tv Segodnya vecherom 1TV April 22, 2023 6:20pm-9:01pm MSK
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the juicy ceremony was held in the suburbs of the northern capital in peterhof, a huge park of museum-reserves, 150 fountains are sewn, the most impressive of them is the grand cascade decorating the entrance to the palace, it was launched to the music of the hymn to the great city. peterhof fountains were conceived personally by peter i and modeled after the french versailles. they surpassed it in terms of the abundance of water and height during the season, almost every weekend in the bass park will arrange various holidays and shows, and the grand cascade will become a platform for theatrical performances. that's all for now we are following the development of events, and now on the first channel the program tonight pesnyary
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passed the series pushcha, where is my dark-eyed to the point? where, where, in vologda, we usually write extremely performs and the audience simply demanded that the thoughts of what we were in, we went out in front for the second time, the live broadcast goes on for the third time, they sing hunger in sports fighters for the sake of hair, so that
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they would go out for some time to start with it it was pumped up with such a star that caught fire in the soviet union, first of all, he himself collected fighters. old folk song as always , they played with dignity and gave a monument to the soviet fountain of the world, they already entered their numbers and on tv they showed us best of all on tour, i was satisfied, the producer became an american. thanks guys. i made money on you.
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a package for a package, but i don’t have a word in response. means i must also keep in mind that i myself will come for vet, whatever happens. i will come to my dear, vologda , not me, they will come with an answer, no matter what happens. i'll come to my dear, by the windows i myself will come with an answer. i see, i see, and in these stereotypes, i see domiyo, but jesus does not see the motherland. where fate
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therefore, of course, we found out everything, and in general , probably, the first consultation, who remembered or knew something about volodya, we came here for a couple of weeks. this is how they remembered it. well, they participated , of course, in some recordings there, marina, tell me, did you advise on this, reacted that dad and mom will play, that the team will again select actors when dad served. why do you know, it seems that he himself is still at his head, when you see that your father is standing here alive and when i came to the shooting, artyom volobuev put
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on makeup. so i'm holding my hand, i'll take it, and i understand that i'm holding on to my hand. and the state is, but so much has not been agreed. so much has passed by and always. well, what is 62 years 61 he got into this accident. and when i came, we will have time for everything, all success is ahead of a great life. you see, now i can pay more attention, just in makeup. yes, yes. we were not looking for external resemblance here on you. that's what we were looking for. here, in order to catch daddy's tucharism on the set. the further deeper. i just understood with my eyes closed. i hear dad. it's so amazing that you most of all wanted it to be displayed in the series for the birth of this love and indeed, the fact that gleb and anechka's colleague played it was, it
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to each other, and indeed, after all, a long life has been passed. looks like 17 years old. they were married, but my mother closed her eyes to my father's mother. well, a lot of family stories that that tied them together kept them and they are no longer being husband and wife. they were just close people. and how do you work? anya who played your mother in the sea. when we first saw my mother's very beautiful hands, and she works with these hands, when larga bach whistled, these are ballet hands, she spread them in a special way when it was a dance anit, it was different hands, when it was, for example, the arrows of dunaevsky, it was the third, and i explained the pansy. so i tell anya to work
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with her hands, and she is very talented, it grabbed everything. and it was scary to start this film, because the size of the pliers is huge. and in general, it would probably be to release a film that did not correspond to the passing level. yes, not only is it scary scary to turn the clothes inside out. yeah, and good, but it’s yours in your heart in your soul, and not everyone will understand to share. you know, i i can say that as a musician i was very curious to see all this. moreover, after the fish were. well, an example for us for all that, despite the fact that we were all shot through by the beatles, nevertheless, on the territory of the soviet union, they were a competent example for us. and when someone
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lit up with us, the asterisk immediately, he says, they remembered right away, he instantly shut up. you shut up. i'm with valera no, we introduced you. anya tell me how you do, that's all this work. the most difficult will not say the most interest. nym to go this character for a fish for this incredible femininity steel character. this is such a woman who can even get lucky with herself, that is, she will do it and help someone else. this is an incredible woman, tell me, uh, the video has been preserved for some kind of what you were guided by, that only photographs? yes, we even look alike. well, yes, there are. there are common features, very beautiful
