look that you performed there, uh, with another partner, and there, both in individual and in the team , you had a good result. it's all over again. and it's also hard to accept everything. although this is the easiest of what was and therefore and until the moment when there was a turning point in the year when we did not go to the olympic games in kinchany. it's just that it was the starting point only upwards, either or everything . and this is some kind of. ah, planetary mystery. here it really settled down when we came to zhulin. i even myself at this moment in the first year when you came to zhulin, i don’t remember much, as if there were some echoes of what was. that’s what got in the way. maybe, maybe, in my character, maybe, in skating in ours, it’s compatible there, wait, i’ll interrupt you, firstly, you already skated zhulin. prior to this , sasha spent all his junior years and became the world champion, then you

moved to the group with nikolai morozov. yes, and this departure from zhulin, then the forced return to him. how did you even manage to search? how do you remember this conversation in general with sasha sasha and i want to go back to you, of course, he did not come to the first conversation of the local came. uh, pyotr vyacheslavovich durnev pyotr durnev is a wonderful coach technical specialists from the team of alexander zhulin so, uh, he asked me a tricky question, are you sure? how can we train together? here, where is zhulin with aleksandrovich, uh, we met the next day, in my opinion, well, it doesn’t matter already there on another day. we met. he just said guys, come on, i'm waiting for you. training, let's see, here we are a wonderful team. come and work i will be glad. that is. he immediately buried these grievances. we did not have a single conversation on this topic; in general, alexander zhulin is known, first of all

, for raising tatyana to kurmans. kostomarov. these comparisons began, that vika looks very much like tanya nikita becomes like roma how did you like such a comparison and did you want to be like champions, wonderful comparisons are much better than compared when we got up a couple with vika so uh, only an honor uh, well , what can i say about vika and tanya, uh, really, there is just a banal similarity in the hair color of the figure, they are tall beautiful blondes. uh, i know that one of the dresses in this insider info was made in tannin patterns for you and zhulin. he told me that he could not offer it to anyone, because it did not suit anyone. she just sat you down like it was done for you. yes,

it is, and moreover, it was an olympic dress for a free program a and and this it was so fleeting. let's. well, try it, just try it, and we attached it like that, i tried it on. really looks very cool. and i really liked it. most importantly, that is, i am still such a person that if i don’t like it, i won’t go out in this, i even breathed in. it's some kind of confidence. we are all the same sovereign little sports people. now, if she won the olympics, i don’t even have this idea at all. that is , the most important thing for me is just that i feel confident that i liked you. our olympic year with tatiana we skated. e pro art super star in the free program. we had a white dress all season. and we needed to change something. we didn’t succeed in any way and tanya undertook to make herself a yellow dress, in which she also said she obviously felt more confident and went out and did everything, really. well , it might be subconscious. or maybe it just gives confidence. i don't

know how it works. well, for those who have just joined us. i remind you that this is a free program podcast. i am maxim tankov and my interlocutors today you had olympic champions victoria sinitsyna and nikita katsapov, maybe some role models in sports in your ice dancing, who you would like to emulate, who you looked at and thought yes. that's cool. and it would be nice to get closer. or maybe surpass. i can now name at least three couples. for all my life in figure skating i have been following at least three exactly and even specific programs that inspired me in general and inspired me, which i reviewed some important periods of time there. uh, but than closer there, everything was suitable for these olympic games. well, 2 years, 3 years. i realized that here you need to concentrate so much on yourself, so

look at yourself to improve yourself. uh, every move you make, it just falls out by itself. here at this level, maybe just already old, that is, at the olympic games. i was already 30 years old and maybe somehow because of this it affected, but there up to twenty-two here at the olympic games in sochi , of course, when you share the ice with the tessa, and scott and the world champions then with charlie and meryl. eh, which is less? i have some kind of idols there, probably, as well as for you, maybe yes, cattle are paths, and yet it’s just kind of, ghostly for me there were people who looked at you and strove to be a partner like cattle. and this is wow then for you for yourself this is your motivator, right here and now plus even when you personally know these people, you inspired me very much. well, they are our mutual friends. yes, only i'm older and i generally

grew up with them from juniors and in one of the conversations cattle told me that nikita is generally, like , the best partner in the world now, but he lacks discipline. i think that the discipline, about which, for example, the cattle could say, because we still know very little closely. uh, i got it with the arrival, uh, k- to alexander zhuln and to our coach. and so, as i said. i just need to repeat myself. that's when everything is stacked. this is an internal discipline , some kind of internal calm, and er. a completely new skill for me is the normal absolutely reacting to mistakes to what you don’t have. it turns out that i never allow myself. well, i could never allow it in my life. i am, well, no mistake can happen. and if you go to the program entirely in training, if something went wrong, but it's you more.

