[000:00:00;00] from my own experience, i know that if you try to look at people's hands, if you don't draw quick conclusions, but just let's say gain experience, then you will see and the difference is in the hands and in the nails and in the fingers and in those signs, about which we are now let's talk. it's on. about the signs on the nails the fact is that we often see when there are some such dots on the nails, well , we can talk about white dots, yes, which, in principle, well, i can’t say that they very strongly express what something eventful and will tell you exactly about it. yes it there may be some emotional outbursts, sometimes. maybe positive sometimes, maybe not very, but they are not something so critical that it should raise doubts or somehow make you worry about something. well, watch this, they will probably work in the same way that i will now

talk about. but if you see reddish dots, that's all that is not white brownish dark. these are already signs of some disturbing events that can be anticipated. the nail grows, approximately here. from here to here 3 months. and if we allow there was some spot realization of this event will come when it reaches the middle. here is this nail, as it were, if we look vertically, it 's somewhere around, well, a month and a half, but, frankly, from experience, i often observed when this becomes relevant already. well , three weeks later. if you see, sometimes you don't even see how it appeared right away. let's say. here from this hole. you can see it when it is already around here, it can also

be, but this should cause you to be one-cautious. if it's about you or connected with someone else, uh, too. you need to somehow try. to warn a person , it often happened to me that, but here the question is how to warn, how not to harm this, how to scare me? i often met such cases when a girl came to consult. well, a young man met her. and when he closed the car door. i saw him. here it is on the nail, which almost reached the middle of the black dot for him, it ended in failure. uh, well, is it necessary to warn here or not, but people, who do not believe in this do not want to somehow put up with it and know. well, here, probably, the matter is so doubtful, nevertheless, knowledge always opens the way to a solution, and there is such a moment here.

we know that here we have the vertical, and if this sign passes along the vertical and reaches the point of realization right here, then this is an event that can fully reveal itself, and it seems to strive to be realized, but it happens that you see the dot. well, somewhere, maybe, it was in the middle. maybe somewhere on the side. well that she is somehow aiming at this central vertical. lnu line, well, let's say at this intersection. here, there is such a situation. if you understand that something so rather dubious threatens you, then as soon as you start to analyze the situation, as soon as you identify it and understand that a rather dubious company is calling you somewhere. and in general, the matter itself. but this i bring is very, not literal, of course, such an example, well

, there are different things so that it is not there, yes or you will have some kind of trip quite like this the far one can also be unsafe, then if a person felt this disturbing story and tries to get away from it, then this point this one tends not to get to the center, but to deviate somewhat to the side, but in any direction and then not getting into the center. yes, events seem to be unpleasant, but it doesn’t happen from the worst , and in my practice there was such a case when the girl disappeared, brother, she was very worried and such an unpleasant point had already organized on her nail, no one knew where he was already thought of the worst, but i saw that this is the point

shifted. she didn't go in the middle. and indeed a brother was found, but there were troubles, of course, but at least everything ended well, but the stress itself , of course, still made itself felt often, and such a situation that you see, a on the thumbnail. but let it be like this, like a concave part right here , bent inward on the nail. very often this speaks of big problems, and with some kind of airways coming, and then, she first goes from below, and then goes up and up, and, as it were, deepens at the moment of this deepening. it can give some problem with the upper respiratory tract, or i even go lower, the deeper this deflection, the deeper. this is such a fold, as if on a nail, the more difficult the situation, maybe there is such an observation. well, at least it is connected with such ancient views. although i also

observed that it works, that for girls, but on the thumb, if there is such a depression. and there are still big problems with the mother-in-law, i can’t say that this is 100% works, but in my eyes it was confirmed. not once i understand what may arise, but it is quite a natural question. but what to do if you see these dots? well, we probably need to go through some school to learn how to deal with this, because each finger speaks of its own area in which this can happen and well , of course, safety is above all and above all it is worth, probably, to warn your loved ones there is one more true amazing way. and i have often seen how it works. there is an essential oil called schizandra, this is lemongrass, in principle, yes, oddly enough, it is very surprising, firstly, it gives rise to such a

