some attitude. moreover, you are an honorary professor at the state university, southwestern state university. i really enjoy working with young people. that's about these satellites that students come up with and force. yes, they are already making their spacecraft, and this spacecraft it flies around the earth in the iss orbit because it transmits telemetry and it has solar panels. and how long such a satellite lives in orbit, it all depends on the activity of the sun, and at what speed the astronaut will launch. well here we are infinitely grateful to help you for the fact that you still suggested a very-intelligent way that you don’t have to throw your hand when you go out in a spacesuit. here i am in the film with pleasure. i’m watching where you and oleg martin are throwing inside the workout, yes, yeah, and you’re throwing the wrong way with your hand, and you accompanied me first, i just turn with the body, and then just let go of the hand, and it flies slowly and that’s because the main thing is

to start it, so that it does not rotate correctly. the main thing is that it does not rotate to it during a spacewalk in an extreme exit, how much does it immediately the companions here the travelers rose with them. and they are whole groups, that is , all sorts of new satellites are launched by students, and the americans are launching, but we have a grouping that works one through the other. there is a whole scientific work. students are engaged in this atmosphere is obtained. yes, this is just the scope. and what. hmm unfortunately, these projects are not very supported by the students, because, well, there is not much money sitting around. so much is missing, and from them a big plus, firstly, students, passionate passionate have a tendency apparatus. they make their control center stand. there are geranium stabilization systems, and they're a satellite, so you're doing it, it was flying on the ground, the antenna was looking at the ground. this is how he flew commands. how to turn around. there he turns around, and hmm, rather harsh

conditions, after all, he flies the floor of the vitka, say, in the sun, and there it reaches 150 plus and comes in the shade. yes, there is minus 150, well, we just give a recommendation to the energy. how to put these ballistic shields there? here's how to make a pen to make a spacesuit. here we adapt it and now 10 satellites have launched. hmm, well, basically the whole structure was the university of the southwestern state of the university, but they made two satellites of tsiolkovsky ryazan from, together with the utkin ryazan radio engineering university, they made such tsiolkovsky citizens two satellites. they are all in the same grouping details. and what else i wanted to add is that now we have it. uh, import-substitution is acute, microcircuits are everything, and now, well, a sphere is being created for us. and how to check with this whether this is our microcircuit, which we made it will endure, it is still some kind of

expensive satellite and dear, satellite. we can immediately ruin the business did ruined, there is something refused to check. so you can put fees here. that is, we have one block of services, as we always call it here. telemetry transmitter, there are commands of the second radio link command. eh, cube - we have batteries. they also need to be protected, because the temperatures are different, and the third block is a scientific one where you can put different processors to work out different microcircuits, because this first of all, it’s quite a simple experiment, well, it’s simple all over the world and you can see different things there, like behavior at different temperatures , you can study there, and you can find all the latest achievements that we plan to make on these satellites and give recommendations, like industry, how to do it all now e sits down and watches, and our conversation is our podcast and

has a burning desire. u create your own companion, or join a group of the same students, what should he do? where should he go? where should he write? i recommend here lord university course state university. and what else besides kursk here is ryazan well, there are universities, well, in general, there is a lot of information on the sites. this can be found on the energy website. yes, we have on the energy website on the university website. it's all there, and you just need to understand that it's not only done to make it 10% to make it work. but so that he flew into space and adapted, and he entered the flight program. so you need to understand that there is a spacewalk program, another task can be not the iss, but it can be an experimental load, which you can also launch with the eastern one into this program on the roscosmos website - it is on well, of course, what is good that we

have. first, we can connect the antennas of our iss antenna. and check its performance and we can battery . before leaving. we don't know the benefits. maybe there in a month or two or three it will recharge everything and start it up just before the exit, and then everything will be fine. this is where the advantage of the iss is. well, and more visibility. of course, it's nice to see artemyev and the lockers there, which is all students. the main thing is to find you on vkontakte and then you will see that something will turn out not so much. now we have e people who are people involved. in general, everyone knows each other, so it's not a problem, seryozha, let's dream up. this is how you see a man in space in 50 years. well, yes, 50 years is a beautiful date, because a satellite was launched on the centenary of tsiolkovsky and led this team when korolev was 50 years old. this is how the universe loves

