don't watch relationships bring pain actually, it's true. and here is the phrase that yes , i'm sorry, i just noted 25 years in a relationship. uh, the wedding, how she silver poorly prepared. well, thank you. yes, relationships hurt. but that relationships only bring pain is a lie, and the truth of relationships brings pain and joy of limitation and opportunity. they gave birth to beautiful children, completely without pain. don't remember too much. well , there was such a motivation, i wanted children and there was a really strong motivation that we are by nature. yes? see, it's not about motivation in your fear. pain fear of pain also takes your strength and loads your nervous system fear of pain is not because it is sick. but because there is an opinion that there should be no pain in life, that life should be. oh my

love for pro unicorns and pink clouds. yes, the denial of pain leads to increased pain. and vice versa, when we gradually, but regularly, begin to speak to ourselves elena. yes, in my life, there can be pain. do you know why there may be pain in your life, because you are a person, my good girl. here you are the man in your life, maybe pain, and in my life , in the life of natalia and in the life of even your daughter, there may be pain. pain is a normal part of a mentally healthy person's life trying to throw the pain away. this is an attempt to become mentally ill. well, let's talk about what the picture

of your life could be, in which, of course, this pain will be, but joy and happiness will be more justified and will cover this pain and overshadow it. as i understand it, there are two scenarios to leave everything as it is, even three, and try to build relationships in a different way literally. yes, you are like here, how to manage the relationship with the biological father of your children or radically reboot everything and maybe build this complete family with another person. here is which of these options seems to you, well, more feasible and desirable. well, leave everything as it is, there are no options, otherwise you wouldn’t have me here , just build a new family. well then , please, allocate time for this, because this is what i work, children study, and then i

as if there is no time, but i want to. no , an adult understands that if he wants something , he needs to allocate time and effort, and that means that i am not ready or want enough. yes, how are you listening, it's good. we now tell me the theoretical advice is very smart. yes, we are sitting here all over the country to be smart. i'll tell you that it needs to be moved. that's 24 hours in a day. something has to move something. you'll have to take a risk. yes yes. well, what is frank? yes, i confess to talking with you. i just started to open up. yes, like a woman , yes, and somehow already smile a little and already it turns out to shoot with eyes, but well, literally a month or two. so, well, on sagittarius. well, they shot. yes, that's how it starts. yes, once again try to get out, do not invest in the beginning relationship. just some kind of

expectations, just starting out, as if it were just shooting eyes, remember, right? yes, yes, here are the guys, as it will be, you will shoot more and more here right there, you don’t put your soul into it. yes, well done, now the blitz of your questions that you asked us before yes , your questionnaire, how to explain that the children do not guilty. it will not be possible to explain in any way in the near future, but it will be possible to explain, take this position. i don't expect results. i just do it. and how to explain in words explain in words docha you're not to blame, and i'm not to blame. it just works out that way. one time, second third fifth tenth twenty-fifth - 45 to explain, but did not explain heard. yes , the second, how to convey to children that dad loves them? are you delivering again? yes, but in general, this is the task of the pope, therefore, in our entire

conversation today. i never once heard you called dad and said, hey, actually, you have a daughter. she loves you. she actually cries be kind. explain to her more than once. and 10, that you love her? why didn't you do that? well, once, when she just came in with a tantrum, we got through to him. yes, after all, there was some kind of dialogue, which means that it’s just important that it’s not at the moment of hysteria. and regularly regularly regularly regularly. vasya you have a daughter. i just saw this kind of denial right now. why can't you do it with a cold head? call to discuss what's getting in the way, but as if i were again this is my task somehow that's all, of course, this is your task, there is nothing terrible in this. it's okay to have some kind of reaction. i know, well, cry for another half an hour of your life you don’t feel like it,

because here you are again some kind of burn reflex why are you afraid that you will bite you and cry? yes, well, that is , to persuade dad to fall in love somehow. well, somehow convey the daughter to persuade. here he loves, judging by what he does, he loves. just you understand that people love them too, but differently, yes, so you just show that you can love in a different way. but and and once and the second and third and fifth. for some reason it seems to me that if another man appears in your life, you will have other relationships , you will have a future, you will stop pulling your arms and legs. it’s from this red-hot past of yours from a past that didn’t get sick, on the contrary, everything, when you stop pulling , a man will appear in you . . well