well, if this is, say, a program for 4 minutes and something happened in the first minute. well, you need to roll. everything in your head should be the perfect skate, there is always the perfect executed bunch. what a mistake, there shouldn't be any mistakes at all, and the point is. to if no matter what happened to go further even better than it was even just so that not well, everyone forgot or thought at home. damn how cool. now, how great, he knows even more, tensed up even more inspired and let's go. they are even prettier than before. until then, despite this error. and the judge is also human. it seems to me, uh, unless, of course, it's an element that you failed. and if it can be some other things, and maybe he won't even see it. nobody that some mistake. there was and will forgive many things. and that was very important

in fact, it seems to me now that if it had come earlier, maybe some result would have been earlier. this is for me personally. it was very important to vic. what is zhulin's magic, why is the number one coach in ice dancing in the post-soviet space, this bar has been holding up since 2006. i think it all depends on the fact that he feels his athlete very well. this is very important for a coach. and this is located athletes, too, to the coach. that is, uh, we could approach alexandrovich with anything. could tell what we feel, how hard it is for us, or vice versa, that we all feel so cool awesome. let's have more, that is. he adapted to us so much, he did not press very hard, but at the same time he kept him from relaxing. i think this is very important for a coach. and this

helped us, apparently, and psychologically, he also never pressed. he's always like that, everything will be fine, everything will be fine. well, he never drove us anywhere, he didn’t rush us, everything is fine. we adjusted to him adjusted to us right here we felt each other. apparently because of this , alexander zhulin now has a very large group. now your rivals in the russian national team have come with whom you have competed together for many years, and sasha and vanya like she ’s drunkenness for you, especially stepanova bukina we discussed this swick and quite recently and there is no answer yet. it may exist, but it's just not clear while this interzone transitions i want to look at the guys, in general, with a team with ours in action here. um, maybe we can answer a bit later.

well, of course, such a healthy, healthy, calm jealousy is present a little bit. and if suddenly alexander calls and says, nikit vik, i need you. also, when you came to you on the ice, tanya, for example, as i know, navka yes, and with some kind of light helped you come and help, for example, uh, vanya and sasha in staging a program or in serving something i know, maybe psychologically you will agree to help in some way. i know how i'll answer . i'm not sure that vanya and sasha, uh, but we are the same age. i don't know if guys or can do that. uh, here from them hmm it will go to zhulin, that maybe we will invite someone in our direction, maybe it was robin who invited his eternal rival. i invited him to russia, i said, he is a five-time world champion. i don't care, i already won it.

i already proved everything to him, but i want him to share his experience with me, because if i want to skate further, i need someone new , some kind of coach who will give me something new. and let it be a very cool champion who i respect as a rival. listen i believe so then, if if he calls, if they ask e , we will come. so, no need to guess what the guys will think? i ask you, are you ready to cool. real champions you generally consider yourself in the future. maybe as coaches. are you ready to pass on yours to the younger generation, or vika, i’m not that ready. i really want to and i still do not understand at what point this should happen, because i know very precisely. what, what, to achieve, uh, a very cool high result. i have a lot of hours to live on the ice with athletes who still need to find help.

