there, in a positive sense, he doomed his works to what we call public dement, that is, to reprint without a share of heirs. it's a whole social story, but for me , of course, it's mostly a fiction story, because, uh, here are the stories after the ball in soviet times, which were part of the school curriculum because of social motives to absolutely brilliant things. father sergiy is khadzhimurad here. here is the devil. here, having two editions, too, as if the devil is not a semi-finished thing, great er, thing. here everything, it overtook the admirers of tolstoy a in 1912. and more than a year later, er, after his death, it was, well, such, as it were, the posthumous will of tolstoy, because literature lived for him. it was an act and an absence; literature was also an act. and after his death, these same works. eh, come to the reader. i would love to be in line. we

emphasize that the book like a cubic piece of smoking conscience, this definition of boris pasternak is also very important. she communicates and talks to us. even we won't read it in its entirety. that's all that we, together with our rivals honestly , told you all this and there is an emotion that owns us. our communication with these works is important precisely because they are part of this book, which could be bought in bookstores and shops in 1912 after a long wait, when these books of the story remained hidden on the desk. e, lev nikolaevich well, now let's return to another line of the fat family, when you are not a kish, and tolstoy well, there is one more book, the value of which cannot be overestimated, a it yes yes, i remember you speaking somewhere.

eh, i was at that performance. they said something that every line, and you already knew before the howl, i remember this emphatic statement. you somehow made this novel stand out in a special way. and now , thank god, i have forgotten it, so i can even re-read it. well, i, in principle, have a very bad memory. although hmm is the so -called writer's memory. i read, so in one book there are funny features of writer's thinking. so this is a very common thing the memory of writers, the writer doesn't remember, and that makes a lot of sense, because if you did, you couldn't. eh, that's it, give yourself a text. yes. you would be disturbed by your own texts, which you, in my opinion, are so full of knowledge of others, which you read and interfere with everything, because when you are at work. momente you're all

right with your head, but then it's all thrown out thrown out i had an aunt and marianna alekseevna daughter. e alexei nikolaevich hmm, she was, in principle, a professor of chemistry. ah. even though she was adrena literary. and here i was talking to her. she says i used to compose elements in my youth. here they published it even in the new world, somewhere else, but i could not write. although, as i would like, because i have disgusting properties. i have an amazing memory. i remember everything. here, look, she pointed to the locker. the doctor bunina is standing there. she says, you can take any house in the middle, apparently yes, open it in the middle, read the phrase, and i will continue to you until the end. she says it's torture. tanya is torture. remember, this is torture and writing in such a state is impossible, and she did not. you just forget later, then at the moment of creating the thing. it must be in the head.

where in the head are things not related to memory so noisy dubrovo yes, something such an altered state, when you enter the state of writing, there is an emotion there, but this is a structure. it is indefinitely what it consists of. and yet here are the cosmic clouds , some kind of plasma is spinning there. you see, there are some lightnings sparkling, the devil knows that there is light there, there is no light there, or it seems to us, through telescopes. we do not know. here you are overtakes. some state. you feel this very text, like, he went to wait, and you feel him. eh, the volume you drew is just some kind of it. it can be final, it must be the final text must be, of course, and not all, uh, its sides are visible to you. well, i'll start, i 'll try. that should be happy people until the end you don’t know if you know that there’s nothing to write to her. it's too late. no, you generally think, but i don’t know where it ended. let it be so on the way we'll see. and when you go here. to this end

suddenly you understand? no, it was n't the right way. we will now turn around like this, that is, he himself begins, if you live this childhood with him, without any calculation, or is it him, well, well. you know, it's intuitive. i would say e, but e calculation in the sense that you can write to him on a piece of paper and write on it, but this is unequivocal. i'll throw it out at any moment, of course , with this pasternak, again, it comes to me all the time, uh, hmm memory. eh, in our conversation. he has a wonderful one. definition we cease to recognize the reality of all things. eh, they acquire some new dimension, and i quote approximately and we see the difference between the old image of reality and the new one that we just saw, we try to name this difference, it turns out art. yes , it looks like something like that reminded you of what you are saying, so when e you somehow then you arrive, i quote you again before the war. well, who