extreme question. do i need to take on the role of mom and dad. and where do you go, take it, take it? just don't make a mistake. yes , because look, this is a mistake, that i'm a dad, which means, well, the role of a dad, but what do i earn there? yes, but i'm like a mother, always in everything, affectionate, so gentle and understanding, and this is also strictness. but the mistake you know what to be and dad and mom, it's kind of like me, my life didn't work out, it didn't work out. yes, it's okay to be both mom and dad. you are well done. you are a cool pole okay. yes, it happened now society society so happened would like it differently, yes, but disaster or not. it was a podcast about normality, friends of the psyche, where i am a journalist, natalya loseva and my co-host, candidate of psychological sciences, a clinical psychologist. mikhail khors is dragging this very normality into the light of god and

the story of our heroine. and lena will very, very much resonate with the hearts of many to come to visit us. and all episodes of the podcast psyche. you can watch it on the first channel website. creative industry podcast on channel one with you still your favorite presenter roman karmanov elena kiper and visiting us today, i didn’t even have legs all day, to be honest, from fear of contact with the super legend people’s artist of the russian federation, artistic director of the moscow theater of oleg tabakov vladimir mashkov hello it’s very nice in april, in my opinion, the numbers 23-24 will be 5 years as

the head of the theater. uh, will there be separate celebrations for this? they prompted me to this idea, let's think, let's think the theater lives, here and now, therefore, these are the decisions there can be taken very spontaneously. the fact is that i was lucky. i have been building a team over these five years. which helps. exist at the right level carefully focused conscious these five years is happiness more than it is unconditionally happiness. this is happiness, knowledge, education of oneself, education by one's own personal example. in general, we have a lot of activity , we have done a lot, our team has done a lot, because

we have not just a theater. oleg pavlovich tabakov who created our little theater in the basement. he created it as a studio at the theater palace of pioneers, selecting 40 guys there, then 10 remained, and so on entered gitis. and so life began, then a basement appeared, then it appeared. after 30 years, at the end of oleg pavlovich’s life, a new building and we are in development and but the foundations the fact is that oleg pavlovich opened, and 10 years ago, a theater school that uh existed, as a college, his dream was for the guys to study in her early. this is the dream of educators. you know, it seems to me artistic, but the period of life the professional should start around

the age of 15, because this is the most emotional time that we actually achieved. now we don’t have a college, because after our college our guys have to go back to school. at the institute, ready. artists came out, they must be on stage. before leaving the theater school, you understand, the artist grows on the stage with his partners, this is a collective activity, therefore, this moment of exit and work with professional actors just gives birth to him, and you know, and we have achieved, but to spend 8 years for a person to study, well, firstly, this is for the state. it seems to me that this is true for

the artist as well, so we proposed a new experimental program prepared. it is called as an integrated program of secondary general and higher education. we are recruiting guys all over the country, all the teachers themselves are acting actors of the theater, they just get on the plane of the group flying around the city. here kaliningrad was in vladivostok, we are looking at about 3,000 young guys. we have a lot of information, and the guys who are interested in this activity. naturally. we have 24 places. a little, and thanks to moscow, these educational institutions are free of charge, fully supported by moscow, they come to us after the ninth grade

and after 5 years of study they receive a diploma of higher education. this is the earliest acting education that has already existed in this format for a year. eh, experiment. we have to confirm in a year . the fact is that, you know, every year 600 artists graduate in the country, many even in our theater they come to be shown. when we have there is such an opportunity for someone to take a different level, there is a talented one, there are less talented ones, who happened by chance, because a lot of paid courses have appeared . it is impossible to train an artist for a fee, as a rule, artists are people. low-income because psychophysics is organized in a different way.

