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tv   PODKAST  1TV  April 29, 2023 12:45am-1:31am MSK

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and the responsibility inside is preparing the launch complex for a long time, then in one minute it flies away. after each successful launch, there is a tradition to celebrate, well, these events are a toast, even such a definite one, it concerns the entire combat crew, not to merge and not to shoot. that is, do not drain the rocket fuel components and do not remove the rocket from the launch complex. that is, so that everything goes smoothly and the rocket flies to the right place and completes the task that each crew has its own. the mission to the iss was the mission and the cinema crew have specific tasks and a set of serious equipment in order to shoot a professional movie terrestrial camera equipment. she has little time there, because there is a locking space for an astronaut to invent himself in order
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to perform this or that shooting. yes, there are frankly small volumes in some there. a compartment where you need to double your death and bend in order to shoot, there is something that any pluses in weightlessness simplifies the process of moving. as a matter of fact , a person, then earthly standards. there it is necessary go. here took flew. some gap slipped through there, and you are already there somewhere you consider necessary, and weightlessness in itself expands the arsenal of creative techniques of the operator. yes. that's it yes, there is no gravity and the second serious factor is cosmic radiation. digital matrices are very sensitive to cosmic radiation. and what is called dead pixels on earth, by the way, is manifested in all its glory. yes, that is, matrices - this gradates much faster. if for some reason two cameras that if we send it there if it breaks down, then, probably, we will, i will use the camera. probably not even cameras. here matrix he has more than better than this
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camera. since we cannot take with us, then the equipment of the earth in its entirety and transfer it to the iss, we must use the fact that there are already a lot of different levers for each light bulb, and a separate lever is responsible for their many. we recorded it all. it was all brought out in a certain scheme. every scene. we have achieved that every scene. we have a certain scheme lighting. we know how each scene should be filmed, how we should do it in the module and that's it. this had to be thought out in the breaks between theoretical classes and passing tests in order to help the film crew with this incredible task one day one of the most experienced and famous cameramen in russia sergei astakhov arrived at the ctc where what should be done? it just works very well. filmography and sergei astakhov more than 72 projects, among them the cult brother and brother 2 for
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the films border taiga romance and in that country received state awards of russia others are engaged in the design of filming equipment one gram 90 g each and the most important thing is that you put on weightlessness. this here fantastic will scenario. there is a story, where is the actress? well, that is, the heroine, as it were, comes up with fixing her body in weightlessness with the help of ski boots. boots are made of plastics . it’s clear. i suggested just making such a plot line, one of the heroes of the picture suggests, but let's make them from aluminum aluminum. this is the material that does not come with this fixation for a long time, because the entire station is made of aluminum. this is what i personally shoot in
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space, because it is difficult to shoot on earth. he rests the floor and is engaged. it should be an application for some new time to be everything that happened there. it's all one special method of filming on earth, it's like you don't make movies on earth , you shoot on earth. in another way, quite 50 people on the set. each person is responsible for his own work, and everything in space is so impossible. here you are one universal ninja soldier and good. here, julia also coped with the props. uh, helped with uh what's called continuitty frame persistence. well, that is, at baikonur. here we rehearsed everything with anton, we rehearsed. they seemed to help technically. well, we, of course, thought over a lot of things on earth, including, but the volume of this work in reality. of course we didn't understand. i have such respect, now i treat such
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professions, as a script or props, i have always treated them with respect. but, when you were in their shoes, including this, of course, seriously, because klin was the sound director, and the cameraman well, like a lighting designer. eh, the directors, well, in general, this is the hardest profession there is no huge sound recorded. that's it. it's just in my head, i can't keep it. i 'm here, for example, if i have all over the cabin room, including green, our cine i have down here on the floor, medical styling laid out. so i even have these. it turned out to be a difficult test to collect a cosmetic bag into space. there are certain requirements there, which must not be glass, there must be certain plastic , there cannot be something that crumbles at some point. i came very simply to
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the store and began to choose to choose and for a long time the salesman and i say. listen, it's very important to me . it shouldn't be like this here. i can't have glass. you understand me and i can't explain what i need, she doesn't understand what i want. listen. i am collecting a cosmetic bag into space for the flight, the commander of the main crew, hero of russia anton, was also preparing for the closet ; yes, that is, the handle up down right to the left. half an hour toggle switch to yourself points 160 150 m heavy ship one
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meter docking should be automatic, but emergency situations are also possible. such on the expedition, the last time this happened was in 2015. yuri malinchenko docked manually in very difficult conditions when a similar situation arose, so they also passed education.
