when it all passed, we have already started to work. here, then the process has already begun. fruitful, we were preparing for one competition, for the second, for the third, for the fourth competition for the exam. yes, because it was necessary to set some goal. come on, after all, we will remind our viewers. er, here, er, that fascination that they certainly experience when they listen to your voice. before you start seeing. i would like to introduce my pianist evgeny sergeyevich hello evgeny sergeyev is an amazing accompanist. i first noticed him at a competition in tver competition lemeshev where he composed a wonderful contestant. and today he is a teacher at the institute of agnes. ah so same works in conservatory. here, and the first work that we will sing, probably, we will sing an elegy.

oil where the runes

came here it is. and love

well here kakashi is good to start our conversation, because right here these notes that forts are loud. well, of course, this is the bass as it is, everything vibrates directly, otherwise these emotional accents are like that. this is how

this ending is, when you sing forever, the same not bass. this is a completely different voice paint , then what to call it? e your no well, look, and there are different gradations in the voice, that is, there is a baritone. dramatic lyric yes there is bass. as they say, we have bass profunds, this is a very low bass, there is an average bass. there is a high bass. and there are bass contabels. this is also a high bass, but it implies a more concise repertoire, more bundles allow you to give out such thin highs. here, for example, yes, low bass and it will be difficult for him to sing such a song, it is also difficult for the average one. here but here's a high bass yes to a drunk drunk to do. here are the nuances. yes, it is easier for us

, and composers wrote more for such a voice than for low basses , there is a party for low basses. yes, but they are not the main parts firstly, that is, it doesn’t matter, do you sing konchak or igor i sang igor here, well, in the future, when igor is sung by both basso and boritones, low ones also sing boris godunov , they also sing like low baritones like these bass is high. that's why there is some kind of, well, gradation of voice, as your voice already will lead how your timbre will sound, because one voice is only material, of course, here, and there we are already working on the subtleties of it ourselves. and then, here's what we heard. and in general, everything you do, it's a whole performance, since your voice allows

you to find any colors. what are necessary for the home? let the performance suspect the figure of the director, among other things. and who is the director, and who are you with dear icebreaker, she finds where which one to take eh? what timbre what paint take it you line this play? or do you have a director, yes, who gives the task. it may be, let's say a performance, if we take boris godunov, which we performed quite recently . but it was a modern production. and in a modern production, it was necessary to find a modern one, not even that modern sound , but a modern approach precisely as dramatic as an actor and also sound, so that it would all be, but in one whole, or

you can illustrate, although, although some passage from this, what are you talking to me about. well, let's say, if we take how they sang, here in the days of fedoron chaliapin yes , i will now slightly depict how this thing would be fyodor ivan chaliapin a single spot accidentally wound up the soul will burn. the heart of poisons will pour. after all, it will be hard for the eyes of the fingers. yes boys and so on. yes, that is, this is it, take chaliapin, and the time when it was today is a little wild, but today we have a different theater. today is another opera.

today we want to do more to give. uh, let's say, as the composer wrote , let's take the composer's line more then. ah, boris godunov simply has another version, and i think there are four different versions. x

the soul will become a hammer knocking here a thief and curses and the soul is holy and the head is spinning in the eyes of the children.

well, this grandiose menu-declamation was more in the days of fyodor ivanovich chaliapin. and today we need to find something between, let's say, the last scene. heights of good from now on at night

some kind of aura is created. yes, yes, this is the meaning of live singing of live art. everything, the theater is alive, first of all it is necessary to understand that this is how your work is built. first, you, apparently, sketch a sketch from one party or another, and then together with the director from the conductor's cell. you sit and hone from the conductor without fail, because the conductors are an ear from the audience. so, who must listen to everything, who must remove the orchestra so

that your voice is heard in the hall, definitely about here, definitely here very much. there should be a scrupulous approach to all this , right every note, so that it is butch -cleaned, and in the orchestra everyone was done in such a way that every instrument that sits in in the orchestra, every musician heard that he was singing from the pit of rocky whose soloist. this is very important, if he does not hear, as they say, then he blocks the singer in the cinema at home, there will be no such effect. well, no way for everyone there, when there is a 3d game graphics all that, but you really get into the ship or you fly upstairs, that's right. yevgeny vladimirovna must

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get up to 70% cashback. he is such a one name o dizziness helps to restore memory and reduce the head. this is an anthropology podcast on our first guest, ildar abdrazakov, let me try now on your ears, and come to the wording, what is talent is talent, it's me who is mokhovy now quoting john mclaughlin flywheel, which, in my opinion, is the best guitarist in the world. and my friend is also the interlocutor. and he says talent. it's when a kind of mystical act occurs, someone hears something that is completely silent for now, and then does it.