yes, that's exactly what you said. a very precise word is passion, without which it is impossible to comprehend this profession. actor see actors. please tell me, i myself became interested in this once, and what is the difference between an actor and an artist? now we must make a surprised face. yes, i have no idea, but there are probably many different versions. it seems to me that fonvizin gave it extremely accurately, he said, an actor is a talented performer, and an artist is an artist-creator, exactly that's who our higher education then graduates in different ways. it is the same and always in general in this activity it is very difficult to say what we are doing there, and we are churning out talents. it's

impossible talent is a timid thing. it is like a fire if you feed it your passion with a passionate relationship to your work. it won't flare up. that's for my activity. uh, watching the guys listening carefully doing this was not such that oh and you lose consciousness from the talents of a person, on the contrary, you try to break it all for him and see his sincerity. just talk about how attentive he is, how well his indicative reflex works, how mobile he is, how he hears. here and from this from all the impression is created and further this moment is very important. uh teacher. in this sense, the teacher, as soon as he opens the door, the student enters himself and he must enter swiftly, swiftly, comprehending,

especially our school. she is his face and we demand we have a method. uh, we've got a lot of work going on. uh, for which i am grateful to moscow state university and uh institute of psychology. e, yuriy petrovichanchenko, who oversees our project and joint how does the door move in this direction. how to find the most important? the artist's point of sensual attention, if the experiment is deemed successful, of which i personally have no doubt, what will happen next, and then we will continue our activities 24 people will turn. this is us dialing 24 i showed a person from the practice on that course, which we have the fourth and will become the fifth. there are 11 guys left and on the second, which will be

the third, 12. what happened? they made a wonderful return to school. many of them, in my opinion, the vast majority entered the theater school institutes. you see, we have, in this sense, we have them very busy with work and all the time. you need to accumulate a lot of skills, a lot of knowledge, and we have a lot of subjects that are not available in other theatrical educational institutions, so they can’t stand it, or something, some of them can’t stand it, if we do not see desire and development, you understand at 15 years old come guys. why is it very common? sometimes people don't even understand at 20. why did they go into artists this desire, interest , passion.

no, no, understanding her, because she, first of all, what i think brings fame, so since it 's so hot, the flames, of course, fly there and moths and bugs, well, they all go differently. but who can stand it, then, uh, sometimes it happens. you know how people suddenly act, who did not want to act. and suddenly they open talent, because the artistic warehouse of character, in principle, is inherent in every person. when did you decide that you are an artist? how did it happen? well, i'm so unusual. uh, for a person who got into the theater, fate. i just grew up in the family of an artist director. my mother was a director of the puppet theatre, an amazing director, and my father was an actor , a brilliant puppet theater. we lived first in tula, well, in frunze, then in novokuznetsk, and

this theater was on my head. i didn't like it very much. because first of all they argued in the evening and this conversation about how pinocchio or karabas-barabas went the wrong way or it was more than that, it was all at such a level of passion, of course, at first. this didn’t frighten me even as a child, so i was doing my own thing in an adaptive way. i really liked it. biology was engaged in bugs there and then, when i became older, i realized that i was not studying very well on the other hand. i was offended by the brigade and we had a huge success. i played the guitar. direct songs. in general, i understood that it is necessary to act in theater. i went to act. uh, got ready with the guitar clapping me. i received some kind of spectator prize. that is. in general, what kind of biology is all white biology. here, i went to krasnoyarsk to the institute. i

drove in desperation and passed. the closest to novokuznetsk was a theater school , novosibirsk i got into a shortage of boys, and there i quickly got my bearings already, as soon as you get there, if you are passionately attentive, you have a great desire, and you quickly find your bearings. let's go back to the present in the nineteenth year. you, in general, they said the electricity was out. i’m leaving the cinema, in general, and i didn’t have any in general, how many, well, it turns out 4 years and the film the challenge and you are back in the frame, well, yes, it worked out. that's how not wanting to know, when big artists say they go around and then come back there is, yes in this, yes in this sense, maybe it falls into this category, maybe of course, but hardly, because uh, when i started to practice directly

to the schools and the theatre. and i just realized that here it is necessary to increase the knowledge of my capabilities and strength of energy intensity by a multiple not up to cinema already. well, yes, not at all up to the cinema, but you see, it happened. well, uh, they offered me and just had the opportunity to advance much and had the opportunity to plan, when you saw the script for the first time, here or the call. we love call stories. yes, the producer called the producer. konstantin lvovich suggested this is my story. i met with a terminal, shipyan, whom i knew before. this is an amazing project, unique and a reunion of professionals and, if possible , to be in the present proposed circumstances of the creative industry on

