we twisted the winding path for a long time yes and now everything has come to this. unfortunately, the result is all divergent. and i have this, this batch here, of course, it was very sad, and she, uh, incredibly petty in itself. you know, you brought it up right now. hmm, i had a similar moment, uh, related to the beatles. e, lenya leikin. our wonderful. uh, the leningrad clowning master is so poignant, he worked in a circus, desalel did not tell this story. says valera come to us when the eleventh of september this tragedy happened in new york georgeson came to us then georgeson was still alive and makar didn’t come everything was canceled, but the performance of the dusley circus, as bright and like victory over all terrorism in the world, was left and harrison came to this performance where? people

are working. and, uh, i ran up and bought some kind of notebook in the field, said, leikin ran up and opened it on the first page that came across and asked them to sign, showed me a photo that was between us. valera says i decided to get wet after 2 days and opened the notebook to see what mccartney harrison's autographs look like and realized that i bought such a weekly, where every page of the year is a statement of great people. there churchill roosevelt said, i began to search. where are they to write, because i randomly opened and i fall on october and i see that they signed on the page on lena's birthday and his statement is written there in life - this is what comes with us while we are making plans, lena lived and his

autograph is also scanned. well it's now, when you said that there is the saddest song. i have the same. well, it’s you, you understand, yes, that is, it could have gone nuts , and now he has the same one, here’s the case for me to say, well, the ringtone must also be autographed by the beatles arsenal in one of the interviews. and that's what it was, that's the true motivation. here you took, there and so on. girls, what is everything for, but so that we become popular with guitars, girls pay attention to us. that's why i remembered my feelings when i played at the dances there and how the girls looked. we were heroes

cities. here are a few of us a few people of us violence at the hands. that's it. or she would be absolutely. well, as a result of the melody of joy? i always they are different for everyone, the melody of joy, although if it gets here at all it will be. and which always cheers up. as nikolai rastorguev says, i always hear, and everything is always fine with me. you know, when you turn it on on the road, yes, on the highway, you turn it on loudly. and this feeling of some kind of inner drive is so crazy. yes, of course, some actually.

there is a size, and that's it. it's sacred so well done. so this has a very strong effect on some kind of internal state, it raises such a level of adrenaline. here it is in the body. of course there are such things, there are such things, and there are not so many of them, by the way, that's it, there are definitely chains. well, that's all you are.

well, just a positive mood for the future a few words of fans. i want to say that today's e program, on which valera invited me to perform this impromptu. here's how it goes. here's how the card will fall. eh, as we say yes, that's why i, honestly speaking of which, it's very difficult for these all sorts of memories to come to this. this is a coincidence. uh, breaking wars ground is brilliant, that says a lot. here i want. e, of course, you wish the viewer to be pulled out of your past. everything, the very best touching. this is always with you, it always warms the soul and you will be happy now, many of the songs that you perform. you do not know what he wrote and says. i think

that the song is about cognac, it turns out that many people are sure that this is an absolutely folk melody, when folk artists tell me e i will dissolve nicholas russia. eva in the case is absolutely organic, because and who then, if not kolya? so i congratulate you on this . us with air. it was air. when we were young young and touched the beatles, this is the time that i consider the most interesting in the life of mankind. these 60. yes, in the seventies everyone lived after a difficult war with hope for the best. yes the sixties, when children born during the war became young people, and when there was an incredible surge of art and

not only here, but all over the world, italian cinemas. the frenchman is taking off there, you know, and we have a huge number of great films. for example, i'm all there . good luck. i can watch as much as you want. i'm already watching. and that's it. i will not change you. are you going to piss me off too? well , what did the straight man say, so i immediately say, kohl i love you very much. thanks for being equal. and good right. well listen well, it's straight forward, but it doesn't happen like that. it must be in the drum, there are thousands of songs twisted like that.

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hello this is a podcast of eisenstein's witnesses and its leading film historians natalya ryabchikova and stanislav didinsky we talk about who and how created and watched cult well-known little-known forgotten soviet films. this is the school of the moviegoer, where we reveal the secrets of the kenarchives and tell. why watch soviet cinema now, how to better understand it, how to find new meanings in it and get the most out of it. and today we will talk about films that were created and watched during the great patriotic war. stanislav how it all started, how we enter this topic, how we enter this concept of military cinema. well, uh, i must say that as soon as uh,

the country learned that the great patriotic war had begun, and a mass initiative began from below, including among filmmakers, and the idea of ​​\u200b\u200bcreation arose. well, in general, the economics of a reasonably justified film product that can be made in the current conditions that are developing quickly, yes, because after all , filming, as we know, is usually looking for lengthy processes, especially a feature film. you need to validate the script. here you need to approve the actors to build the scenery and so on. in general, this may take half a year and a year and even more, and after some thought, the graphic artists decide what needs to be filmed. short films as soon as possible, and release them on the screen as soon as possible, so that, well, in addition to newsreels, which were so endlessly about how preparations for the front were going. and about it. today we will also talk about a separate profession of cameramen. this is a separate interesting topic, which continues our time to be explored more and more. we know