at first it's a huge same path, perhaps, and now it's a fence, but it's no less difficult, and in general i really want the truth, i just don't know yet when, uh, when to start, maybe, but you know better than anyone that if you want something exactly, then it will definitely produce. and you, i can say for sure, but about nikita that he just has a talent for exactly how to teach? how our couples are similar, because as nikita explains and does not explain, well. no one can exactly tell in detail how everything is here, how the body should stand, he will not forget anything. he knows everything about every little thing, and it seems very useful to me, so i’m all for this in general for my knowledge, which, uh, vika and i often communicate very much on the ice. how to make

it more convenient for us, we ride and so on, and i used to be very aggressive, somehow quick-tempered, i probably said, but i tried very hard. eh, this is because of maximalism. well, yes, to make it better here and now, one hundred percent the same thing with me, i began to try, because everything already had to change. it's just with the transition to zhulin, to explain in a different way, a little more intelligibly, calmly stop yourself to show more times, if necessary, and it was precisely in the explanation, it seems to me that i began to feel very quickly that a person simply begins to understand faster, although it seemed to you. why don't you understand that i want you? no, not all people understand what you want from them. and of course, i ’m generally grateful for the knowledge of all the training starts from my mother, who gives me all the most ingenious basic foundations for my entire life gave, and now nikolai morozov and marina

zueva and alexander zhulin from all over the team. yes, and all the people who participated, in general, in this my sports life. i thank everyone. i keep everything in my head. and i hope that here, uh, when once, when i became a coach will help in case of chance, i realized that really every coach. eh, he gave you something, even if you have grievances against some coach. you know what not to do. and this is also a cool experience, and one that helps you. in coaching. the most difficult thing will be to kill the athlete in yourself and become a coach, not be. and here i am, and i did it this way is the most difficult. and you are great, as i understand it, you are ready to just be nikita's muse, i also really want to convey. uh, my experience and knowledge in any case , but so far i have no desire to directly give myself as much as possible to coaching and spend all the time, for example, at the rink, while i don’t have such, maybe

my opinion will change later, but i’m always ready help and be. nearby you see someone now in russian ice dancing, who is able to reach? well, at least yours no success yet. what needs to be done? how to change, what needs to be changed in the russian approach to ice dancing, so that we have some kind of material that can reach the olympic heights, in your opinion, call. sasha you all heard? nikita always ready guys, well, on this, i think on a positive note, our conversation has come to an end. unfortunately, i chatted with you, probably until the very morning, but our air time is not rubber, just like our time in figure skating programs. thank you very much for decorating our broadcast today. you just shine two loving hearts. thank you

very much. thanks a lot. we were cool. it was a podcast, a free program. i am maxim tankov and we are today's guest olympic champions victoria sinitsyna and nikita katsapapov. hello, i'm pilot cosmonaut anton shkaplerov, this is a podcast of space stories. today my guests are actors, milos, bikovich. and evgenia achemenko. we are united by the fact that we have become participants in even the challenge project, which is grandiose on a cosmic scale . russia has taken another step forward. times and proving that we are a space power and always in the first place is a joint project of roscosmos and channel one. this first- time film art challenge comes out of

the 20th on wide screen cinemas. here, tell me. uh, how did you find out about the project at all and your reaction is probably the first reaction, but i introduced the cream to my ex -husband and i always say that i thank my ex-husband for amazing two children, they closed the car, and we are friends with 2010, just when i moved to russia and i even i don’t watch the script if klim calls me and offers me a role. i say, yes, i don't know what the script is, who's playing there? and by the way, it was very real. eh funny when i got on all night the grid called out. i had no idea who was playing and i'm sitting on makeup and girls. so everything is great. and klima is a call from the script, they tell me, but you can already lead volodya to make-up, and vladimir a lvovich mashkov he sits next to me and at that moment i understand, i say so. hello

in gta you play so-and-so there and that's what i'm for i love klim because you never know where you're going to know that the cream has already flown into space. well, of course, well, there was an actress, but there i knew yulia, i knew how everything was, then i met a cutie and found out that it was milash, but why am i saying that e klim has an amazing gift to collect e not just people around him, a creating something completely unique is amazing, which is why i didn't audition. thank you very much, but the menopause is shipenko, and i got there. well, you can say, probably out of friendship and his previous projects. you're playing in the movie doctors retreat. yes, that is, the person who sits in the center with flights to our korolev's soup and helps the main character, is consulted during her operation. just going through i still. i remember when