hear the rest. well, depending, of course, on how much art he is. can interpret it. so someone hears something that is completely silent so far, which means that someone sends a role drawing for whom. yeah, he directly hears it, but who sends it. but i don't know from there. maybe the channel is closed, but how to open it? it depends already on myself. at one time i was lucky that i was born in the soviet union , we had free education, when i was in italy, they asked me, if you were born in italy, would you sing, i said it’s unlikely, because that i had no money to do vocals, but here i was lucky. i studied here as much as i wanted, when i wanted. well, thank god that i had such a teacher , such a mentor as misha murtazin. what is the name of your first teacher or shagolevna? murta yes, and she is alive, yes, yes, 1,000 years health

is just some kind of boy walking, but she believes that no matter who goes to her class, she has done her job for humanity. yes, but she made grozakova, right? or at least not trampled his talent. no no no. well, you ain't trampled, she i was very controlled at first, he said directly, which parts to sing? which do not sing that fit here neatly here. here think about it about the style and so on, and we really moved me along the rails , so to speak, so that i would not get out of my speech, so that i would sing my repertoire, so as not to harm the poop apparatus. this is very important at 16:00. yes, at 16, well, at 16:00, i only started losing the first sounds, huh? ah, well, let's say at 18:19. yes, even then competitions went and so on to concerts and met irina become anarchipova, who invited me to her concerts

to watch. what is it you lead exemplary. yes, academies , st . and if every second you goats with beards, the road is here, but if it’s already 30 years old, you can’t take a step, because you are an ildarovich. you are the most talented person that i have ever seen, seen and will see, you know and remain such a light person as elena vasilievna and how dimulya is our eternal friend and good memory. i am now leading, please, how much is it, of course, well, amazing, dear friends, what is it? for and what kind of duet was it when these two people towered on the stage, this brunette, and that blonde, like a gray-haired one, how did they sing? maybe i’ll remember something, or he, we really

don’t have these notes, but we sang a peliador and a bullfighter, yes, and drank. we are a duet from don carlos philip and rodrigo and sang a duet, in general we sang a lot of concerts together with him, but, unfortunately, unfortunately, we did not sing with him, neither one opera, but still, dear friends, it’s generally accepted, of course, to drag the blanket over yourself and pour it. uh, as far as i know, broken glass is a rival on the stage of the bolshoi theater. i think it used to be like that, well, they used to close it. dimka could be just as jealous of you. no, why not? i 'll never forget the words of dima and what? i didn’t know, i somehow looked at the program where dima was talking about me, and then he said that today we had a concert and today they came to dmitry hvorostovsky, and they would leave with the name eldar

abdrazakov well, how can he not do this a person who says so, can't do something in a row, very well, you know, well, i must say that we, uh, for example, uh, saw this wonderful creative group. i think, for example, at a charity concert in ufa, my own, and i must say that you and dima did a lot to ensure that those who were not so kissed by the lord from birth. how would you, too, be fair? if only i could get something else, it is also extremely important, extremely important. it's your relationship to your hometown of the nation, you know, usually when a man succeeds, he reluctance. it is said in the city he was born, unless, of course, this is st. petersburg or not , this milan. because if you say this all the time, it’s ufa, then

you will know that, but no, this is the ufa world, when i say that i am from ufa they ask me. yes where is it? and yes, i start showing on the map where it is, and then i say that i was born in this city with breweries. vladimir fedorovich was not born in this city, but rudolf nureyev grew up in this city fyodor chaliapin began his career yes, in this they are in kazan was born. and in ufa, he began to sing as a soloist? oh how yes yes, unfortunately this theater burned down to which he drank. well, from there his such a career began, and it’s not without reason that everyone is so proud of you. it `s naturally. by the way, this is the pride of fellow countrymen, this is a comrade, by the way, an eternal recharge of energy. that's why you

go to ufa all the time, of course i have relatives there. my mother is there. i have friends there, but can you have something national bashkir? well, the russian ear sounds interesting couplet, be healthy. on the side

is beautiful, in general, here. in short, it is sounds important bashkir tatar songs. they are somewhere somewhere similar, because ah. in our family, we always sang tatar songs and bashkir songs, and, uh, you know, there are a lot of tatars living in ufa, so there are a lot of uh, mixed and uh families. that's why i grew up with these tunes. i try to perform them with a classical voice as i would like, how it sounds, how it sounds with professionals who always sing folk songs. there are also a lot of these colors, there is a mass of miliism, and the voice is set in this one, and from spiritual singing you see, of course, and read from swords.

