tv PODKAST 1TV May 28, 2023 1:30am-2:11am MSK
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there he did not have a brick, he did. eh, green light, plus we see new perspectives in this development. just see, we do not know how it would develop in the future. it is quite possible that the next step. he would hmm start a new project. at the same time, by the way, the tour of the shutaba king has decreased. and, perhaps they would then be formed on the basis of some large stadiums of point concerts, and the fans have already calmed down about the unification, they are no longer waiting. an association. yes kings something so king jester, he can't unite. no, i understand the rest, and the rest all have their own activities. you know, this is so what you guys are not going to. well, when you get together, they, uh, that is, here i have my own group. we have been sitting for a long time, in our work here , everything is ours. well, how would the world, here what kind of associations can the boys have, the same thing is absolutely, and you do not communicate with the boys?
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because there, well, i don’t go to barbecues with anyone. i have so much work that hmm you know this well, here's a vacation. e for a week by weight about the fans, i wanted to ask how many have migrated since then, how many have grown with you and how many new ones have appeared now? how the attitude of the fans towards you may have changed. these attacks for autographs after the concerts. is there a difference is there, uh, that i don't stay on set anymore? and i thought they were running slower already, they don’t. no, by no means, but see the case in the next music. you left the building right away. yes , the king is philip kirkorov, probably, right? well, and a no. here, in short. i don't linger on
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site. it makes no sense for me to stay there. i want to, but i have a concert - it's a workout. fitness. that is, it's a thrill. and that's it. i receive this hormone of joy, i give it to people. i dump everything. ah, in the soul there is not guarding in the soul. no, no, everything is clear, and the love of the fans is somehow manifested near the house. there the wheel will pierce, there is something else , pay attention to yourself. no, fundamentally. why do i engage in mental activity. and the fact that the songs, that i should stop it when inspiration comes to me. ah. it is not safe andrei, if you remember the group king and jester, and if you imagine that this is a state, who would be the president with you there, who was the minister, whom and what who were you, who was
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the pot? management, and the world it can only come from previously accumulated experience? ah, we would like to be uh jesters , so we always had to deal with the emphasis on the jester and the king was ridiculed, but when there is no some kind of unified control, here in this uh world, if you don’t try, a start he will start trying to manage it with another. and usually someone else usually comes. ah. from the outside, that's all, therefore , it means, well, but complete, as it were, well, so that there is no anarchy in this world.
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yes. this is impossible, because in the same place what then turns out then what, and everyone can clash with each other, and no one will tell them that ay-yai is good, you understand, well , there are many other things that are needed, but so to speak. well, let's stop, who did you have? ay-yay, yes, everything is fine, well, as it were, everything is little by little, well, roughly speaking, who was responsible for the discipline, so that they were exactly there at the rehearsal all. well, these things. i was engaged in this administrative function administrative function. yes listen to this cube, it grants a wish, and you can safely say, without making anyone laugh. what do you want for yourself in 20 years? the only thing is, and in 20 years to be, and we will do the rest. thank you very much. the podcast 20 years later can be watched
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of my life i am its presenter valery syutkin and i i feel a monstrous injustice, because here is a wonderful musician. he is actually responsible for all major projects ; the musical part is saved for viewers on channel one. personally, i went through three seasons of the voice program with him. but he participates and the voice of the children and not only participates, but uh allows all the contestants to be a mentor. uh, perform all the songs and only because of his qualifications. this sounds not afraid of a sincere word, highly artistic today, a wonderful musician of the composer, arranger sergey zhilin is visiting valera is the first time i hear such a set of words from you. thank you very much, it's very nice, for the sake of this it was already worth coming to this program , i will immediately answer that we work in tandem. we have everything man behind the scenes. you
