[000:00:00;00] stalin bulgakov and this ukrainian delegation, which demanded to remove bulgakov this is psychologically what will later form the basis of this one, and the ancient ancient storylines, and the novels the master and margarita somehow bulgakov turned out to be in the truest sense of the word broken trough. but so far he hasn't given up, he's been working, and he's writing a play called the cabal of saints, which takes place in france in the 17th century. and its main character, it turns out, is the playwright jean-baptiste, whose molière bulgakov simply adored. here he writes this play, brings it to you hut. and you've had enough. they don’t even want to consider rehearsing it for a very simple reason , no matter how bulgakov tries to immigrate to the past or to another country, the ears of modernity stick out of this play, and it was clear to everyone that this story, which is called the artist’s power. and bulgakov realized that he did not understand at all.

what to do? that's what what to do next in life you do not print. you are not put. you don't have any work and you are waiting, as he later write in a letter. ah, the street of death, not an account in the letter, in which in a letter to stalin, again , bulgakov decides to write such a letter to stalin in which we impose all our grievances and ask at the end of this long, such a feverish letter. he asks stalin of two things. so let me go abroad. or give me some work here and otherwise i just died stalin and he answered, and stalin answered him. all this happened in april 1930, and on april 18. it was good friday, which is interesting, ah in bulgakov's apartment, uh, it rings out, and the bell is stalin saying, unfortunately, we do not have a transcript of this conversation. and we cannot say exactly what stalin bulgakov talked about, we know the content of this

conversation from the memoirs of two women. the second wife of bulgakov, lyubov evgenievna, and here is the future of the third wife, and elena sergeevna a. but if you try to summarize, then the meaning was such that stalin asked if you were not very tired, comrade bulgakov and beyond. here i am saying, unfortunately, we do not know exactly this dialogue, but further, as if stalin asks bulgakov so why do you still want to go abroad, or, apparently, stalin lined up the conversation like that. and besides, it was very unexpected for bulgakov. he did not expect this call. and bulgakov uttered a phrase. well, such a beautiful patriotic patriotic one, who will argue with her, but the meaning of the phrase was such that i thought a lot, i realized that the place of a russian writer in russia, but i don’t have anything to work with. and where would you like to work, comrade bulgakov but at the moscow art theater, but they don’t take me there.

and you call there again, comrade. bulgakov bulgakov calls you the next day. they say to him, where do you go there? come soon, there is a contract, passport data was dreamed of tin everything means we sign, e, draw up so, since 1930, mikhail bulgakov , who had previously been such a freelance freelance artist, speaks modern language. he becomes an employee of this state corporation, which was called the moscow art theater and his life is very, but bulgakov continues to change dramatically, and plays and a in particular he writes, uh, a play about pushkin, an absolutely wonderful play, the play is called the last days. then he writes a completely wonderful play, which everyone, of course, knows, it is called ivan vasilyevich, and with this ivan vasilyevich it is very interesting. initially, bulgakov's play was called bliss and it has the same story, as it were, a story, which means the inventor of the time machine work who

is present with him next to him, but if in the famous film they go back in time to the time of ivan the terrible, then bulgakov is not they make a journey first into the past and then into the future, they get as far as communism, but the fact is that when bulgakov brought this bliss in one of the theaters , even members of the party told him from us. i don't know what communism will be like. and you are trying to reason there, and then bulgakov cut it halfway like that, only the historical part remained, which he gave to the theater of satire and in 1935, in my opinion, rehearsals of this performance began and finally, you unexpectedly allowed the hut maryer thanks. bitter here by already bulgakov's petition, and thus 1936 was supposed to be such a grandiose return to the soviet stage for the rich. what our hero is incredibly strong, but a dream. we continue.

