks for the invitations. greetings our guests grigory anatolyevich zaslavsky rector of gitis and anton gerdievichev russian filmmaker roman karmanov elena kiper a-a, creative industry podcast. on channel one, all episodes of the podcast project. you can see on the site of the first channel 1tv.ru

hello everyone. this is a podcast, a free program and i am maxim tankov. today i have a special guest, special because he is the most successful member of the team's coaching team over the past ten years. eteri tutberidze. daniil markovich for hingaus. hello hello. hello max first of all, probably interesting, to all our viewers, and to me, of course, still interesting too. how do the three of you interact, who has what role in your trio coaching? well, let 's interact in order. we are fine, because this is a confirmation of this, the number of years that we have already spent together and i hope we will spend even more, as sergei viktorovich has already

said. that in general we do everything together , except that he does not participate in the production process. sergei viktorovich this is sergei viktorovich dudyakov. this is another member of the eteri tutberidze team, with whom the podcast we already recorded, of course. check it out for those who haven't seen it yet. and yes, well, uh, it turns out that we have built into the training process. and so that all three of us are from the very beginning to the end of training on ice. we have the first 30 minutes of training. eh, rollout. i show exercises in skates and bring athletes to their senses, because they are often sleepy in the morning. and after that we begin to engage in jumping exercise programs. and at this moment we are all three. well, if not in competition someone, then all three of us are on the ice. everyone makes a comment right. we call

together and give the task. we discuss the training plan in advance, so we do everything together. don't you ever argue? no, well, everyone argues in the family and people who love each other and colleagues at work. uh, disputes are an integral part of this work, and we can disagree with each other somewhere, but somehow you see, we always come to some kind of concept, a corridor word, there is, in short, to a decision . we manage to find these disputes and this golden mean, so that everyone contributes, when i started training, i started doing it much later than you were the most difficult for me. here is how to kill the athlete in yourself, that is, do not compare with yourself. a. well, you know what i'm talking about, yes, and when it happened to be done

, when you realized, well, it was much easier for me to do it than for you, because as an athlete you have achieved everything, that is, for an athlete. as you understand, the main thing is, by the way, olympic champions. you have reached this goal. you have taken place as an athlete to the maximum. as an athlete, i am absolutely took place in terms of results. and it helped me more, because i knew what not to do. how to tell athletes? don’t behave like this, don’t do it like this, because you know from your own experience that it will lead to nothing good, and therefore it was easier for me to understand them in some way, because i was like that myself. uh, when you have, uh, talent, but you didn’t use it, that’s right , of course, it also depends on the coaches and parents, which still needs control, and

i lacked discipline in sports, so because of this, it’s a little easier for me, and when i see it, i perceive excessive emotionality. it's athletes or disobedience. i see myself in this, but at the same time i try to convey to him that in this way to the result, you will not get discipline. this is the most important thing when you are a little over 20 in the team. eteri tutberidze. she already had a polina shelepen, she already had an olympic champion or lipnitskaya. for you, it was a challenge. that is, you were afraid that it would not work out, that you would not fit this team. of course it is anyway i was nervous, because you didn’t list everyone yet, but, of course, yulia lipnitskaya was already an olympic champion at that moment, and at that moment sergey voronov was also skating, mm,

who, in general, was generally older than me. and i, by the way, an interesting point. yes, i competed with him. he was always like a senior and literally two or three years passed there, and here i come and say, and now the coach. therefore, how was it, can you remember this moment when you and seryoga met? well, he drove up, bowed to me and tore me. that's but poison is so gave himself to work, that it was immediately clear to me that i was not just here and not just what you say, i understand something, and i tried from the very ps of the very first training, and all my enthusiasm and everything is invested by athletes , and it seems to me that they felt it and perhaps because of this it was easier for me

to gain their respect in a shorter way, because they saw that i was burning for this and worried about all their results and training. you know, well, yes, sergey did not call me daniil markovich the first, by the way, he is always in conversations between well there me him. you know that we have been close friends for a while. and this is my roommate for many years and in all competitions. he always said, danil well, i say, then in the end. yes, i don't know how sarcastic it was or not, but it always was, then i say that in my work and the way i put myself in the team. it has already become possible to call me normally and for older ones. but you also received this respect from recognition from this georgievna. how do you think about how you gave yourself to work. well, i think that everything is very simple here, she perfectly sees talent as athletes. so it seems to me, in general, in

all people, all their good qualities are bad, and if i had not approached her, then i would have heard the answer negative and the word no, literally. there, in 2 weeks, three , maybe a maximum of a month, i will explain why i am so clinging to these words that you yourself said about work, because when i ended up in khrustalny and with my reputation there , a slob man who does not go to workouts and so on. although i knew that this was largely untrue, i made one decision for myself that i would just work, as i show that i work. if people see that i'm working, then everything will be fine. it doesn’t matter what kind of person i am, and it seems to me that it also worked at some point, that when i showed up for every training session, that i was always at the rink and so on. i worked with the guys there, which for eteri was also a bit of a civil moment. well, let

him try, let him work. yes of course, if you show interest and burn with what you're doing it's stupid to refuse you something then let's move on in our conversation already. stop talking about the team. now let's move on to your personal. and many, as i think, are mistaken and say that there is such a choreographer daniil markovich after all. i think you're also a trigger. tell me how you two personalities get along with the personality of a creative choreographer and a pragmatic personality of a coach. there is such a moment, yes, which is very easy. really show the difference between a choreographer and who i am, because any choreographer. he comes to put the program and leaves to put the program somewhere else, and then he does not go to work every day and does not grow. this is exactly along with the team of the very

beginning of the children before the olympic medals, therefore. if we talk about how does it get along with me? and i like to teach. i enjoy it. i like to share my knowledge, the process is interesting and the result is interesting, of course, it seems to me that nothing will replace the coach's emotions that he experiences when he sees the fruits of his work, when you lead an athlete from an early age, teach him. and now he comes to the most important start of his life , the olympic games. and he has it there. god forbid everything goes well and the pride that you feel at this moment. it seems to me, and there are these emotions, for the sake of which you

have come all this way. speaking emotionally, well, wait, i understand all this, yes. you are the choreographer who is constantly it, probably i am even now i thought i can not find analogues. well, maybe you or there somewhere in switzerland yes, there is someone, well, a choreographer, who is also a coach, who well now, yes, there he works with athletes all year round. it usually does the job. but you can teach the quad salchow flip to jump there. that is, it’s not only working out the hands of sliding, skating, well, there is a reason for this, that i was still a single skater for most of my life and rode near the wind nikolayevich kudryavtsev but as time has shown, that technique and understanding he taught me jumps and further. it was only necessary to correct the technique that i had in my understanding with the technique that georgy sergeevich eteri offered, and when

the three of us got used, we found common denominators and began to absolutely go in the same direction and equally make comments on the technical parts, then here we are roughly speaking. we complement each other. and if someone is missing one, then in terms of comments. this does not change the work in training for an athlete, because these are not two different opinions. no yes, it's you always you will be always hear plus or minus, well, in different words, but the same information just from three different coaches launches a new project in every corner of our vast country. has its own quirks. or just about to launch your standard. do you have gemini ready to produce or project?