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know him very well, this is andrey pasternak and together with him we are making the final version of the sound. andrey - this is the most subtle. uh, sound specialist. i still remember the program, and the famous andrey was actually the first to learn. uh, live mass events sound like that, yes. you know, he is a brilliant musician, how he hears the most important fast decision-making. this is how interestingly intelligent people remembered real professionals. but today i wanted seryozha through melodies, because music is the best keeper of memory. and when we remember this or that melody, we learn much more about a person, therefore, melody i of childhood, we will start with her, here is the first association with sergey lived and childhood. this is an unexpected tune. here i really liked it, as i later found out, i really liked the bremen
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i just want to say. there is such wonderful children's story. do you remember when a 5-year-old child behaves normally, but does not speak anything, they invited doctors, they lost all hope, they thought that he was not mine from birth for the fifth year he was preparing an egg. this is how he breaks it with a spoon so calmly, he speaks in pure russian , he is not pleased with him that i say don’t give your egg vasya why were you silent? all 5 years? we did not have any claims, this is what i know perfectly well. and not only me and the viewers all know perfectly well what a brilliant musician you are. to hide the youth with vocals. this crime is not vocals. well, what are you doing? this is a parody of oleg annufried for this song. where did this
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childhood take place? where were you born at home? well , in the sense of one interview question. and uh, who were you as a child answered as a child. by the way, when they ask me, who would you like to become in childhood in early childhood? i honestly answer, it was an adult. i also wanted to say. i was born in moscow. yes, we had a huge three-room apartment. uh, a 38-meter apartment was a candidate of economic sciences. she worked very hard. and as i now understand successful, because uh, i didn't need anything , uh, except for a jeans bike, but these are such goodies. yeah but uh i had a bike
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a breeze but at six or seven years old. i grew out of it and then until 13 to 14 there was no bike, then i then brought it. uh, bike. himself straight home borrowed money from friends. no already with uh, older than the highway, older than the highway, yes, with the speed of everything. and they ask you, where does the bike come from? i say busy. so the same must be given. yes. and that's when mom went for it, which means she, uh, bought a bike. and so i'm in nothing needed. i was always fed very well , dressed in a school uniform, and i had only jeans, only polish polish chickens, not a bird, no longer abroad. mom went there, went and brought me from there. i remember everything, and you are spinning me on memories to be honest. i ask here, if possible, the operator of the director to run into. well, in the sense in the stone version on valery's eyes, so that the audience would listen. no, what deep honest ones you have, you understand, when
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you look into them, i want to tell you everything seriously. yes tell me please 14-15 years. somehow they parted ways. but, then they got together and lived happily together for another 12 years, in my opinion, it's nice. here and here in this house. one of the few records i had was just the bremen town musicians, which i listen to with pleasure. it's just that this entire series was the first to sing. it's still there , this is the second part. no nikolay and not a courtier, he already drank taxes with many hairs.
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okay, yes, yes, yes, yes, yura, you sing, i see the whole picture, everything is fine. got confused here. i'm trying to copy exactly as he did then tell me, and this transition sergey zhilin is a boy, probably some kind of sport, like in our yard. everyone probably has all kinds of games, it's clear that's how you came to
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music, but i never left, my grandmother never put me in prison, yes, 2 1/2 years. she planted me so well, and i smoothly just let me down. that's what i call the melody of youth is the music that influenced the choice of a profession or simply helped you understand that this is exactly what you like to do, what was it like? well, now i'm at school at the conservatory. liked me now, huh? and the work of the romantic composers, of course, sergei vasilievich rachmaninov and i don’t understand what i like there, but the fact is that it’s impossible for a shamantic composer to play music without such a very high emotional degree inside and you once play the content there. there is a slightly different story
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, you know, but here it must be. uh, an inner feeling. a very powerful emotional one that naturally spills out. this is what i liked. well, when i heard ryan playing? rectime i'm oh, and he played. this is at a concert with a pianist from the orchestra. and it was such a give, which sunk for a while, immediately began to look for notes, there are no notes, if there are, then they are here, just in this version, and now i played the parts, but here, in general, i,
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in short, increased everywhere , so that it sounds like he took nada for two years, one of the most such nailed ones did not even make their own program while i was in the palace , the camera is called in russian translation artists of the country. this is rake time - how is it? e style. this polka polka? yes, it's a polka, just less skilky, a sim-copied polk-time melody that determined the right direction for sergei zhilin, but we just played traditional