positive mood. uh, the perception of everything in the best light is very bright clear perception of information logic. this means the transparency of the look, when you are not clouded, when your brain is impossible for something somehow , you can’t confuse you. uh, you can't be manipulated. here is schisandro, she helps a lot with this. it is also a very strong protective agent. and especially let's say if some kind of negative comes at you. and if it associated with some person, it is almost a mirror reflecting this negativity. again, how to use the oil. well, first of all, it is always there, and the opportunity to wear it in such a small pendant, for example, a jug made of something natural is stone or wood. doesn't matter. dropped there for three days. it works. it is possible to take baths, but this must also be done skillfully, but

by diluting the oil, for example, in a small amount of milk. or in honey, but i prefer milk. it's easier, why is that, if you just drop oil into water, it will float on the surface, and in general i will fulfill my functions, but if you drop it into milk, and then dissolve this milk into an already poured warm, not very hot bath, then it will fulfill its functions, and in general, i have been working with this for many years and i watch how people talk to oils, and they hear them, you really talk to this ethereal substance. you give the task, but you must understand what it is connected with, and in this case we understand that the schizandra is called upon to do something, and to help us protect in some way, give us a clear mind. and even if there is something that we do not notice, but aggressively influencing us, she will try to neutralize it. so if you accept e. a bath with oils in this

way, it will be wonderful, but here, too, there is one such nuance. if you poured water there, and milk with oils. you have to lie down a bit. well, for about 10 minutes, the oils penetrate very quickly and find a breakdown in that system in those cells where something is going wrong. and they are very smart at it. and many questions. they sort of decide. somehow people think like this could happen, but it's magical, but they really are magical. therefore, if you lie in the bathroom, you do not wash yourself, there are some special means there. after that , try not to dry yourself too much with a towel. go out and save yourself the opportunity to stay a little wet so that this oil finally penetrates. these are very powerful things that work and create quite positive events in general. i have seen

many such moments in my life. here we once talked about the thumb and remember and they talked about the fact that some do not have enough will, they lack some kind of self-esteem, sometimes in my life there were many cases when people turned and there were quite difficult situations, in particular. uh, there was a story with one at that time. it was a boy who had. well, about 13 years old then a well, all of a sudden, he had, suicidal thoughts, his parents were very worried about him, he threatened them, uh, jump out of the window and so on all because they had a little daughter, and all attention was to her he lacked this attention when i looked at his map. i saw a powerful artistic person who might prove himself in the banking business. it was strange, but it was a straight man, well, the figure is so interesting, well, 13 years old

, but something happened to him quite difficult and indeed there was a planet that he was hard to explain, it was difficult, of course, we talked and then uh one of the components. and that's all, but the composition of essential oils. i chose my wounds. everyone knows that this is such a plant, but in such a. and in such a form as an essential oil, it is a very powerful creator of inner awareness of self-confidence, the perception of oneself as a person. it really brings a person back to himself, stops making her some kind of whiny compassionate and so on. it creates a feeling. eh, the urge to do something, create something beautiful, and so on. that is, this is the oil that allows you to compensate for this lack of will with a sense of dignity and

self-confidence and self-confidence has passed time. this boy really began, in general, to take such a top position in the bank , and moreover, artistry has not gone away, and in general, everything that was visible in his card all this happened to him. only sometimes a person needs help. there are other oils that very much organize the state of such mental adequacy, rosemary enables you to do well. remember to explain yourself to be heard. that's when the rationality of speech and the perception of this speech , everything becomes possible and admissible. if you add rosemary to the same. well, let's say oil, orange, orange creates an incredible friendliness, an incredible atmosphere, optimism. mm, such fun of perceiving life as something very pleasant

