there is garbage, which means that such star wars are blown away by the wind. only you do not believe me to anyone, that only snow snow snow.

snow and love came to you.

where the new summer is ready freedom time itself in places all parted. you vera a lot, and who is not with you? sometimes you can find at the bottom the sun will set the rays of the traffic jam on the light for no

reason. and zero answer include around him so much i. dive hello dear friends. we as you can imagine, i welcome you as part of the podcastlap project on channel one, this is anthropology. as you probably guess we are dealing with sacred music, which you will never

hear anywhere else but here. and it is extremely important for us that we show people who have not yet been treated with glory by this internet television attention, and therefore, how they deserve it, but today the lord heard our prayers and did so that literally for 3 days in moscow was the most eminent on today the vocalist of russia dear friends, well, it's all from the oscars of the opera to the grammys caressed and covengardn. well, the mariinsky is also dear friends. or maybe you should have started with it. well the bolshoi theater, of course, well, dear eldara marvicheva. let's show our viewers. why are world

titles given today? for which ovations are received today on all continents, and here in all corners here are our vast planets. show us something like that. well, let's have a little. we can talk, but at your discretion, but it seems to me that these are the first awards for great work, great work , everyday work and work on the works performed by the singer, when you have already passed some stage of formation voice device. then you, if someone manages to get into the opera house, and manages to work with excellent conductors with excellent directors, then you carry all this baggage, you save it for yourself. and if you are suddenly invited, caressed, it suddenly yes, it usually happens. yes? well, it’s you doing an audition, passing somewhere, maybe

you win some kind of competition and the director of the theater will hear you from inviting you to audition, and to the metropolitan or caressed or well, you have a big mariinsky theater there hear. and suddenly a miracle happens suddenly you are like his group, and others what is all of a sudden? i do not invite, please tell me how many of those very hours that you spent when no results are yet visible. how much is there that you spoke to a shagaliev murtazina, and who taught at one time, this is in ufa in ufa and at the institute of art. i worked with her every day for several hours and sometimes even on sunday how old were you i was 16 years old when your voice broke studied at school in high school. but i still went to her and went to work about once a week. here's a little fun. we're

half an hour away. she controlled her voice so much , listened like what how mutation happens. that's when it's all over, you need to start practicing. so, then the dense process had already begun, we were preparing for one show jumping. to the second to the third to the fourth competition for the exam, yes , because it was necessary to set some kind of goal. come on, after all, we will remind our viewers. uh, here, uh, that charm that they certainly experience when they listen to your voice. before starting work. i would like to introduce my pianist evgeny sergeev hello evgeniy sergeev is an amazing accompanist. i first noticed him at a competition in tver, the lemeshev competition, where he accompanied a wonderful contestant. and today he is a teacher at the agnessins institute, well, he also works at the moscow conservatory , and the first piece that we sing, probably, we will sing an elegy.

oh lord

of all my love our conversation, because here these notes

are forte which are loud. well, of course, this is the bass, as it is directly, then everything else vibrates, otherwise these emotional accents are like that. this is how this ending is when you sing forever, right? it's not bass. this is a completely different voice paint, then what to call it? e your no, well, look, and there are different gradations in the voice, that is, there is a baritone. dramatic lyric yes there is bass. we , as they say, have a pool of profunds, this is a very low bass, there is an average bass, if a high bass, and there are bass contabels, this is also high bass, but it implies a more content repertoire, more bundles will fry to give out and such thin highs. here is the mass of the profund, for example, yes, low, bass, it will be difficult for him to sing such a song, it is also difficult for the average. here but here

is a high bass yes to a drunken drunkard to do. here are the nuances. yes, it is easier for us , and composers wrote more for such a voice than for low basses, there is a party for low basses. yes, but they are not the main parts of whoppers, that is, it doesn’t matter, and you sing konchak or igor, i sang igor here, well, in the future, when igor is sung and both basso and low baritones also sing boris godunov, they also sing, like low baritones such high basses. that's why there's some here. well, the gradation of the voice, how your voice will lead you, how the timbre will evoke, because one voice is only material, of course, here, and there already