is here, yes, the last details felt, uh, all the nooks and crannies of this novel hmm it was a special case, because there's not much to grab on to? this is such a dreamlike reality. no, there are quite a few meanings there, uh, that are there, so to speak, well, as in a person there is a bone system, a circulatory system, a lymphatic system, a nervous system. yes, there are different systems. and all these systems are there, there is a jamb on which it rests, that is, well , it still goes less. yes, there is less everyday life, because some kind of world has been invented. yes, in this sense invented, that is, it must be said there he is this little soviet. what is different here, when you live in soviet times, is understandable. and you need to understand how 90 3 rubles. a month to support a family of four, and the devil knows, but not in the store. well, to me, the smallest salary i had was less,

but i know it was less. yes, i worked for 1 month as a postman, delivering telegrams. in the summer i worked as a student, yes, yes, and they had a salary of 4 rubles. and you could e go to such a salary for a month. and it could have been by the piece. here he took a gram or three kopecks. it was interesting, in principle, well, yes, that is, four 34 rubles. we are a little earlier than hmm i thought intent. i, too , is afraid of moving on to the book the felt age. they 'll talk more. there is about it, but about the soviet reality, but still a novel for a second. here is one of one of these neurolympathic systems, uh, i missed it. that is, i understood that the book needed to be built somehow and it needed some kind of. well , i also have a skeleton there, it’s the carrier and i found it in the alphabet. mm, i mean, i get it that i need to break the novel into pieces, e

in chapters alphabetically. and when i introduced this alphabet, it quite easily roman broke up into these very chapters, while i deliberately rearranged the letters e in this alphabet. there , closer to the end, i rearranged the letters in places, changed the order of the letters. not a single person noticed it. i didn't notice either, to be honest, it's also important to me, it's important because they say books. they say it was a favite. they say that the alphabet is the basis, but at the same time they really are this alphabet. well, uh, well, i remember that heads. this i must know. this is great, dear readers. read the novel by tatyana tolstaya kys and you will see the modified russian alphabet, and the old names of the letters of the noble abc in the form of the verb good.

we remember it all, philologists further all the alphabets that were, because there were all kinds of reforms and peter was carried out, but i don’t know omega and some others or who advised him there at all omega for a long time o i am an opponent of all this, you understand, because hmm simplification opponent of the reform, which leads to simplification too, when they call me petrovich well, in one of the options, they go back to yat to the letter to the sound. yes, very sorry. i see that the forest is ide yes, i see dialects here. i understand that yes, white in polish. yes, that is, uh, the fact is that the same letter kills the difference in the sounds that were there with this one, but just, uh, yat, i'm very sorry, but mega doesn't, because we don't have

a separate long sound about. is that the shock position. well, okay. is it for beauty too? yes, that's what german-toxy is. i'm not funny such. yes, i understand, well, that is, you are also against simplification, i am for complication. this directly concerns our podcast, our dear interlocutors, because reading is a habit, like the perception of a complex text. reading establishes new neural connections in the brain. you will not have alzheimer's if you want to get alzheimer's, well, don't read nothing, all guarantees, then this is our slogan tatyana tolstaya is wonderful, she says, she is on our podcast, because i am convinced about this, the same applies to the first letter. yes, the pen does not write at all angles, but a ballpoint pen or there the felt-tip pen is thick, it destroys fine motor skills, that is, reading is the fine motor skills of the brain absolutely and so accessible.

well she's leaving because you have to keep following him on the internet. we hide the so-called tackle, yes long text. it's a lot of beeches here. as people say, we are used to it only because there was a short text that means itself. yes, but i have to say. that's what i have to say that i myself read on the screen on the big screen. i can't on the phone. yes, these are probably on the big screen. uh, and i have to say that few people cares about the convenience for me, so that i can read bad fonts, the inability to expand and make some kind of simplification bigger. i also show students what format the book is. remember, you were a proofreader. yes? remember some kind of format corrector. i was a junior editor over the deal on a proofreader's salary. moreover, well, yes, a work book. here, excuse the offset, but i remember some kind of format, and i remember it's 84 by

