then only give modest, leading questions, because i know that the beauty of a conversation with a friend is to talk about myself today only about you, my dear. so the melody of childhood. well, everything that is connected is clear that she is not alone, but uh, just to uh thanks to this melody, lean on and remember in general, how from the moment when you remember yourself, roughly speaking, you know, i was probably only two years old when i constantly listened to the same song, i found this record was set to the old ruler, belarus was there and a receiver and a record player and there was a song of this with marina marina marina even hid this record from me, my grandmother hid it, but i still found it. i am some kind of italian, he also has such a surname, and the author remembered the fate of the grenade. but you know, there could be someone from the south of slavs, remember? there i am also not sure if this is his i

recently took this record to listen to again . well, it seemed to me that female voices sang, and perhaps, but, and everything that is on the internet, everything is exactly a grenade, and others drank. eh, and in my opinion, almost catch prima sang. you are just my favorite, that is, this song is quite like that. well, old, but we had it on a record from this. well, do you remember these were these bonaseras. well , this, by the way, was also there, but it was also such a plastic one, in my opinion, it was a plastic record or a very small minion like that. so i heard this song on it and i was torn from me from this melody. yes. well, i would have pinned myself.

that is, it is long before when philip kirkorov performs this song with pleasure long before them, igor mikhailovich, probably from kirkorov, i performed it. no, of course not. well, firstly, your mother is mariula, yes, that is, in fact, a chicken, grandmother, beloved, grandmother marina borisovna, who we lived for a long time and she is wonderful. in general, this is us, the most important pedigree in our family, therefore, of course, marina marina, i also called marina grandmother. no, i had another song that our neighbor's dad sang. it was also a song youth borispochemkin wrote this song. and then, too, this is all, this

we we here they sang there, she is a neighbor. it appeared wonderful in our house. yeah well, how do they have fun? i'm not looking at um this sad note, because your dad and i even played together. e. you have a brilliant drummer in bootmandlube jazz dad. well, mikhail solomonovich is excellent. well, that's nice, that's great, he played and it's nice that we can remember while our parents are alive, someone is standing between us for eternity. this, of course, is grandiose, tell me, but nothing from childhood foreshadowed jazz is hidden, then yes, that is an ordinary melody wide absolutely i liked it. i liked everything about music, but especially pop music, which was popular then. and in general. i grew up. and so like a drummer. i also took chopsticks from the house doing twos. there is a paradid game. uh, we had a piano, but

i didn’t go to music school, and a girl came to do it on me there, such private lessons were being prepared. we may be music schools. for some reason, she studied for 3 months or maybe six months, and then we left the center of fontanka. we arrived in a wonderful time, which is called the jolly village, and so about 3 years, they are gone altogether. just for sports for hockey there i don’t know for anything. in general, yes at the same time. yes, a little later even at the music school, a little later came at the beginning captured. you are in fact e titled not even for today's exploits of yours. in the night hockey line, not only a for friendship with all the main hockey players of our time, but also because you are leningrad on a professional level. yes, and then i went. that's just right for the clarinet music school, when i already took the cornice

began to play some of the same pieces of hmm academic music and mozart and elections. there is a roman corzikov, flight of a bumblebee. but young igor butman and rock and roll. here's what i'm interested in. this is what kind of joint it appeared. i met in a music school. what kind of back chimes, who studied with our teacher and stole sanych, buy juice, and he was a fan of rock music, he had records, she had a comet. eh, even the fourth tape recorder came to him as a friend. a, well, we picked up the guitar at school. it started with the guitar, but at first it was in the repertoire. vocal instrumental consal, damn, the songs showed me the chords there. i started studying there. yes, yes, you can chords yes, yes, i know exactly. and with this yan, he brought me home and put on a horn record, and i was stunned. and who was it? it was an album. so