this is a podcast life of the wonderful and i'm alexey varlamov with you and we are talking about mikhail bulgakov, and the premiere of malvir took place and the performance, and not that it failed, but it turned out that there were several performances. then there was an article in the newspaper. truth, which was called external brilliance and false content, and in this in the article, bulgakov's play was criticized as a play without an ideological idea . such a play is not needed for the soviet audience, and it is not clear that it is such a beautiful spectacular costumes, scenery, and the content of molière is shown. like some kind of philistine, somehow entangled in his own, but petty passions of a person. in general, i did not understand. bulgakov's mariera , the meaning of uh, was such and immediately removed this play , it must be said that when this happened , bulgakov was to say that he was angry, which means. to say nothing, he simply did not understand anything

bulgakov did not take into account a simple thing. please came out the truth. not just an article published an editorial expressing the opinion of all the editors and again in the newspaper. true, it is more powerful than 500 articles written in the twenties. yes, this is a sentence and, uh, smart people and stanislavsky nemrovich-danchenko. bulgakov perfectly understood this, but did not want to accept it. and soon, he himself had a row with a hut, but at the same time ivan vasilyevich was filmed in the satire theater in the vakhtangov theater they filmed the last days bulgakov became toxic with him it was simply dangerous to deal with. and it was then that bulgakov returned to writing a novel. a master and margarita in my opinion. book well, how to say master and margarita it's clear everyone has their own idea is stupid to impose their own, but i think it's very sad. this is a very sad book. because if the white guard

is a novel. about christmas that was then the master margarita is a book of easter that did not come, that is, bulgakov is actually very honest, it seems to me, this is the power of evil a and the weakness of good that he saw around him. that was the basis of the basis of this novel. but the latest work bulgakov this is not a novel, the master and margarita although he finished writing it almost until his death. the most recent work. bulgakov is a play batum. plays dedicated to the young stalin, and very often biographers of bulgakov, historians and literature, they write about this plot with some kind of regret. well, that's what bulgakov lived a worthy life of a free independent. as far as it was possible in those conditions for a person, and in the end he stumbled, made some kind of compromise and

wrote here is a play prostalen. why why here, from my point of view, to argue, so this means absolutely not taking into account bulgakov's psychology. here is bulgakov indeed, he was a man. let's compare him with akhmatova, let's say. he andreevna's life was much more difficult than bulgakov 's. well, not to mention the fact that she had a son held hostage, not to mention the fact that she did not have a comfortable apartment, not to mention the fact that her family life was far from well-being, as bulgakov had in her hands, he was a wealthy person all these fairy tales that he was poor is a fairy tale. he received a lot for you at home, then he found it. bolshoi theater, but nonetheless . so she did not consider herself the most unfortunate, but he believed, that's why , because from my point of view, akhmatova had already lived for eternity. she knew that she was akhmatova and no matter how they spread rot on her, no matter how hard it was, sooner or later everything would fall into place and a monument would be put up and she would be published and she

would be honored, and she lived up to these times. but bulgakov could not do that. he would not be at all surprised that i was talking about him and millions of people. he is known and loved to be read. eh, they put on films, performances, write dissertations , translate them into foreign languages. this is a huge glory that fell on him after his death. it wouldn't surprise him at all. she would anger him. she would piss him off. and this is not even my guess, there is a correspondence between bulgakov and his young friend. eh, sergei ermolinsky, where does bulgakov begin with black? he writes that unctuous voices are heard around me, do not worry, after your death. everything will be printed. he was furious at these words. he wanted to get here and now this in bulgakov, a very important detail, a very important psychological detail that must be taken into account just when we say why he had such an unsuccessful life. in a sense, he himself made it unsuccessful for himself,

as it seems to me, the story of bulgakov is in many ways such an ancient tragedy. why, how in an ancient tragedy the hero enters into a duel with fate, and then loses. here is the story of bulgakov. this is the story of such a lifetime loss. fate is, in fact. here's the one same novel by the master margarita here. why did he start writing it? it is quite clear that you will do something with this roman in the fifth sixth seventh year, where will you carry him? it is clear that this novel is such a testament to you and me, but in the broadest sense of the word, but what does he care about our adoration with you? he wanted now , he wanted now to receive recognition. glory, he was poisoned. this is the thirst for applause, and she really was very characteristic of him. and she really poisoned his life and why am i talking about it i say, because this was precisely the motive for writing the play batum, because he wanted

to break through from this play to the modern audience. he didn't care, they wouldn't blame him for stalinism. it's all secondary. he wanted to get his here and now, and i must say that elena sergeevna that's why she doesn't love her. some rich scholars when he wrote a play with a trampoline. here she encouraged him. then she said at every step, misha well done. misha write. misha come on, the play was written and the play. they brought you the moscow art theatre. the hand is already shouldering everything there distributed. and elena sergeevna, she anticipates that there will be a grandiose success. she's already distributing. you can see it in her diary. uh, there are counterfeit tickets, which of the guests, where will they sit at the premiere. but bulgakov is more wary of some kind of foreboding, but it can be assumed that he knows one more very important thing, if he was preparing for the anniversary, stalin's thirty-ninth year and bulgakov understood, when the prime minister would come, stalin would come and they would meet, yes ? here is his dream, his

