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Understanding 9/11tv Vizov 1TV May 19, 2023 11:50pm-12:51am MSK
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margarita bagdasaryan voting number 12 also thanks to the wonderful moscow gospel team thank you colleagues wonderful. despite the fact that millions of viewers are now asking the question. and where she lived, but even the absence of lyle i think we all now asked margarita and a wonderful team of artists. this was the last show for today. thanks to everyone, but before giving the floor as a mentor, i would like on behalf of everyone to thank our maestro sergei sergeevich zhilin and his phonograph orchestra symphojazz. huge work live sound live broadcast thanks to everyone who was involved in this. and now let's ask the mentors while vladimir
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most likely decides who and what he will distribute from the girls. let's start with vasily. i think we should start with his girl here. i actually thought about it, that here are the participants and, uh, the rescued continue the movement of the project. this is very pleasing. in fact, i was waiting for such an opportunity. i want to thank vladimir you keep going. uh, teller of women's stories, and today we heard a grandiose one. here are three stories very beautiful very talented very soulful. thank you very much three amazing girls three amazing songs of the triangle thank you women's stories polina gagarina alina a. elmira margo, you are beautiful. you are all fantastically beautiful, girls, just incredible, i looked at it with such pleasure, i think, well, what a beauty, but
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beauty, and even with a talent with a voice you are straight. oh well, that's enough, i'm praising the girls now, it's true, polina now enjoyed the beauty of all the voices of your beauty artistic beauty cheers anton belyaev will add something to the above beautiful girls, cool fiction, vladimir is an inventor and that's great. well, i don't know, every time i uh, i think, well, now this cornucopia is not going to stop. uh. yes but no, it's fine. thank you. two more live broadcasts friends, vladimir presnyakov i'm lucky e i want to say this. i am very lucky with the team. i'm very lucky with the guys. i'm lucky. it's a life within a life, and that's why it's quieter there, please. someone a and it is very important that
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you live in life. you can not chat to anyone there, volodya, everyone is worried about the services , everyone is discussing live, uh, beauty is my team. my team made me a present of such sneakers, where it is written. the beauty mentor is very pleased with you and proud of you, and, of course, the little one, which we have for the first time, but we fell in love with you and probably you fell in love with us too, this is like a family, thank you very much. thank you. i value you very much. now it’s still possible to weigh all the pros and
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cons, and understand who the girls are, what grades what interest do you want to distribute, and you , dear viewers, vote, i beg you. you have the last chance so that we will remind you of your favorite artist right now, how the artists from the team of vladimir presnyakov performed, we will return after a short pause. alina bakhshalieva voting number 10 you are somewhere sea white sand elmira divaeva voting number 11, you can even the sky lord margarita baghdasaryan voting number 12
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the sun is shining, and for you and me the whole day sings anxiously. what where when the summer series of games on sunday on channel one you are watching the voice project on channel one. we have two places left in the semi-finals, which is in a week. and i close the voting line and go to vladimir for envelopes. enough already, all these here, vladimir spasi a
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you can envelope a-a melted. but the envelope, damn it, all barely barely took this magic envelope, which was at the shore a little later in order to support the intrigue of our evening. chuk, i treat you well, but nevertheless, the rules there are rules right now. let's find out the results of the vote of viewers. who will get such a serious handicap. or maybe this handicap will then reset the mentor. so the results of the voting of viewers, we will know right now. whom did our viewers support, the people chose as the best participant today in vladimir presnyakov's team, elmiruyte ivaev, earned 45.9% of the world's viewers. next comes margo baghdasaryan with 33.5 and alina
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poshalieva with 20 and a pretty penny. so, well, it's time for the night to open the envelope. thanks for the great handwriting. vladimir, let's start, perhaps, according to the tradition of the leaders. we just had here that the mentors somehow evaluated the leader in their own way. and now we'll see how much percent does vladimir presnyakov give to elmira devevaeva do you think, check your intuition? 50% from vladimir presnyakov elmira divaeva, wow, but the fate of two other participants. now it very much depends on who the mentor gave 20, and to whom 30%. i suggest i suggest not to pull. 30% of us