channel one elena visiting vladimir mashkov yes, here is the artist and artistic director of the moscow e-theater oleg tabakov film call. eh, there has never been such a thing in the history of cinema that some actors, they played a role, while others at that time lived a real life, and in fact. these are two worlds that converged on one platform. here's a job for you. uh, in a movie like this, was it a challenge, you know, when even the solution came. eh, after all , people could not believe it for a long time and everyone is really very happy. what happened successfully? the responsibility was enormous the attention of the whole world was cats, and the operations, moreover, the program according to which shipenko was preparing for them, and yulia

overcame. this is a new program for preparing tourists for six months before preparing for at least a year. and here is new knowledge. uh, allow to prepare quite quickly and give the opportunity to people in general, uh, having some unique professions that are required there for certain experiences of discovery and it would be nice if they had the opportunity. because the cosmos is open, we understand that those plans that roskosmos has, they are huge, and uh. i am sure that the one who will be the first on mars is already living among us, the next film has already been promised to be shot. as a matter of fact, on mars or on the moon but it turns out that this film is not only a way to show how much we are ahead of the planet in the entire space, so to speak, but

in what sense, it is also the promotion of roskosmos, because. well, yes, you can prepare in six months. e people, in order for them to fly not just even as tourists, but it works. it is even more difficult than just contemplating through the window. yes, so the data know, as it were, the concept of knowledge. these are temporary contracts of our knowledge are increasing, and in itself about a person, and his capabilities. and technology so yes, you know? here, i think, right now. hmm, it will end quite recently there. i understand the 500 project when there are several. the man was in the same room, simulating this flight to mars for 500 days. yes? so i think, but if the artists are launched, here they are hammering for 500 days, they can stay in the same room. they will do something why do something do, they will do, that is, and this shows and more

once they talk about the possibility of their space industries about the knowledge that already exists and the opportunity that allows non -professionals to get into orbit, this discovery i understand. well, in general, a film that should keep a person in suspense and, in general, by and large. what was the need? sending a person really into space is necessary for the development of mankind for and cinema. and the challenge for people is also undeniable, because yes. and i say again, this study makes it possible to carry out further research. at we have the capacity and strength for this. hmm. and if we talk about, uh, of course, what was filmed in space. this is unique, because everything there

was really harder work than it was in parallel with the work of the station. , because in order not to violate the overall scope of work and, of course, personal courage, but of the crew and our guys. yes, this is the responsibility that was on anton nikolayevich kapliarovich. to the orbit and the events that took place they were very exciting could go wrong, after all real life events of non-stationary situations, probably a lot, but meeting with these people. i have been twice to baikonur, i met. with great serious scientists with foremen with workers who know the kak rocket as their

home in this sense and i know their responsibility and i know how they prepare. and how much soul and excitement is invested. you know, she's like that, when you approach her, she's a small rocket. well, well, it all looks grand compared to what we see, apparently, when you see, she indeed, it seems to be small, but a person suddenly becomes even smaller, he is just kind of tiny, and the space of space is endless and this connection, when you see the preparation and do you hear the sound of the start? the crackle of space when the rocket takes off you were imagine i hope that the whole world and the whole country was at the start, because they were watching and

live. how it happened and these experiences that you feel when you are present at the start, and inside there are people you know well. in general, this won't hide. uh, you know, incredible excitement, so i remember, when the sky was very bright , it was cool, the rocket went away with a bang. ah, i can't say for certain. the cloud, at this moment, the first step should separate, but then it separated and these feelings of this sinking heart , then turned into the east already they happened

, yes, well, there were situations, there the station, you all know, not the first time the spaceship starkovalsya. i was present at mission control during this procedure. and this is probably the moment when you you begin to understand even more, because the first e, the automatic docking system turned off, then the second one turned off after it , manual docking begins, if it hadn’t happened, it would have had to. uh, it's called ballistic descent. as far as i understand, that is, so the name is even unpleasant. yes, you need to drop it. that's where the moment right in the soup, where we were sitting. it's clear they have a connection at the moment when the docking began, the screen turned off, because they entered the zone for 15 minutes at that moment

screen off. this here for me was another, as it were, then a cloud. how then after 15 minutes? uh, they announced that hmm, the beautiful anton nikolayevich kaplyarov docked, and when it started, when they said, and one of the serious big osman said, well, nikolayevich loves it there. well, he really is a master. it's not often, it falls out to an astronaut to do it manually in space, but on earth they master this process. and now you know nikolayevich’s workshops , you can see how he turned out to be, probably, one of the only one, those who could be trusted with such, i understand many of them. well, someone was at that moment, right? the station itself is