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. very, of course, it is easier, of course, to approach when there is video material, yes, when you can watch, but marina vladimirovna told a lot. and it helps to understand the letters, yes, there is a book about letters from karmal mulyavin. they teased each other so subtly. and you are reading. you don’t, well, you don’t believe that so many years have passed, as if it were written today, as if it were people who corresponded. here in our time. it's great that you were able to write tatyana with zeros to music and set to music. how was it for you, artem ? this is when they called me in the evening and invited me to audition. i went to the theater at night. uh, and uh, stole the mustache, and sideburns. well for a while, of course that's it
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house pasted it. eh, learned. uh, the role learned just to feel. how are you? well, yes, well, in a different way, even six. of course, and i was lucky. i grew up in a family in which pesnyary it was at the level of both the beatles and queen and abba already leave well, what are you doing, so it was very exciting for me. i was trembling before entering. well, i, well, i, uh, put on some kind of colorful shirt. i put on mustaches, sideburns, and i went in with a guitar and i spoke. hello, i'm ready. let's start. hello, i'm fields. well, i would like to say that's but also me to say a lot of contenders. let's well, they were looking for a long time. yes , they searched for a long time, yeah, and then he says, you can wait, because even then the producer drove up to watch. so here it is on me and the guitar on it and it's good. okay, and then they called and said that i was approved the hardest thing was to play the scenes, not the concert
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life, yes, which we knew personally. yes, because what sort of vladimir mulyavin are we at home? well, we don't know. of course, and that's why the stories are really, for example, he twisted his mustache like this, for example, or e he pulled up trousers. for example. well, who would, well, how did i know that? well, of course, yes no, and just imperceptibly, completely from such yes, here are cigarettes yes, yes, yes, yes, yes, and past past always past, u , he smoked a cigarette for cigarettes, he didn’t smoke a puff, please. therefore , these little things are very much like creating ambre. yes , around me i don’t even know that he’s just here , just his something in his hand needed a guitar. no, let's be very different. here is from his concert image. yes, yes, the opposite person is absolutely at home. this one
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a person who simply sheds his skin, not protected, vulnerable, if they had stories, their parents had a fight, she was on the stage, they stood together for all 17 years. so my mother’s mother absolutely could not, because the apparatus was in her lips. and here she is, here volodya, are you here, here, out of falsehood, offended by something? and it was impossible for him to start working and mom, if he looked in, something came in there to interfere, only i could bring sandwiches or tea there. here he was offended and at work.
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malaya, i heard exactly what your mom is like would have been the initiator of his making music so actively. i don't know how she saw it. it was all before the eyes of igor petrovich golikov , she forced her father's mother's close friend. just sometimes she could with a bream, sit down, practice guitar, your instrument for her. it was just important when igor petrovich asked, lida, what are you? she always said, he is mulyavin, he is dumb, and he will be the first. so i don’t know, the woman probably feels, and she feels they say that he went to the competition instead of her. this
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such a secret plan of hers. yes, she will not pass her man. that's because, in general, they write such an age that she had already stepped over two or three months, when she went to the competition, she already knew that she was old, nevertheless they said, she did not even perform. sorry but age does not allow you. singing, flowing, wait, terribly sobbing goes on like this dialogue goes on like this.
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let's think again, think, collect, he is the most of the folk song lovers somewhere, the guys are infected with this idea in order to include the song in our sidewalks, and so that it becomes some kind of basis for us and which was not just a random song, of course, we invest a lot and somewhere around 50% of the songs we are working on, they leave us with the repertoire, because somewhere we are dissatisfied and a lot, of course, here he speaks and listens. we have another interview with a former member of your team. i didn't get it, i created them.
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i helped vladimir mulyavina create this team. was recognized, 64, then i met a house painter. and there they had a concert work there, they had a rehearsal for me, it was good luck, because even before the army there was already a famous musician. i was lucky and once for all lemons my year under this name skated in moscow in the seventieth year, you understand the associations.