how biographies. well, then in june of the forty -first year, and a decision is made with the filing initiatives. and some graphic artists will shoot the so-called action movies collections of footage, which will consist of stories. but small ones, and there 10-15 minutes, yes, and tell some well , accessible, but in simple language stories about what is happening in the rear and at the front. let's look at fragments from the combat collection number nine, which just now clearly shows how it was. wait. who are you me? pole quarter number 14 searches to no avail tell that if in an hour it is not issued, then everyone has 10 and so on. thank you for all. goodbye. goodbye. uncle one

minute. don't worry, i'll just show him how to get through the front yard. come on, in fact, combat films collections were not the first, but war films that came out on the screen, because before it all began to be collected into full-length films. yes, these very collections came out, one map of the footage, which was incredibly important, came out already in july in the forty-first year. chapaev is with us. this is an example of how cinema. well, as a kind of phenomenon. yes, in our life it takes, but popular heroes. in particular. here. they took. chapaeva chapaev in the film of the early thirties, as we know, was dying at the end of the tape so dying that it was not clear the situation, but here we are told unambiguously chapaev and chapaev are with us. won't you take it?

come on, vasil ivanovich, come on, come on, come on. finally, vasily ivanovich was waiting for you here, they thought, you won’t swim out, if chapaevna doesn’t swim out. it seems to me that short films are also warming, but the canons of socialism are broken on the soviet screen, because we see really mass cinema, well

in which, as it were, two universes, two multiverses collide or unite in one why did they take chapaev at all, why could they do it a little, it seems like in the series sherlock sherlock dies, and then returns, we don’t know much about how the audience actually watched cinema in the thirties, but we know that the boys ran to watch chapaev dozens of times, because there was a rumor that somewhere in one of the cinemas. chapaev still emerges and this is the desired finale. yes, so that he swims it 7 years later, and it is embodied and it’s good that boris babkinkin returns, like chapaev and the director, but another director here vladimir petrov did peter i, and the vasiliev brothers made the first film, and any characters from the thirties appear in military film collections in the same way. uh, for example, maxim performed by boris chirkov, only they return with other directors. it's so interesting how the directors take, and their favorite character, which was invented by

their other colleagues, and imagine him like that, and such a cameo, and they take it and it turns out, really the universe, but soviet movie heroes and cranes, who all meet in one kind of interesting , but dangerous world. there, of course, there are different plots, there are plots on the theme of some foreign life. yes, the czechoslovaks, poland, where it is already underway, and these fascist populations are fighting. here is how in this assembly block nine there are stories that take place at our front, but everything is largely, of course, on the one hand. we say goodbye to poster style, but the rice begins on the screen and is no longer here semitones. everybody is here. clearly transparent others are built, there are our good enemies and there are bad ones. there are no more gray areas for me. well, at least in the first years in the forty-first forty-second, then it is perceived a little differently, but what else is on the screens. so you woke up on the morning of june 23 and watched what's on in cinemas.

the film alexander nevsky, which was shot by sergei and one of our favorite heroes, immediately returns to the screens. actually. e, in the thirty-eighth year, filmed at a time when a german aggression is growing in the e, the plot, which is absolutely about ancient russia and the middle ages, nevertheless, there are references to e, the knights by these very ones. yes, of course, a and uh, the film is being shot, and then a pact of a young child is concluded and germany already becomes not an adversary, but a certain ally the film is selected from the screen from einsteins make an opera at the bolshoi theater to the cook, but in june the forty -first film instantly returns to the screens and gets a real second life, because this image of nevsky yes, and especially in the finale of the film, turns out to be consonant incredible go and tell everyone in foreign

lands that russia is alive. let them visit us without fear. but if who with the sword comes to us from the sword and perishes. on that stands and will stand the russian land. it is interesting that when this film is taken at 30 , almost nothing is known about nevsky, and when the order of alexander nevsky is found during the war , then the image on the order. this is not some medieval image. and this is actually a stylized nikolai cherkasov in the role of nevsky it seems to me that this is the connection between screen cinema and real life. here absolutely straight. and, of course, there were films that were made before the war, for example. in the summer of the forty-first year in july in august. there is a color film in moscow. the little humpbacked horse. it was just taken down. this is

one of the first soviet color films. the first color film is a fairy tale. and in five moscow cinemas in august of the forty-first year, you can see what kind of humpbacked man in september comes out, masquerade, masquerade, which is called the swan song of the pre-war lenfilm, because sergei gerasimov finished shooting the film adaptation of lermontov 21 june 1941, not 22. they should have shown him ready. naturally, this did not happen. the film was sent by plane to moscow, and the negative plane was shot down. they had to , uh, take positive positive copy. yes, and they are already doing the so-called counterattack with it, that is , the second negative from this negative is already making new copies, that is, the film, in general, they can disappear so they disappeared. in fact, many of the films in leningrad are those that were shot in the twenties, because after the evacuation of the partial alinfilm, there were some things. uh,

for example, yes, well, so that incendiary bombs do not come across, because it must be recalled that at this time the film is still extremely combustible and if a spark gets there , everything can simply burn out, therefore, in moscow, i buried films in the yard in the boom, as it is believed dug bezhin meadow and dug up this legend is the same as the films that were buried before the revolutionary filmmakers and businessmen producers. yes, before leaving for emigration, they also buried in their yard at the studio, and then when these films were taken out it turned out that they were all rotten.