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then but about it in the following series. everything is getting ready for resets, a reset of the nerve has been fixed. it's like turning on klim.
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hi all. my name is tatyana gevorkyan, this is a podcast of a stupid shit and today we will talk about fashion as an industry and as a social phenomenon. my guest today is a journalist, blogger and a person who is truly passionate about fashion arina kholina designer svetlana rodina hello girls hello, joke, girls. hi can i just say. hello girls, anyway, not boys , let's start right from the beginning, how trends are formed, who they come up with who dictates them or borrows them or borrows them from some that existed 20 years ago about color trends. there is such a brilliant classic story, the tenth sixties. well, in principle, in europe , europe is just in the post-war crisis and cognac, which is cognac, we know cognac. yes, i’m talking about a drink and they say, we armenians
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called, then they suddenly asked for a dramatic drop in sales. well , it’s almost despair, and someone from well , from some final company there had some kind of connection with a fabric factory and a person comes up with such a story persuades this fabric manufacturer. well, in principle, the fashion industry is also not on the rise at that moment, yes, the entire economy in europe is destroyed. so in general, he didn’t care that the gray fabric, that the fabric is your strong point. they, in principle, took some more or less their own brown fabric. they called this light like cognac accordingly, they persuaded some diors there conditionally, yes, to introduce this color and cognac just happened. well, first of all, it was very fashionable to be in cognac color, that is, brown clothes, and it turned out to be some incredible growth. simply phenomenal, they raised themselves again to super heights. well, uh, again, when the color
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of champagne appears there now, yes, an observation according to this scheme and indeed in russian we have a designation of colors. they are what they are, and in english they have a color. cognac, they have color, camel. well done. they have champagne. yes, we are no longer there. uh, very camel or life is not razrus. while these magazines were still there. you do not use once a month. uh, like, oh, this week's trend again, surprise, the color of champagne went to the colors of champagne, for example, today we looked at you . how is it called? it's more like a crucian, like an ocher pigment, but i know a little about what i wanted to add, which, for example , is amazing in russia. there are crafts and lace. yes
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, and embroidery and this russian craft, i want to say that, for example, when we presented the first collection in japan, then japan for example, yes, beans there they had such a beautiful woman to how they adore our own traditions. why are we taking so long? this is the post-soviet time they denied what? no-no-no, we are not russian about not not a disk, somewhere russian speech, heard abroad, everything is encrypted. we are all under them. this is disgusting, because in fact we have amazing roots, we have incredible traditions in russia and, in fact, just the ideas to take from there, but that experience. really global, because well, to be honest in france, uh, the fashion was in italy she was and there really is a terrific fashion in america, but we, for example, now there are those people who say no, we are in fashion, in general now we are on our own. we ourselves are such cool fellows that it is also wrong that they have a lot that can be adopted by adapting for us, see now there has been
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such a trend. you all remember, we remember everything, plus or minus, the end of the nineties. yes , the beginning of the two thousandth trend for sexuality , feminine silhouettes are things that you, too, once find in your wardrobe, for sure, old. they seem to be two sizes too small. and now the fashion for oversize oversize is convenience. this is body positivity. does this mean that a woman began to dress for herself, and not for men, that is, now they are less trying to emphasize sexuality. you know, it seems to me that just now, firstly, everything has returned some kind of corsets. you know, the other slip, that's what you said, it's not only we got fat on the subject of time. yes, well, in general, yes, indeed, you are already starting to wear some kind of larger one, at least t-shirt and then you don’t understand how it sticks so-so in the armpit, but a little different. the main material is different. he has almost all the material now about the meeting. it is more comfortable breathable and the technology
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of the material itself, if they are semi-synthetic there, uh, they are very comfortable in a different way than those clothes of the nineties for example. and listen, well, firstly, since the nineties, there was already a canon there, then the universe came. uh, were the japanese kabakuba and the countergay diet is generally a separate system. this is the story of how the belgians were too. yes? well, listen, it's still a lot, that's why it's not exactly something wild, right niche, when it was called smart fashion yes, now it's, well, it's somehow different , we throw it away, but firstly, it depends on the fabric. if only she was such a hoodie for me. some kind of translucent from some kind of veil, i don’t know felt wool, it would fit in a different way and would show sexuality to the body, in general, this is not about over or slim here, uh, here i will hold you for sure, yes, with us just not now. here men do not take part in our conversation. i think they
