something here is a ridiculous theory. let's now provide ukraine with a successful counter-offensive and then ask zelensky's ukraine to start negotiations. well, this is some kind of schizophrenic logic. we want no threats to our security to come from ukraine from the territory of ukraine. and these threats have been accumulating there for many, many years. there is such an uh, doer. zelensky has some adviser to his assistant, a podolak of his last name, and he said that we will take crimea and we will exterminate everything russian in crimea. this is what the us supports. per day in different directions liquidated more than 600 ukrainian radical foreigners.

measles disease was detected in another moscow university a dangerous infection was found in a freshman miran classes on the campus where he studies were immediately transferred to remote mode for 20 days mass events were temporarily banned . immunization will note that earlier this month. in cases of measles, they were recorded at the moscow polytechnic university and the university of oil and gas named after gubkin also reported detected cases of the disease in 404 russian regions. to this see you

see what a beautiful shape the pelzer is in? yes, in the adventures of a yellow suitcase or cutter, she climbs on the balconies there, rides to the act not in the room, and you didn’t tell that you entered her room during the filming, but she was doing yoga naked absolutely not. well, it’s true that he has monitor gymnastics, i couldn’t enter her. ah yes, yes, i wouldn't let memoirs of a housekeeper. and once i open it, i enter the door and see naked feet on the floor, it seems like tatyana ivanovna is lying. i was scared, i think dead anya is

me, come in screaming, i go in and see tatyana ivanovna completely naked on the floor and doing exercises and such complex exercises and repeated everything. me that, i also need to do physical education. well, listen, just exercise. you can play cards all night, and then get up and take pictures in the morning, in general , there was a very compact, tender story. once, at a general meeting in the theater , a famous actor was tested for drunkenness. boris novikov, most of the actors were silent, but not tatiana pelter. she described drunken adventures in all colors. in addition, novikova read them a notation to him , looked around at the alcohol, offended novikov exclaimed in his hearts, and you are tatyana ivanovna help. lchali no one loves you, except the people. haha, and no one loves you except the people, that's good, but at the same time i had a good relationship. actually. it's rather just in a skirmish with

mark anatolyevich, well, there, in general , he had a special relationship with all his artists. he simply idolized them, and because of this they flourished and created even more, and they wanted to do everything and everything. and she hmm was so nimble so nimble. i think, my god, how i want to be such an old age. here is such a nimble nimble little old woman joke, it's just that, you just understand, yes, how lucky you are in general on this planet. yes , you could, with your beauty, but rush about like a chicken and an egg, and die from the fact that some extra wrinkles would appear gravity somewhere something horrible. extra pounds and and so on, and you were not afraid, and in general, you switched quite early.

uh, hmm, with a new plane of characters, and with this you saved yourself and extended yourself, you understand what a rarity it is among actresses, but with an appearance like yours, and it could go crazy to sleep, for example, yes, and say , yes or, for example , young young ordinary artists, she would do endless plastic surgery for herself. and this is because there was someone like tatiana ivanovna nearby, because when you look at such actresses, i i know that once you e deliciously abandoned this one, how do you want to be such a lively old woman, yes, yes, yes. well, in general , the young remained i am loved by dasha young people in the theater they love me. yes, yes, yes, yes, when you are like that and you prolong your life to infinity, that is, as long as you have health and a desire to work for you. so there was always just another moment when it was before, now they don’t sin very much. actresses used to sin a lot with this when they played roles that did not

correspond to their age. it was it it was so terrible, it was very pitiful even, but inna mikhailovich churikova played without the fault of the guilty. well, already in old age with a french manicure. e. hmm i haven't seen that 18 year old heroine. well, that's how i will not part with the komsomol, i will believe. this is such a theatrical theatrical history, because in the cinema it is practically impossible. there was a film, but yes, well, transported. well, it was that's it in the movies. well, that's why there were all the special effects, when you can rejuvenate by 60 years and the zones will play a young boy practically. there is a project for the world exhibitions, again you start to hate the point of building something, so that later you can immediately demolish everything you have. life has taught us to prepare for a surprise. hello exhibitions here need

a bright move tower 300 meters entirely of metal is a challenge to gravity and the forces of nature is a symbol. this is paris itself, its shining place in the world.