you start to learn, text and terminology, especially. there's also quickly there a moment of stress. there you need to decide quickly and very quickly our boss is a wonderful artist. igor gordin he calls there before this before and so on. and we had to respond. and when i started, uh, i failed a lot. i honestly i will say, that is, i was so lost, but we had a wonderful wonderful consultant there. thank you very much they have such, guys you have such patience. here, among the cosmonauts, those who around patience just need to erect a monument. well no, of course not. where am i from? well, say, in general, before the project. no, i don't even know what happened. yes , a trifle works every day. tell me how you found out about it. or you, too, again dough. you tell, you can tell a lot, firstly. i found out i'm somewhere

honored local projects. you can eat, we are friends, we are all of us, but i kept this secret for you. no, i'm not us. i just at that time i was somewhere i was somewhere there somewhere you read and yes i read. and then the next time i met with the producers. i haven't met klim yet. then. uh, i met with the producers. i asked already what kind of story it was and so on. they told me more, then i called the terminal. and you're really flying into space. he says, yes, i say, listen, i know that you probably hear this question constantly. a you need someone somewhere to make coffee for you, he said, look, most likely, well, two people are taking here and most likely it will be a woman. and your role what is the surgeon in the film? well, he's very good at what he does. uh, and he's getting ready to go into space to

do the surgery. mm, astronaut, injured in space and can't be brought back to earth, because you know better than me, as uh. uh, endure a very heavy load during the descent and he is in such a state that she will not withstand this load and the only chance for him to survive it's for him to have an operation in orbit, yes , and my character is well, the main candidate for the main presidential candidate for that place to take off and do the operation. but what is happening there and why yulia ended up flying and not my character can already be seen in the film and i think it’s not worth revealing now. that is, it works. well, here in the films, of course, that you yourself rotated with this fugue. yes,

some items. e, in my opinion, it is very interesting, yes, it was held in the city center. we have video. let's remember how was. it was the first time, the more we'll see. in weightlessness , most of your muscles will not be involved; you just need to get used to the simplest movements that you can do on earth. you don't even pay attention weightlessness can cost you injury.

how cool are yours, how did it feel? it's real. weightlessness. yes, it's real. you move, clumsily, even for a moment, right? well, uh, we had to play here. and what happens? and what doesn't work, that is, sometimes we deliberately clumsily do this

thing so that, well, they stop showing. yes yes, show the obstacle that the characters are going through to show how difficult it is. that's how it is when i'm rehearsing in zero gravity. the first time, of course, it doesn’t work out kids, or you were given the opportunity. we how we did we er the first er the first day. uh, they flew once. we had 10 city and 10 times. we were in zero gravity for 23 seconds. we did not shoot, we rehearsed, they explained to us what should be done approximately. what shots should be taken and we rehearsed this one, of course, it didn’t work out right away, but already after there the first second first second attempt. we have already done what we need to do, but sometimes we need to shoot that the camera and the cameraman don’t work, and everything starts flying,

and then there is, uh, guys. uh, gentlemen, the instructors who stand and who i have so daily work that stand already know what after after that today. yes, we have actors today, and it’s clear that you are you, that is, uh, the plane rises and starts to fall and you get into it. this is u weightlessness and after this type sticks u to the floor, because that the plane starts, uh, again getting overloaded, that is, breaking this hill is called loading. yes, yes, and the load is double. that is, you, uh, it’s just you here, if you have 100 kg, these two perverts , like 200, but even then they need to be attracted in order to endure it so that the blood does not descend from the head of the leg and so on, it can lose all knowledge, but guys who

are used to are already standing. they don’t even get up anymore when weightlessness doesn’t work for them, because they just hold on like that and don’t lie down anymore, when the plane is going up, and they they are there . for safety, so that uh in case you 're head up in the twenty-second second, you know, like a dog. they're like, they're just going down quietly like that. yes, yes , you lower it so that you don’t break anything there. listen, was there anything when you were there, well, it’s difficult there, physically it’s scary there, but there were some moments. i didn't feel in danger. well, yes, there is a moment when the plane begins to rise. gives out a piece of paper you sign and the instructor says, in short, planes sometimes fall not this one, but there is a first time for everything and we begin to tell you. if you see, they are so funny. it is told that you e already from this story. it is their lightness of confidence