you hear, you will be healthy. what interesting vocals, but these decorations are here, maybe now here, apparently, by the way, i didn’t give up with such a question . no. here is a very dangerous moment parents are not musicians. mom, we have an artist. ah, what are we talking about? i thought she was a meat-packing plant in ufa. i would work in accounting. no, comrades, it’s not mom, we have an artist, but dad was, firstly, he was dramatic an actor. about what then he became an announcer on television. wow, you are the first announcer on bashkir television, you have a voice from him. oh , i think that the voice is from both mom and dad. yes , because our mother sang. they are just mom dad her dad my grandfather forbade to go

to study with you. and so she did not, when it was her time to ban. so apparently all this was passed on to me by my brother here is a brother, my singer oscar abdrazakov is an opera singer, where he sings everywhere, well, now he sings, and in ufa and in the mari theater, and jealousy for you is from the side of the brother. i think it should be asked of him should get equally. how mother's love remained. and why do you understand this, you will announce ildar in vienna and have dinner , uh, in a gift, and he sings in the office, let 's let this question go. still. let's drop it. yes, he is better. ask i rejoice in his success. he is also a director and also performs productions, if this is the ussr

my topic is the ussr, i’ll tell you the next one, it was supposed to say that, who are you? well, i'm a singer. what is your profession? yes? yes, yes, in the evenings i am a singer, and in the daytime you are like known history. what is in general? do you know? yes? there now such a thing is going to the entrance, we go in, which means that it rises towards the apartment and two men are standing. he says third more. well , let's just a little, well, the beginnings were okay, they say to him. and who are you talking? well, i'm a composer. okay, you don't want to talk. so i must tell you that at some point you must come when you will say yourself. i am a musician, i mean, i will make a living not as a mechanic, nor as a machinist. although i dreamed of a machinist, but not a machinist, but to be the driver of a big ah, some kind of truck

, you know such a car that shines when you drive around russia to eat. songs. here i dreamed. and here, but this is rushing about in childhood, when i was there four, three, four years old, and you drank in the children's choir, still not yet broken in a voice, of course, you were ears and a voice. it was a connection, of course. well, yes, that is, i had their choir, i also had solfeggio. i had both musical literature and the piano. i learned to play. here is the night, something somewhere is not went at the same time, i was bored. well, yes, i had. energy that i was bored of sitting and learning. uh, different eds of czerny and bach in general, i gave up this business. so i went to high school, thus i seemed to have more time. i dedicated. uh, it's time for friends, sports, and other fun

activities. unless, of course, you remember our conversation with dima hvorostovsky, but i tell him, and depp may have sung, but he disappeared and sang where did you get this opera from? suddenly manifested after all, because you 're telling. and also sports. yes, it smelled there uh, the group and nirvana the black shapass group, what is all this to us igor what is this konchak and who is this, you understand? it is truth too. apparently i did not see any prospects, i was not going to at all. well be an opera singer. okay, i'm here to work. vocals, so that hmm go then to the philharmonic, and to sing songs i don’t know magomayev from the repertoire. yes, everything is kobzon there. here’s something, here’s a soviet one, here’s ibragimov, so that, well, maybe i don’t know how his nation didn’t think that i would be in

the mari theater, all the more caressed or before subway never thought. how did your mom let you go? well, how not to let go, if a person, if a son, especially the son is promising and everyone says that your teacher can be. and whose name did you remember with such gratitude today, meant working not only with you, but with your mother too, maybe she told her, listen, he seems to be a genius, well, i don’t think she said that he genius, but because we never know when it all might end, the voice is such a fragile apparatus that many of my colleagues have it. how many times how many times have i seen such singers who started with me, then stopped. this is big. it's not just singing. you are out of singing. this is even more work. mental. here you need to be healthy nominally mentally healthy. that is,

you know, you go out and there are 3-4 thousand people in front of you, right? the orchestra behind the choir, well, everyone is looking at you and everyone is waiting for you. and this is what you always need to feed. it is always necessary to give all the accumulated energy, what to give is just the point, therefore, it is necessary , therefore, someone needs to take, therefore, sometimes rest. listen, we force you with your expensive apparatus here, you understand? then, it would be better if we ask you to give us the opportunity to enjoy the nuances. here's something else. you are worth your weight in gold.