on the subtleties. we are already working on our own. and then, here's what we heard. and in general , everything you do, it's a whole performance, since your voice allows you to find any colors. which are necessary for magic, but let the spectacle suspects a figure director, among other things. and who is the director, and with whom are you dear yes, you find. where to get what? what timbre what color to take it you build this performance? or do you have a director, yes, who gives the task. it may be, let's say a performance, if we take boris godunov, which we recently performed at skala, but it was a modern production. and and in a modern production, it was necessary to find a modern one , not even that modern sound, but a modern approach precisely as dramatic as an actor and

also sound, so that it’s all like it was, but in one whole, or react, you can show, although, although some passage from this, what are you talking about with me, well , let’s say, if you take how they sang, here in the times of fyodor chaliapin yes , i will now slightly depict how it would be fedorovich chaliapin a single spot accidentally wound up, the soul will burn, it pours. heart, poison you will become hard eyes boys, yes, boys and so on. yes,

that is, this is this, take chaliapin and the time when it was today. it's a little wildly. that is, today we have a different theater. today is another opera. today we want to do more to give. uh, let's say, as the composer wrote , we'll take the composer's line more then. ah, boris godunov simply has another version , and i think there are four different versions. x dropped

well , this grandiose menu recitation was more in the days of fyodor ivanovich chaliapin and today we need to find something between, let's say, the last scene.

the blood of their pure, that is, is already here. thank you. aura is here there is some sense in this and the meaning of live singing of living art. still, the theater, first of all, you, apparently, lashed out with the conductor without fail, because the conductors are the ear and

the hall, which must listen to everything, which must remove the orchestra so that your voice is. it is obligatory to be heard in the hall. o here it is an obligation - here it is very, uh, such a subtle approach to everything must be scrupulous, right every note, so that it is cleaned out, and in the orchestra everyone was done so that every instrument that sits in the orchestra, every musician heard, what what sings seizures from rocky which pits to the soloist is very important if he does not hear, as they say, it means that he blocks the singer from a headache there is askofen at an affordable price i am with ultra coffee with enhanced composition to combat headaches and migraines. askofen when the head hurts. and how is the internet at speed? well, it's like

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our first guest , ildar abdrazakov, let me try now. on your ears , come to the wording, what is talent? and mine is also the acceptance of interlocutors. here, he says talent. it's when a kind of mystical act occurs, someone hears what is so far completely silent, and then makes it heard by the rest. well , depending, of course, on how much art he is. can interpret it. so someone hears something that is completely silent so far, which means that someone sends a role drawing for whom. yeah, he directly hears it, but who sends it. but i don't know from there. maybe

the channel is closed, but how to open it? it depends already on myself, at one time i was lucky that i was born in the soviet union , we had free education, when i was in italy , they asked me, if you were born in italy, would you sing, i said it’s unlikely, because i don’t have i had money to do vocals, but here i was lucky.

well, let's say at 18:19. yes already then contests went and so on to concerts and met at arkhipova, who invited me to her concerts, can you imagine, what is it that you lead an exemplary, yes academy, st. than there is no valor to preserve virtue, which no one encroaches on.

and if every second you have goats with beards the way here, and if it’s already 30 years old, you can’t take a step without the fact that you are the most talented ildar that you would have seen i have seen and will see, you know, and remain such a light person, like elena vasilyevna and like dimulya, our e, eternal friend and good memory. i am now leading a couple, he stayed, of course, well, amazing, dear friends, what is it? and what kind of duet was it when these two people towered on the stage, this brunette, and that blonde, like gray-haired, how did they sing? maybe i’ll remember something or he, we really don’t have these notes, but we sang and the bullfighter sang, yes , and drank. we are a duet of don carlos philip and rodrigo and in front of a duet, in general, we are a lot with him we sang concerts together, and, unfortunately