sometimes oil does not mean that you use them there, they help you all the time, but at certain moments, when you need to create this atmosphere, when you need to bring in a certain vibrational tuning determined by it. can help you and of course negotiate, of course. to any form of the need to win trust , to explain oneself to talk, and to create a reason for so that you don't m-m disappoint each other. this, of course, oils can be surprising, and there is no harm in oils. they are only each for their own business. and for what exactly we will get acquainted with them further. it was a witty podcast with you . i am svetlana dear, and i hope my

information was useful to you. hello this is a podcast of eisenstein's witnesses where we are film historians natalya ryabchikova stanislav dedinsky talk about who and how created the cult little-known forgotten classic soviet films. we're climbing in the debris in the archives to tell. why watch soviet cinema now, how to better understand it, how to find new meanings and how to get the most out of it, but today we are not talking about a particular film or even a film in general, but about the place where films are shown, and the moscow international film festival the moscow festival is an event in a broad sense, which over the course of different decades has been filled with different content in different senses of the word and in fact with different cinematography, which was shown at this festival and about what goals and objectives were set before this, and the event before the moscow festival. today we will talk and tell our

viewers. cinema, as we remember, appeared at the end of the 19th century in 1895, and the first festivals arose only in the thirties, and the first very first was the venice festival in the thirty-second year. but the second, by the way, in the thirty-fifth year was the moscow international film festival. this is no coincidence. what happened exactly at the age of thirties, because during the first three decades of the existence of cinemas, in fact, accumulated that amount of material. well, about which one could already seriously say that he has long stories. yes, because any festival. this is summing up summing up the results of what has already been the previous year, or those results that, as it were, are waiting for us ahead, yes , according to the results of viewing, most importantly, as current novelties. and in the thirty-fifth year, it is not by chance that two such return states, fascist, italy and the communist soviet union decided that we need to show the achievements of our cinematography around the world and therefore, first

, the venice festival remains, then the festival in moscow is staged, where, in general, the main object of attention is the films created in these countries in the thirties , two countries that this time from the world , but they were quite closed and italy and the soviet union did not let in, let's say there are as many foreign films on their screens as before and, accordingly, their pictures are also not so seen a lot abroad. and it is precisely these two countries that made such a window the venetian festival. the moscow festival, where in such a limited space-time mode one could show one's own achievements and see the achievements. well, if not the entire world cinematography, then again some parts of it, of course, until the thirties there were filmmakers’ gatherings, there were some more or less festival ones, so to say

, retrospective. moscow cinemas in the mid-twenties spent, for example, comic weeks, that is, they took old comedy tapes of the tenth years, that is, ten years ago, were shown, for example, all week or the writer ilya orenburg came from paris and brought the latest french avant-garde cinema, though not entirely in the film pieces, but some soviet russian film lovers. they could see what the lira market is doing there, what dmitry kirsanov is doing there and in general, france was actually the country that not only , as it is believed, gave rise to cinema, yes, with the lumiere brothers, but also the country where the active viewing movement divorced not just sitting and looking. and the discussion. well, actually fillet, as such a term it is quite a french origin and a french cinematheque. as a matter of fact, this is one of the main such places where there are no cinema lovers to this day, but a place where it has been since

the thirties. and thanks to its creator , the future creator of french semantics. andrei lagua, systematically collected old cinema, discussed old cinema, but also discussed new cinema, because the concept of the festival was born in many respects from the need to watch and discuss the film, and the french don’t feed them bread, just let them discuss some interesting cinema in the thirties. the french were also going to organize, and one of the first festivals, but the festival is not just what we gathered to discuss. this is a state event, and therefore those countries that, and whose leaders are themselves interested in cinema, win the festival race here, therefore italy turns out to be the first mussolini who loved to watch movies, and liked to imagine himself to the heroes of the italian screen, matsesta, a man who organized europe's largest film studio precisely in the thirties repairs, chita 30 is the time when italy wants to compete. and