it's a live album and that's it. i was amazed, but the fact is that i think i was captured not only by the music of the diploma, how they perform what is jazz notes. they were already there, that is, a huge, so to speak, a huge drive of loudness, and, in general, not uncomplicated melodies, but played with such a return , jon lord and ritchie blackmore and bian pace the drummer were heard with such a return. just for me as a young drummer, yes, but the overwhelming impression is that he talks like that on a hat, yes? yes, and this is amber - it is, in general, a derivative of jazz. the badrich drummer is very close in terms of sound and style. e. well, ritchie blackmore, his virtuosity with the guitar also attracts attention. well, jazz swing solos. there's a lazy, let's say, yes, there or the legion

is playing jon lord quoting ducanton. there he sits with me. e, if we talk about the purple association, at the beginning i heard how i was visiting my grandmother at the dance in the city of perm and at the dance it was e, in my opinion, the seventy-first year or not, a little later 74 seventy-fourth, because er uh, it was a hit from the manhand, but not the hyped uh, but the song called spacetracing. yes retreat ips. there, of course, flourished. what song do you have de purple well, of course, i could he zavoda well, this is the greatest riff of the times of the peoples in the music stores in the world, usually in the guitar department it says smokey name and stairs, damn it, do not play, because you have to take care of the seller. like this? well, okay. all

this knows. here it is yes, yes, sometimes we sometimes even insert our oleg neatly wonderful you know, i really liked it, in my opinion, it was called mister kaganat, when now it is already a familiar genre in the lounge style. there's a salon to take some rock hit and unrecognizable. she was done. here is this line in the barn. you yourself the orchestra plays it all . we are just different, as we are, when we play a dedication to benny goodman, then i am left alone and some tunes. uh, what come to mind when inserting once i came. that's the melody he could. so we then switched to the hand. hmm, our evgeny god played rog edward, even here he played like that, so to speak, under the jans. oleg neatly

sang, he could forget it, and we just wouldn’t have gone from jazz from behind, so to speak, then we returned back, because it was a concert to finish. igor is listed now brilliant musicians from igor will be there and edik zigzag edik hello to you and zhenya according to god and i am very pleased that oleg kuratov was your pupil. oh yes, a hero hero in one of the seasons of the voice program where oleg, of course, just revealed himself as a brilliant jazz musician , he was well known in circles even before participating in the voice , but now virtually the whole country knows him as a brilliant guy. i want to say that oleg is unique, he sings in any language of the world in any language absolutely without any accent, which is absolutely surprising, and he able to remember. e blind from birth . that's how i developed my skills. uh,

the memory that he actually u tell him the song. let's say i told him the slime this zamun in russian. he told me valery a trifle, just don’t speak, and she said he reproduced it and shines now, uh, with igor in the orchestra. just in full growth it's nice to remember the brilliant musicians thanks to the visit of a friend, and the first jazz igor , this acquaintance with jazz, and i want to uniquely say that he is one of the main arrangers now in the moscow jazz the orchestra of nikolai lyanovsky is the same legendary uncle kolya who, uh, was led by oleg gra and we boys understood that it was absolutely unattainable in the possession of instruments. here's how your transition from hockey to jazz came about. the thing is that at the rimsky-korsakov music college in those years

, in leningrad, 1975, uh, a decision was made in the central committee of the party to open a jazz variety department in music schools and conservatories on time. well, because there was not yet rock captured the minds and jazz of two evils seemed to be the lesser of two evils, because cultural music is improvisation by people. still, they think they are interested in developing many directions. the horn was still more foreign music than jazz, because it was more popular than rock. rock and roll music captured the minds of the whole world, so it was decided to make jazz jazz music professional or professional ensembles. such as nikolai levanovskaya allegro lukyanov arsenal alexei kozlov e, orchestra. well arrows got status jazz. we opened the school and i appeared. he studied at the music school on the clarinet. and about a man named gennady golshtein