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about oversight. how i want to say something, even staging. yes, if you take, then, for example, the larger the over thing. for example, a woman looks more feminine in it. realistically, for example, a woman, look not to go out there, cool. skinny fat. it's all in the head of secrets. well, here we are already all this only tall and thin. and that's just high. or it may be that it turns out that if the trends are dictated by designers, then let's say. i love aries very much. this is of course, after all , they also suddenly understood for there, let's say for pandemic time, what about, but how comfortable to walk. that's 100%, let's go. let's eat this trend and we'll just wear it all. i think that, most likely, of course, also a social manifestation. everyone was sitting at home. remember at some point, surely you know there was a surge, after everyone went out, everyone went in sweatpants. eh, in such home. it's so convenient and everyone really understood that you can, like, not meet. every day. you can spend there, like on zoom, everyone began to appreciate the time
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of communication, there is something else yes, and things, and that including, i think, then everyone got tired of this and feathers appeared. you understand, yes, how it works too, like at some point, for example, after the pandemic, for example, the color of pontoon was the main one, it's golden with bright red in such a you know, uh, in sequins and you know how it is, for example. uh, trend bureau. e, for example, described how the explosion of lava was like an avalanche. so people came out, like, you know, now the conclusion of the feeling was that everything was really great. bright super our tough. yes, that is, it was real. a holiday is when everyone you know, the imprisonment came out the same over well , look how great it looks. take the same gigi hadid there, yes, and thin waists, low rises are super, overjeans are some huge dicks, and i think it's super. uh, well, this is a reflection of all real phenomena of federal political
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phenomena. yes world. well, as far as i remember, here. uh, very cool to the whole world with promoted then by a vetman, uh, vassal she came out in this kind of down jacket. there is a down jacket somewhere in the back. well, its somehow a cut. there, of course, some kind of bra stuck out, what it is? she looked unbelievably hot in it, so look who we're dressing for and that's sexy. listen, well, i think that when people make a big mistake for me to say that i am out of fashion, even if a person runs off into the darkest corner, and they really try to create there, perhaps it’s just a personal personal unique style. we live, in general, space cannot but reach. but even if you come to the store and, for example, there will be jeans, there will still be up to 20 of them styles, but they will all be in trend. well, or teach, yes, but still you will evoke it further. here, let's say the nineties then there was still a topic, especially in russia that all women are, well, relatively speaking, there, at the age of 20 , in principle, it doesn’t matter, this is the enrichment
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of a rich man. well, the task is to get married. she, at least, shimmered. and when you, for example, well, wait, no, when you are from twenty to 25, you directly feel that you must definitely get married. well , preferably not quite for the boozer yet, and uh, there is no money there, right? i won't surprise you has changed. wait, i would like to argue very directly that everything has changed. so, in short, of course, if you have an extra task, you try as much as possible to achieve it all at once. ways. what are the uh trends that have emerged over the past year? well, over you yourself said over a long time ago. well, you know, it’s either bigger or smaller, because there were corsets. no, no, i don't mean, you know, it's all the same t-shirts and corsets. well, like, when it's just sewn under a corset, well, that is, a silhouette and pseudo. well, let's say so. yes, so
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to speak. yes, my personal pain is what is gone. uh, low-waisted jeans are back. here is a low waist, which is now with a low waist, i always loved just to expose animals, between you like this, that's how it was right at zero. yeah, i believe me, i went to college. i had low waisted jeans and underwear 20s and a short jacket. i walked here with a bare stomach at -20 as a child. everything was different in youth, now nothing returns in the form of a dictatorship. now they are returning again. i don’t know where they went, but conditionally. yes, then, in the fact that there mom is again happy about this break. yes people already tired of chasing trends. and in general, many designers rely on basic wardrobe, so fashion as a phenomenon representing new trends every season. it’s already somehow a little outdated, doesn’t it seem to you that fashion, as a phenomenon, on the contrary, is even more relevant,
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because motov, in principle, is such, but something, if we take the fash industry as a reflection of social reality and a designer who analyzes, like analysts. yes fashion trends a year ahead, because a collection for buyers enters the fashion market for the first time, that is, yes, further experiments on a month already with retail in another six months it is put up just on the market, now the designers are really working on the collection, and next summer there are already people for whom clothes are utilitarian, in principle, there is nothing wrong with this series, i don’t know, i bought jeans some sweatshirt to keep warm. and some part there are people that we are not about fashion, we have you own unique style. this is not necessarily some kind of bohemian creative profession you have. here , the girl tave was a superstar of the 2000s, who generally lived in some kind of deaf, in the american village, and she picked up some kind of junk in the local second-hand store, and styled it so that literally 2
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years later anna winter called her to the shows . yes, the chief editor of the american volga, that is, there is such power, such power, and people are in the middle. that is, in general, in my youth, i can’t beat these on the contrary and rave and they create their own. and there are people who want to look somehow strong in terms of such and such a time. yes, such and such a season they have some time, but if they are willing to devote, they it has a certainty to pay attention, to somehow force itself to shops there. there read stylists that combines some color. well, at the same time, they do not have such an obsession and they need fashion, because it is personally understandable, it is easier for them to navigate specific trends. and here is fashion, it will never leave this concept, because i bet it is the same. well, of course, i would now think that there are a lot of people who need fashion. well, wait, but now everyone is quite conscious wardrobe. if you need fashion, you have to update your wardrobe twice a year, because it’s wrong for me tanya