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and yet, so to speak, we got used to the stage, we got used to this attention to this rhythm of life for the second year. yuzaite, volodya on the tragedy in yalta in the city center the death of his brother. more somehow one thing, when a brother, a native lies in the word, the most important thing, yes , i had to work out a concert on the same day. the ministry of culture of the ussr received calls and said that do not think to resist the situation, and therefore
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we can talk about options, how he died and no one here didn't look for. i'll be told don't look for harm to yourself no versions of nothing nothing misfortune to listen to everything. i will not tire of repeating that he simply determined my fate, my life. here to today. i'm standing in front of you giving an interview thanks to the fact that one day i i have known each other for more than 50 years. how did this team come about these conversations, but the song is being sung, god forbid, everyone has such a saturday. after advertising the secrets of the success of the legendary ensemble pesnyary, i do not dedicate work to anyone,
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i need or not and materials for the last six months, more precisely, the liberation of the city of rostov, the children go upstairs to moscow meets. he was always there, he didn’t go anywhere, he didn’t try to talk to anyone so that you wouldn’t see it, you suspect. what are you mountain under the laws of wartime new series with monday on first ask, i see you name high. with such knowledge, people of crime are investigating ozone. with
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i'll just take it. there was a lot there ; if your herman starts to press you normally man. if it starts, i understand you did not find the money. i'm waiting for you only what you promised me, no more and no less. i discovered your talent, if necessary, i will close it. because the world doesn't revolve around you and sometimes people have problems. i
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i also wanted to ask the main performer, the role of vladimir, you probably had to listen to the songs of many duplicates, there were n’t many of them. oh no, well, now no , no, and we even went to well, to rudeness and tried to recreate live did not try the share song live yes tried and what, well, it didn’t work out very well artyom parents how did yours react to the fact that you will play their idols. at first they were shocked. uh, in a swoon, of course, and then they are very proud
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now. artyom e. well, i want to ask how you things are, after all, you belong to another generation. you are so deeply immersed. uh, to the fate of your character. so much time spent with him. and of course, here, uh , we listened to this music a lot. do you think that the most important? that's why to this day? yes? these songs have been relevant for so many years, what is the formula for success, here they are. well, i don’t know, it’s even hard for me to say now. i think that first of all, cleanliness and this is something that has really been touching for many, many years, and both my parents and me and my daughter now also listen to songwriters, because she was forced to listen. her name is veronica her name is veronica and partly precisely because and this
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and when i looked, last night there was a special site, an amateur site about pesniary, it lists absolutely everything that pesters sang, but there is no count, and i counted pesnyary in their history they performed 390 songs. this is smulyavin 390. it would seem. well, it turns out to overdrink the original. choose any, you don’t have to write anything new, but over the past 20 years we have sang ninety-eight different songs or yes, which are not the legendary repertoire of our retro concerts, our concerts are great and igor sings alesya beautifully, a well-deserved artist and deserves to be well-deserved.
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she has been singing for 3 years now, in an ensemble. but when the filmmakers approached me and said that we would re-record many tracks for the film, we had to recreate the retro sound and sing to someone. sorry sang, i am therefore, therefore i think the moment has come when the body must meet the voice, how great. how cool thank you very much the old man plows. oh-oh-oh, i'd dry covering. oh my god, my dark-haired oh-oh-oh-oh came to the pit, take me not clapping married full, my god. well, of course, i never argue in my life how mulyavin i tried, as the director told me, i must try to convey my soul. well
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delve into. well, i don't have to study here. how to transfer the soul, because i wholeheartedly 30, what to do? because some songs didn't survive. yes, of course, of these three hundred and ninety songs. how many good records can be found on film, yes, they have not been preserved. in quality, even the belarusian heap, which was recorded by the grandmother over time , somehow by a quarter. tone, rose higher. a why is that? we have another one in touch, who performed your mother, the already adult actress anna banshchikova. repeating this is just an accident. i don't know what found me.
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of course. and what was it like to look at an adult mother already when they were playing. i came to meet anna when the shooting was at the cemetery. filmed the funeral, valera, so we talked, and then she says, let's go let's ask for a blessing, and the parents are buried not far from each other, and we went with anna and she asked for a blessing. that's where it came down. it was so felt at all unique. my first day of shooting fell on us shooting in a graveyard. in minsk, they approached there. when it came,
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it somehow affected the relationship of parents in the allied popularity. i can't tell if it affected their relationship. they still appeased the relationship did not bring through life. but when they started to part this period, how old are you? the most dangerous age is the most dangerous? yes, that's my father. that was all, the girls are always daddy's daughters , even more so they are two touring people. arrived today, washed tomorrow and left. uh-huh and here. uh, i'm with my mother, then i talked a lot about this topic. she says, marina, i understood that i could no longer give him that novelty. more than what he's already got.
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i was very offended by her. i said, well, in the end it was possible to endure something else there. well, for this you need to stand up as an adult woman in order to understand many things. so i realized, yes, they somehow met that this happened during this period. i outlined more on my mother. here. uh, dad it was sacred in but it's always been sacred. he grew up. among three women. uh, mom's mom's mom, i guess, that 's what happened, when volodya was born, whom he really wanted very much vladimir vladimirovich mulyavin jr. is a copy of him, as if it was just a photocopier and printed out, plus my mother made volodya the second musician and
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a very fine boy. belarus was told that these are belarusian towers, but in life everything is a little different, everything is different in general, amazing. yes, yes, i also want to say that artyom said that it was very difficult, we didn’t know vladimirovna told us what we read about the relationship between people, but this is such a responsibility. yes, as if huge, but to play their relationship. and hmm this is complicated thing. in fact, you need to be somehow very accurate and reliable, and we, in general, somehow tried to show this. it seems to me the great love that was between these people. i want to tell you two of these charming anem, and he was able to create this and my deep bow to my two mothers. i want to say that some family
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anna banshchikova played several scenes in these episodes. and yes, sanya demidova played such a small charming child, a child whose name is lidochka and this child is named after lydia karmalsky. how cool, that's the truth, the daughter played amazingly. let's listen to alexandra pakhmutova reminds me of your father. we did
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a lot to get to know each other. with belarusian folk music. now this is not. if there is very little, and thanks to crowded a lot of people and fell in love with this music and became listen, but they all just fell in love with what they do and brought the gifts of their peoples, they announced it, you think, here you have announced a very strong talent. i really treasured our friendship, and i remember someone even asked. here you are so wonderful. why is there no life in your team.