, a wonderful saxophonist in the soviet union, about whom there are legends in leningrad and legends in moscow. and although we at that time no longer began to play the saxophone and engage in early music from the 17th-18th century. i saw him all the time. uh, i saw saxophonists at the school. uncle misha from ddt then. it was mikhail chernov, oleg forged in all the head of the leningrad population. it was all people already. they were older than not was 14, and they were already under 30. well, then they were generally old people, and accordingly, when they are, and sometimes they didn’t give concepts, it was a complete delight. first, they have excellent instrumentation. not that we are theirs. although i practiced the guitar, but all this was , so to speak, not so. and i already played the classic president of the slopes, quite complex, and somewhere i took the saxophone in one of the palaces of culture i took the saxophone. and he sounded me. i realized that i, my father, said, i play on the internet, then you switch to sex. and here i am

switched to safon well, if, accordingly, as soon as safon appeared , jazz jazz melodies immediately appeared, well, one of the first was fallen leaves, right? and it was the first spontaneous. well, what are you in your time yes no, great melody, nightmare yes, uh girl osman and it was revelation and the americans played and we played and the melody is not so difficult to remember, but it gives such a musical jazz fantasy that it is just.

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any of your desires. so want in your demon it is your nothing else related paintings of the mystery of masterpieces, the tretyakov gallery, i saw clean. from now on , you should all now treat me like a kenya serial premiere from may 21st to sundays at first art books. uh, in the moral code group seryozha mazaev kolya keldeev, uh, igor

played with them somewhere in moscow and in fact we met. so, well, at a friendly level, the hats shook hands, and we even talked a little bit, and i knew that there was such a fungus. there further in the ninety-sixth year. i'm with a viola who is expecting a baby. as tourists in february 906, i fly to america , watch new york and return with the artist borey krasnov. i see a man at the airport whose face seems very familiar to me and i ask borya the red. it wasn't by chance that igor was on that boris so that's a joke or a prank he told me, it's his brother. and in confirmation of this words, when we first saw each other, you had such long hair. and here was already a haircut, which we already accustomed to all the classic igor will be called. this is how the long flight from new york to moscow is talking on the plane. i'm talking to igor butman's brother. i say, you

know, i'm very pleased with you, i'm very pleased. you have a very talented brother. igor really has a brother, oleg is wonderful, a drummer. younger brother. what does the egr say? yes yes and you and my brother are familiar. i speak. yes, of course, he is a brilliant saxophonist. who oleg says, i say which oleg igor and what about the other brother? so i am igor burman. what are you, it was funny we remember it, and then we spent not forgettable. e meeting at the olympics is a little later, because the main thing, dear women, we are men. sometimes, but it's all the same about you and for you, the melody of love. well , firstly, an, i once again apologize for the absence at the wedding there were, but i'm so much more important than money that you now appeared in mikhailovich's life. thank you for the criticism. thanks

for the criticism. yes friend, come on, you and love, what 's that tune. well, you remember our favorite cartoon. bremen town musicians, yes, in fact i am already yes, now i am i guess, and i remember just-only i was some years old. probably seven or eight. we are a pioneer camp with a huge stop, on which a bell sits, and every day we practically stood this disc with comments. do you remember, yes, from the valiant guard boldly rushed at the duckling? i have any two sounds, if the voice is muslim magomayev, if the saxophone is igor. gennady golovkov

dear women, this is all for you. it will go in and will always rise for you , dear women. thank you for being in our life, but i sent you like a bath sheet today your acquaintance with the charming anna uh, it happened in chelyabinsk, it could only happen at the festival of jazz and humor. and where is it, what is it like, where are you without humor, met a young woman, and a deep

relationship is tenderness and a sense of humor, therefore, i think it should be done with humor. we must go from the depths. no need. this is superficial, you know these ones. well, in general, a wonderful girl came to me to interview, and we talked with her. i, so to speak, my heart, yes, i asked such questions that i have something to jump out of my chest like that, and i back and forth, so to speak, and that's how we met. uh, we talked, and then i left. well, it was clean, so to speak acquaintance is real. here, damn it, we just met, then we talked, talked, but u didn’t foretell anything so to speak. uh. here are some big changes. but, and then now it’s so that she came to moscow graduated from the conservatory graduated from the institute of art in chelyabinsk she studied as an opera singer who knows music brilliantly, especially

everyone knows classical academic opera, darling. so you are the interlocutor. yes yes. yes, there is something to talk about, of course there is something to learn, and then he knows how to make friends very well. and the world of operas led me, and thanks to her i met eldar drozakov. sorry, of course, korchak and all all all all of mine too, but netrebko and giblogerzmala. well, and aida garifullina, all these are our primas, which she speaks of with admiration, plus there is sailing and or exemplary. well, in general, all those who are, the great stories told me everything about this. not easy listed who namely the historian, what happened so and m-m. you know, well, in what years i thought that i would ride you.