188 in 1/32, and not again, as they say, because all this is gone the text that we we see on the screen we have been liberated from very many of this liberated. yes, this is a runner. and this is kant and this is dal, and these are some kind of sheet and typefaces, well , we will separate helvetia from academician, and m-m simplification leads to what we see, as if only the text is not burdened by anything . most importantly, but such that it was sweet. this is the complexity, in general. here, i would still draw in books. these headpieces are medieval initial letters, so that some birds of the girl's ribbon are intertwined there. yes, well, i know that you love it for years killed. in in general, book edition, i agree, oh well. well, after all, we started with journalism and said that journalism or something incomprehensible or too general, but you

really have texts that hmm well, on the verge of fiction, but it is fiction, yes, in particular this book, which i love very much. this felt age also came out some time ago, but seven years ago, but, nevertheless , perceived as fresh. but how do you feel about this? this is what this memoirs are sketches here, if the lyrical hero is just a story about a person who, uh, shares his everyday experience, there is no cross-cutting plot, what kind of book is the felt age tatyana nikitichny tolstoy here i have collected different texts from different times, and which are connected by more or less one theme, uh, stagnation. this is how we lived, how i lived for the seventieth year, and the seventies with the beginning of the eighties, perhaps , spilled over. here is stagnation, no, dates, here some moment has stagnated and you live, what is there, the main thing is the absence of a deficit is not simplicity. hmm there all the main constraint

movements. there's little where you can move go abroad does not exist does not exist. just some weird people. sometimes some komsomol workers. yes, they go abroad, but not for us. here we are ordinary people. we do not understand how to do this even in bulgaria with him. well, what else is the incredible dexterity and survival of people , the wit that they use in order to survive in this situation, big plywood, plywood leaves, yes, yes, they endured. yes, no one will give you anything, so, uh, the engineer thinks hmm goes to the director or there is some boss and says and holds like this small plywood. yes, and he says, semyon ivanovich is there. here, i need to take plywood home here. ah, well, take it. uh, tell me at the watch that i missed the plywood , he missed kozlov with the

plywood there. it's sharp smart. do you have a certain reality in the magazine science life was wonderful, and the section of the home master. tips, don't throw it away. the toothbrush was to make a ballpoint pen refill and a ballpoint pen refill from the spray console paint the second shirt. yes, a mop can be made from some even rubbish. and that's it. ah, the felt age. this book is just that. that's exactly how i perceive it. this is a woven portrait from scraps. eh, a decade and a half, probably, it would be correct to say so in one word. uh, it was forever until it ended like this is called one of the books about this time and uh, we talked about a recent comparative book and about an older time hmm and we will certainly hope that you will give us new books. we are waiting for this. yes but if

some circumstances that interfere with some things, for example, i had such a collection dedicated to food, and i just don’t have enough volume to make it work. well, i'll have to think about this some more. maybe i'll do it now, i don't know, uh, i have one plan, then i have another one, in which i won't speak, and so as not to jinx it, because i'll say everything as i say. it doesn’t work out that way, and a book will be published soon, uh, dedicated to the memory of alexandrovich timofeevsky, we are his friend, who came up with the name felt age, he is the son of the wonderful poet alexander pavlovich timofeevsky book. it consists of two parts. it consists of conversations about culture, which i mean with him there are about five of them. uh-huh. and i think this is a unique genre. so you say, a publicist is not a publicist. no, this is generally a new genre, some kind of correspondence from two angles, so let's say memories there

is a check of 30. so i found one who agreed and were able to write memories and here's some how we fixed some kind of image. already already have a bright, bright person. it is a pity that he is not there, he is missing. we will wait for your new books, both this and others, and i can only rejoice at how much we have coincided today, and we have coincided in the main thing, we have coincided in that a modern person needs to read to maintain brain activity and normality. uh, we had another edition of the literary podcast. let them talk, let them read, and i am his presenters dmitry bak, we are their interlocutor. uh, there was tatyana kishina tolstaya, and our modern wonderful writer and i don’t know, maybe partial publicist. eh, i tell you what i always say at the end of our programs , read with pleasure. hello friends

, with you, the podcast of the melodies of my life, i am its host valery syutkin, and i feel a monstrous injustice, because there is a wonderful musician. he is actually responsible for all major projects, the musical part is saved for viewers on channel one. personally, i went through three seasons of the voice program with him. but he participates and the voice of the children and not only participates, but uh allows all the contestants to be a mentor. uh, fulfill all songs and only thanks to his qualifications. it sounds i'm not afraid of a sincere word highly artistic. today , the wonderful musician of the composer, arranger sergei zhilin is visiting. hello valera