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because if you relate, for example, to fashion, again, i will always bring it to some conscious level, where a professional designer. and they say. now, for example, those designers also want to be part of the industry , yes, who are just starting this is all part of our beautiful fashion industry, beautiful creative, and yes, the team, but if you take the industry, it should still be, as artists know. and the same matisse semolina wang everything. it was a classical education. before you indulge in all the bad things. you have to learn the basics of a basic wardrobe. why because, so that it doesn't work out just like this, like green blouses with white trousers. it's fashionable to do everything together, because if a designer works according to archetypes, and this is taught only at universities. yes, design ones, because, as an artist by education, i finished the artist’s planing of the artist, the designer is absolutely two different things, accordingly, if we take it as
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an industry, why am i for the classics and i will always give birth for it, because only then will fashion develop like in paris, because there is any self-respecting designer. it will never start, without how, without practice , what you were arguing with in krasnodar, i will explain , look, but the green blouse is not done this way, is it fashionable or there are no consumers about people? and we are talking about the image about the one that the channel designer makes up that here is fashion through consumers, it is still here it was fashionable fashion that said that the designer just makes the brand. and trends are made only by design, a designer, or a brand that displays these brands, and the consumer has already arina said that it is easier for the consumer to navigate the trends, because he does not need to think about what to combine with what. how to make up your wardrobe, because every season stylists explain what goes with what what colors ponton declared
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relevant and very simple this season, that is, there is a road map of how we dress in this season, so arina just said just now, so what am i, is that not so? everything is simple from the point of view of the industry, you say, arina speaks to people, as if fashion goes out of fashion not among designers, nor within the consumer industry. what, like, well, i know, because follow the manual manual to be cute, if cute, look, it turns out sveta says that e designers follow trends, that they have very clearly schematically indicated every season. they do not buy in any way did not agree, while having an academic education. look, look, i just thought i’d finish it now, so that i would just go through it all there, try very briefly, because there is real, well, depth, there is another, the assortment matrix has archetypes in the brand, for example, it’s all much deeper, that is, it’s not just that designers take it clearly and
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adapt the green color there. if you show, for example, a presentation, where there are a million different combinations and, for example, a palette of twenty colors, pantone. yes, but combinations, maybe a lot and, for example, you do monochrome. i'm not talking about monk chrome at all. i always love intricate intricate details and so on. why are you out of this? from these trends, you will choose something useful for yourself and make, for example, the colors of pontoon monochrome and the person your target audience will scan your position, you understand that those who like it will follow you, and i will scan my trends, yes, and i will do it, for example, in my own way according to my archetypes , i will dress my women differently in the assortment matrix, therefore it is fashionable, if you take the global world industry. this is a concept that lives on certain laws, but the modern trend research matrix, of course. absolutely fashion is so multifaceted, like a 3d puzzle. understand? that is, she immediately next time another
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face to cross now. here we are talking about fashion. what does he do? this is the phrase when they say about a person that she is stylish or he is stylish. and what does it mean? this is not primarily about fashion trends. no, of course, this person is stylish, it’s just them, i’m sorry about this, it directly respires me, because this is really the staff of those personalitik of a person who really has. charisma is such you know, his downtrodden phrase, charismatic from clothes. no, look, there is no no, why if a man of this fashion? this is generally a reflection of the inner world of a person, in my opinion a person wants to say something, and he dresses the way he feels, and in my opinion. a client is someone who knows himself very well, yes, it is necessary to develop, for example, the fashion industry, not even with a global understanding. it seems to me about every person. don't know myself first for more understand what suits him. with age, changes in vision can change the usual things
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not a podcast, and we continue to talk with my guests with arina holina and svetlana homeland. i have three of my grandmother's evening dresses of incredible beauty. and i have photographs where, in the early fifties, a grandmother in this dress at the russian embassy in washington, here at a reception with a girl every day here and in the evening it’s different. i'm sorry, but i have some evening dresses that are 15 years old. no , it goes to the trash just because they had fun at school, in general, a different quality of fabric, a different quality, another industry was in terms of light industry, and it seems to me that these are the things that we call vintage today, which you can buy in some special stores, and they are very coolly tailored there, good quality fabric and despite the fact that these things are already 50 e 60 years old. our time will leave vintage things. for example, i can’t imagine what kind of things. for example, 2022.