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mentor vote of viewers and the results of the mentor's choice and here it is simple math girls final i congratulate you semi-final of the voice project sent elmi undress markusarians. i already sent you the finale already on my nerves. that's it, four teams performed, four mentors said their word and the viewers too, but right now alina still managed to go so far in the voice project. your last word live on channel one. so,
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firstly, hello everyone, dear viewers, dear mentors. i want to thank aa vladimir presnyakov from the bottom of my heart for giving me a second chance and making it to the quarterfinals. i want to thank my very first mentor vasily a-a for turning to me and polina, too, thanks for the wonderful milking. i want to say thank you to my parents. and today mom is in the hall for the first time. and i want to say thanks to my teacher and to everyone who supported me and a huge one. thank you, of course, the orchestra. i'm very happy. be a part of this project thank you alina thank you very much, as often happens on golos, see you later, but today alina is leaving the project and this means, dear viewers, that we have just chosen eight
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semi-finalists together with you, eight participants continue to fight for the title of best voice countries within a week. we are also live streaming together. we will choose the finalists of the voice project, and very, very much will depend on you, our viewers. well, wait a second. let's stay i will address the viewers together. now on your screens, dear friends, are the results of voting for the best mentor in this episode, and the fight for the title of the best viewer of the season is not over. there is another issue ahead and in it you will be able to score additional points. so be active, and you can watch all the best moments of this incredible live broadcast again on the website 1tv.ru. it was the main vocal project of the country voice. you've had a great weekend at the end of the week. and now we
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also invite you to have a great time weekend and go immediately to all the cinemas of our country to watch the main films of this year's challenge. the first film in the history of cinema, which was filmed in space, well, immediately after our broadcast, watch the documentary film the challenge of the first in space. you can learn even more about how this historical film was created see rocket launch at baikonur see unique footage shot by klim shipenko and yulia overpowered everything on the iss. we're off the air. yana churikova was with you, see you in a week. we love everyone so far, the call , the world's first film shot in orbit
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, has been leading the russian box office for several weeks, but filming on the iss could fail, and at the very last moment. a few months before the launch preparations were behind before there were such crews, only a few hours left for yulia to re-synthesize klimshipenko. and anton shkaplerov said goodbye to family friends. they go to the spaceport along the way. technical stop. this is one of the traditions of the cosmonauts, a rather specific bus stops at a special hillock. and you can say tradition. well, this in fact, a forced stop
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, where the cosmonauts relieve themselves for the last time, but this is a tradition, as if it was born from the first cosmonaut from gagarin, even if you don’t need it, you still need to get out to stand near the right rear wheel. so this is just such a starting point, when already minutes are already beginning to read before the launch, do the astronauts believe that the way out is the wheel? help them return safely to earth. this tradition relieves stress. let's go further we are on the rocket on the elevator. well to get into the elevator you have to go up the stairs, when the cosmonauts approach this step one after another, then the chief designer gives such a friendly kick. and this is a very interesting tradition. she was still
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under korolev. that is, it can be said that the most ancient tradition means. in the history of space exploration, there were several unsuccessful launches, one of the most tragic ones that exploded after the launch of the shuttle challenge killed all seven astronauts who were on board. in 1980, there was a catastrophe at the cosmodrome, plesetsk was preparing to launch vostok rockets at the last stage, refueling was carried out with hydrogen peroxide. ignition detonation of three hundred tons of fuel a strong fire killed 44 people. and another terrible
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tragedy baikonur 1960, half an hour before the launch of the r16 rocket , an unauthorized start of the engine of the second stage of the rocket took place, the bug of the first stage was destroyed. as a result , the rocket fuel components caught fire and an explosion occurred, killing 74 people. and in terms of psychological stress. it seems to me that our girls are more difficult after all many things.