these 50. and now, i guess i think that in space, well, on the moon we should definitely not be just because there are minerals. fly there for 3 days, and everything is fine there and back 3 days. it's all good. but the moon will give us a clue. so, are we alone in the universe, that is, tsiolkoff said that the universe is teeming with intelligent life, but the moon is such an interesting body that, mmm, perhaps there are some manifestations of the mind that we can come to with it connection and check. i think everything should develop, but not so fast, rather, 50 years ago, not a computer, there are no phones, right here is a terrible breakthrough in technology has existed for two centuries. before that, the 800th generation lived somehow calmly , and then we invented a steam locomotive, radio, rocket planes, all this is developing rapidly

. electronics can go astray already there. can printers print? well, i think i don’t want to interrupt you, of course, to stop. unfortunately, time flies. it was very informative to talk with sergey nikolaevich samburov, the chief specialist of the radio engineering system of the republic of kazakhstan konstantin eduart tselkovskiy his legacy his works on communication with the international space station station mir, as well as satellites, which are made by ordinary students. podcast of the creative industry on channel one, uh, your favorite hosts are still with you roman karmanov elena kiper and visiting us

today i didn’t even have legs all day, to be honest, from fear of contact superhero people’s artists of the russian federation head of the moscow theater oleg tabakov hello very nice. will they be about this? banquet pushed me to this thought. hmm let's think, think, think the theater lives, here and now, therefore , such decisions can be made very spontaneously there, the fact is that i was lucky with me. over the course of these five years , a team has been formed. which helps. not for me, but for the theater to exist at the proper level, carefully focused consciously, that is, these 5 years

are happiness more than this unconditional happiness. this is happiness, knowledge, education of oneself, education by one's own personal example. in general, we have a lot of activity we have done a lot, our team has done a lot, because we have not just a theater. oleg pavlovich tabakov who created our little basement theater he created it in the theater studio with 40 guys, then 10 stayed and so on entered gitis. and so life began, then a basement appeared, then it appeared. 30 years later, at the end of oleg pavlovich's life, a new building and we are in development and but the foundation the fact is that oleg pavlovich opened, uh, 10 years ago, a theater

school that uh existed, as a college his dream was for the guys to study in her early. this is the dream of educators. you know , it seems artistic to me, and the period of a professional's life must begin around the age of 15, because this is a self-emotional time, which we actually achieved. now we don’t have a college, because after our college our guys have to go back to the theater institute. they are ready. they come out ready entertainers coming out of them. they are required to be on stage before leaving the theater school. you know, the artist grows on the stage with his partners, this is a collective activity, so this one

the moment of going out and working with professional actors, and you know it, and we have achieved it, but to spend 8 years for a person on training, well, firstly, this is also for the state. it seems to me that yes, and for the artist, so we proposed a new experimental program, and prepared it. uh, it's called so it's an integrated program of secondary general and higher education. we are recruiting guys, all the teachers themselves, acting actors of the theater, just get on the plane themselves and the city flew as a group. here kaliningrad was in vladivostok every year every 2 years. we look at about 3,000 young guys. we have a lot of information about the guys who

are interested in this activity. naturally. we have 24 places. a little, and thanks to moscow, these educational institutions are free of charge, fully supported by moscow, they come to us after the ninth grade and after 5 years of study receive a diploma of higher education. this is the earliest acting education that has already existed in this format for a year. eh, experiment. we have to confirm in a year which means that every year 600 artists are produced in the country in many ways, even in our theater they are shown. when we have such an opportunity, the level is different, there is a talented one, there are less talented ones, who

happened by chance, because a lot of paid courses have appeared, it is impossible to train an artist for a fee as a rule, artists are people. low-income because in a different way. the exact word is passion, without which it is impossible to comprehend this profession. look at the actors. tell me, please, i myself became interested in this once, and what what is the difference between an actor and an artist? now we have to make a surprised face. yes, he has no idea. well, there are probably many different versions. it seems to me that fonvizin gave an extremely accurate