that becomes easier. and you don't think that this can happen says if you see me that i'm yelling at you, and there is a red red light. it's just that i can help you through this. you have to put on a parachute. i don't have any films on me anymore, when all the parachutes are gone. that is, if you just pass, such a situation when red you have to quickly, then he'll kick you, right? well, let's hope. it will open itself, there is automation to ask. yes, there is an automatic machine. and he says, if it does not open, this is the handle. red ring. yes, red, here to the right, here to the left. so, in short, we meet now at the take away. we continue our conversation with darling bikovich and evgeny okhrimenko, and i am anton shlyaplerov. tell me what happened to you there. is it true, i'm sorry really told before i even became a part of this film i

asked the film we will meet. come on tell me about space, and he told me that you have a program. uh, docking station didn't work. and that you had to manually had to, right? this is the first time i've had to do this, right? it was the first time i ever flew alone with two non-professionals. i have an engineer's board, so all his tasks left me, and i had to simultaneously look with my console, where i have my own information looking at, uh, engineer's board. well, sometimes i can choose on my own, but then we lose the information that i see, well, sometimes it happens that it’s better, it happens that i threw it over and finalized the ship. they made me such a remote control of this size, julia kept it under control, and it was made specifically in case of a non-standard situation. if something is urgent, it is necessary to issue a turn on the engine to turn off its engine. well, somehow the fight will depressurize the ship. if it burns itself just everything we do. we

open the valve, all the air, oxygen leaves, the fire will extinguish itself, but at the same time we are already inflating into the spacesuit. here to all this was done on purpose. uh, remotes are made with such buttons, and i trained to do it. mm came. that's just not a regular situation - this is a manual docking, that is , the automation failed, the backup system and, uh, i had to dock myself. all was good. the most important thing is that the alignment must be perfect. if we trained there, i can’t say that it was right for me, like an unexpected job. no, i trained and trained alone, but there were, uh, nuances. what in order to issue commands e, up to which reached out by hand such a special is there an extension cord? yes, we call her a pointer, she was given a command. i would ask or here's a pointer for you. you hold it and as soon as i tell you, like, give a pointer, well, in short, so that you give me exactly those places where i can

put my hand with a glove, then issue commands and give the clip back well done, he at least stopped filming , because before that he had already filmed the first shooting of such a small one. he had a camera, he was already filming yulia. said. well, where to look there, how which is why he was all the time when we were walking in the machine, i sometimes controlled it like that, and he drove this camera in front of me, but when it all worked, the red light starts to burn. ah, flash fire. we also have a siren in our ears, because we woke up and realized that i was asking for it on the scoreboard, it starts to pop up, various information is also highlighted in red yellow, and so on. all that is, they did not understand what was happening. well, they understood that something was definitely going wrong, well, because we were training, and they sometimes heard that if something happens right there, i open another the book, precisely because and starting to work, therefore the client. the first thing i did was put the camera away and rolled over to shoot. they had some tasks when, when, something like this freelance happens. they had some sort of protocol that they had to do and

abide by. yes, of course, uh, the ship could not completely redo one flight, the ship has been flying for a long time, uh, in addition to the remote control, there are, for example, valves. yes, the valve is not allowed. here is an electric remote control. because electricity, and there are manual valves. well, roughly speaking, there is a valve open closed, it opens the oxygen closes and the climate was like this and yulia has one spacesuit that supplies oxygen to us, the other supplies it. e in general, when we open our helmets, we can breathe easily if we have closed. so it needs to be opened. uh, that valve, so that we have oxygen, uh, went exactly in our spacesuit. next is the valve. here is klima e, which connects. e, just, well, the internal volume of the ship with the external space. that is, the one that is still regular. eh, it's closed. only when we return to earth, when everything is already at an altitude of about 5 km. well, that is, where is normal oxygen. he opens it so that, uh, pressure equalization just happens and

we can already breathe normal earthly air and glue. julia had those flaps, oh, which i must not have gotten any helmet. this is where they learned. right. you say it was such a protocol, they had their own books. the only thing is, they couldn't touch anything themselves. only i said that open that valve we do not call such valves. here, that valve yes, the valve has a long name, but we professionally abbreviate just acronyms, that is, well, there are the first three letters, for example, kvd open kvd - this means pressure equalization valve. we ’ve gotten ahead of ourselves a little, i’m already talking about the docking itself, but we have uh video footage of our own start offers to watch, yes, let’s go back on october 5 , 2021.