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there is a certain time between the moment of preparation of the ship for the launch of the check of the ship's systems, when the crew is engaged and busy, and the moment of the actual launch itself. and so, in order to somehow set up the crew to cheer up, or vice versa, to make the crew concentrate on putting on music and such a tradition arose. she directly straight down the descent of yuri alekseevich gagarin, everything is ready for the start. there were only a few seconds left. rockets are one of the most impressive
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challenge in the film, it will cut even space workers the industries of those who provide launches on the bacon all their lives were especially impressed by the filming of how e-ignition, the engines of the launch vehicle take place there, apparently, they did not regret it. the first channel of the camera, it’s really good and the sound is normal , well, i’ve never seen it like that, no one is how it happens from the side , the rocket has always successfully launched from baikonur read
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in the house, the whole world watched this event, if everything goes well, this launch will become historic for cinema. this mission was a spectacle long before the union got off the ground. this is the first time in history humanity when the movie is filmed in space. just a couple of weeks ago. we talked about the first all-american all -american orbital crew. and now we're talking about the actors who went into space just a minute ago. you know sometimes people. uh, start using a very proper word. it's not being described. i understood that maya is in this rocket, that there should be no other outcome than success, while there should be excitement and fear. there were
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exorbitant unrest for another. incredible delight when i saw and heard and felt the sound of this rocket immediately after the launch there in literally 10 minutes. klim has already taken out the camera and started filming or has already had to play his role. when we had already entered zero gravity well , weightlessness had already begun on the orbit, then i just took out the camera. prior to this, for security reasons, it was not possible to do this. so then i started filming and filming right up to docking. in
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the order of 49 completed ship skins crew approached the station in 2.5 hours for two orbits around the earth a few years ago this was impossible earlier , two days passed from the moment the rocket was launched to touching the space station 3 hours after the launch of the kine the crew was preparing for docking 800 m, about 19 meters
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. i remember this situation very well. one of the extreme cases occurred in 1997, when the transition to manual docking between the world and the progress m34 ship led to a collision, as a result of depressurization of one of the modules. this happened due to an error when testing a new
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control and rendezvous system. that was a very poignant moment, at the very beginning of the flight, when the door of the automatic systems failed, docking from the station should take place in automatic mode using the rendezvous system. however, the automation failed, there was one more attempt left on the second set of the course, the situation was complicated by the fact that the ship had to leave the communication zone from minute to minute. anton turned on the instructor's manual control in a different way. there are several
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situations when an astronaut can switch to manual control, and in each situation , let's say, there are certain nuances. you realized that one machine failed, then the second failed. he exchanged glances with yulia, but they stopped talking and, in general, filming too. well, we still lost contact and went into the shadows, but anton said that it was even more convenient for him to try in the shadows. in fact, not so much. it all depends on how far away you need to dock in some orientation. judging by how important this operation is and how important experience is. important skills are possible, because we train to dock every week during working hours. the world's first docking of the soyuz-4 and soyuz-5 manned spacecraft took place in 1969. she was in manual mode
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, the crew members of the soyuz-5 in boris volynov remembers every minute of this docking from a hundred meters temporarily, and in the instructions all documents were transferred to manual control using their own hands and their own heads to dock with each other. he was put on 30 m, approximately hovering was arranged, that is, zero speed of movement. she said, you know, if there is even a small possibility, it would be nice if you docked in front of everyone, that is television cameras to work, you looked, and we were. well, yes , africa does not have any of our points there and cannot be, and therefore 30 m . and everything else now manual docking of the phenomenon is rare. this is a very complex and risky procedure, but cosmonauts is preparing for this. on the eve of the start, anton shklarov
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had several such speed trainings. chku heavy ship the whole mower, there is a supply after a failure with automatic docking , the ship was withdrawn from the iss by 70 m iss russian segment flight director vladimir solovyov gave the command for manual docking. he warned that there would be no communication and the fate of the crew was in the hands of the commander of the hero of russia anton shklev. 63 so they missed urgently enable root disable pipes. it was
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anton's wife and his daughters who were sitting and they were very worried, but i reassured them. i was sure it would. we somehow, in my opinion, stoically withstood it and began to work. well, of course, anton did the main work and anton in general, of course, it's just masterful made a schedule. it could have been much worse, after 2 minutes the connection with the earth was lost, but anton was given permission to do everything without the control of the earth. that is, he is blind. we entered the teltel, the connection was interrupted. and the connection began.
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he was well, to put it mildly, exciting lvovich now it wasn’t just that it seems to me that it’s such a pleasure to listen to voices that are already enumerating purely technological sequences. happiness the whole process was somewhere. it seems to me about 20 minutes, it seems to me that he flew up there and hung out. i seemed to see that anton is very he trains well and fits in well in training, so there was no doubt that in fact, that somehow it would work. something is wrong with the hand glass.
