uh, i hope of course, this is my feeling that more people began to understand that i also grow up and also do the right things sometimes. we have three coaches. well, with whom is it easiest for you to resolve some issue, sergei viktorovich danil markovich, or is it georgievich right away with this gerd. it's easier to communicate here. but he stood as a markovich. i can directly tell him everything and everything that he is younger, communicates with us more, probably with athletes, and somehow i can’t say to him that we treat him like a friend. no, it's still saturday. and this is the coach. but just in some moments with him. yes, it is interesting with him there, to talk about some topics there. interesting to know his opinion. eh,

sometimes with this st. george too. and it's very interesting, yes, well, yes, it's very interesting to talk. e that before it was not so possible, that is, before more so workout workout workout. and now you can talk about some other different topics and also about your experience, and she has a colossal experience in general in life in figure skating, so it’s always very interesting to listen with sergey viktorovich less, we communicate closely, as, for example, with the day of markovich georgievna, but it is also interesting to know his opinion, in principle, we have very interesting people with interesting people. i work and it's a pleasure to be with them. well , sometimes there are moments, but it happens with all athletes, sometimes such a moment comes. well, how about yourself, a former athlete, right? and as a coach, i can say that you get so tired that you are ready to quit. how often have you had this thought this year. well, often well

, it’s more likely here is the beginning of the season, this one from july but probably, somewhere in september-october , such a directly incomprehensible feeling, when you work directly and do everything, well, that's how much you can at the moment, but it turns out that you can't. yes? it's not enough at all. you can't even reach the level that i don't know, you had in juniors. and you and you, you did everything possible, and at this moment your hands just drop, but you just need to somehow set yourself up continue this, because anyway, after a while it comes and joins the training process. a sorry someone help. it's a pass there, again, mom coaches. friends, maybe, well,

that's more likely in this case. do not get hung up on figure skating, that is, if you need to live by such rules, here is figure skating, it remains figure skating, that is, you left the ice, forgot everything and live a normal life, that is, your normal life, walking with friends and don't think about him. so i came to figure skating. here is your job. you think about work so as not to burn out, otherwise, if you think 24 hours a day, and figure skating you lose this edge and it seems to you that you are constantly doing it. in fact, it ’s there that there are only three to four hours of ice a day. and that's it and now you need to roll it to the maximum and abstract the whole season is already behind. now all that's left is a pleasant ice show, where we can

see you in the next few days, the nearest place. what are the plans on the 22nd in omsk on april 26 in kazan i don’t even know, this whole calendar, i know everything on the 28th in ufa on may 1 in almaty well , the sixth or seventh, if i’m not mistaken in mongolia, and you want to swim in mongolia, we we will send photos. social networks, where and how will kamila valieva take a break from figure skating fans and interviewers? well, i really want to fly to the sea for 3 weeks in my june 1, already igor in mathematics. thank

you very much. it was very interesting. you are beautiful, you know it, shine on. further to me and to all the fans who are watching your successes with such pleasure. thank you very much podcast free program with maxim hello dear friends. this is an anthropology podcast on the first, its host dmitry dibrov 30 years old. i've been waiting for this evening for 30 years. i dreamed that evgeny smolyaninov would someday turn out to be. well, we have studios and none of that has happened. and today, for the first time , the lord commanded that this would happen evgenia

smolyaninova. the first voice of russia you say skidded from you. and now what shall we say about the magnificent ensemble of the mariinsky theater singing. for example, the bolshoi theater drags its own. here i have malinin and you will also have the same, because this voice is the tenth or some kind of wonder of the world and anyone who hears evgeny valeryevna turns into a pillar of salt. now you become it too. ding-ding ding-ding this ringing oh a lot. i was told

i know i'll steal with you. this one called for love. ding ding ding

ding ding on the glasses we collect costs us shining piss money ding ding. a lot to me