i've seen a century, complaints, well done and also she hosted a program that we unfortunately didn't stop doing, because for some reason, so, well, here's jazz, fan tv, we had some time for her brilliant interviewing musicians. e, talking. it was very lively such a really tv interesting thing that happened. so, that's how we met her, and then suddenly it's from friendship because of the good such rural relations. turned into love. and so it all ended with our wedding with you ended with a wedding for the anniversary, which you will definitely come, there are still no such promoters who can now separate me from the igor family. we smoothly here this melody, i'm not accidental. he named the muslil magomayev, because it was he who voiced all the characters and his voice was given in the footsteps of the application in the footsteps of the bremen town musicians with the exception. this is where a lot of people

are confused. this is such a small reference. it's a famous song. hmm, the whole world is in our hands. we are the stars of the continents - it performs for me it was amazing to know this from the original source. eh, here. uh, gennady golodkova is from a jew, what is she, they are the authors of this hmm the whole bremen town musicians cycle. pesnyary played imagine pesnyary emulate recorded, but because of the pronounced belarusian carry-over. and it was necessary to show them abroad , they turned to lermont and for the funny guys and his voice all these are recorded here, this is demon- but since he is at that moment. uh, already done you in australia and the rest written by magomaev and , of course, oleg konofry in the first part from love, when igor is sad, it’s not

necessarily so sad and still the saxophone is always with you, wherever i am or mikhalych is like a tourist trip, in- first, he is somehow a real musician engaged a lot on the instrument. this is how i tell my colleagues in the shop, do not leave me. and secondly, it's just him talking to them. and now, when you have such a bright sadness, that's what kind of melody the forest is associated with this, but one day you you know, people sometimes ask how you wrote a certain melody? it's not clear how she came, you know? how it leaves because if you didn't have time to record it, then you missed it, yes, and that's why all the great composers and all the great writers. well, your friend is a comedian and the great mikhail zhvanetsky, he always went with a briefcase. if something came to him, he immediately writes it down, because the memory is like that. here it is improvisation in life, it happens all the time, but it must

be written down, so that later one day it can to make some kind of story or some kind of melody came to me too no no no, it’s clear where the melody came from, which at the moment and i can say, what ’s surprising is that this melody sounds only in one key of the minor , if you play it in a family name or in another key, it is not so wrong to pinch souls. you need the instrument. this is thanks to the range and and all of the features here. she came. and here she is, when i'm sad, when i'm happy. are you a soldier still thinking that he is wrong will not always be joyful of you and will not always be so if you are sad and look for a melody that keeps you and your body. nostalgia came to her well, the way i lived then in america therefore, i really had nostalgia for a year. it was hard enough for me. i called all my friends and told david goloshchekin to his first employer, an outstanding jazz musician, if from st. petersburg to

leningrad i said david semyonovich i play with all americans here. you are a better star, you know, well, because he didn’t could leave, that is, either as a young me to look for new ways, or for him to stay in the soviet union, so to speak. well, he was a brilliant musician, and he heard it there in america and that's why i wrote this one, dear friends. let me declare myself that you are nostalgia for you. for the brightest love, may your life always be love, and my friend igor butman will always play for the sex phone just for you, i ask.

i now remembered the rooftop in athens, the 2004 olympics, against the backdrop of the acropolis of a world-class architectural structure, a quartet played world-class jazz by igor butman. i sang. there, too, sounded nostalgia connects us so much. here these joint and houses were crying neighboring houses were crying at the explosion. and you know,

now you were playing and some kind of nostalgia comparable to goodbye america in your life was goodbye america in the face of such an act also left. graduated from burley, this is the best musical institution where you can become a musician above the e-e category and returning to russia, he actually raised his interest in jazz. as a matter of fact. i think that your title of people's artist is absolutely deserved, because igor mikhailovich, in addition to the absolute ingenious possession of instruments. he what a jazz musician looked like, in my opinion in soviet times, and all jazz musicians, basically cried, which, of course, and here i could give this somewhere in america. i really liked how one of your musicians, who returned from america, was looking for valera