, unfortunately, we didn’t sing a single opera with him, but still, dear friends, it’s generally customary, of course, to drag a blanket over yourself and pour it. uh, as far as i know, broken glass to a big body stage rival. i think it used to be like that, well, they used to close it. dimka could be just as jealous of you, no, but why not? i will never forget the words. dima and i'm not. i somehow looked at the program, and where dima was talking about me, and then he said that today we had a concert today they came to dmitri hvorostovsky, but they will leave with the name of eldar abdrazakov well, how can he not need such a person who, he says, cannot do any kind of work in a row. you understand well, well, i must say that we, for example, uh, saw this wonderful creative group. i think that, uh, at

a charity concert there in ufa, my own, and i must say that you and dima did a lot to ensure that he kissed the gentlemen from birth to those who weren’t like that. how would you, too, be fair? at least i would get something now, too, it is extremely important, yours is extremely important attitude to one's own city of the nation, you know, usually when a person, uh, succeeds, he's reluctant. it is said that he was born in the city. if this, of course, is not st. petersburg or not, milan, because if you say this all the time, that, this is ufa, then you will be like that later, you know, but no, this is finnish no, when i say that i am from ufa they ask me. yes where is it? and yes, i start showing on the map where it is, and then i say that i was born in this city with breweries.

vladimir zadorovich, was not born in this city, but rudolf nureyev grew up in this city fyodor chaliapin began his career yes, in this they were born in kazan. and in ufa, he began to sing as a soloist? oh how yes yes, unfortunately this theater burned down to which he drank. well, from there his such a career began, and it’s not without reason that everyone is so proud of you. it `s naturally. by the way, this is the pride of fellow countrymen, this is a comrade, by the way, an eternal recharge of energy. therefore, you go to ufa for him. well, of course, i have relatives there, my mother is there, i have friends there, but something national, bashkir can you? well coupletik it sounds very interesting russian ear, be healthy.

allah aside is beautiful, in general, here. in short - it sounds so similar, bashkir tatar songs. they are somewhere similar somewhere, because ah. in our family, we always sang tatar songs and

bashkir songs. and you know that a lot of tatars live in ufa, so there are a lot of uh, mixed and uh families. that's why i grew up with these tunes. i try to perform them in a classical voice as i would like, how it sounds, how it sounds professionals are those who always sing folk songs. there are a lot of these colors there, it’s just a matter, and the voice is put into it, and from spiritual singing everywhere and from the mosque , you will hear it. by the way, i didn't ask this question. and here are some more interesting comrades who do it because parents are not always musicians. no. here is

a very dangerous moment parents are not musicians. our mother is an artist. yes, what are we talking about? i thought she was a meat-packing plant in ufa. worked would be in accounting. no, well, comrades , our mother is not an artist, but my father was, firstly, he was a dramatic actor. about what then he became an announcer on television. wow, you are the first announcer on bashkir television; you have a voice from him. oh, i think that voice and i am a mother. yes, because our mother sang. they are just mom dad her dad my grandfather forbade to go to study with you. and so she did not, when it was her time to ban. so apparently all this was passed on to me by my brother in this brother, my opera singer oscar abdrazakov

a singer where he sings everywhere, well, now he sings, uh, both in ufa and in the mari theater, and there is jealousy for you from your brother. i think it should be asked of him should get equally. how mother's love remained. and why do you understand this, you will announce ildar in vienna and have dinner, e. in a gift, and he sings in ufa, and let's let this question go. still, there is anyway. yes well you do ask him i rejoice in his success. he is also a director and also represents making a production, if this is the ussr my topic is the ussr, i’ll tell you the next one was you're supposed to say that, who are you? well, i'm a singer. what is your profession? yes? yes, yes, in the evenings i'm a singer, and during the day, how do you know this? story. what is in what do you know?

yes, what is going into the entrance, we go in, it means that it rises towards the apartment and two men are standing. he says you will be the third. well, let's just a little bit, well, they started talking to him one at a time. and who are you? well, i'm a composer. okay, you don't want to talk. so i must tell you that at some point you must come when you will say yourself. i mean musician i will earn a living not as a mechanic, nor as a machinist. although i dreamed of being a machinist, well, not a machinist, but to be a driver of a big ah, some kind of truck, you know such a machine that shines. here you go to russia to sing. songs. here i dreamed. and here, but this is rushing about in childhood, when i was there four, three, four years old, and you

drank in the children's choir while still at school with a voice that did not break, of course you were a voice. the connection was clear. yes, that is, i had and in chorus i had from salfegio. i have there was also musical literature and the pianoforte. i learned to play. well, that you didn’t go somewhere at the same time, i was bored. well, yes, i had. energy that i was bored of sitting and learning. uh, different etudes by czerny and bach in general, i gave up this business. so i went to high school. thus, i had more time, and i devoted. uh, it's time for friends, sports and other interesting things, of course. do you remember our conversation with dima hvorostovsky well, i tell him, and now he can bake where this opera comes from in you, it suddenly appeared, after all, because you are talking. and also sports.