gena's colleague, i was lucky in this sense, uh, too. hmm , i'm directly the helicopter in which i was filming right at this moment, that is, i can confirm to you. uh. we have been preparing for them. i knew how to approach the apparatus, what to do and in fact. here we were waiting for eight helicopters for two and a half hours. were in space to see the place where it will land apparatus. two and a half hours later, we saw the dome high and the helicopters were already escorting further, and now, right from our i, i immediately approached, than we ran up there in the image, by the way, they were present there. well, that is, the proposed circumstances do amazing amazing things. you need to come up

and see if people are alive or there, therefore, in whatever image you are. you remain a person if you understand what you are doing, so you know when i approached this device i ran up to it from it, that it, when the landing was very successful through the window. it is such an enchanted grief, still so burning, burning, such covers separated from it, antennas flew out for communication, but i went up to this porthole, which is caught that there is a person, but when the guys appeared from there, this is the first thing, how, what they had the reaction, of course, was also a feeling of joy that you were on earth, and at the same time , i understand that they were pressed by the multi-ton atmosphere of the earth. you have to pick her up. and we continued filming, the guys participated in playing even that day, it turns out that they filmed

what they landed and could already go, like normal people have a rest. that's when the hatch was opened. uh, they immediately hit the screens, uh cinemas, that is, we will see in cinemas, the real moment is absolutely not re-shot, no duplicates of anything. this is really absolutely the moment of landing. everything, as if i was absolutely valuable. this is the rarest case when it is possible for actors to organize such extreme proposed circumstances that are adequate to real ones. that's it. it's of great interest to explore yourself in these proposed circumstances, how the preparation for the role went. who inspired you it so happened that on these shootings i met amazing people and, of course , the inspirer of this process, dmitry

olegovich rogozin. here is his belief in the popular scientific value of the project. and then the masters who know space and anton nikolayevich kaplerov and sergey konstantinovich krikov and the wonderful craftsmen who worked there in the federal air transport agency. you know, this is the concentration of all science, but also including later the consultations of yulia lemeshepenko himself and the herring, who visited and passed this test. the main distinguishing feature. these people are absolute dedication and absolute attention genius - this is not retreat attention. for these people it is clear that they are in this problem, if it

arises all the time the image that you sought to create. he what it was chief designer. it was the flight director , a man who had been in space more than once, having the knowledge, authority and experience of a man who knows the cosmos at that time. here is the existence of this problem. from practically, that is, moreover , if he doesn’t know something, he knows from whom you need to hear, he organizes correctly. talented knowledgeable people around me. how long was filming? that's it for your block. well, it lasted in such small, uh, sections, because we filmed part of it in a built-in

mission control center, no on objects. uh, filmed this is a large ground part. and here is such a difficult moment for me from all this ground part. what was, probably, it was very important to combine e and, above all, for the director to combine, what is happening is a believable story in space with what is happening on the earth of the concept - it means to feel here, to feel this atmosphere. attention, the need for need and salvation. and you had the opportunity, then talk to yulia ask her. well, in general , an actor who is in space, it turns out, of course, is working on a role, that this is all going on a lot of talk about how, how , how. what are the feelings during preparations. uh, i know a lot of secrets, i won’t tell them, but we don’t. now i’ll talk about the fact that if we talk about preparation, of course, it’s very

tough, it was very tough, probably, very tough, correct in relation to both the actors and the director, in order to understand, first of all, the psychological capabilities of the body. you know, a person gets into the orbit by getting into such conditions. hmm weightlessness. it is impossible to check it on the ground for a long time, and klin and yulia, they were as charged as possible and their capabilities and organisms allowed. and then there were various events that allowed me to show it several times. the courage movie is being released as far as it can have an impact on our younger generation. how you think, of course, we are in the hope that the audience of the younger generation, first of all , will see this space with their own eyes and

understand that a person can really do everything and that we are a country of great opportunities. this is what is probably important. each person still saw his goal after watching it. and your challenge. what is his challenge? therefore, this is the motivation to challenge yourself sitting on the couch, and you have to run to draw, sing to learn, this is the challenge challenge yourself first of all hall, which means that the mission of this in this picture has been completed does not stop seeing a lot. i was in different proposed circumstances and work. in different parts