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extragel, it contains a special component for better penetration into the focus of pain and inflammation against pain and inflammation in muscles and joints. how does he name is reminiscent of the head is spinning. helps restore memory and reduce dizziness on the object now do not forget. you are now all the same hmm actors. uh, the actress is young, not like him, let's say in my youth. the e were able to secure themselves with the help of their agents. i don't know producers from rot more older actresses, because when i was you and i started at the same time, yes, the young beautiful spread rot, and you had no e no protection . you couldn't complain to anyone or any actress who was there for it and her belt was already gone. she could drive with you. it's just inappropriate. well, it's disgusting. now there is no such thing. therefore, i also started

the program with a question, how does tatyana ivanovna give you such a blue-eyed blonde. there was absolutely love there. this is a plus. uh, as they say today to feed her some, but she and she was light on the screen, no matter who she played, you didn’t even dream of this evil grandmother. she was good good. i have left of her. only uh, some memories are very wonderful. and by the way, recently recently, how much time ago. maybe several months. maybe back again tribute tells me, listen, i dreamed of a pelzer, crying so crying crying and talking little. say please take out my things, take out my things from somewhere, whether there are atro leaves made up, throws out throws out. let her help. i say, lord, well, how can i help? i don't even know where this is coming from. where does it all come from? well, in any case, and she, uh, asked for something to help her, apparently, they were taking it out from somewhere, maybe from the theater, maybe from

the make-up room. maybe some things she remembered for a long time. and now we have a kind word for her address, maybe i'm wondering, i 'm wondering what they will later, uh, because they will definitely dream, they will definitely say something. uh, because m-m, we went further we watched a performance in lenkom well, already , well, maybe three years ago, and he sees. he sees them from time to time. uh, because when we were walking we were going for a massage. zakharova invited me to the performance, and we walked hmm from the service entrance from the service entrance. we passed, and someone from those who live in this place and to him, uh, appeared to be leon and and and i hear him. yes, he doesn’t go and say, i don’t know where your envious book is. i don't know no me. i say, lord, who came to you, he says, leonov requires some kind of notebook or some kind, and his, uh, this one, lord, how is it it's called when i didn't get it, and when we started watching the play. he suddenly

says, do you know who is standing on the side and on the stage? i say who's pepper, by the way she's crying. because every theater has its own phantom , its own phantom of the opera. yes, not fools wrote, we have the phantom of the opera ranevskaya and there, i think, maybe tatyana ivanovenko, so that they are not forgotten, so that, uh, this information was in something it was reliable, that if you referred, yes, there , let's say its theaters are a link so that they believe you. are you today writes and remembers to whom everyone was peeping , and there absolutely it is to acquire some kind of lie that is bit by bit out of the head. yes, what he told me, for example, here in the form of the late proskurin, who worked with her, and even more so, there for 40 years he had no reason to fool me with a fool, because she was my heroine, you understand? well, yes, there was a hooligan for sure, there was a hooligan. well, what is it called when you say hooligan, hooligan. well, you know, when here is a person

who can afford something what? well you know here is hmm i need myself somehow. keep, so that god forbid no one saw, no one knew, because i'm a princess, you know, but this is not a princess. she can run somewhere with someone at night to go on tour. yes, with some artists somewhere, yes, go there, i don’t know how these are very young men and you could understand, anything you want with them. yes, here, of course, for sure in it. it was in her. it would feel good if the theater er organized it into some er into some book, you can be in some edition. yes, we had a performance to take the karamazovs where the whole troupe played. uh, kholmsky's performance, everyone was elected, that is, this, and now we have 100 people in the pipe. well, then, too, there were ninety-eighty people there, that’s all , because the pavement, er brother romazy, means the father of the karamazov is a plate, brothers teplov are