well, amazing, now dear friends. we just realized that we are in an incredible metaphysical dimension evgenia valerievna was born in the city where dostoevsky got married in what city did dostoevsky get married program? who wants to become millionaire channel one, and then kuznetsk magnificent old city in the maternity hospital number one, which, uh, are nearby, and with the novokuznetsk drama theater. well, you moved, then with your parents in kemerovo you had your voice there, it had nothing to do with it. yes, not the one required. comparable, that

is, not at all comparable even among professionals. but i'm not sure that i understand it so well. i never needed it, but i didn't need to know that my voice was not repeatable. well, how perfectionism is in everything, i want to reach the very essence, but it manifested itself in another way, but in the way i wrote music , in the way i generally do creative work. i wrote music. i really liked music in general. i generally think that i will be the composer he showed up. i played the piano manifested itself in the way i play the piano. this is where you fill the russian romance. that is the passion of the love that he should be filled with. where did you get it from? but artistry, i think, is a natural talent, so to speak already. but actually, here i owe him everything

give thanks. e by viktor brusevich titov, our director. and for the first time i sang a romance for the film life as a climas gena and actually he insisted that i sing romances, because then i drank only folk songs folklore, i was sure, and i argued all the time and well, not so much, of course, uh, but i talk all the time. let's have her better you folk song slept for this film. i do it better, and he asked for a romance. i didn't know how it would sound. hmm, moreover, my school ones are some kind of musical experiments when i drank romance, uh, the teacher told me, never in my life is a romance caught. yes, but i did not listen to her fortunately. i scored romances. and when i managed the first time, which i recorded and now i don’t remember what it was like, i heard it. e, i liked it so much and in fact, tuff e he is this paradigm and l for me i am thanks to this opportunity, and i learned to sing romances. as a matter of fact, here for one record. i learned to sing

romances, because romance does not live everywhere. so let's not stray far from from what it is i ask you at your discretion eugene listen, it’s not for us to dictate here that you were on my way home, my soul was full of obscure for myself it seemed to me that everyone was looking at me with such participation. dear,

the moon watched the god of the squirrel in the air, like a tender string of a pink street l and a swallow, striving somewhere far away in the transparent air home. i

thought you would, but my thought will be us. good touched mine. ah, i don’t like it, but

well, everything is there if, no, deceit and damn love and fears and flowers. look and even you have a cajon in the orchestration, but it’s your voice, which is leading us, tells us that this woman has changed him, now she is going with repentance or without repentance to her husband who has shamed. i have a different plot. and what you have is not even a plot. this image, for some reason, this romance is dedicated to the price tags in mine, you know, some kind of female hopelessness, maybe this ill-humour is quite a woman. brings discord in the soul. this is a tragedy. this is the absence of paths, in the end, and the departure of some other. i'm

here is strange, imagine, i'm here i'm crying. i i'm going through this, and i'm crying, this is normal. i generally think it is. eh, this is exactly what i consider my strength not only in the voice, but precisely in the ability to survive, but his russian romance, as a genre, allows you to go through these experiences. and who showed you something? this opened the secret of russian song and russian romance. well, i'll say, uh, viktor titov and we recorded going to the fair, even though the merchant there was a tragic song. it would seem . yes, well, in art it doesn’t happen that if everyone has fun like that. eh, here i have didn't work at all. she must have been dynamic all the time. eh, hmm, it somehow intensifies and reaches some kind of catharsis with this song, the tragedy should have been there, well,

i didn’t succeed, not my aesthetics, people. noah's songs did not allow him to come out to such openness and these tuff yes he had. well , actually, what can you not say there does or does. it's better to draw a picture. well, pictures are better for me, and he said in such a voice, you know, when they buried his dinarusana. chopin didn't sound mozart sounded vladimir vysotsky sounded a little slower than a horse and when he said this, i understood everything how to sing. we want to listen and enjoy. well, then i won’t sing a romance, and then roman

swings along its watering shore, like white hands i can’t go all the way across the bridge, but it’s better in the name of wet sounds in memory. i took. and

the last parting stands at the evil luke washes his white hands in water, and i owe me a paid debt to her. i would say who she sings in the meadow on the other side stands behind him like a mermaid. tired of getting rid of the finger throw. ringlet