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about what was the man-legend vladimir mulyavin after advertising hello, my name is robert as a robot? where are we going, lenin 5, or something, they have done five kvn major league first quarterfinals. watch after the program time how we are together, and you me too i didn’t give anything, i give flowers. how is it that you remember the name of sleep badly conducive to memory recovery, reducing fatigue and improving the object.
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today, this is exactly what our meeting is about. there is, of course, there is a book here , which i'm sure both anichki both anechki read, yes, they collected correspondence, surely you, when you saw these letters for the first time, that what you most of all lay at home always lies. yes, after all, the largest archive, in general, russian, this is mother, this is the beginning. beautiful book wonderful book letters are great. i read avidly from beginning to end marina is embarrassed to say, of course, that if it were not for my mother, there would be no songwriters, but i will allow myself such an expression. ensemble, because it was mom who came to belarus , it was mom who got a job at the philharmonic in minsk and arranged milk, arranged the guitarists for the philharmonic.
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whatever the balance in another city, a different name, other songs , of course, would be, but what they sang and who would sing bordkiewicz would be a soloist, how would he meet him in life, if he lived in kaliningrad from where did they arrive right? yes lokomotiv she not only believed in him, she did everything for him to express himself. after reading this book, i am convinced of this. and i talked to him when he was already very legendary . and he told me about his childhood about his life. i was terribly interested to listen from a height of years. he described it all. the horse dreamed of creating an orchestra, why he wanted to create it, what offended him in his youth as a child, what did he want to prove? and what did he find in the belarusian volfleur, what, what did he find in general, such indulgences
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that moscow had for belarusian artists , there were no such indulgences for the ural artists, it was easier for me in belarus, as it were , because of the republic, yes, it was to take a guitar in belarus it's easier not to get over it, but they got it, of course, well, what is there to tell? there is a cinema, the film was worked on, very interesting. they invited. even i was invited already. why invite? i'm only with him i managed to work for several years, but the nineties are, in general, the time that one more film could have been made. i think separately it is possible to go through everything about the stage separately, everything has changed in power. yes and now there is no soviet union, but he gets acquainted . the new soloist and says i don't want to die. i say, but i don't want to get behind your back, but i'll stay there forever. yes, but you were born late. i need your
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help. you understand the people's artist, but i need your help. the point is that this is not reyyan's letter, the ensemble said, he told me this direction in music, i achieved this, the sound is recognizable. there are people changing, but the ensemble lives, and you will live this folklore, which the whole country listened to. and tell me, how what kind of relationship did your daddy have, uh, with slava popularity, how did she influence him, did not influence him at all. at least what i know is that we lived when i met dad and after that. i have never noticed in him these star diseases yet, that this does not work on smart people. well i'm the fool group
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look right, comrade, and something else, something else, something else. the cuckoo crowed my life. what would make me happy knew in advance, but 200 years old cuckoo. oh, how little it is, for which at least one new year, but what is at least one new year, to laugh at vita from happiness, to suffer, so that the fate according to christ christ, which is fulfilled, disappears
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further, how it will turn out and something else something else hey nay, poured. na-na-nai to live in the world for many years is a matter, the third thing in the firebrand for a lifetime is wild longing, but there is one day more than a century. fine? you find this day in life. it would be nice to find this day in life. only to me
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and let's listen to leonid barkevich, who tells how he came to the team. well , i came to the team, too, it all started with the beatles and smulyavin, of course, we had our own band, which was called golden apples , you know, somewhere we constantly played skits and, in my opinion, before the new year. we worked in belarus and in the morning. he called the department. you know, it was very, it looks like i had a voice like my friend. well, somehow he was a guitar arranger. and you are my mulyavin. i took it and sent it. i thought he was joking, then, as usual, but the guys are friends and then the next time an hour
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later he already called, one of the guys said, here tomorrow he invites you for a walk to check. the next day he brought, e brought to me in the department, alexandrina. let's go to the philharmonic. and this is alexandrino, after 2 days i sang in the columned hall of the house of the union . firstly, we were called the court ensemble, because the songwriters were invited to all congresses of the komsomol party congresses. it's about the mustache.