yurteraturks, so valerka ir muravyova is the very thing. that is, there is a theater - it was all buzzing. that's all there is a friend. it was such a feeling it was generally amazing theater and it all started because chomsky hmm a so, uh, the performance began without a curtain. uh, the main characters were all standing on the stage, that is, at fifteen minutes to seven, everyone came to the hall. and we are all on stage. and we mean these from the wet. i just came to the theatre. we mean, in what canvas shirts, it means that everything is extras extras and around. uh, the beach didn't play anymore. relax, i played karamazov's father sergei sergeevich, an amazing actor, not just an extraordinary one, and he was sitting on a chair right on the bath, and we were around him. and i'm like the smallest young, which means i'm so walking out of the wet. i sat on his lap. and here he is 15 minutes told everything, who is with whom. who

goes where, who why means about all the rules about the sailors, and i'm young, out of stupidity, nothing. this was not really written down. not well, there is some kind of prosir valentine my favorite crazy and that's it. it's 15, and we were sitting that we had to talk about something, and we quietly, and it means, that 's all these stories of youth. how i regret it, the church, when i was 20, told me about valentina ugolaeva, when this happened in this newspaper nightmare and here he is to me tells. i think i want to smoke, go somewhere with the gypsies. you see, i'm 23. i want to know something. he's kind of a shame to me. who is this malyavin, who did she kill or not kill, and he cried, he did not tell him. why, when he's already gone. but you understand you'll be everything in its time. and now i think what a fool. he cried. he wanted to share something with something, something very important for him, what i was remembering today, and how

important it is, but i didn’t let him do it , because he saw how bored i was. this too much like it i wonder, i did not know who these people are some forty-year-olds. from time to time, i now collect e to remember that we also have little left. unfortunately. well , i've been in the theater for almost 40 years and, uh, i'm fucked. rostislav yanych took e. that's how he brought me to the theater, and i , with so many. so we talked with a pen with a pen, yes, and on the stage there was both and and and and they took me by the hand like that. uh what uh hmm i'm just taking notes now. i'm just asking. e, everyone, so that they give me e our remaining e, artists, who would still be in the theater for me and now they are, so that they quietly write down something and tell me there, because, well, this is some kind of absolutely incredible story, because we have a theater. so

great and these are such great names. there you just walk around the stage, sometimes they just shock you and congratulations. now with a new director, they say, get enough of him. they can't. yes, we are so excited. we are in such an east, here is a handsome man, he is physically handsome. oh, well, first of all, he's just completely different story. it's just a completely different story, great respect, love, and almost nothing anyway, he loves actors. he allows a lot of rehearsals in every corner, please. if you want to make happiness, it’s just extraordinary happiness, because those who, uh, have long been sitting with her covered, understand, so many m. i want to talk, and of course in the format of one program, which is dedicated to tatiana pelter. this is impossible. we need to meet more often. yes, yes, but tatyana ivanovna is just me saying this is my idol. it's me, it's me. old age, and how

it was on the court, when you interacted perfectly, she listen, this is a professional, this is a professional. excuse this knowledge of the text - that's 10 takes, because we filmed it. excuse me in soviet times, when the film had to be developed and no one sits under the camera with a piece of paper, you don’t show you how today no one wants to learn the text, young people say that there are all the assistants for this. yes, yes, that is just no. this knowledge of the text is the desire to make this and that and everything happen. if 10 doubles, i will run 10 doubles. er, well, it's incredible. thank you, my friends, i remind you, it was a podcast of letters, historians were my guests, but stanislavsky and actress elena valyushkina.

hello, dear viewers, on the air is a podcast of the melodies of my life, i am its presenter valery syutkin and today i decided to invite the creator of the first source of the melody to our program, the composer is visiting. we have the creator of a melody for the brilliant group lube for the longest-running and long-term demanded team of ivanushki international for girls from the group factory for e group roots i can forget something, but i know for sure that this talented guy graced our patriotic music composer igor matvienko thanks to valery igor well, we have a very simple task today.