well, bravo dear friends, this is not comparable evgenia smolyaninova in the anthropology podcast on channel one here star families. they fight each other. but they absolutely benefit from it. everything was so good for you, and it was transmitted here in waves. i saw family unity. i saw two very similar girls. they transfer this

energy to each other. well, they lit the whole vygu. ba two stars fathers and children new season on sunday at the first pentalgin extrigel against pain in muscles and joints it contains the highest dosage of the substance from the pain of inflammation and specialist for better penetration into muscles and joints large package at a bargain price with age created to nourish the restoration and youthfulness of the eyes it is recommended to use daily for three months three courses a year helps to restore

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conditions, if credit then in the application. bentalgin acts against pain, wherever it is, regardless of the causes of its occurrence, pentalgin will do without pain. to run means to charge other ages. continues where you are, how is it you that the name i remember sleep is bad conducive to

memory recovery, reduced fatigue and improvements to the object. now i will not forget tinkoff layline credit cards with a limit of up to 700,000 rubles. save a mile and make up for the name of the air ticket. fly free april and get free service forever tinkov he is such one health problems can become bad blood vessels helps to improve microcirculation. reducing the risk of blood clots removing inflammation and strengthening the walls of blood vessels. cottage cheese and ripe berries hmm delicious hearty novelty and natural prostokvashino delicious

breakfast for the whole family pentalgin extragel, it contains the highest dosage of the substance from more inflammation pentalgin extragel against pain and inflammation in muscles and joints. how is he? what is the name of ? cerebral circulation work of the brain memory recovery and dizziness reduction. now i won't forget. this is an anthropology podcast before our first guest evgeny smolyaninov. well, we need to know who is visiting with you today. we have yuri chevin in the studio. very nice domrist. ah, the flyer, how do you say it? uh, a man who speaks buzuluk so i see, it costs more there, it costs lies like this, everything

is connected. i would not be limited to just performing folk different music, in general, if you die, you can play different music among themselves music. but this hello is also not random, because here we are remembering how it all happened. and we began to work when my musical style changed, probably not only changed, but some new direction. uh, there's a new song. and i really, uh , want to go back to drums. it makes me bored to play romances folk song on the cajon. that's just for the type, well, here it is so thin. eh, texture, what do i, on the contrary? this is interesting. not all the same flamenco to scratch. well, here is mikhail smirnov

for those who have not yet understood who he is, and here is uh, svyatoslav smolyanin. it's not a cousin. this is my son, yes. in my opinion, absolutely fantastic components. it's audible no here this hmm horror is not rest. if nature is as it should be on you no no, and no need to achieve. yes , but it’s impossible, it’s impossible zhenya, but there is a voice there. slava was always offered to drink always and small, when he was still small and his voice had not yet mutated. and uh, he was amused by the fact that he depicted my high violets, so to speak. from which everything was made conclusion that he will be a singer? well, in this sense, nature did not give

nature, nature never rests, but it gave rest. e glory, and he already has absolutely no need for him to sing, and no matter how you think about it. but we, for example, with the audience could speak for two in a bass voice. if possible, by the way , work, and he knows how he works very badly. and how does it work. in general, you are already quite an adult and can tell about yourself. sometimes in a good company in a good under a good mood. glory indulges us with songs here. well it happens rarely. well, since you are silent and since i how the front should be represented, yes, then, and its own guitar school, yes and uh, slava is a psychologist, and therefore he is his

beautiful bass rehearsed by the students of the clients, if you treat people in this rather complicated internet age . yes, i'm a consultant. and that this, for example, the voice of the lady, smolinilovich, can also be a drug against. eh, not so in stress. that's how you listen evgeny valerievich well, straight, i'll tell you that grace the fact is that i never wanted to be an actress singer never. i wanted to heal people. yes , i have, uh, my technique and i do voice therapy. perhaps someone. now. it will be therapeutic. after all , maybe the tv does not transmit these natural frequencies well. i don't know how the tv transmits. here you can guess. i think that if a person has a perception of this, then everything else. eh, the person himself will understand