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in general, no one pursued us , there was no censorship, but there was a joke from the mulyavinsky mustache. and it happened like this, we somehow worked in gorky park in moscow and there was a very big downpour, and we arrived a little later the audience was waiting took up the strings and lips. situations, right? it was a story or not, i don’t know, but we had a real story with slava a male, when he took the guitar in his hands and began to sing his solo song. it would be
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funny guys in 73 and touched the microphone with his lips, he began to shake, he fell to the ground, and he was shaking with 220 volts of voltage. i ran up and pulled the microphone out of his hands by the cord, or saved me, otherwise you weren’t sitting here. the most important thing is to tell everything so it turned out with a mustache. this true, this could be marina or many people died. so what happens. it was at dawn, uh it's electric music and some. yes, yes, the stagehands
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who were made, who installed the equipment. they did not know that it was impossible to include instrumental amplifiers and vocal amplifiers in different phases. yes, you can't. it was necessary to turn on one often in different ones, and this was created and created a voltage difference of 220 volts. and if you closed on yourself, then you were shocked, but this happened just at one of the concerts. it was open air a in novosibirsk in 807 ran, and in the stadium with a microphone with a long cord and one of the uh present uh, the audience against my hand, and so we did haifa yes and he writes. and it turned out to be none other than a correspondent who wrote in a local newspaper. i wrote a report about this concert, he had such energy in his eyes. i felt like an electric shock when he touched. me it was a real dope it's
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called. and you say, he weakly told me there that he specially selected musicians without temers, so that the ensemble would study how an instrument is one of slobodkin's fairy tales. well when we listen to songwriters it is quite obvious that there is a tendency to select voices that are called folk, and in this connection an absolutely amazing fact happened in the seventy- third year or in the seventy-fourth. valera will correct me now when a person has a completely unpopular voice. i'm talking about valera got into the folk team. this is seventy-four. after america, already da valera was the best restaurant singer in minsk , he worked. in the coolest place. it was called the stone flower, in my opinion, yes, the stone flower for sure and the flower appeared pisners, so that's his manner of performance.
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marina you know what i wanted to ask, it turns out that both dad and mom taught belarusian from scratch, yes , already adults. yes, if at the beginning he didn’t understand, yeah, that’s it to the end, he just sat down, what he did and dictionaries and everything he sings about, because for musicians, kapets, the main thing and the texts that my father chose were always meaningful. for example, i could never imagine that all these songs. well, many of them are not popular. it seemed to me that you know, there was a melody, there was some kind of text, and then they made it like this on that moment the popular arrangement that went out yes sterilization and how surprising that only today i didn’t know that dad didn’t speak belarusian.
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and which one he created no, well, he said, it’s clear one thing when you know you feel it differently from childhood, yes, and when you still teach to be imbued with it in such a way as to shoot poetry and also create a composition that has become popular this is already genius. earth, you say. like a family of grace, when
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i talked to him about it, i say, you can calmly speak belarusian speak. he says i can sing better. why would i do something else when i can do a better couple that remembers touring. attention speaks and shows, moscow vocal instrumental ensemble pesnyary a song about vologda, of course, it was prestigious when it was. well, hall number one in general, in order to get here, the teams did not get the first letters personally to the post office. know
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exactly where my scaffolding is in the house. i remember when we were standing here somewhere. and so modest. i remember there were some handles at the seams, some faces were so nothing expressing, but there was a storm inside, the ninth wave was then stone faces were sitting inside , they don’t smile like that, and then suddenly such a sincere face is a sea, applause personally, i didn’t expect this, well, they left modestly. svetlana morgunova, jump, wow, they are still clapping.