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tanya darling will be alive in 50 years thanks for this question. and, in fact, this is what i drown for. you won't find it in any product. uh, overlock or some kind of open seam. yes, that is, professionals will understand me, that is, for example, there an american has such a seam. yes, the most expensive , or underwear, when closed, that is, all my seams, they are closed, why because i just want to create this story, which would be a woman. i love the inlay, even the braid, wallpaper, to whom that is, you understand, right? when and yet in contrast someone introduces, for example, when you have one product on top of the main fabric alone? and you with an oblique inlay, for example, color close. you are a piece of material, which, as it were, closes from two sides, that he is a designer who spoke in his own language, a translator. i don't i know how to continue this word more than once leafy, in short. well, so that the seam is neat, and uh, of course, i mean, the lining is the quality of the lining. it is always very important here not to have shaved legs. and 10 here is this horseradish, but here it is not contrasting, here. yes, but
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this is the product that closes on top beautifully. and now, actually just in my opinion, this creates history. yes, that is just when a designer who has an understanding of how to create a collection talk about it, an academic education when he wants to. tell me, are you a designer? you founded your collection when you did, but i’ll probably just tell you a little about the fact that i remember you first of all, as a fashionable girl , then as a baira, and then suddenly i saw what you were doing, i saw on your then some beautiful dress. it turned out that this is your collection. you suddenly launched your own line and started making your own collections. but tell me how difficult it was for you to find a team, because i know that there is really a problem with these good ones. e cutters. this is such a pain everyone level. it seems to me that the team is the most golden gold in general. it's really. you know this is the backbone that every brand cherishes. as an apple, because really it is
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gained by experience and work, and there is also personal compatibility. that is, to the tailor - this is generally the world of fashion - this is some kind of separate. i don't know you have a separate planet, you have a legal education. yes, i have a legal education, but my first education was a legal education , and it is next to kudrinskaya garden. you've always been fashionable, these are faster. yes but you understand professional education. you didn't have. look, i'm a hereditary, how to say a tailor, because i grew up in can imagine i'm very lucky. i grew up with my grandmother, the director of a garment factory, and my grandmother just taught me from her, everything came to me because these are the classic phrases know how to rip apart. yes, this is the philosophy of life. she's already started to start sounding tough to me once- and this is actually, this is a very cool topic, because, well, it will support me. yes , here are the thoughts that, believe me, when you had a seam. a for example, it turned out and unravel. it's the most disgusting thing to hate. it seems to me that this is the motto of my cat, the sooner the time. now these rippers or
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the figure was the same. but no, the legs were the same figurine, which twitches, but we had a singer foot machine, that if you suddenly make a mistake and back, uh, this machine will work for you, then just the overlock loops around you and you will have just an ugly seam, in short, any, wait, you knew how to use a dinger machine - this is an old one, this one is needed love, of course, i know the ass was in the singer minibus in the family. that is, i knew how to sew. yes, further, of course, when i said, we lived near the stroganovka, i graduated from art school. i have always said since such years, girls want to be someone, i said a fashion designer , but my mother graduated from oil sponges, a chemical dad is also a pragmatist grandfather, a grandmother , a director of a garment factory, and actually at that time it was a starvation artist fashion designer, who is this? here is an economist lawyer - yes. after all, his design career much later. look, i got into the industry
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from a completely different block. that is, ah. i graduated from the law academy, put my diploma on the table and like all girls. here in the post-soviet time, she dreamed of being a model and went secretly, just in the house. zaitseva was casting. e on lidman bow such a famous competition was world wide. i remember my mtv crew and i went all over the country picking girl models. yes, those who walked nearby came to me. it was a tragedy, you know, because i had to come and say something to my mom and dad and grandma and grandfather that i won, while the casting and tomorrow live broadcast of the concert hall of russia leotard. i had to somehow say, and at that time it's just the daughter of a prostitute. that is, you understand, at that time the model was a disaster, that is, they looked here. i had to somehow tell my mother that everything is not the way she is on tv today. i’m not surprised at all,