of the world but basically my activity led me there, the meaning of our life in the knowledge of stanislavsky about this. said self-knowledge. there is nothing more interesting in this event than knowledge, because knowledge gives inspiration, that is, a breath of the new, and inspiration, if you are inspired , brings your attention, you become your attention, the feeling where you live becomes you live fast, moving towards a goal that is constantly achieved, but never achievable, and this gives life, like riding a bicycle, you do not pedal, you fall, therefore, this is how you move what we love, on which we must

spend our whole lives to give the impression of the audience and to myself, vladimir lvovich then a film about space means, and then a tour in chersonesus and work on an open site last year and this year, as far as i understand, the continuation of the story will also continue and you will again go to chersonesos and will again stand, scene. and what will happen this time? it was an incredible experience for us, indeed, last year the presidential fund for cultural initiatives allowed us to accomplish this internal mission of ours, because our theater for 400 seats was small here in front of us. uh, a very difficult task in an open-air hall for 1,600 people. and it was necessary to win the confidence of this hall, it was yes

, indeed, we would be very worried, because, but they were and really deliver 300 seats. also in this sense passed. it's very lucky. for us. it's in this atmosphere, of course, we brought the sailor's silence of alexander galich to our performance, staged by oleg pavlovich tabakov, as he called it? this is our seagull, just as the seagull was for the moscow art theater, so it was for our basement theater. this is a play that was banned from this play , the sovremennik theater was supposed to open and oleg nikolaevich efremov left the role that i am performing. i played the greatest genius eugene in stackney. and it made it unique. here was the woman's dress rehearsal from the ministry culture, then sobbed and closed this performance. for 30 years the plays have been coming, we

have restored them, and you know how interesting it is. alexander arkadievich little was in sevastopol for 23 years, and these impressions are like a sailor's silence. but, and what he was talking about, they were born there. from there this atmosphere and this year we will carry. uh, our performance is based on a play by the great and with music by vladimir dashkevich. uh, bombara passion. this will be another challenge. we have four performances on the details of absolutely i, well, here in the hall at the theater is unbelievable. i what will be under open air, even older to imagine. yes, please, we are waiting for you somehow imperceptibly. we have reached the end of the program. but now i can’t help but ask if there is a dream idea , that is, which has not yet been realized, but it is in perspective , so to speak, somewhere far away, the phrase

life is that life does not end with us is very important . who will go further will continue to do this? just as passionately, therefore, here is my dream , that the guys involved in this money are completely fruitful with discoveries. and here stanislavsky, i, once found a favorite quote for myself, i won’t even quote the word , such a concept is better than emission, for which it was criticized, because this is some kind of metaphysical form, so i want to say your participation. he did not test me. thanks a lot. yes, but they really scolded him, so when he came, sex lived. did you emit better or not? now somehow you somehow attracted him or

not? see there. thank you very much and thank you very much dear friends podcast creative industry. on channel one, elena kiper roman karmanov was completed with you and our guest is people's artist of the russian federation, artistic director of the moscow theater oleg tabakov vladimir vladimirovich mashkov thank you, we understand everything in sports that everyone uses, but no one understands what is talking. this is the very area that i am in love with and which has now become my second life for the rest of my life. meet me in the cockpit

today will be such a familiarization introductory flight, i'll show you the landing airplane, in some amazingly strange weather conditions at different airports at night in the afternoon in the fog, from this we will start a conversation about what happens to us in that very delightful moment when we rise in the air ahead of me. 65 135 permit launch, five permit, dear citizens of passengers. welcome aboard flight 1234

training flight we are pleasantly surprised that you have agreed to participate with us. on this training flight. have a nice trip, forever ready to help you get pleasure. i allow this takeoff 06 central takeoff, you need these two handles of the engine control handle, firstly, put the flaps in the first position in order to make it more convenient and easier to take off, then we carefully add engine speed. here i am doing it. the car moved uphill.

it should be noted that now we are flying in ideal conditions in a professional language. it's called a lump of visibility, a million on a million. the weather is beautiful. there is no wind, no turbulence . we quite calmly receive the pleasure of being with you in the air like birds, 5°. to work so we release the closures, 30. 135 landing , i allow our sixth central wind near the earth 80 degrees 5 m / s, gusts, 12.