, perceive, and it will affect him, dear friends. we remind you at a reception with eugene as part of the anthropology podcast on the first do not leave with me.

oh, don't go, stay with me. i have loved you for so long and i have been burned and tired of you

and i will burn you there. don't leave, stay with me. i am passion in my chest waiting for you and me. don't go, don't go oh don't go, don't go

yes, but you're just an anguish. tonight in our studio is a real celebration of music , the legendary pesnyary letters, could you ever imagine that the series one two three four will be filmed about you, they shut up all the battle with the belt. i drove into the theater at night and stole a mustache and i went in with a guitar and i say. hello. hello her very, seriously. mom lida well, why did you

fall in love with me to pour eyes behind your fish with this smile behind this incredible femininity steel character when they began to part. she says, marina, i understood that i could no longer give him that navena she let go. you know that you can strum and he did something on the piano that no one else did. tomorrow after the evening news. pentalgin extragel against pain in muscles and joints contains the highest dosage of a substance against more inflammation and a special a component for better penetration into the focus field pentalgin extragir was created to combat pain, inflammation in the muscles and joints, a large package at a bargain price. how does he remember the name of the dizzy helps to

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pentalgin-extrogel against more inflammation in muscles and joints with age, changes in vision can change the usual things. taufon was created to nourish the restoration and youthfulness of the eyes. it is recommended to use it. daily for three months, three courses a year. taufon triple action for a clear look. how is he? what the name i remember about is dizzy on peppt. to improve cerebral circulation of the work of the brain, recovery memory and reduced dizziness. now i won't forget that you didn't feel a certain archaism of your hobby. here are the folk songs, after all, when you wrote your own, well, after all, you, probably, not everyone was on a par with the times, and all these songs are 200 years old and junk, firstly, do not let you down. and since

stay with me yes, a and ding-ding, yes, and there are thousands of folk songs and more and more, no one knows exactly the time of origin. ah, and they can be said, out of time, what is such a young, beautiful, cheburechka grandmother signed up prematurely when they chose a folk song as a plan and a romance for grandmother, i went. i will not go to hell and will follow my beloved andrei of tarkovsky, whom i loved very much literally as a child. a ruble nostalgia. solaris everything is all in vstalk. everything was important to me. it was important to me. here is the swaying of the grass. it's all aesthetics all mirror. all everything, it. maybe not so, it was deeply clear to me then, but it did not attract me very much. and when

i met olga sergeevna, by the way, a folk singer, who is from the pskov region, and her voice sounded in the picture of tarkovsky, nostalgia, he took her voice to her song, and she singing is a professional singer or is she a resident that you say, but she, but identical, is not the right word, but you know, she is beyond the limits of these grandmothers. uh, other grandmothers are grandmothers and, let's say, an archive, a whole archive, there, a whole repertoire. olga fedoseevna. sergeeva is a performer. this is the beauty of performance. this is a unique voice, which is impossible. well, not even any it was impossible not to duplicate either uh or to monkey around and so i followed the trail, because when it all merged, tarkovsky olga sergeeva, i realized that i was probably on the right track. well, in general, somehow my life also took shape. i also sang in films

and uh, and acted a little, and so somehow it seemed to me that i was on the right track. let's sing one more song, i 'll think about it, i'll take it. in time, i started talking about tarkovsky. uh, well, i don't have the opportunity to reach tarkovsky, but through his father's poem arseny of tarkovsky. i seem to you about this. but your music dasha kamen lies already boldly under these stones, the father is standing on the road.

in color silver top synthetic padding, i'm busy my life milky bed never

happiness than then. it's impossible to go back there. can't be impossible.

i was lucky then.