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all responsibility lay solely on his shoulders. anton, in general, coped with this lacking situation and worked just fine. i am sure that each of those professionals who have been in space at any time can complete their mission at any time. they are so strong. you will never see on their face, there will be no panic. even if everything very why, as far as i know, and we heard on the radio how yulia also continued part of the documentation in parallel with anton in order to somehow facilitate his work, on that he did the work directly physical, that is, he controlled the ship using the control knobs and emotions. they had then what yulia once describes so interestingly that even she put some kind of report on the air, so that she was ready to start the calculations. i was a little surprised to myself, i thought about what calculations and also switched to work about documentation. she herself
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recalled this with a smile and we liked it at that moment, that is, she was so emotionally ready to start the calculation, then what kind of calculations. okay, gotta work. further, the manual docking was successful and the crew was met on the iss, uh, the oncoming one dragged on a bit and when the hatch was opened. julia has flown away. the first one there and already i understand that they are already filming from the very first moment. it is her in the ice. when they had already flown in, it was impossible to say that they were not very excited, but it was clear that the element of the movement itself already in weightlessness is a pleasure, since the ships have very little space, they feel weightlessness , but it is not clear how much space there is very small, and not only took off the spacesuits and put them to dry and that's it. and already when we went into the interior, into the volume of the station, naturally there was much more space and it was possible to feel this element of weightlessness for the first time. the meeting
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was pretty fast. well, a small border was at the end, well, naturally, who understand anything the connections said act independently. how can fire lift such a huge thing? i spent the entire film sitting pressed to the seat. i felt like i was right there. now i want
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premiere on football with denis kazansky on sunday at first in the big game big bookmaker of the russian premier league there are still those who believe that the film crew did not actually fly into space. it seems to me that with so much hate. and as if disbelief, which our project has already faced . for a long time, not one project has encountered. or maybe there was actually no such project that faced such a number. well, as if disbelief, or what? well, that's it, the guys talked to you, of course , you can do it for a long time and endlessly and really want to, but it's time to continue working, there were those who did not understand. why is this
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film expedition needed at all, if computer graphics can now work miracles, it could have been drawn on a graph, and in general , humanity cannot fly into space. well, in general , it was possible to decide even without a car, and you could generally just wake up in the morning to take an apple from a tree and swim in the river, but in a person there are some engines that haunt him all the time. trying to carry out new feats, it is impossible to play so believably the sensations that you will experience emotions in space under conditions of weightlessness. there you need to experience everything in order to show. when you see these movements in other films, you can see that a person is flying at the same height, and he cannot rotate. naturally, realizing
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that he hangs, even if that's all put on the plane il-7-shtoy, which flies with us, and weightlessness on purpose, but this is only 15-20 seconds. and yet there is much more only in space. i think you can capture the appearance of a person. here are the features of the face and, of course, the very state of weightlessness. this move, probably loose hair, because a person who has ever been in space and seen his comrades fly. he himself he is more very easy to identify some kind of substitution. in this regard , the value in itself was precisely that it was the first film that was shot in weightlessness conditions. the shooting itself brought some kind of living energy into our daily flights and work in orbit until we are kicked out. we will continue to shoot better than the traditions of filming impressions from
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the filming of the film challenge and what astronauts do in their free time. anton shkaplerov and oleg artemiev spoke at the program. who wants to be a millionaire to have such a grand experience of seeing our beautiful planet. earth can only astronaut spiritually rich unconditionally, and we do a lot photos, when we are in earth orbit we love to take pictures of our beautiful planet. she is really blue and very beautiful, but when you view these photos on a tablet or computer. this suggests that even the most modern technology cannot convey what we see with our eyes. this is one percent. good morning, but for 12 days of cinema with the family of anton shkaplerov , oleg novitsky, and pyotr dubrov, julia
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peresild and klimshipenko got together. by the way, there is july. there is her cabin. this is our the gym, to the right of oleg is the table where we eat, get used to it, we have already started filming, we feel good, we give good. they behaved in the same way as ordinary novice astronauts who enter the orbit, who already come to the space conditions of weightlessness of western space, it is at the station to learn simple banal household chores such as cook all the food drink eat clean up use the toilet wash everything in order in the morning in the evening the same. accessories water everyone has some water here, this is soap suds to remove what
