and when we come up with such hairstyles, i want to be original. you gathered there in ufa as a whole, i would say, a talented conglomerate. and that's probably what gave the intelligentsia that very fertile layer. perhaps, that's the same if you take us we ourselves were born in the village, i'm a country boy. my father is a physical education teacher. say, this is also a girl from the village. and where are you from ufa and larisa from the village? come on, yes, if , as a result of this appearance here on channel one, we call bashkortostan a couple of thousand tourists to watch, where such villages will be considered our task to fulfill, of course. we have very beautiful nature, mountains, mountains and very, very everything. come to us for alloys. come and rest with us. well, let's not interrupt this musical flow. so with this, uh

class number, ufa bashkortostan invites you all to this exceptionally hospitable i will say republic or how to say republic republic i will play an instrument that is made from a friend of a cow. and this is a russian zhaleyka, a russian zhaleyka, the instrumentation performed throat singing, and the composition is called the bashkir folk melody.

dear friends, if i express a general opinion, but

in this little thing, in this bashkir rap cybernetic brew, there is one thing i want it not to end in a pentatonic scale. yes, listen, it’s so easy to understand even for those who are not particularly sensitive here, to understand that the auditory suckers are still so, understandable, and so directly sausage, comrades. may i think that you are now up to barely cross, it fits very well. uh, we not only brought bashkir instruments. i studied myself at the music gymnasium in the class of trombone. oh, i'm a tromba player myself, and we even make such mixes, uh, with different instruments from trombonized with duduk. zur na dumba. this zaynedin has ripened everywhere, can you imagine? how

did this boy annoy his parents? he also knocked on everything that he had in his hands, you also, listen if there is everything that glitters. if there is a trombone, it is already in the hands of the zaydin. if there is anything here, this russian horn, you can immediately find it on well, how, well, it’s necessary, but even duduk and even duduk story. uh, they stopped me. uh, well, traffic cops, and in order to let go, i began to put on a concert. and they let me go until i played on my finger. then they were only surprised that you can take your fingers to play. learn to play the finger and go wherever you want fantastic. and i also

brought a lot of tools, in fact. i have a wooden box. but we call this instrument this jew's harp. it is called differently by different nations. that is, we call it kubys. ah, they call it a harp, yakutian khomus call one for you, thank you what to do with it? this is a wooden kubys, and a wooden kubys. we have, uh, found a very long time ago. that is, in ancient times this instrument was played. he made from birch. and here is a thread like this. and you can play it like this . here is such a wonderful instrument, this is how

salavat yulaev enchanted emelyan pugachev a hundred years ago. i brought a lot of kuraev as a keepsake and left it for you. thank you very much. well then, now we 'll listen to the trombone, what happens in the hands of talented person. i would like to thank my dear friends once again, bashkortostan , which gave me and my colleagues a meeting with such a talented person of new conquests. and to you, dear friends, new interesting meetings, like those that just happened, all the best.

if

possible, dear viewers, let's all applaud together.

hello, my name is dmitry bag. i'm the host of a literary podcast with a wonderful title. let them not speak. let those who are older remember that in the late sixties bomb and became a film with the participation of the singer, rafael there they sang in spanish, and there was the famous diggan song. loca din is spanish. let them talk it meant that let them talk about our love. it won't hurt, it won't hurt. we are doing the main thing. here, uh, in our podcast, of course, we are talking, of course, we are talking with our guests, but all our conversations are aimed at making you think, that's what we call for in our today's issue

with tatyana nikitina tolstaya writer. and maybe also a publicist, how would you yourself determined themselves. hello writer. i am definitely a writer, but i don’t really like this word as a publicist, because that’s what they mean when they need me. seeing somewhere that i do not have all the works of art, then i think, yes, where to put them. well, let the publicist be driven. well, i don’t consider myself a publicist, i don’t feel it, and i think, let it all be written. well, in principle, a writer is any writer. it's wide. definition, but still , you understand essayists, yes, of course, there are documentarians, there are er, the authors are different fish. well, except for prose, sometimes it's great. yes, yes, yes, except that's fiction fiction yes, yes, yes, yes. here you work in different states , let's talk about this later. well, we will start with a topic that cannot be avoided in a conversation with a person

who bears the surname tolstaya or tolstoy well , of course, uh, writers with this surname. we had several people in literature, but how do you feel? this is the role you are in. uh, the granddaughter of alexei nikolayevich tolstoy , whose 140th birthday has just been celebrated, and i must say very broadly. i'm holding in side of e congratulatory process. it's clear. i don’t like, i don’t like, in principle, i don’t like the anniversary of my own, not other people’s birthdays, that’s all i don’t like. and so the fact that he is remembered and read, because he is an absolutely wonderful writer, very uneven. in my opinion. still, uneven, of course, not because most of his uh hmm those years when he u entered his talent are thick and develops late in general, but late. and here he , too, started late and matured late. eh, it

took years. e not so comfortable, but not free. yes, not freedom yes, in general here it is yes directed in some other direction. and he had to. he was happy to return from immigration, i must say. in the third year, and he thought that a new free beautiful life was beginning, yes, and that means that he took the nep for some kind of new life, uh, and all sorts of difficulties immediately began. this is where the difficulties came in. uh, and he was trying to adjust to a new life, a new air, a new style , it was all wrong. like, uh, like before, as he used to, everything was not as we say. well, yes, before the revolution, all the more. here is the resistance material. it led to always leads to what? yes, he always had unconditional luck for something, uh, stories, but then he wrote plays. he wrote. that's it, he wrote everything, yes, but not everything he liked the fact that what

the previous one didn't work for is. uh, really a whole area that he discovered, for example, there are disputes between russian science fiction or soviet, many suppose engineer gagarin and elite have different attitudes. i really love these things. very good they are very good they are alive. they are alive they are good and uh they are humorous you see, he didn’t like pathos alexei tolstoy and since the era sometimes drove to paphos, the worst thing that he had was, of course, wartime texts, because wartime causes paphos and he had to leave work on peter i, who he so i wrote and do. it is precisely by sublinguistics that we will remind our interlocutor on the other side of the screen that alexey nikolayevich tolstoy died in the forty-fifth year, without completing his main work peter i , we will say more about this, because he created the image of peter the great so popular. yes in in general, yes, yes. in general, yes, everyone knows he always wanted, he always wanted, and when they say that

this is stalin's order no no no no he had a very early story of peter's day, of course, he was interested in this era russians in hollywood from a to i, a b bandits in ladovin d. head of the toe, e. your evidence f. short l m corn syrup n. news, orsk o r russia s the secret is not russian

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