. america is such a country. i could make such a career there as a musician. i say, well , what did you do to me brilliant, there was an answer. that's what he said, i don't know how. and here is igor he knows how to raise interest in us began to come on tour to numerous festivals, which igor as a producer. hmm now patronizes at the beginning with the producer now supports and i am a modest guy from moscow drinking on your sixth birthday yes, on the decompaniment of the moscow jazz orchestra, which, together with the windom mars orchestra, was on stage and i was talking to winton now how is it with you, if i was a child someone said that i would m-m communicate with such a jazz block, so no one can imagine it to me in childhood, what

here is this moment, because the festival you have all year round is the festival of trium jazz so triumzhaz, which, in my opinion, has been going on for twenty-four years already and, in my opinion, next year we will have 25 in the music of the house of music stupid stupid i say, then the geography expanded, st. petersburg, a concert of the big end of the october concert hall. we have concerts in tula, which are also held annually at the festival and there. the fact is that jazz music is interesting and amazing, and therefore we have a lot of fans. uh, generally good music and weird and jazz and classical academic music. and it just has to be played absolutely at the level at which we expect and at which we know the masterpieces of all kinds of music recorded today. i understood that when everything happened, that we have. we have fans. we have the most significant audience, the most educated , the most curious, are ready for experiments, and

at one time such ensembles as the ensemble, arkhangelsk or gomel were supported tarasovich, kasim, or, in my opinion, mechanic sergey kulyokhin, there was complex music, not easy, there were many actions, there were contradictions, but our audience accepted it, which means, it's clear that this is a woman, and they bring men to concerts, yes, yes, well , last resort last resort, yes men come, because it is necessary to talk about something about music. we need to talk about something. you have to change your impression. you can place something in someone's place, you may not like it. but if you didn’t like it together, this is again all for the sake of life, you know we are thanks today's meeting, and i uh have a small request. continuation. we've already done it for you. uh, my arranger mikhail uh, a good reading of well-known melodies, and we play with the orchestra with the moscow jazz

orchestra. we actually have a whole program. and you have, uh, a publishing label, that is, a company that sets the music. we need to fix this. there will be mana, syutkin, and so far, you know, well, to make such a musical gift, and at least by next spring to please the vinyl-makers, how we love these processes, what not we understand that this should be fixed and left as a gift, because people are waiting igor mikhailovich thank you for continuing. here you believe, we hear a bud, we understand that this jazz we hear jazz, without a bootman. boring is not fun. walk pursed our eyes, we hear jazz, and you think it will be a normal friendly program. so it should be taking the opportunity. i invite you to all concerts of 11 festivals under patronage. igor mikhailovich butman. passes through russia is

an international program. i say you can find, uh, the most unexpected corners of the earth ball, with a saxophone with a smile, wishing you all the very best, the most important love, and today in the finale of our podcast, the melody of my life, my guest, my friend igor butman, his saxophone and his feelings, the melody of my life on the first igor mikhailovich, i ask for a little story, because we we talked about hockey, and you know when we come to my concerts. my friends, hockey players of all generations come to my concerts. and as soon as i see them, and the guys, even my musicians, you know, that is, if i started playing this melody, it means there are definitely hockey players in the hall. i'm so connected to this song with this song, all the exits on the ice, when i played capa i remember when i have photos where i take out our church team that played such matches, uh,

training for before going in the seventy- fourth year on the superserve in canada is standing. i 'm a little one, very close to me, this very volchkov alexander yakushev is standing. well, a little further there, mikhailov petrov kharlamov. these are photographs, therefore this is my most joyful melody. this is a podcast of the tunes of my life on the first i valery syutkin my friend people

's artist of russia igor mikhailovich butman was with you . hello, you are watching the podcast triggers and its leading psychologist, psychotherapist tatyana krasnovskaya is with you, beautiful svetlana is visiting today. what are we going to talk about? hello, let's talk. about my exaggerated maternal love, so even this.