, he said that the actor is a talented performer. artist - this is an artist-creator, precisely that's who our higher education graduates then in different ways. it is the same and always in general in this activity it is very difficult to say what we are doing there, and we are churning out talents. it's impossible talent is a timid thing. she's like a campfire if you fuel it with yours passion passionate relationship in their activities. it won't flare up. here, for my activity of watching the guys listening carefully, it was not that you lose consciousness from the talents of a person, on the contrary, you try to break it all for him and see his sincerity. just talk about how attentive he is, how well his indicative

reflexes work, how mobile he is, how he hears. here and from this from all the impression is created and further this moment is very important. eh, the teacher in this sense is a teacher. only opens the door, the student enters himself and he must enter swiftly, swiftly, comprehending, especially our schools. she is his face and we demand we have a method. uh, we've got a lot of work going on. uh, for which i am grateful to moscow state university and uh psychology. e, yuriy petrovichanchenko, who oversees our project and joint how to move in this direction. how to find the most important? the artist's point of sensory attention, if the experiment is deemed successful, of which i personally have no doubt that will happen further, and then we

will continue our activities, four people will turn into 240. look, we are recruiting 24 people from the practice showed on that course, which we have the fourth and will become the fifth. there are 11 guys left and on the second, which will become the third 12. what happened? they made a wonderful return to school. many of them, in my opinion, the vast majority entered the theater school institutes. you see, we have, in this sense, we are very busy with work all the time. need to accumulate a lot there is a lot of knowledge and we have a lot of subjects that other theatrical educational institutions don’t have, so they don’t

stand up, or something, some of them don’t stand up, if we don’t see the desire and development, you understand at the age of 15 they come, guys. why is it very common? sometimes people don't even understand at 20. why did they go into artists this desire, interest , passion. no, no, understanding her, because she, first of all, what they think brings , yes, the glory of fame, so since it ’s such a burning flame, of course, moths and beetles fly there, well, they all go differently. yes who endure, then, uh, sometimes you know how people act suddenly act, who did not want to act. what if a talent opens up in them, because the artistic warehouse of character, in principle, is inherent in every person. when did you decide that you are an artist? how did it happen? well, i'm so unusual.

uh, for a person who got into the theater, fate. i just grew up in a family of artist directors. my mother was a director of the puppet theatre, an amazing director, and my father was an actor in a brilliant puppet theater. we lived first in tula for a long time in frunze, then in novokuznetsk, and this theater was on my head. i didn't like it very much. because, firstly, they argued in the evening and this conversation about how pinocchio or karabas-barabas went the wrong way or it was more than that, it was all at such a level of passion, of course, at first. this didn’t frighten me even as a child, so i was doing my own thing in an adaptive way. i really liked it. biology was engaged in bugs, and then, when i became older, i realized that i was not studying very well with the other side. i was offended by the brigade and we had a huge success. i played guitar and sang

songs. in general, you need to do in the theater, i went to do. uh, got ready with the guitar clap me. i received some kind of spectator prize, that is. in general, what kind of biology is biology here, i went to krasnoyarsk to the institute. i drove in desperation and passed. before novokuznetsk there was a theater school, novosibirsk i got into a shortage of boys, and there i quickly got my bearings more, as soon as you get there, if you are passionate attentive, you have a great desire, and you quickly orient yourself. let's go back to the present in the nineteenth year. you, in general, said that the electricity was over. i’m leaving the cinema, in general, and i didn’t have any in general, how many, well, it turns out 4 years and the film the challenge and you are back in the frame, well, yes, it