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all around these photo correspondents, probably 60 people of their press conference, of course, this all can be said to have strangled. you know, we are gathered in one corner, we are watching . you have a guitar, here is gibson and volodya speaks. yes , we have that all department stores all shops littered with these guitars, and you sing something to us, you can play an accordion guitar and have you ever been in this early on ivan just, well,
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fucked up. some fraction of a second then exploded without passing. we say we don't understand, what are you singing about, but it's great. they were crying there hugging the soloists there everything is great. it was the first soviet team that went to the usa. yes, he mentioned this press conference. can you imagine, when at the airport they sang a cappella the whole flight, all this song there, i watched. this is after so many years and in the documentary movie from me. we went to a festival in berlin
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and for a whole month we stood there warming up, of course, mostly smoking, so we drank. there were no seats in the variety theater, we were given a seat in the orchestra pit, and from there we watched amazing songs from the singers, you know, one more small detail, and i will shut up. no, why say, on the contrary, it’s interesting, shainsky vladimir yakovlevich called and said, yura, here i wrote a song. you can record the day after tomorrow. i say we're going on a trip. he got so upset. what do i
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thunderstorms for slime an amazing work and i now if we went on tour, and a masterpiece performed by songwriters appeared i remember our trip to berlin in 1974 to the youth incident festival. yes, excuse me, the seventy-third year, and we rode in the same train with the ensemble. pesnyary, i still can’t understand who got shaved in the head. here 's to someone very much from the big chiefs. i didn't like the mustache. here, he was poor beardless. here, i don't know this man and it was here to forbid wearing a mustache. we also had the problem of not being allowed. yes, the mustache, it was impossible to take off, and even when he played a solo on the trumpet,
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they didn’t show him, well, which lay on or whether the mogilev played yes, or tolya vagilevsky, of course, the songwriters and the guys? naturally, son, but they were left with what they were. actually first? it's almost a scandal. i even remember that there was some kind of station and the guys. everyone left. e on the platform. and here is a sailor, in short, he said, here we are not going anywhere, and we will stay here, but the mustache will be with us. it all ended beautifully and no one ever complained about them and showed close-ups of any soloist of any musician in a mustache, except for valera daineko ha-ha-ha. i was very strong, like, well, never mind. it's not the point here, the stroke is still not in the ears . yes, the hairstyle was very beautiful, as
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we always had such curls here. yes , where extreme, after all, such folklore costumes are made all the time. yes, not just the way you wanted to study the belarusian ornament studied what which picture means for which program? my friends live here and the breath of the sunset is nightly friends and the breath of the holy is gloomy.
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, it seems, the fifth year for the voice of the soul program, like under the peasants, we had such canvas pants without a single decoration and some kind of mesh on top. yes, some nets, but just not in bast shoes. it was very simple, everything else was so rich, and the people were simply delighted when he sang a prayer in this grid. heart and thought, i beg my soul gentlemen, who pray to death in the ear, it’s not hard for you to find the land above you, i pray to the sky of the earth and i can wake us up. i pray to the light, in
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every drive into every pain of the generations , the belarusian people sing, moreover, who will never say that this is not a super native language. just super, the youngest daughter of vladimir mulyavin joined us. olga olechka, you also advised in the pictures not small. no, everything was assigned to marina, yes, yes, well, she shared a lot with me and told me a lot, of course, and for me it’s, uh, in some kind of sort of like an opening movie, because it's a birth story. yes, i didn’t know much about how his journey to minsk, let’s say, happened. so
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all shifts began to be the norm. of course they are on this one. but for me it was news and the discovery of interesting things, that he is so great, so famous, so recognizable. it probably came with age, when, probably, i already had a family, a child, that is, before that he was just a dad, who you are waiting for from the tour, whom you meet, with whom you live. eh, see how he writes. uh quietly in the morning early in the morning, she got up and wrote. and this, uh, this was his story room and, of course, it was undesirable to go in at that moment, as he wrote. eh, meow threw out. it's all life to the detriment. in the family, of course, everyone upset him that i liked you and threw it away. yes
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, there would be a lot to save it all, and even now to look at it. yes the photo was you small in your arms. it was you, no, yes, one face. yekaterinburg got shark's grandmother's father's mother a photo, i'm sorry , my jaw fell off when i said, olya, you're a copy akulina that's not it there for 15-20 years, my grandmother is younger. well olya is simple. well, this is not our nose, only marichka. you said when you were 15 years old. you took it quite hard. yes, this one, when did you get to know each other, when did you start talking? i was discharged from the hospital as the eldest son, when you
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became a mother, yes, you looked at it differently, it was 5 years old, in my opinion, four four dad came with olya to us. so she read her newspaper to me the name of the letter, how her father was so proud that she already knows how to read for 4 years. well and have since you we had a break. we had a break and some calls, but our strong friendship began when dad was already in bed after the accident. and this is where it brought us together. yes, specifically, well, since then we have been talking very painfully. i see that you are not empty-handed. yes they are with an empty wanted to share with you. uh, well, such a story, what dad, when? well, he is on tour all the time, we were waiting for him all the time, because he is an ensemble. this is his second, one might even say, the first is still a family. eh, wives. children, it's already. well, we probably left in the background,
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because he was on tour all the time. and how we waited for him and waited for some news. waiting for the same gifts. he always brought from tours, either, well, according to age, something or toys, or, well, gold jewelry. and here is one of the open ones. so, which he conveyed when they were in america, uh, dear beloved, olenka i congratulate you on the new year. health to you, so you need to eat well so that i come and cannot lift you. i hug you. your dad. let me then be more. well, probably, that's how he stays, yes, yes, that is, i was old, what i had to eat, he will come to me for them. we have another interview with my son. e, vladimir mulyavina. let's see, i invited a friend to a concert on the sners we listened to.