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music for a very long time. i had dixelin at the beginning only traditionally, because i really liked it. this is still school years, damn it, this is the end of school and the beginning. these are already teenagers, or what? yes, when i had already entered the jazz studio, but there in the second year i organized. and who was the teacher of one head wand? ozerov educators there was a lot there. and now, when you entered this studio, it was already some kind of concert work. there is another job there. they just held festivals there, and he holds two large festivals and two such medium ones in the same hall. and tell me, as far as i know you, you still have a great combination, because this is a separate one, as galin borisovna volchek said when my daughter asked, so i dream of being a director. galim borisovna said about the girl. you're definitely not wrong. here you see the director, this is a person who thinks out puts what he says, this is
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a person who ninety-five percent of the director is a person who knows how to make others do what he needs. if you don’t know how to do this, there will never be any director, if it doesn’t work out, maybe you will come up with something, but you will need a manager, as far as i know you for the last quarter of a century, you manage large musical groups, they were immediately large or at the beginning and you had to work on someone else's hands, when at the beginning of the team he was in this year in general 40 years 40 years, yes, and therefore , on occasion, i hope that such a big concert will take place in the kvn club on november 18 , october twenty-sixth. in the house of music, a big concert dedicated, by the way, to igor sergeevich of savoy, but how her sergeevich can be said e is in many ways mine, and a teacher in terms of arrangement in terms of composition. yes, this is a conditional friend. yes, in the early nineties, so
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catch me somewhere in ostankino after all. yes thank you. i say, why did i find black cat songs with uncle misha tanya, but you continue to sing, i say, yuryevich, while there is strength to walk along ground and drag a guitar at each end so that the copyrights will go properly. the black black cat is, as he jokingly said, my ninth symphony. well, he would have turned 95 this year. and this is how we will do a big concert, and thus we will show, because i picked up, uh, his old score, he already has a magnificent symphonic jazz melody. and most importantly, his orchestrations are still relevant to this day, that is, the man perfectly disposed of the orchestra. eh why? you still need to learn from many of ours, so to speak, like me they are called a writer. here, and he is alexander nikolaevna. they themselves always wrote everything. no, they gave none and in the picture. they did
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everything themselves and here is the old procedure. they look great. the only thing is that we have a little rhythm there, somewhere in the 3rd section, something to work with it. everything else works great. this is one of the few people in general who really understood and created uh, symphos, uh, on the side or pop symphony of the brain? what is strange in the name itself or by the orchestra, in the name itself the answer lies and strangely symphonic in order to do this and realize it, and the person who does it must be familiar with strange music and symphonic does not always work out that way. and we try we try to go further we see. by the blue sea you are by my side. the sun is shining, and for you and me the whole day sings, bringing what where when
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the best, everyone knew that he was my best favorite composer. and not in comparison with other film composers, but in comparison with beethoven. and gentlemen. hello all the misfortunes that happened to us, all the difficulties, forever remained in the past, and in the future there were fewer of them, and in the past they
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remain like the misfortune of a black cat. twist of times and peoples yuri saulsky mikhail tanovich. around the corner. only the song is not at all about being lucky if a black cat crosses the road, but for now it's the other way around. only black by the way, you know, i'm proud that i sang this song with
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tamara minsarova, i went to her house myself, because konstantin lvovich asked us to sing together in the light, and she already categorically did not want to go on stage. it wasn't long before he left, but we were. still alive, by the way, yuri sergeevich yuri sergeevich for piano, anality is not mine. but i say georgievna, i will sing, as it were. it’s convenient, if only it were, and i’m very proud that i have a duet with mensarov, and a duetman and a heavenly one too, and eduard anatolyevich khil criticized me, valery says i didn’t like it. which one they performed, how they see off the steamers, there is no original melody in the arrangement. and this is felix for old songs, and most importantly, and she is there like alya santana was made by harry black on jic, and the original ones are so complicated. so i