wish. here is such an idea fix to talk, stalin to talk to us steel yes, this will happen. well, far. i say, unfortunately it went or fortunately, because it's hard to say, but in any case, what happened next everything went far wrong, which means august 14, 1939. bulgakov, several theater artists from the moscow art theater went to batum, and in order to see on the spot some things necessary for and scenery for and so on, but at the same time it was such a fun trip and everyone was in a good mood. but when the train reached station, serpukhov e, came in, the postwoman and said, who is the accountant to you telegram bulgakov immediately understood everything that the accountant is bulgakov and in the telegram it was written that the need for a trip disappeared. come back , the telegram was from the theater, what happened stalin read the play and, according to legend, said

it was not so, and in general he did not bless and, in general, banned this play. again, historians, commentators. biographers argue that stalin did not like this play. he sees some secrets and the meanings in it they see some figs in his pockets. uh, there is a version that unost stalin was such a rather dubious one and he did not want to refer to this period of his life. there are other versions, as it were not. their discussion of the fact remains the fact the play was banned. and this was the blow that bulgakov could no longer withstand. well, he just couldn't. after that, he, a becomes seriously ill. and a few months later, in march 1940, more precisely, on march 10, 1940, mikhail afanasyevich died, and he died on

sunday. but it wasn't easy, sunday. it was a forgiven sunday and that's for everyone who likes to criticize bulgakov sometimes from christian church positions. it seems to me that this fact must be taken into account. and also take into account. what a huge price to pay, a truly brilliant person for his gift for his talent, what blood paid for all these lines and all? these books and performances and firms that still delight us and delight us, as they will delight and delight our descendants. thank you. aleksey

varlamov was with you, this is a podcast of a wonderful life. hello dear friends on channel one, the podcast of the melodies of my life today at our guest is people's artist of russia a great musician and my great friend and storyteller igor butman igor well , actually, melodies are what makes our life magical and through them when you need to remember something. we remember everything down to the smallest detail, so i will only give modest, leading questions, because i know everyone that the charm of a conversation with a friend. this is talking about yourself today only about you, my dear so the melody of childhood. well, that's all that is connected, it is clear that she is not alone, but uh , just to uh thanks to this melody option remember, in general, as from the moment when you

remember yourself? you know, i was probably only, well, about two years, when i constantly listened to the same song, i found this record , put it on the old provita belarus there was a receiver and a record player and there was a song that marina marina said with marina they even hid this record from me, my grandmother hid it, but i still found it. i am some kind of italian, he also has such a surname, and the author remembered the fate of the grenade. but you know, there could be someone from the south of glory, do you remember there that it was him i recently took this record to listen to again . well, it seemed to me that female voices sang, and perhaps, but, and everything that is on the internet, so others drank. eh, and in my opinion, almost catch prima sang. and a direct favorite, that is, this song is quite like that.

well, old, but we had it on a record from this. well, do you remember these were these bonaseras. well, this, by the way, was also there, but also such a plastic one, in my opinion, it was a plastic record or completely such a little minion. so i heard this song on it and i was torn from me from this melody. yes. well, i'd run myself.

long before, when philip kirkorov sings this song with pleasure, long before them, igor mikhailovich, probably from kirkorov, i sang it no, of course, no, well, first of all, your mother is mariola, yes, that is, in fact , the root of the word, grandmother, beloved, grandmother, marina borisovna, with whom we lived for a long time and she is wonderful. in general, this is us, the most important in our family according to the pedigree, therefore, certainly. and marina marina, i also called marina grandmother. no, i had another song that our neighbor's dad sang. it was also a song youth borispochemkin wrote this song. and then, too, that's all, it's us, they sang there, and our neighbor. it appeared wonderful in our house. yeah well, how do they have fun? i'm not looking at hmm this sad note, because your dad and i even played together. uh, you have a brilliant drum in oncology at jazz, dad, uh,

mikhail solomonovich is excellent. well, here nice, that's great. he played and it's nice that we can remember while our parents are alive, someone will stand between us for eternity. this, of course, grandiose say, but from childhood nothing hmm foreshadowed jazz is hidden, then yes, that is, i absolutely liked the ordinary wide melody. i liked everything about music, but especially pop music, which was popular then. and in general. i grew up. and so like a drummer. i also took chopsticks from the house doing twos. there was a beard playing. uh, we had a piano but i was musical i didn’t go to school, but a girl came to me to do such private lessons there. we can go to music school. for some reason, she studied for 3 months or maybe six months, and then they left the city center and moved from the fontanka. to the market, which was called the jolly village