the fire is easy

to extract, poured out

speed

i would, of course, wish you to achieve something else. although they do, but what else is some such role that you dreamed of. and i still don't. or maybe it hasn't even been written yet. maybe there is no limit to perfection, we will improve. eat there is still a lot to work on. the main thing is that the soul sings, and when the soul sings. well, god forbid, what is your poet's soul? i know that your incredibly beautiful wife would continue to have the same happy face as she always has when we see each other in various family

events of new creative success. thanks a lot. all the best, dear friends. thank you for your attention until next time. we've all learned a little bit of something and somehow. well, where without aisan sergeevich hello, today we gathered our thoughts on about what and how they teach or should be taught in modern schools. olga alexandrovna dmitrieva director of the shuvalov school in moscow electric, uskov founder of the e, school and university in yoshkar-ola. i'm vladimir hello friends, i had deans in my podcast. e two moscow universities and at the end of the program. i

asked them what they lack in first-year students, that is, those who come to them after school. and now i want to share their answer with you and listen to what you think about this, the first thing you said lack of independence very dependent on the opinions of parents, there classmates classmates friends, and so on. the second lacks curiosity. nothing is interesting and the third is missing. as one of the deans put it, the very donation, and then he really explained a little, he said that they are not ready to wait, they want to endure here and today we will remember this famous one, and the experiment is now one candy or three, but the day after tomorrow, yes, choose. mostly one today , i would like you and i to start with this ourselves agree disagree. according to of course you will refute something. it seems to me that lately, uh, we have been brought up on the contrary conditionally. well, let's say, but in my childhood

, i had very strict parents in my childhood, so i allow everything to my children or you know me at school. uh, they taught me to walk in formation. i didn’t like it so much, so i grew up and decided to open my own private school so that children go there, how are these bodies? yes, i have already thrown a pebble into the garden, and we have made a lot of bets on success on substantive success. yet again successful for what, so that you are competitive. why is it competitive, so that you can sleep well, sweetly, that you lived comfortably and this led to the fact that, probably, something most important was gone from education for that is, we stopped forming good people, and uh, so that they, well, at least in some way make efforts on themselves, because education is actually about effort, when you are not given ready-made knowledge, when you are a little on tiptoe, as if trying to reach out, but

they are talking about this more profitable, we more talk and speeches. i i agree with olga alexandrovna in everything, but i’ll add a little. the fact is that, for example, at school they taught me to walk in formation. i liked it, and in my private school. i miss this. so why are you? the fact is that the founders are not the person who more than 100 percent determines the format. yes, if the teaching team the teaching team forms the format and now the teachers are not ready, uh, to teach children to walk in formation, although this it would never hurt to add at all, in fact discipline and diligence have never spoiled anyone. that's why. listen, and here, maybe it's a trifle. come on, here, i just wrote a test today as students. uh-huh, i say guys, well, they're done, we're putting on a simple story. here is from the middle. well, a large streaming quarter of the amphitheater, i say, rent it out , uh, well, to the extreme one sitting on the edge, and then it’s simple from top to bottom, that is, two procedures in two moves three times had to be explained, we barely

collected the papers. i'll develop my thoughts, but the deans have been voiced. yes, what is the problem with children not formed by thinking, not formed at all, the quality of thinking has fallen significantly. and what does this thinking mean? well, a lot of things, but a lot of things, for example, the ability to abstract, it develops there by the age of 12. we should actively develop high school or just logic, yes or just the basics of systems thinking. let's say there is practically nothing, a low level of subjectivity. well, as we say, when a person thinks he is led, this is normal for him. yes, he does not know who he is, where he is , why where and what should be in good variant that in the bad there are schools. they work on subjectivity, there are several types of elite schools, there in moscow it’s directly subjectivity subjectivity, he says, subjectivity is a bit of a dangerous road. yes, and you work in yoshkar-ola, of course , subjectivity must be balanced, because active work in subjectivity leads to an increase in goncentrism, and

life will be difficult for such a person, and about the productivity of sociality. there will also be questions. olga san but here is the lack of curiosity. you agreed with this too. yes, yes, but you, uh, understand right. yes, not that this pebble is your garden, but the deans were talking about the guys who come from you. why doesn't it work? i agree. i'd like to add here hmm yes, it's really difficult for the guys, fishing. well, that is, the biggest mistake, for example, in the analysis of the text, that the guys cannot determine the main idea of ​​the text, and we generally have a hard time analyzing what has been read. and we understand this, it is a deficit, indeed. yes, because most often the child cannot solve the problem, not because he does not know how to solve it. he doesn't understand her conditions. he really can't read it. we understand this now, to be honest, we are working on it. we are looking for methods that are connected with why. this is why here used to understand it at all.