worked out. that's how i don't want to, you know, when big artists say we're leaving there, and then they come back here, yes, that's right. well, yes, in this sense, can it fall under this category? maybe, of course, but hardly, because that er, when i started to deal directly with the school and the theater. and i just realized that here it is necessary to increase the knowledge of my capabilities and strength and energy intensity by a factor not up to the cinema already. well, yes, not at all up to the cinema, but you see, it happened. well, uh, they offered me and just had the opportunity to advance much and had the opportunity to plan, when you saw the script for the first time, here or the call. we love call stories. yes, the producer called. konstantin lvovich suggested this story to me. i met with

a terminal, shipyan, whom i had known before. this an amazing project, unique and reunion of professionals and, if possible , be in the present proposed circumstances. creative industry podcast on channel one elena kiperman karmanov he is visiting today vladimir mashkov yes, here is the artist and artistic director of the moscow e-theater oleg tabakov film challenge. eh, there has never been such a thing in the history of cinema that some actors, they played a role, while others at that time lived a real life, and in fact. these are two worlds that converged on one site. here's a job for you. uh, in a film like this, was the challenge you know when even the decision had already come. eh, after all , people could not believe it for a long time and everyone is really very

happy. what happened successfully? the responsibility was huge the attention of the whole world was cats, and the operations, moreover , the program according to which shipenko and yulia were preparing for them were overpowering - this is a new program for preparing tourists six months earlier, they were preparing at least a year. and here is uh new knowledge. uh let you prepare quite quickly. this gives people the opportunity. uh, having some unique professions that are required there for certain experiments of discovery and it would be nice if they had the opportunity. because cosmos is open, we understand that the plans that roskosmos has are not huge, and uh, i'm sure that

the one who will be the first on mars is already living among us, the next film has already been promised to be shot. as a matter of fact, on mars or on the moon but it turns out that this film is not only a way to show how much we are ahead of the rest of the planet in space, so to speak, but it is also in what sense, also the promotion of roscosmos, because. well, yes, for six months can be prepared. e people, in order for them to fly not just even as tourists, and it’s even more difficult to work than just contemplate yes, therefore, you know the data, as it were, the concepts of knowledge. these are temporary contracts, our knowledge is increasing, and in itself and a person, and his capabilities. and and technology so yes, you know? here, i think, right now it will end quite recently there. i understand the 500 project when there are several. the man was in the same room, simulating this

flight to mars for 500 days. yes? well, i think, but if the artists are launched, here they are hammering 500 days can be in the same room. they will do something, they will be engaged, that is, it shows and once again talks about the opportunities that already exist and the opportunity that allows non- professionals to get into the orbit of this discovery. this is, in general, a film that a person should keep in suspense and, in general, by and large. what was the need? to send a person really into space, it is necessary for the development of mankind for and cinema and a challenge for

people too, because yes, i say again, we this study provides an opportunity to carry out further studies. we have the capacity and strength for this. hmm. and if we talk about, uh, of course, what was filmed in space. this is unique, because everything there was really harder work than it was . seconds, because in order not to violate the total amount of work and, of course, personal courage. and the crew and our guys is the responsibility, which was to us, he nikolayevich capillary, who accompanied them. on the orbit and the events that took place they were very exciting life events,

probably a lot, but meeting these people. i have been twice to baikonur, i met. with great serious scientists with foremen with workers who know the rocket as their home in this sense and i know their responsibility and i know how they prepare. and how much soul and excitement is invested. you know, she's like that, when you approach her, she's a small rocket. well, well, it all looks grand compared to what what we see, apparently, when you see it, it really seems to be small, and the person is even smaller. suddenly it becomes quite some tiny, and the space of space is infinite and this connection, when you see

the preparation and do you hear the sound of the start? the crackle of space when the rocket takes off you were imagine i hope that the whole world and the whole country was at the start, because they were watching and live. how it happened and these experiences, which were what you feel when you are present at the start, and inside there are people whom you feel good about you know, in general, it will not hide. uh, you know, incredible excitement, so i remember, when it was a very bright sky, it was cool, the rocket went with a bang for a certain second. i can't say for certain. the cloud, at that moment, the heart froze, it froze. i