hollywood already by that time , already existing by that time, in general, dominant , moreover, we are in the field of sound cinema. yes, therefore, the state is interested in how and what films to show, how to duplicate them or not to duplicate them. yes? again , in the soviet union and italy, films traditionally began to be dubbed, that is , voiced, so you can’t hear the original and the sound track, at least, the texts of the original can not be heard. and for example, in the usa it has become customary to give subtitles, and therefore they still don’t like to watch foreign films so hard to read and watch at the same time, because they have a different tradition and that’s it in italy in the thirty-second year the first venice festival was held moreover in 1934, a rather large soviet delegation went to italy, headed by our then director of cinematography , boris shumyansky, then there was such a the idea, but to create soviet

hollywood, but somewhere, but in the south of the soviet union well, a model of hollywood where a there is a lot of sun, a lot of diverse landscapes, and so on, and in shumyansky they gave money in order to go see, and what they do in europe and what is there such a festival and look what's in gold, but this trip it led to the fact that shumyatsky, having returned, decided that, ah, it was necessary to organize a festival, and in fact they were going to organize it at the end of the thirty-fourth year, but the matter dragged on , and it took place at the beginning of the thirty-fifth. and why thirty-four? and, because in the nineteenth year of 919 lenin signed a decree on the nationalization of the film industry, he gave the entire department of the commissariat of education to the ministry of culture, so to speak, from the nineteenth year. actually it was considered. uh, the birth of soviet cinema, so 34 was the 15th anniversary of the decade. we couldn't celebrate twenty-ninth, because it's a transition to sound. this is the building of mosfilm. this is the first five years. this is industrialization. so civilization has absolutely no time for movies.

but the fourth one is chapaev, we have the youth of the maximum. now we can organize a real program. that is , there is already something that you can see for yourself and show others, and let's look at a fragment now. maxim in russian solar, forget this is a house where it is possible, that i will fall in love, this will work. what

do you remember reading about? first, he is out of this nest by cunning. a number of gorges and faithful comrades are waiting for me. kropotezanovsky is a beautiful countess for any to him with all their torn. ha ha angry, she bloody nah make you. forget the whole world she herself. what kind of nonsense is this anton krechet, the famous robber, i ask you not like a book forbidden, in which something bad reigned by order, write such you read. yunost maximov is a wonderful soviet film one of several films that were shown at the moscow festival and judged by none other than sergei mikhailovich einstein, after whom our podcast yunost maximov is named, along with received several other pictures from lenfilm. actually the first prize at

the moscow festival. but the other two awards were received by the french market clair with one of his first sound films and, by the way, walt disney really old disney a was a very important figure and a very important name for soviet animation in those years, because they actively watched the ussr how it was developing in general how the disney film studios generally live where they create the main masterpieces of animation in the thirties . and, of course, we decided to export this technology and try to him to create it on our soil, and the films are shown at the moscow festival. this, of course, is mickey the conductor. and these three little pigs, back on lenta, they played very important values ​​for soviet animators, well, actually, that’s why the festival was such an important cultural event, almost nothing could be seen outside the foreign festival, but in these few weeks it was possible, but all of a sudden to see what was not usually available. this will later be important for the revived

moscow festival, but for now we are in the thirties and, in general, the venice festival continues, and moscow has never been repeated, france is going to create its own festival, moreover, the first festival in cannes was supposed to open on september 1 , the thirty-ninth year, the day when nazi germany entered poland and the actual opening of the festival took place at the end of august, and it was already unclear to the first one whether to continue it or not to continue, they decided to wait further, the events began to develop so quickly that, in general, it was decided not to hold the festival and held it only in the forty-sixth year, but these post-war years it when the festivals started right here uh , born like popcorn in a movie theater one after another one after another, because there was a feeling that well, we are alive, we won, we open up some new world. we open

each other and it is interesting that this moment is the second half of the forties. even despite the fact that the cold war begins rather quickly. uh, this is the time when soviet filmmakers, for example, go to a lot of international reviews, but not all, of course, are microfists. and those who trusted the classics all here are the pudovki, for example, sergei yurtkevich, who became our main representative in general in the canyons and he was such a conductor of some kind of soviet racists into european culture. and it happened, for example, in 1957, when the cranes are flying were in cannes and yudkevich organized a screening of pablo picasso 's film . said, but he describes how they went to picasso's home, how then he gave him some of his work, as he called the real russievsky artist. that is, he appreciated this visual, pictorial