i never get tired of saying that the charm of a conversation with a friend is an opportunity to talk about yourself, but it is in this program that i successfully try to fight it, because through the melodies our viewer learns a little more about you, and i definitely know better we all come from childhood. i remember exactly the day we met. this is the 84th olympic village . we had to present to all vocal and instrumental ensembles two pieces for judgment day without a shot on earth and if the guys of the whole earth, you led the team. hello song in this dressing room. they also demanded the clavier from us. do you remember adding notes, shook each other and valery igor but what happened before that, i honestly didn’t really know, here’s the melody that igor matvienko’s childhood is associated with honestly, i thought that we got to know you. why do you remind me of a tour of western ukraine uzhgorod

lviv maybe something like that and here a little later it's 86. and you have everything numbered for you. no, that's not what football is about. football was the world cup, so on the first day of the tour in uzhgorod we smashed the hungarians. and then how much is the territory say? so where for the hungarian team, damn it, more actively, they almost piled on us, right there, that's why i only remember football. well, i interrupted your childhood as an igorevka, to be honest. it's generally i don’t remember what happened in childhood with melodies. well, right from childhood. then, when growing up had already happened, then some fragments already appeared, there were some hit songs that sounded there for everyone. one of these tops, the baby stomps, and then i am already an adult for myself. and he discovered such a performer as stanislav e pozhilakov, and don’t perform not just a composer, but

performers, that he, as he sings his songs and how he looks, in general, if those or listeners are with this, uh, then they will check somewhere on the social networks one-tenths are stomping, the little ones are also stomping the baby. it’s me, if i’m not mistaken, this irma is such a sakhatskaya girl, yes, then it was even a different system. there, in principle, there was some kind of first source of performance, but then several performers and yes, somewhere piekha no, there are a lot there. well, in particular , i’m talking about the baby with him, they drank right there with pleasure. all as it sounded to recall. this is a direct introduction. the baby stomps along the path with his mother,

cute swift little legs slowly, something there are very great first steps into the unknown. walk around, passer-by. you see the man is walking big. genov's last name i could be wrong. yes, yes, and this is a pseudonym there, but the names were changed with the surname, but

, look, this is an association. just mom dad family. i realized that this is not the main melody , which i can’t live without it, it’s just an association with that childhood , this is moscow, of course, this is i was born in moscow what else do i like all these songs, especially of the sixties, because it's such a joy, some kind of feeling. i don't i know, maybe because the war has ended , this difficult period has passed. and so the 60s began. and so. well, it's just a whole aesthetics. and not only here in italy there is cinema. uh, there are cinemas in america too. i absolutely agree with you that in the sixties people lived with hope for the best after a terrible war, and they have hmm this is a woman in a man's dress. yes, and how did you come to the first lessons music - is it a violent

music school from parents, or what? i'm lucky because i didn't get into music school. well, they said that there is no hearing of the boy, do not torment, but give football, for example, and my mother went to the headmistress. you can, of course, from school, and she says, well , work out for a year. eh, i have a good teacher. and so i got to a good teacher, alexander abovich kapustinsky, who, if a person didn’t get to him, well , now they didn’t sit here, and i wouldn’t sit here for them. you would be sitting here because he took me through the entire course of the music school, then entered the college. well, well, that is, it was such a conductor he was, well, such a direct classical professor is a very good person. a teacher, of course, in our business, this is absolutely everything , and we smoothly move from childhood, as i say, to the melodies of youth. this is most likely. eh, well, a melody that, well, if it didn’t warn the future profession, then at least thanks to which i

had it openly. the songs of the beatles and by malone because i heard it on tv. i don't know what this business is. yes, and in your case, in my case, i entered a music school. and we had a good core of guys there. there geragachev kolya kuzminykh. we have already stopped listening to pop music at all, including. unfortunately for the beatles because for us it was very spacious. yes, and we have moved there, here is jazz-rock fusion and here is emerson. yes, like a paumer, yes, and. well, all sorts of difficulties , generations there, yes, yes, they began , of course, to copy and play the first composition . mine were, of course, also in this style. i have a question. even before asking you to play something from this period. you mentioned the surname just important on the programs there are sensations. and now it happened kolya kuzminykh - this is for