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that's when there was such a complaint, if foreign affairs ivander. i don't really listen. who knows who they are, she came before the concerts, of course, my dad is with us. mark gave, well, she changed her career for her family, for her father, for me, for the songwriters there. she moved away from the cinema and began to take care of the family and already the songwriters of her husband. this is usually our family evening. mom dad and i 10 years old is generally considered to be the ideal age between a man and a woman, well, in spirit they were equal and creative and worldview. they somehow coincided with this photo in paris arc de triomphe - it was the pope who gave his mother a gift; she was in france when
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she was filming the movie the ordeal and later. 20 years old dad gave her a trip to paris came in for a while, she led the concert and then she was still an assistant artistic director, that is, my father, developed the program. your father is in serious condition, there is someone else and adults mom's mom she intercepted the phone, where she feels like she is alive. dad was still in the intensive care unit for a long time and was already completely out of carrots. somehow i already understood my situation. after all
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, her spine is damaged and her legs do not feel the sensitivity of her hands has been preserved, that is, below the chest, dad does not feel anything. not just to live, but what will be restored will come out will continue to work. yes, it was probably a terrifying period for you, but yours is very interesting to say that it was this period that united you all, and after that you became very friendly and, as they say, i would be happy, yes, misfortune, and i think that this his blessing from there. he would not want his
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children not to communicate. and now another interesting story, when well, firstly, my children are older, in fact, the same age as olga calls her beloved, auntie, when the grandchildren are 2 years apart and they have a one year difference. misha is sometimes older grandson can tell aunts they are the same junior. this is what we always gather as a family and some holidays are always on january 12th. under the name on his birthday, when dad and friends are a very close family, and we
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remember him in alexander kostryukov's workshop. we will continue after a short commercial. this is where star families fight each other. but they absolutely benefit from it. everything was so good for you. and here it was transmitted in waves. i saw family unity. i saw two very similar girls, and mothers gave birth. good. what else could you do? daughter are thrown to each other.
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they also worked and watched in parallel, they were friends, for sure, i remember, because we, when i worked, i was in sverdlovsk well, in short, he invited me, yes, to the philharmonic yes, the pop music was there in this very one. as they say , when i came and looked at the entire composition that existed there, i said that i was working with you. and now you are all old. yes , then it means, uh, i actually left and all that, but petrovich still managed to find me on the beach. i was told from the basin petrovich goes, i put my head there, like an ostrich you know, but he recognized me anyway. well, then, and then i now remember the songwriters of the guys, they worked. e in the youth palace, then
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we went here to the guys. and we sat on the first row. i remember this very well, we were seated on the side, as if already, because there were a lot of people. and so, when they sang, and then they hooted away. at first i think it 's such a silence, but i hear a voice. just in such silence. they, as they say, removed the sound, but they were all heard cleanly. so after that, petrovich decided to do everything folk russian performance. i remember that well, vladimir petrovich. i just don't. well, it hit it. well, as they say, a fly will fly by, it's just such silence, and everything sounds with them. well, in general, amazing very nice. now this is the phrase. if you know, then you should know who ariel is. in the seventy-second year they did not
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let us go to the festival in latvia. well, we went at our own expense to win. there raymond pauls sings everything to us. it is interesting that we responded to the pause call of the guys, well, if you are uncomfortable in chelyabinsk come to latvia, we already prepared themselves for housing in latvia, but the funniest thing. the fact is that we were already sitting on our suitcases, and at this time a theological article is coming out, hard to easy. the genre of us at all on us was not ordered in any case not to be called an arena officials. here such was at us, unfortunately such period of a life. and then suddenly it arrives. pesnyary, we met volodya. i told everyone to whistle everyone upstairs as a cool master came. i heard something about you . yes, he told such and showed from the article. eh, theological. and we already
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practically read it on the suitcases. and i still have this phrase already. you know, don't drive it. wait where you were dropped and they will pick you up. and the next day you imagine a call from the philharmonic and for the first time in my life they say to call me valery ivanovich by name. come, everything is fine. we need to talk. stop wandering around the doorways and all of a sudden i feel such respect. and from that moment, as volodya said, the wheel of history. this is how it all unfolded 180°. we are, thank you. we got up we got up as professionals on the target valery yarushin with the song reserved places.