, so, yes, and now, somewhere, 3 years have gone altogether. just for sports for hockey there i don’t know for anything. in general, yes at the same time. yes, a little later even a music school, a little later came with him at the beginning captured. you're actually uh, titled from not even by your today's exploits in the night hockey league and not only for friendship with all the main hockey players of our time, but also because you were looking for leningrad on a professional level and then i went. that 's just at the clarinet music school, when i already took kornits, i began to play some of the same pieces of hmm academic music and mozart and the selections and there of the roman braids flight of the bumblebee. but young igor butman and rock and roll. here's what i'm interested in. this is what a joint it appeared. i met another guy at a music school. to study e-e with our teacher and steal

sanych sand and he was a fan of rock music, he had records, she had a comet. eh, the tape recorder is even the fourth form. yes, and we became friends. i came to him. ah, well, we picked up the guitar at school. i started there with the guitar, but at first there was a repertoire, a local-instrumental consul of songs, they showed me the chords there. i began to study there. i know for sure, and with this e yan , and he brought himself home to me and put on the horn of the record, and i was stunned, and who it was. it was a cum album maiden, jan so it is concert and all. i was amazed, but the thing is that i think i was captured not only by the music of the diploma itself, how they perform what is jazz notes. there have already been, that is, with a huge, so to speak, a huge drive of volume, and in general, not so uncomplicated melodies, but played with such

a return, jon lord and ritchie blackmore and the biantheis drummer were heard. just for me as a young drummer, yes , a stunning impression that he talks like that in the hut. yes? yes, yes, and this is yangeis - this is in general, a derivative of jazz. the badrich drummer is very close in terms of sound and style. e. well, richie blackmar. well, his virtuosity with the guitar is also noteworthy. well, jazz swing solos. there's a lazy, let's say, yes, jon lord plays there or there, quoting an inducanton. there he sits with me. uh, if we talk about the purple association, i heard at the beginning how i was visiting my grandmother at the dance in the city of perm and the dance was in my opinion, the seventy-first year or not, a little later 74 seventy-fourth, because

what u it was u it was a hit from the manhand, but not hyped uh, but a song called space racing yes, baba pap's retreat, of course, scattered these syncopations. and what's your de purple song well of course he did it like this well it's the greatest riff of temporary peoples in music stores in the world usually in the guitar department it's called smoke and the stairs don't fucking play because you have to protect the seller, how is that? well, obviously everyone knows this. here it is yes, yes, we even insert our kuratov oleg. you know me i really liked it, in my opinion, it was somehow called mr. coconut, when now it is already

a familiar genre in the lounge style, there you can take some kind of rock hit in such a salon and you are unrecognizable. she was done. here is this one with the last one in bosonov. that is, there the orchestra plays all this directly, but we are just different, as we are, when we play the dedication to benny goodman, then i am left alone and some melodies. uh, what come to mind when inserting once i came. here is the melody he could call him and then we switched to the road, our eugene god played rog edward our zigzag played, so to say that oleg was able to sing like a scoundrel and we just from jazz from the way they would have passed to us, then returned back, because the concept had to be finished. i have now listed the brilliant musicians from igor's quintet will be there and edik zigzag edik hello to you and zhenya by god and i am very pleased that oleg kuratov your pupil was mine.