what is the power? he left because russia has taken much

more than the first steps, but everyone in the world has a feeling that russia is not the leader in this sense. yes, i think it's this one so this movie. it seems to me a real concrete step towards this. yes, yes, because ok to make a film. uh, in space from the point of view of flight technique technology, and the flight itself. hmm, it is more difficult. in this sense, that here you have to fly without, uh, a second professional, but the rest of the parts. i guess, let's say they didn't interfere with life on the iss. yes, of course, they will trouble some great good, that is, when we docked. the crew that was on board was seven people four. and from the american dragon and three of ours from the russian the ship was expected. even in our russian

segment they prepared a snack for us. that is, they warmed up the food there drinks. well, yes, and of course, the entire station watched the docking itself. uh, and then hay. eh, they were just waiting for them to fly one by one through the transfer hatches from the ship to the station. yes, of course the guys were waiting. eh, we talked a lot, it was interesting for everyone, when we were filming the film, from time to time we flew in to see it. well, how is it going? this is a real step to bring cosmos closer to an ordinary person who will go to the cinema and watch a movie and feel that it is perhaps there will be a lot more people who want to fly, because many people here, i communicate, if the names have already somehow come out of the space age with people, so with young people many people think. it's out of reach. it's actually somewhere on another planet. these are some super people. they

are the smartest , healthiest, strongest . we have never even prepared tourists for 9 months now since it is 3 1/2 months many tourists have again looked at our side and just right after uh, yulia's climate has already flown, two non- professionals have already flown. these were two japanese tourists , they paid 100 million for two there and flew in the same way for 12 days. that is, it became real, uh, the terms are shorter. although we had previously launched, of course, tourists. i say the terms were longer. uh, terminals in this film, he chose a very correct point of view. you know, they tell you, they say you need to make a movie about space. there are a lot of questions here, the main question is what is this movie about? okay, we'll fly i see. we will see the land. we understand we see space understand we see rockets, but what about?

a feature film is a feature film, that is, yes, yes, what is the grain of films, what is the essence of the film, because the film is about whatever the film is about people. it's always about people. it’s always about wherever you fly, it’s always about all sorts of destinies, about the fact that inside the relationship and attitude towards oneself experiences between yes experiences are already yes and this is what the viewer reacts to , he reacts, because he this may in this, yes, it can participate in this, and therefore, it seems to me that the cream has chosen a very correct point of view. he made a movie about how people prepare for this and how useful this one looks real and he had this

experience. he went through this, yes, and so far he and therefore simulators are real instructors, therefore many people directly from the center for only snaps, who, like me, played themselves as instructor doctors and so on. and there is some documentary in this film and that's why it will be so strong. i think that he is doomed to success, that people are true, as if would fly. we have traditions. we watch the film white sun of the desert the day before the start. and when they ask here why such a tradition of film is not coffee at all, i don’t understand at all. firstly, they do not understand the essence of this film, but it seems to me that there will also be a challenge. such a tradition to watch it, just before the start, is not necessary, as all the time, at least for young cosmonauts who did not fly, be sure to listen. i want now about girls. just to ask you about our girl, but tell me about yulia, please, that's how it is in general, in the same place makeup. there, in the same place, how in general, how she did all this, mershi, and i think, yes, yes, and

it was harder than, probably, here on earth, because i myself did not see how they shoot the film, well, after how they got back. eh, here's the earthly part of it filmed. that is, i plunged into your profession and became an actor, that is, yes, indeed, firstly, how many people it already is. well, this is separately for klim's work, how he filmed one, right? i don’t know this crowd there, that person was, maybe more, and just like that, if we talk about assistants to the actors and sit down with her from dressing up, that is, yulia had to, she got up every morning in advance. e, since e is one place for the adoption of e water procedures. washing face in the morning, and so that you don't have what you perceive for the morning. well, how would you officially understand how much this morning is? well, yes, now every 45 minutes you rolled russia into the window. you can't tell what time it is now.