and here we are at the place. now we will try to show landing. let's say if it's raining, thunderstorm and wind we'll set the conditions. but not to be. the pilot is obliged to follow this cross and this square is obliged to be exactly everything will be fine, so that it does not happen. it is not easy, but nonetheless. landing gear flaps spoilers ready for landing.

a little more difficult, but still. it's possible, now let's try to land the plane. when visibility is poor, let's say fog , i practically won't see anything. difficult. it is necessary to study, my only guideline. this is a device that i do not need to keep this little black square right in the center of the cross, if i do this, everything will be fine.

flaps 30 sheremetyevo 135 landing 0.6 central 135 clear our standing central wind, near the earth 80°, 5 m/s, gusts, 12 and we will show, now one of the most difficult landings. one of the most difficult lanes is located in the mountains for landing at the bhutan airport i'm talking about now. it is necessary to obtain a special license for people who have received such a license in the world , only about 20 people all. let's try

well, we showed you a few introductory take-offs and landings. i hope that we will show you everything as soon as possible, but i can only tell you about the work of pilots and design technicians. fighter tankers and

testers great cause people living in the sky we continue the conversation about aviation. today we we will touch on the topic of surprising little, to whom we know we will talk about psychology. our guest is julia valentina slavinskaya. and valentina hello how do i introduce you? who am i talking to today? medical psychologist candidate of psychological sciences associate professor you are related to aviation, for example, people who are trying to enter aviation , people who have entered some aviation educational institution or people who, for example, are leaving military aviation and are moving into civil aviation, you are related to this

category of people. yes that's right. here are all three the categories you listed are those, uh, aviation personnel who undergo an assessment of their health, including mental volition. flight medical expert commission. the psychologist is being tested. e. well, here, if very briefly succinctly, the first part is the minimum part consists of two blocks. this is an assessment of the mental personality, standing personal characteristics of these responses, prevailing, and so on. and of course, mental stability and the second block are already the highest mental functions of cognitive functions, that is, roughly speaking pc professionally important qualities agree with me, that is, it is obvious. i forbade at the legislative level it is necessary to stop writing about the terrible. the number of publications about

where what happened in the air, where did someone crash with whom else, the rest is unimaginable , nothing like this has ever happened. if you start writing today. how many car accidents and disasters occur on the roads of the country, then people will simply stop driving, because it will simply be scary. here i recently held for students faculty of extreme psychology. there was a master class and we gave statistics. just think about 2000 years 10 years, and such figures lead to eight thousand dead 300 episodes. air accidents. here is a plane crash such a household concept, no matter how represented the level. here are the accidents. naturally, the growth of eight thousand dead means dead. and if we say 21 years old, that’s just 21 years old statistics under an accident 133,000 accidents and 15,000 deaths, can you imagine,

there are 10 years and 8,000, and here 1 year, but the author moves it somehow more, well, you see, it is connected with the surface of the earth. why does the spanish attacks display? feel your legs first, feel your back. feel your hands grounding. this is the normal state of a person. he walks the earth. he is not a bird, he does not fly, he walks, therefore, someone needs this separation. this is the desire to tear off something traditional, some kind of superior technique there, aerodynamics dermatism, in the end, but someone doesn’t need it at all. here and here they are, well, either they fall into all these fake experiences, or simply do it with maximum tension within the framework, as it were, of the norm yes there without the manifestation of any such extreme e manifestations. here, but it is not obtained from this pleasure. naturally.

i say again, this injection will come, i agree one of the factors, in general, phobias arise, this is either a personally negative experience, or in the media getting acquainted with some kind of. that's because when a disaster is described , of course, that's, well, prohibitively how everything is tragic to deepen, therefore, yes, unnecessary information is here, of course. let's say it contributes to the development, thank you very much, the conversation is wonderful, i'm just warning you and our viewers that we, of course, will continue this conversation. we will delve into the psychology of the work of pilots. that is, those who sit in the cockpit. uh, flight attendant psychology and psychology. especially the passengers. uh, because as you correctly noted, the panic on board is worse. no, nothing. it is necessary to do everything possible to avoid it, thank you very much. eh, see you. i hope our conversation is not with you how did it not bother me. it was

interesting for me to talk to you at a party . eh julia slavinskaya psychologist. all the best. see you. lord of the lord will come in to be infused