yes, it smelled, there, uh, of the nirvana group, the black shabus group, what is all this to us igor who is and who is this konchak, do you understand? it is truth too. apparently i did not see any prospects, i was not going to at all. well be an opera singer. okay, i'm here to work. vocals, so that hmm go then to the philharmonic, and to sing songs i don’t know magomayev from the repertoire. yes, there is a zone. that's something, that's soviet , that's ibragimov, so that, well, maybe, i don't know how the nation loved him. and here is tatar. i don't i know that i will be in the mari theater, all the more caressed or to the metro never thought. how did your mom let you go? well , how not to let go. if you are a person, if you have a son, the more promising is the son and everyone says that your teacher can be.

and whose name did you remember with such gratitude today, meant working not only with you, but with your mother too, maybe she told her, listen, he seems to be a genius, well, i don’t think she said that he genius, but because we never know when it all might end, the voice is such a fragile apparatus that many of my colleagues have. how many times how many times have i seen such singers who started with me, then stopped. this is big. it's not just singing. you are out of singing. this is even more mental work. here you need to be healthy nominally mentally healthy, so you go out in front of you, there are three or four thousand people there, right? the orchestra behind the choir, well, everyone is looking at you and everyone is waiting for you. and this is what you always need to feed. it is always necessary to give all the accumulated energy, which

to give is just the point, therefore, you need therefore, you need to take someone, therefore , sometimes you need to rest. listen, we force you with your expensive apparatus here, you understand? then, it would be better if we ask you to give us the opportunity to enjoy the nuances. here's something else. you are worth your weight in gold.

the horse is easy

strength comes dark

i would, of course, wish you to achieve something else. although it turns out, what else is some such role that you dreamed of. and i still don't. or maybe it hasn't even been written yet. maybe there is no limit perfection, we will improve. there is still a lot to work on. the main thing is that the soul sings, and when the soul sings. well, god forbid, what is your poet's soul? i know that your incredibly beautiful wife would continue to have the same happy face as she always has when we see each other at various events of new creative success. thanks a lot. all the best, dear friends. thank you for your attention until next time.

hello, on the air is a podcast of mount fire and i am its host denis gorelov with a story about the main national series of the month. it’s clear that we will start with fisher’s series, the loudest and most productive past. the fact is that the legend of the poster was primarily associated with pioneer camps and, uh, significantly uh, surpassed the adventure of the real maniac golovkin to which she stuck in pionerskaya bedrooms. e. children constantly tell each other scary stories, and already somewhere in the late seventies there appeared a legend about a terrible villain named chips, who catches the pioneers who escaped from the camp in the forests of the surroundings, and

in my own biography, i caught fischer twice, first as a pioneer with great enthusiasm and homemade traps, then when the real golovkin somehow decided to justify, and this very mystical fischer , but what was important was that the aesthetics of the nirlager camp were completely unfamiliar to ours. creative intelligence. the fact is that the pioneer camps in our country performed not so much an ideological function as for many to wash themselves, but also, uh, the function, first of all, the employment of children, and my generation’s grandfathers died at the front grandmothers were bestowed during the war and cheered for the mass right after it, so the children simply had nowhere to put them during the two-year months. in the third month. the parents were on vacation. all of them went to the camps, uh, and only our creative intelligentsia, which so it turned out to be the investigative intelligentsia, and the whole war, uh, grandfathers. there they either spent in

the evacuation in tashkent and in almaty, or danced in the ensemble of songs and dances. and far from the front, like the great director sergei fyodor bondarchuk, the great director yuri petrovich lyubimov and many others a little less great directors who thus left real girls alive in their grandchildren and the opportunity to send these children to the country from that couple.