knew that this is how the first stage should separate, but then it separated and these feelings of this sinking heart, then turned into delight delight, you understand? what has already happened. yes, well, there were situations where you all know the station not the first time spaceship. parked. i was present at mission control during this procedure. and this is probably the moment when you begin to understand even more, because the first e , the automatic docking system turned off, then the second one turned off after it , manual docking begins, if it hadn’t happened, it would have had to be called

a ballistic descent, how much i understand, that is, so the name is even unpleasant. yes, so that you need to lower it already. that's where the moment right in the soup, where we were sitting. it's clear they have there is a connection at the moment when the docking began , the screen turned off, because they entered the zone for 15 minutes at that moment the screen turned off. this here for me was another, as it were, then a cloud. then, 15 minutes later, uh, they announced that hmm , the beautiful anton nikolaevich kaplyarov had docked, moreover, when it started, when one of the serious big ottomans was also said. well, there nikolaevich loves it. well, it's like that. here he really is a master. it is not often, uh, it falls out for an astronaut to do it manually in space, but on earth they master

by this process. and now you know nikolayevich masterfully, you can see his candidatures, how he turned out to be, probably, one of the only ones, those who could be trusted with such a person, i understand many of them. well, someone was at that moment, right? station itself. yes, i'm lucky in that sense too. hmm, i personally, the helicopter i was in was filming right at that moment, that is, i can confirm you were preparing for it. i knew how to approach the apparatus, what to do and in fact. here we waited for two and a half hours in 8 helicopters were in space to see the place where the device would land. after 2 1/2 hours we saw the dome high and already

farther the helicopters were escorted, and now, right from our i, i immediately approached, than we ran up there in the form, by the way, we were present there. well, that is, the proposed circumstances do life-giving amazing things. you need to come up and see if people are alive or there, therefore, in whatever image you are. you remain human if you understand what you are doing, so you know when i approached i ran to this apparatus from him that he when the measurement was very successful in the porthole. it is so black, still so burning, burning, such covers separated from it, antennas flew out for communication, but i went up to this porthole, which is so caught that there is a person, but when the guys appeared from there, this is the first thing, how, what they

had the reaction, of course, was also a feeling of joy that you were on earth, and at the same time , i understand that they were pressed by the multi-ton atmosphere of the earth. you have to pick her up. and we continued filming, the guys still play this day, it turns out that i was filming what was already going on the ground, like normal people relaxing. that's when the hatch was opened. uh, they immediately hit the screens, uh cinemas, that is, we will see in cinemas, absolutely real moment, not re-shot any bubbles. nothing is really absolutely the moment of landing. everything, like i'm absolutely valuable. this is the rarest case when it is possible for actors to organize such extreme proposed circumstances that are adequate to real ones. that's it. it's of great interest for research.

themselves in these proposed circumstances, how the preparation for the role was going on. who inspired you so it happened that on these shootings i met amazing people and , of course, the inspirer of this process, dmitry olegovich rogozin. it was his faith in the popular science value of the project that moved him. and then the masters who know space and anton nikolaevich kaplerov and sergei konstantinovich krikovlev and the wonderful craftsmen who worked there in the federal air transport agency. you know this is the concentration of all science, but also including already then consultations of yulia lemeshepenko himself and herring, who visited and passed this

test. the main distinguishing feature. these people absolute passion and absolute attention. genius - this is not retreating attention. for these people it is clear that they are in this problem, if it arises all the time the image that you sought to create. he what it was chief designer. it was the flight director of a man who had been in space more than once, having the knowledge , authority and experience of a man who knows the cosmos at that time. here now the existence of this problem. from a practical point of view, that is, moreover, if he does not know something, he knows from whom he needs

to hear, he organizes correctly. talented knowledgeable people around me. how long was filming? that's it for your block. well, it lasted in such small, uh , sections, because we filmed part of it in a built-in mission control center, no on objects. uh, filming this big above ground part and i have so many difficult moments from this whole above ground part. which was probably it was very important to combine and, above all , for the director to combine what is happening in a plausible story in space with what is happening on earth, the concept of this means to feel this atmosphere. attention, the need for need and salvation, then talk with