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those places that touch the soul of the commandments of christ , you are not the preserve of christ lenochka you wanted to make some kind of statement, i would like to say, because it appeared on the internet after the concert. there were many , many. who interviewed a lot and they always mean, as if mixed up, you know what, that is, i said that it was very difficult for me at first when petrovich
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was sick, when he had an operation, i had to, so, uh, somewhere er and between being torn between gems and er, with petrovich. yes, that is, it was a rather difficult period, but that’s all, and for some reason it immediately went on the internet that i was going to leave the gem, rush. i love you and we won't let you leave the gems. so i am here. wonderful only in the letter you will go boris rastislav. tell us about your friendships with ners. well , pesnyary has always been a light in the window for us, but now they are a light in the window, because we are always somehow. the sound of polyphony and, as a rule, and at that time the ratings and snows were always in the first place. we were on
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. i want to tell you that with valera daineko i was very lucky to be. um, on a cruise in greece and turkey, it's somewhere, well, in the early nineties, and we went on a tour, and in some city, i don't remember. uh, well, beautifully preserved ancient amphitheater. we've been looking at it. we imagined how here, er, there, the artists performed here and so
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on. and then all of a sudden, the whole group. here immediately valerochka sing please, and this one here handsome came out. here's the middle of it, my god. here's a cross to you, i'm not lying, how he sang it , here's how his voice sounded. true, it still sounds great to this day, but there it seemed to me personally that it was god who descended from olympus. yes, an artist. th thanks georgy, just his talents from his timbres and what song? do you remember do not remember, please, oh, petrova well. oh oak. kudshara vydube
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germany and after a fairly successful tour. stas and i went and bought a car , got on it and drove off. it was a huge mercedes 126 with sofas. and so we're going drove to germany drove the whole of poland we call in belarus ninetieth hooligans there on the roads of gasoline. no, it's foggy, it's cold. we have begun. that is, our car suddenly stopped, but it's a mercedes somewhere with your head you still don't understand anything, what's going on there, and we started to freeze. half an hour has passed there, yet the cars do not stop, because they are afraid afraid. we ran out with our hands and feet on the road uselessly, well, some kind of seven is going , the seven is going along the road. so, and there, it seems, they also sang this song wonderfully well. it is established how the glass stopped opening and the aroma of the belarusian went, probably a charm.
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you guys have moonshine, amazing it tells me, buryatin, buryaev, i say, buffoonish burlyaev. guys take the car stalled. but no, you're a burlyaev. i say, of course, i look so much like a bubbling, then. i really looked like. well, we got there. yes, we came to a small village. they sent a technician and brought the car. chee and moonshine we ask you to the stage.
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knew this team, who admired him. i refer myself to this. well, among the youth, who nevertheless understands and the price tag is the legacy that they did, which these guys did, who continue these this team, which worthily carry what they started, i beg you. it's great. thank you. everyone look. i enjoyed watching and will watch this movie again. i will have it now as a handbook. and thanks for thank you for finding the opportunity. i understand that this is not easy. ah that increasingly-??? awakened in those whom. it depends that such a film appears, awakens something interesting in them there and it turned out great. viktor vladimir, you were familiar with the guys. yes, we were lucky and it
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was 1977, valera just arrived, and pesnyary and we were lucky, then our director nikolai agutin and your director tolya shchelokov. yes, anatolyevich, they made such such a tandem and into the city. eh, i won't name one of the cities. i don't remember, we worked, 5 days , 10 concerts, two a day. we are in the first division. and the masters. naturally, in the second , you know, we still even, uh, the second concert, we still stood and listened and did not go home, because, well, in the past, well the giants are very important what the pesniary did is what they officially approved. this is a genre and mulyavin was the first to be awarded the title. honored artist, because,
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well, there are guys strumming guitars, you know? this is an amul, he once said a very smart thing. you know that you can strum on the piano too. he was cool, he did what no one else did. i just want to say that i was so impressed when i was at the concert. uh, the performance of the damn thing is all of his songs that i wanted it to happen rarely, in general, i wanted to run out onto the stage and bow to this man. it's just so cool on stage, wie, singing hearts with a song will spin the leaves. the leaves
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thank you, well, the lord wants such a thing. finally, to ask you, because it turns out that pesnyary was one of the first and vocal-instrumental and one of the best it turns out that you all, as it were, a little bit , as if they were not the first, but they were the first, who raised this type of art to the level of art is wonderful and legendary again on our stage.
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, our meeting is coming to an end. what do you feel after the premiere of the series, what do you want in the future and that's what you experience here is how you would summarize everything. describe my condition. it's very hard. i m-m. i'm full of emotions. i'm overwhelmed with them, but i want to say. thank you all to everyone who stood with his father on stage, work for you russian stage. but i want to tell the team that created this film. i want to wish everyone happiness, love, colossal creativity. you know, uh, the second pushkin was not born , the second mulyavin was not born, but the next next person who will create his own will be born. i really want our earth to be filled with
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such talents and listen to the songwriters. thank you very much, dear friends. i am very happy that our evening took place, that we remembered so many truly legendary songs that we remembered one of the outstanding singers artists of your father marina i hope he looks down on us, but she it remains only to stand up and greet him and all of you.
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