a wide circle of musicians. e keyboard to the legendary group gorkov park yes many years ago 70. i left the army in seventy-sixth. and this was before the seventy-fourth or seventy-fifth year he played pictures from the exhibition. here mussorgsky is understandable, but in the interpretation of the pelner and bassist volodya, the surname, whom i don’t remember, said we need a drummer. i played drums to play in this case no but we play grand fan roll one song food stop music it was called there it should have been play straight. i played and sang backing to kolya kuzminykh quite well. yes, a song with an organ by a veltmaster of our friends from the german democratic republic which he arrived very close to the dialogue khound. yes. he played. i sing along, and he makes a remark to kolya kuzmin, he didn’t remember me, because it

was one day and alive. so i came to rehearsal. we played and performed and parted , and only 30 years later, there, at one of the concerts in gorky park ugu, i announced it. i didn’t recognize him by sight, too, time passed and i said nikolai kuzmin kohl you don’t remember there was a moment he says, and what was it, here, here we were playing grand funk. well, you told me to a young guy who sang you a third from above in the chorus. guy you know what the song i'm talking about, no, i wrote off the tape recorder with words, you need to know, the content and the second are required. here you are trying to make your voice foreign. i heard you, there's a freeway star singing an angel that's going like this, don't ever do that. i sang. well blow it to start a sailor to be, well so i was overseas. and he sing his own, but i said but dear man. he said you have an excellent

topic. and remember, i wrote down this phrase for myself directly, then the consequences, how important it turned out to be. for me, he said songs and wanted to tell something, so just tell a story. there is no need to build anything superfluous out of yourself. just kuzminykh, yes , in fact, he was a genius and completely undeserved, and as if during his lifetime they did not admit that he was a genius and he had already died. there 10 years ago. yes, just a piece, if i remembered the compositions of kolya kuzminykh. i don’t remember further, this is some kind of his this is this his composition. yes, yes, in style there is something like that, the basses are beautiful. this is very high. and i, as a drummer, i could never even touch a commercial, because i played the guitar, a little bit more on bass and

drums. and for me, the greek, as a vocalist, as a guitarist, who plays any guitar there in general 63 12 bases, whatever you want, and especially karl peller, as a virtuoso drummer, of course, were blocks. well, that is, here's an art rock, despite the fact that you later embodied for yourself, let's say such simple melodic songs. it was now a piece. these syncopations of ours are the most

poppy that he has. damn, i want to say, of course, his complicated music is not at all simple. fuel, what are you going to do for the little things? i need a head of service.

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of the melodies of my life on channel one with you presenter valery syutkin and today, igor matvienko, my guest, had a very interesting story. now i'll tell you, then, uh, from a music school. here is our entire company. in short, we had eh, father sergius, he is now , yes, the priest, father. ah. he was a dj , well, then here are the records, all these vinyls there, and we, uh, with our school, people, 30 girls, guys. well, all the advanced ones went to rublevo, which means, uh, to make them, uh, some kind of club evening. well, that is, it's not that it was some kind of house of culture. here we come to the ruble. it's not at all incomprehensible where because we lived there on the other side. in the east of moscow, we arrive at rublevo and, accordingly, sergey kulikov, put here what we listen to and here is emerson there hank or

there don't know yes group, there and so on. we really like my dancing. eh, it's let's see how something is wrong there and then we understand that now we will be beaten and moreover for very bad music. we mean, so side by side and running away with you was. by the way, seryozha paramonov that's the clumsy vocalist. yes , we go out into the street and the crowd is running right behind us and now we understand that now everything will be pipets. we run and run to special stops. and we got lucky right fit the bus. we run into it, the bus is empty. and, for some reason, these stopped and don’t run, and we, in short, are a bus from rublev , and so far. so he makes such a small circle and returns to the same place, and they all fly into the bus and are the first to stand. serezha broke. i'll never forget, he's coming guys. but we same and here same i was. such a length.