component of a soviet film. if there is some kind of failure in production, who can eliminate it, except for odintsovo, in each workshop there is a technological map of only their stages. they do not know what processes take place before them and after them in order to preserve the secrets. and who knows the details of the whole process, you are crazy, everything will fly into the air. yes, you are not afraid. according to the laws of war new series tomorrow after the vision program can change habitual things it is recommended to apply daily for three months

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169 rubles we trust the rinival we choose. here it must be remembered that during the years of the cold war, the world festival of youth and students arises and one of these festivals takes place in berlin and subsequently this tradition spreads to a variety of countries, including in the fifty-seventh year

it reaches the soviet union where it is already everywhere it flares up unhooked, if i may say so, where they are actively interested in what is happening abroad in the west , where the new generation of soviet youth appears, who wants to be an open world, and this is the point for many of the year 1957, when the soviet union comes from so many countries not only socialist to capitalist students, cultural figures, to share some ideas , and within the framework of this festival, a separate movie is watched, which then, as it is considered will become the future swallow of the predecessor of the moscow festival revived in 1959 . and in this, but at the big festival of youth students there was a small program of films, it became clear that films and film screenings are an opportunity to show, again, what we are doing. we are the ones who come to see us and see what they are doing in

europe in the world and, uh, in 1959. this tradition of showing oneself to see others continued not very big festival with about 20 films films in the competition, of course, not one, but several soviet films at once , and, of course , it was necessary to be the chairman of the jury, and the representative of the soviet union, usually in the sixties, was one of the classics of soviet cinema either sergei gerasimov or sergei yulkevich. so they tarantated him, but it is interesting that the other members of the jury. most were not movie stars. not even filmmakers. but in the first festivals, this was especially noticeable in film critics. european were film historians. eh, here. this very interesting meeting. yes, the combination of practitioners and historians-theorists was clear that it was necessary to comprehend what we see in general in the moscow festival of the very first years. and in general, until today .

he is looking for himself, trying to understand what place he occupies among the other largest or not the largest film festivals in the world of the berlin festival, which by that time had already firmly established itself, and in general, they very often oppose themselves to other festivals in kansk and the festival, where it is being born on the sly. here is the story. well, in many ways, the kansky festival was created as a kind of commercial event, where distributors promoted. they wanted to show their new films , primarily of french production. this is now a glamorous event. and then, well, it was still pretty, well, kind of provincial, provincial history, which just started to create the vintian festival, in general, and the moscow festival in this, but new. or he is looking for his place, it is no coincidence that they decide to hold it not every year, but every 2 of the year, because it should alternate with another major festival in karlovy vary in the number of a major festival of the eastern bloc, that is, we oppose ourselves, also in such larger, let's say, division, and

there is a festival of the eastern bloc. they may be more about art about e, humanism about international friendship. as it is stated in the slogan of the moscow festival. and there are more like commercialized post-war years, western european festivals and there are festivals of capitalist countries, as they are bourgeois art is there for berlin for venice for can. there is socialist art, and in moscow we show it to the audience and to the whole world. yes, but the members of the jury that come to see us, and it's interesting that in the sixty-eighth year the cannes festival, as close as possible to what happened at the moscow festival that's just ah, deglomerization, when the growing student political movement, yes it involved both filmmakers and the festival. it just stopped at some point, because they protested against this very intervention of the sixty-eighth year, when directors hung on the curtains in cannes, trying to