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what we wanted to shoot. we had to start the next day. and we actually did just that. we flew in. we didn't have any time for rehabilitation, adaptation, and we immediately began to unload everything else. i passed out at some point. i mean , you're just celebrating. here you have this event, well, you didn’t have it, well, somehow you made such an installation in your head that we don’t have time for this adaptation. there is no time to relax somehow. you set yourself up for the fact that, well, you cannot get sick and the body, apparently hearing these installations, the young iss provided the commander's cabin. show me pasted up, including our green and my night one down here on the floor, medical kits are laid out. so i even have. yulia had a very big responsibility,
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because she was not only an actor herself. she was also her own make-up, her own costume , her own props. i can tell you with absolute certainty. we women can do everything klim was more involved in some kind of camera and directing affairs, because this is also it was like a very big responsibility that hung on him to hang up the cameras to have time to drain the material to see if everything was copied there check to charge the batteries, what several people are doing on earth around the clock and now the light is going out. let's hurry to them, dear. uh, and you're extras. if anything, uh take off the aliens. they also want. they are also like in russian cinema. knocking periodically at the climate machine was a whole module in which he placed the equipment and slept. this is one of the most expensive modules for me heart. julia, this is the module. yes, and i have this one, because i lived here the consequences, my space that was allocated to me. but
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only this space looks completely different, but the meaning was such in this space, here i slept, equipment was stored on the walls. i laid everything out, and then i would have a cargo ship. uh, right behind him, which undocked already and flew away. well, in general, yes. this is where i spent most of the 2 windows that i looked at. earth. here is my room, this is a module that has a plus. here is the camera she flies. that's the way here. actually, spacesuits are not allowed on weekends for spacewalks, but i try these portholes at night. by the time the movie crew arrived on the iss, there were seven people: nasa astronauts robert shane, kimbro megan macarthur and mark
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wangai, a japanese country and tomatoes from france , as well as two russian cosmonauts heroes of russia oleg novitsky, a native of the minsk region , has two higher educations an engineer and a specialist in the field of management. this was his third flight, novitsky was the commander of the ship during the descent of the cinema crew. pyotr dubrov, a native of khabarovsk , a software engineer by his first profession, a participant in the russian championship in group parachute acrobatics in 2012, applied for the first open competition in the cosmonaut squad and these computer engineers were enrolled as a cosmonaut. fuck the future, people from different countries, but each
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astronaut has his own schedule for the duration of the flight and, accordingly, all the time is planned by the control center specialists. in november 1998, he entered orbit the first module is russian. a month later , american docked to it for 20 years, the station has grown to 4 segments of the russian american european and japanese and the americans can get together. the big dome of the sky will begin and the stars on the snow. it's great that we've all gathered here today to start with a big wave for you and stars on the adjacent one.
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it's great that we are all gathered here today, the film crew has only 12 days to shoot over 30 minutes of a feature film. that's a lot, even by earthly standards. first, the impression was let's say so. i was amazed and impressed by the fact that after arriving the next day they went through work in full, because even we have such a period when the body adapts to working at the station, they, in principle, immediately started working. getting used to starting the first day was not easy at all. well, then somehow, they seem to have adapted. well, of course, they didn’t adapt as well as people who live at the station for half a year. well, they adapted well. i'm a little swollen here. and here i am thumping,
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because the blood is going down, but it is distributed throughout the body. here is this adaptation to weightlessness, because in fact in the ship it is still a small space, and it’s like you don’t fly apart there, but at the station you already seem to find yourself in a large space and you already begin to feel this flight. very cool. surprisingly. here we are, the five of us, people are directed in absolutely different directions. it is difficult to find more different people on the planet than anton oleg petya klin and i, and this is not a joke. we are completely opposite to each other people and each good in his everything is clear that everything happened by chance. but this is all by chance incredibly not by chance. this is a new feeling of the weightlessness of the human position of the actress of the actors of the cosmonauts in the frame, somehow, it seems to me, it has changed a lot there. i remember
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my feelings when we shot the first shots, when klima had already uploaded them to computers. we began to watch them, and they don’t even call each other this way, but the two of us still understood that it would be possible for us to do it. guys, can you tell us what you shot today. yes, we're still filming. we haven't finished yet. weightlessness is not only an amazing state, but also rather painful yulia flew wonderfully in the clip, when she also moved perfectly without a camera, but there were precisely the nuances that worked with the camera. we were all worried about him at that moment, but the man is fond of shooting, and he must keep something there in the frame of his camera. that's not all control at all space. of my own body and that's it, of course, this is a state