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say, yes, it's generally easy to fix it. let's sing together. i will sleep. we are people of an artistic warehouse with an arrangement. this is not our part of the work and there is such a page. i consider myself a very happy person, that once i sang with magomayev the best city of the earth, samara mensarova of a black cat and with eduard khil, as he sees off the steamer, and today sergei sergeevich zhilin is my guest and we, together with the viewers, enjoyed the vocal debut. and now i can say that i have a duet with valery, of course, seryozha love melody from sergei zhilin what is it? such a go it up
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herman sounded all this later, unless i heard it. well , i think it's gorgeous somehow early, if you are in the middle, there is already such a second half of the seventies in the middle of the eighties -eighties. well, in the middle of 10 years it was from time to time i turn to musical anecdotes. a lot. and you know that the people who are devoted, they went through different times, but jazz was not very financed, to put it mildly. and there is also such a position there bass trombone. that is , as if an orchestra can do without it, so the banists are the buster, as, roughly speaking , in symphony orchestras of
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viola performers. always the same, so to speak, less than the violinists enjoyed the love of the audience, let's say, or the love of specialists. in short , from the buster banist, i decided decisively silence 3 years ago she made a decision, but so far she has not been able to get away from him. you know why the good ones really appreciate the good ones. there are good ones. yes, you know about tromba players. um , there is a pipe with my wife. they come to the parking lot, they close the car in front of a large hypermarket , which means there are plans for a lot of purchases in the store, wait. i left the trombone there in the car, he says, right? what are you there? well, how would anyone need your friend? yes, if the glass is suddenly hammered, what will we do? yes, no one needs your work, like you, we will drag everything to planned to buy the whole list. leave,
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then back comes closer. he says, well, you see, here, i told you , it’s coming closer, there’s another trombone in the back seat. order more trombones of good different uh leave the rubric of love, but before we do that? i still wanted to ask you, who is she? it's young hmm your first love oh don't talk at all, don't remember it. well, there were probably such real two girls whom i really wanted to be alone at school, and then later she was 25 millionaire. here but somehow it didn't work out. well, it's not destiny. do you remember how two trains that go towards each other, but did not collide. why not?
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that's how i apologize, but i hope that the audience saw your close-ups and your deep ones, because now i caught myself thinking that i have never told anyone like this, you know, about the first there at school about the second twenty pioneer also added that's not there not there was good. it's the same as you understand. ah, intelligent man. he will never develop a theme that unpleasant to his interlocutor. he will bypass her. i delicately relying on the melodies of your life , they ask, and you have the right to say, and i don’t want to talk about this topic at all. i say, well, yes, okay, we move on to the melodies of sadness, when sergey lived from being sad, or well, once experienced that's it from music. this is the feeling and immediately the music sets you up like a tuning fork, and you remember what you are sad about. what a melody that evoked. here is the sadness of your soul, but music is in general, uh hmm everything, uh, maybe uh, national
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tchaikovsky's autumn song, look, depth, what an amazing thing it is to somehow cheer you up and not be bored , my musicians are periodically on tour, they play chess for money like that, the blitz with the clock is everything as it should be, and they flew somewhere to siberia at night insomnia concert. only tomorrow night they go to the night bar, which is open around the clock in the hotel, put on a chess board and start their tournament. the bartender comes out and says guys. well, why are you playing dry? maybe you have something to pour the musicians, you know, thoughtful on departure. need the next one. he says. yes, yes, thank you, pour us tchaikovsky, the bartender is coming. he takes a bottle of vodka, two glasses of tea, and
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brings them on a tray, and they love, we meant tchaikovsky tea, but we didn’t have time to pronounce the word tea, because when we had in mind tchaikovsky, i liked what the bartender asked again. it's like a connoisseur, apparently, the classical music of pyotr ilyich . you see, yes, pyotr ilyich, of course, absolutely not irreplaceable here. eh, the sadness is passed on. uh, he can. well, here are some toys of dreams, everything here somehow pleased me to see it. and now to hear like this, seryozha say, 40 years of the phonograph. of course, uh , it was probably absolutely right not only for you, but also for the visual decision like this in television in large projects, because
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