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my grandfather shouted at the pictures that i fought for it and gave it away. that is, it was me sitting like this on a chair of shame in the center of the family and i understood that i should just endure everything shut up now. yes, but in the end yes, anyway , i achieved it with you. thank god i had this spirit of adventurism in me. that's the only way to achieve something. tell me, it’s just that somehow you decided to establish your own brand , which is very interesting, because the garment factory that your grandmother headed. she's quick listen, she's gone at 80. she said that this is also a working women's women's line. all worked. she has been gone for 80 years. and after that, i don't know, because naturally, we stopped visiting her. stopped what happened next, i can’t say. and then i worked as a model in paris in milan, in general, how would the mother agency work, and milan, i lived in milan. in elite, i worked and wandered. here, between switzerland and france, and then it turned out that i came to moscow and won high fashion in moscow, which was
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held. they even gave me a gift so that they wouldn’t eat, so after that i left, just to work in the kavala. roberto kovaly this is how my brand new era began in my life chooses me, like the model on which he sewed the entire collection of the year 2000. i lived in it in the house directly work. yes, i lived right in florence with them because i saw this whole industry from the inside and the whole process of sending me examples of fittings for these constants and this, of course, it just inspired me impossible. here, but then there was a process. uh, i also worked as the managing director of the russian mono-cleaner next to bayer. that is, here i was, as it were, with the fashion industry for a long time everything was taking shape. and when the puzzle is already completely fused to its spare tire brand has been ready in many businesses. by the way, this is recommended. you've been through all the professions, haven't you? yes, so far i have realized that one thing i am missing is to create collections, because to create collections. in
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the sense of resentment, as a designer, because on the part of bayer, i was like buying to do. how to open shops? i knew how to hire, but when i got into the inner part of the industry, namely the scanning of fabric purchases, patterns tailor designer technologist, i generally realized that i didn’t know this and there were a lot of mistakes. actually. why did i go to study? by the way, many thanks to the government of moscow a. where did you go to study, but during the pandemic , they just made it big, and someone was sitting there, i don’t know, on the shaft. here i watched serials, i studied, and i listened to a bunch of programs of all sorts of podcasts, it's like an online lecture. he is not a university. it's the same theory. this, that is, you passed the theory. exactly, you have no practice. why was there? he? well , we have chosen, that is, some designer who applied for appearances and then it's just already there was the design. yes i was there was a brand. and here, but i realized that it was after i unlearned in the most blurred blacks, huge to her, hello thank you very much for everything, and a super professional who teaches just
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a british woman, and i get to her. here's how they pumped us into training. there, of course, we fully pumped all the blind spots in the brand, that is, it's easier than ever to give money, for example, yes, why? i am actually for the educational base, but because a person who does not understand how to spend them, it seems to him that here i am now on the fabric, and on in fact, there these cycles and internal processes are super important from a headache. there is askofen-p at an affordable price and ultra cattle with a reinforced composition to combat headaches and migraines. askofen when the head hurts. check your credit score and get approved by the loan app. something in this hotel is suspicious everything. well, as promised and not even cheated anywhere, maybe the food is not tasty. in general, i don’t know, even sunbeds have taken a reliable hotel booking service with
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growth, well, in general, the development of sales, because , well, conditionally import substitution , more information began to appear, there about cosmetics and rags and, accordingly, people began to turn to these brands more. that is, it turns out that with the departure of foreign brands. you saw new opportunities for yourself. not only i, i saw them before conditionally. yes, because i have been sitting on russian brands for a long time. i love them very much. by the way, i'm curious to know. you are now studying the arena, just for all these designer fashion processes design fashion processes are called cutting and sewing courses, and they tell you about the organization of a business process, and the courses are in the cut course designers. yes, uh, how would these courses be only cutting, that is , modeling yes, modeling clothes, yes, and the lives of clothes. now, uh, it's not a technique. um, is there an annual program of some kind? i don't know what their range is. well, listen, to be honest, it's still an absolutely shovels structure, so.

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