here, surprisingly, your voice sounds as if right next to you there is some kind of natural compression in this entire singing apparatus . on these huge you know pipes of grams. this is how a person next to you experiences something similar, when they hear you, it seems that this is not even a person singing, and some of them are so physical. uh, sound essence, she came to life yes, yes, they lived, yes, well, this, of course, is a fantastic gift. thank you and how did you blame all these titles of awards at the conservatory departments, one is not the guilty artist, after all, yes, deserved in the eleventh year. i got this title, and i didn’t aspire to it, and probably, unkindness

, i don’t think at all that one shouldn’t aspire. but it seems to me that there is no modesty in this. as such, it seems to me that this is a wrong principle, when you sit and wait and everything will be brought to you and everything will be done to you nothing like a person. it seems to me that he should adequately relate to his talent. i don't. i say this from my own bad experience, which i do not want. i believe that a person who feels his talent , feels his skill, feels what he can do, he must somehow position himself in this way. well, i'm being modest all the time. eh, that's indiscreet. this you know, it's some kind of unconsciousness, or what? here's what i've never missed. and i guess it's somewhere. it's like, as if compensated and balanced. and these are people who came to concerts, who listen to me, who love me, who you know, so when you tell this, it seems that such a one is sitting and boasting. they love me, you know? it's not that

i brag, i shout about it, that people love what i do, and this makes me very happy. i'm in that sense, um, a singer for the people. well actually the singer should be for people. a who else is he for, in a sense, you know? uh, you can say, a child of his people, of course, so this is even in general, uh. well, it was arranged from above that it was my voice that was like that, but anyone could have it . it just happened that i am very happy. i always uh, here. eh, i thought about it and tried to sing. and by the way, if, uh, maybe someone will listen who remembers vladimir vladimirovich vinogradov if you knew him, this great sound engineer of ours, with whom i recorded all my records. and when he left. i said that i would no longer write on the wall. i don’t want to, i wrote with them with this amazing person. do you know a story about him? well, it's just that i loved him very much, we all loved him, and history

is coming out finished the disc to alexander vertinsky classic roses. i also have such a vertinsky sing program. uh, here we are leaving the gdrz, uh, it is such a summer day. e, and suddenly he goes and says, zhenechka e, you know, here, and he is huge nevertheless. i'm not an artist. i say that only vladimir vladimirovich, what are you talking about, we have just finished such a work. i think he's saying no, no, no, no, no, no, don't talk me into it. i'm not an artist. here are the artists. they , like them, doubt all the time. they are somehow dissatisfied with what they are doing. and i'm happy. he is an absolutely brilliant person. and in fact, on the recording, he replaced all my viewers at the same time. he cried, he laughed. he blushed for his blush, got angry, made up things and talks all the time. what are you doing. you you make me beat and don't let me cry. you won't let me. they didn’t let me cry,

absolutely unique person. so i had good teachers too. i think that they replaced the conservatory for me. uh, 100% replaced uh, or rather not replaced. and just expanded, uh, the concept of performing arts. i learned to sing, and at the age of 22. i voiced the life of samghin. and you know this seriously, when such a film process depends on you, and you are still 22 years old. uh, you can say, well, almost a child still can’t do anything, and only a folk song somehow mastered more or less and suddenly you are told to do something artistic. and you do it. uh, you know, i had the feeling that i was a child prodigy. here i felt like a child prodigy. probably because i, uh, was such a kid at the time. in general, i have recently matured to say all this, therefore, after that, no, that you are not. clearly, i had several psychological sessions, probably, yes, probably, yes. that's when i

realized that this is already a psychologist, then i realized that i can grow up childishness helps her, applied. uh, where it is necessary in time , they say, it helps and adulthood helps, in general, feelings help. uh, you know, yeah, well, i guess it's not a secret. e once upon a time i performed in a high place and a rather serious gentleman approached me e and said e a it was i'll tell you in the ninety-fifth year. he says, you know, what will be the main deficit in 20-30 years. what what feelings and that's when your feelings are very needed. i don't know if it came at that time or not. i think so, in general it has always been all these and me it seems that all people wanted to feel want to feel, because feelings are real emotions feelings are movement. this is the drive, this is the motivation. it is this will to live, after all.