oh yes, a hero hero in one of the seasons of the voice program where oleg, of course, just revealed himself as a brilliant jazz musician, he was well known, in circles still before participating in the voice, but now virtually the whole country knows him as a brilliant guy. i want to say that oleg is unique, he sings in any language of the world in any language absolutely without any accent, which is absolutely surprising, and he is able to remember , uh, a blind reflection of a person has developed his skills so much. uh, the memory that he actually u tell him the song. let's say i told him flamy, then get married in russian. he told me valery just a trifle. talk and she said he reproduced, and he shines now here, uh

igor in the orchestra. it’s just a pleasure to fully recall brilliant musicians thanks to a friend’s visit, and the first jazz igor is this acquaintance with jazz and i want to uniquely say that this is one of the main arrangers now in the moscow jazz orchestra, nikolai la vinovsky, the same legendary uncle kolya who, uh, led by oleg gra and we boys understood that it was absolutely, not achievable in height in the possession of instruments. here's how your transition from hockey to jazz came about. the thing is that in the music school named after rimsky-korsakov in those years in the seventy -fifth seventy-seventy-sixth year of leningrad, uh, it was decided in the central committee of the party to open a jazz variety department in music schools and conservatories on time. well, because there was not yet rock that captured the minds and jazz seemed the lesser of two evils, because cultured music is improvisation, people still think

they are interested in developing many directions. the horn was still more foreign music than jazz, because it was more popular rock and roll music captured the minds of the whole world, so it was decided to make jazz jazz music professional professional ensembles such as nikolai lvinovsky allegrova lukyanov arsenal alexei kozlov e, the orchestra received the status of jazz. well, the school opened and i appeared. he studied at the music school on the clarinet. and about a man named gennady golstein wonderful saxophonists in the soviet union , which in leningrad are legends in moscow are legends. and although we at that time no longer began to play the saxophone and engage in early music from the 17th-18th century. i saw him all the time. uh, i saw saxophonists at the school. uncle from ddt then. it was mikhail chernov, oleg forged in all the head of the leningrad population. it was all people already.

they were older than they were 14, and they were already under 30. but then it was generally some kind of old people and, accordingly, when they are, and sometimes they didn’t give concerts, it was a complete east in the first place, they had a magnificent department of instruments . not that we are theirs. though i played the guitar for everything. it was not so to say, but i already played the clarinet the classical president is quite complicated and somewhere i took a saxophone in one of the palaces of culture i took a saxophone. and he sounded me. i realized that my father said, we play on the internet, then you switch to sex, out, and now i switched to the saxophone. well, if , respectively, just appeared with a saxophone , jazz jazz melodies immediately appeared. well, one of the first is fallen leaves, right? and that was the first fountain. well, what are you at the time? yes no, this is a great melody, nightmare yes, uh osman girl and it was revelation and the americans played and we played and the melodies are not

so difficult to remember, but it gives such a musical jazz fantasy that it's easy. what where when the summer series of games on sunday

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5g which is now available to all subscribers. go to megafon channel one announces a set of participants for the new season of the voice project go to the channel one website, fill out the form and upload music files with your voice. today we enjoy the melodies of my friend igor. first of all, i remembered the wonderful moment of our close acquaintance with you. the fact is that i in the moral code, the group serezha mazaev kolya keldeev, uh, igor played somewhere with them in moscow and in fact we met. so, well, at a friendly level, the hats shook hands, and we even talked a little bit, and i knew that there was such a fungus. there further in the ninety-sixth year. i'm with

a viola who's expecting a baby. as tourists in february 906 i fly to america , we watch new york and return with the artist more red. i see a man at the airport whose face seems very familiar to me and i ask borya krasnoy is it random igor, what boris said to me as a joke or a prank, this is his brother. i v confirmation of this words, when we first met you had such long hair. and here there was already a haircut, which we are already accustomed to call all classic mushrooms. this is how the long flight from new york to moscow is talking on the plane. i'm talking to igor butman's brother. i say, you know, i'm very pleased. i am very pleased with you. you have a very talented brother. igor really has a brother, oleg is a wonderful drummer. younger brother. what is igor saying? yes yes do you

know my brother? i say yes of course he is. you have a brilliant saxophonist. who oleg says, i say which oleg igor and what brother was we to touch? so i am igor will be fine. you that it was so funny we remember it, and then we spent not forgotten. e meeting at the olympics is a little later, because the main thing, dear women, we are men. they sometimes said, but all this is still about you and for your sake the melody of love. well , firstly, an, i once again apologize for the absence at the wedding there were, but i'm so much more important than money that you now appeared in mikhalych's life. thank you for the criticism. thank you love. what is it for him. well, you remember our favorite cartoon. the bremen town