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that inspires, which relaxes, which i really miss. actually now on the ground, when you are still attracted by attraction, my favorite module is the zarya module , there i most of all beat off the legs of the head and other parts of the body. thank god i ended up taking it with me. ah, workouts. here are some that softened all the injuries that i received a little bit. it is the narrowest there, well, that means it remained, well, here are centimeters on the right, on the left, that's how it goes up, that is, if you're a little, then immediately about the helmet. they gave me shipenko to take with me and allowed me to take a helmet into space for a replica. and the helmet stigma came in very handy helmets that we took for head protection. i was very useful. i hit my head a lot there, when you look into the camera there is little, what else can be done with peripheral vision and how to
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keep track. these are helmets, then they remained, in my opinion, resting when they flew away as a keepsake. we're flying to the film set. here. not only klimashipenko's head suffered from weightlessness, but also his hands, in which the camera was located. there, with broken elbows and knees, the sound was like approximately pum-pum-pum. how much strength do you need to apply in order to push off when you yourself hand would have stopped the frame would not twitch. you have to become this little bit of a ninja cat that's a little, uh, mixed with a ballerina. eh, my height. it was also an exercise. that's all there is to it. it looks like some kind of smoothness and cinematic ballet. here it is in the frame, it was fun. for the crew members , consultations were organized through the flight control center
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; an understudy of climate control, foam, and operator aleksein took an active part in them. phew so now our workplace is here. we have a complete cyclograms of their flights for the entire current flight day, according to which we conduct all our work, provide them with some kind of technical support and advice on the scenario there. here i am punishing. and i have some things about everything that we analyze the camera, the material they filmed, which we pick up here in a neighboring building. we arrive there at 10 am and leave at 12:00 at night, and so every day until then. until the guys returned to earth, there the russian segment of the iss runs a special soup center. it is located in the city of korolev at the same time the center mission control is responsible for 2 dozen other spacecraft. including various companions, the soup has been an invaluable help to the filmmakers, a challenge for the most part, as if everything was justified that we were going through what we were preparing here. for
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the most part, that's what it is. but there are small nuances regarding the color temperature of the relative devices that are used there, plus the panels that we sent there. well, some questions that arise in the process. by equipment, by which how the material is converted how drop it right? here are all the questions. we are now promptly solving by being here on earth communications for 10 minutes twice a day. well, i threw off the material and got the answer. well, how is everything technically, from the technical side, they usually throw it off, i shoot it with a large film crew, and i immediately have an understanding, as it were, about sound, editing , light, color. well, that is, i immediately get, as it were, feedback. damn instantly, but there was no such thing. that is, there she came, as if once a day, but we didn’t need me only because of being late with will be small. did you see five? hello everyone, hello. yes, we looked at the files and opened the material all of the a5 number, which was and, accordingly, that everything is more or less
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normal there are nuances, but in principle, everything is fixable and petya and anton and oleg all look very good in the frame and help. guys , we have a uniform, 24 is the schedule of all astronauts on the international space station. well, they are very busy people. well, i knew it would. well , that's what happened. every day is scheduled. there by minute those hours that were allocated for shooting. here in them it was necessary to fit in, it was hard. well, as it were, well, what to do with such a given, they live there, therefore , all this is ours that fit into their schedule. uh, film set with like this, she's a camera on her own. we are getting ready. since may last year, and when we found out that we would have such creative people who have achieved something in this life. i experienced pleasant sensations, because i think this will not happen again. at
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least. eh, that's good luck for me. on shooting scenes is affected by the length of daylight hours on the army per day, the stations make 16 turns around the earth, that is, there the day changes 16 times the guys, they just train to control this process so that there is a normal docking on the scene, so that there is the same light space plus. they regulate the amount of light at the station by opening one or another porthole. the light there changes every 45 minutes. this is a given. nothing can be done about it , you can only close the porthole or open it and use the light that is located at the box office. i decided to use the light that still comes from the portholes. and so i guessed the moments when this color was where it is not needed in this compartment. well actually. so please tell us what was filmed yesterday. what was planned at 1:30 you know, i still ah, i don’t understand how it was possible to shoot so many materials, because it’s jump, uh, the guys
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astronauts who took part in this made it almost impossible, or you know what average production on a full-length film. it's one and a half 2 minutes a day, and we in the picture uh have most of the, well , stuff that happens in space. my pulse was up to 190, i had almost overheating in the porthole next to you , metal overload is melting. i heard that today a fire broke out on board the mir station , the crew, in principle, saved itself in front of me, my whole life flew by for a few seconds. and we got carried away. mom dear you don’t have time to say. chill - it managed to enter the soul. rescue in space tomorrow.
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