disrupt the next film screening. in general, it was like that. yes, it succeeded. the festival itself was canceled because leftist art, including in europe , of course, they had their own view of what leftist art was and often opposed the soviet union, it was a different direction of leftist ideas, they won, then and in in general, the youth revolution. it was a revolution about justice for how some basic principles. e work with the state. yes for union independents for working hours and so on and so forth. including for the festival to include, er, films made outside of the studio system outside of commercial a film production about people by ordinary people. and something that would be done using the newest, and cinematographic forms in general. this is a very important moment, which is directly related to the history of the moscow festival. after all, what happens in the post-war years. we

know that vladimir ilyich lenin said that cinema is the most important of the arts, which meant that this is the most massive form of art , with the help of which it is possible to convey some ideas to all segments of the population, as it was actually conceived by the lumiere a brothers and other inventors of cinema, and after the war, years , cinema is quite complicated, there are directors who openly declare that they are the authors that they make complex films that are not intended for a wide audience and the festival is an ideal platform for showing such films. well, actually, we are all we know this is the fairy tales of antonione alene the french regime of the term of the year, whose films in the sixties are becoming more and more complicated multi-layered and many other european masters, and now the festival just becomes those platforms where these films are watched, discussed, criticized, scolded, praised, and in general these films pave new paths in the art of cinematography. directors all over the world are guided by them, they are inspired by them, they take some tricks that they spied on in such, in fact, experimental

works. and the moscow festival in 63. it just becomes the place where serious disputes flare up around the film federico fellini 8.5. this is only the third festival and, by the way, it must be said that it is just for the mass audience, maybe it was not originally designed for it, but the mass audience. just a shaft knocks on the moscow festival. this is a very important part of cultural life in general, not only in moscow but also in others. vodyakh, where these films then come and often the audience of the moscow festival in the sixties does not know on the principle that he will watch, uh, season tickets are bought in advance, and then the name is exchanged. it's all a little. such a work is random, but the audience knows nothing about what a category is, and the festival category for them is any foreign film. this is already a novelty, but for the director it was very important. and in general, the classification of world festivals is arranged in such a way that

only the festival where the premiere of a particular film takes place for the first time can have a category a. that is, this important condition should be that the film is nowhere else to watch, but actually as today we know that the premiere will take place in cannes. this is because, firstly , the category festival, and secondly, everyone aspires to go there, and thirdly. uh. in general, as it were, this is already such a standard. well, in the sixties, this was not the case. this is just being born, so we can easily imagine that someone has already seen 8 1/2, but has not seen moscow. and so he enters the competition. of course, fedriko arrives. fellini , we already know him from the movie road, for example, and we already love him in general, nevertheless, for the jury, even this film became very problematic and caused a huge scandal , which we fortunately know about, because that year the jury was represented by a wonderful director and later a memoirist, grigoryevich region. and so, chukhrai talks about how the fate of the main prize

of the festival was decided, because, of course, the jury members wanted to give this prize to the philini, but we said that soviet cinema is a very important part of the moscow festival. yes, and he also watches soviet films and it was assumed, at least to the departments of culture by the propaganda department of the central committee, that the main prize would be taken by a soviet film. that year it was some kind of completely orthodox, realistic film, which was called meet the indulgence. and you. nobody remembers massazhersky about him now, except for this scandal with fellini, because the installation was given to give a prize for the film meet baluev and the jury, in general, rebelled, moreover, grigory chukhraev, the chairman of the jury, rebelled. he said that he would resign from all his posts if, against the will of the jury, there, already half was ready to leave for their own country, without waiting for

the award. and if, in addition to more than a jury, a film about filin, the prince does not give a scandal brewing grandiose absolutely yes, and in the end , all the same, chukhrai and the jury members. the victorious philistines received a prize, said from the stage that this was the most important principle for him, because he received it in the soviet union and to some extent the situation was saved, but in the following years it became customary that three main prizes were awarded one film to the soviet another film capitalist countries and the third film from the eastern bloc or from one of the countries of asia or latin america, i remind you that this is a podcast of eisenstein's witnesses where we are film historians natalya ryabchikova stanislavsky stories about who and how created the classic forgotten cult unknown soviet films and about how they were watched, today we are talking about exactly this about how the moscow international