, this is the first time i hear such a set of words from you. thank you very much, it's very nice, for the sake of this it was already worth coming to this program, i will immediately answer that we work in tandem. we have everything man behind the scenes. you know him very well, this is andrey pasternak, and together with him we are making the final version of the sound. andrey - this is the most subtle. uh, sound specialist. i still remember the program aznakam andrey is actually the first one who learned. uh, live mass events sound like that, yes. you know, he is a brilliant musician, how he hears and most importantly, a quick decision. that's so interesting, intelligent people remembered the real professionals. but today i wanted seryozha through melodies, because music is the best keeper of memory. and when we remember this or that melody, we learn much more about a person, therefore, melody and

childhood, we will start with her, here is the first with the association sergey lived and childhood is unexpected tune. here, i really liked it, so i found out, that's why i really liked the cartoon the bremen town musicians. a minute is correctly carried to the ground.

i just want to say. there is such a wonderful audacious anecdote. do you remember when a 5-year-old child behaves normally, but does not speak anything, doctors were invited, they lost all hope, they thought that he was not washing his birth for the fifth year, he was preparing an egg. well, he breaks it with a spoon so calmly, he speaks pure russian, he is not satisfied him that i say don’t give your egg to vasya a why were you silent? all 5 years? we did not have any claims, this is what i know perfectly well. and

not only me and the tv viewers all know perfectly well that you are a brilliant musician to hide such vocal skills. this crime is not vocals. well, what are you doing? this is a parody of oleg, i will anushev this song. where did this childhood take place? where were you born at home? well , in the sense of one inter-question. a? e, who were you as a child answered as a child. by the way, when they ask me, who would you like to become in childhood in early childhood? i answer honestly, was an adult. i also wanted to say. i was born in moscow. yes, we had a huge three-room apartment. uh, a 38-meter apartment was a candidate of economic sciences. she worked very hard. and as i now understand

successfully, because uh, i didn't need anything , uh, except for a jeans bike, but these are such vehints. yeah but uh i had a bike breeze but at 6 or 7 years old. i grew out of it and then until 13 to 14 there was no bike, then i then brought it. uh, bike. himself straight home borrowed money from friends. no already with uh, older than the highway, older than the highway, yes, with the speed of everything. and here you are asked, where is the bike from? i say busy. so the same must be given. yes. and that's when mom went for it, which means she, uh, bought a bike. and so i didn't need anything. i was always fed very well , dressed in a school uniform, and i had only jeans, only polish polish chickens, not a bird, no longer abroad. mom went there, went and brought me from there. i remember everything, and you are spinning me on memories if now i don’t know, i ask. here, if

possible, the operator of the director to run into. well in sense in the stone variant on valery's eyes, so that the audience would listen. no, what deep honest ones you have, you understand, when you look into them, i want to tell you everything seriously. yeah tell me please yo. somehow they parted ways. but then they got together and lived happily together for another 12 years, in my opinion, yes, it's nice. here and here in this house. one of the few records i had was just the bremen town musicians, which i listen to with pleasure. it's just that this entire series was the first to sing. it is there here's another one from the second part. there is no nicholas and no court, baby taxes, he drank with many

hair. okay ta-ta-ta. yura, you sing, i see the whole picture, everything is fine. i remember here. i

'm trying to copy exactly as he said then, and this transition sergey zhilin is a boy, probably some kind of sport, like in our yard. everyone, for sure, has all kinds of games, it's clear that's how you came to music, and i never left, my grandmother never put me in prison, yes, for 2.5 years. she put me down so well, and i smoothly just let me down. that's it what i call the melody of youth is the music that influenced the choice of profession or simply helped you understand that this is exactly what you like to do, what was it like? well, i'm at school now. i've always liked it, right? it seems like a work of romantic composers hmm, naturally, sergei vasilyevich rachmaninov and i don’t understand what i like there, but the fact is that

it’s impossible for a shamantic composer to play music without such a very lofty national city inside. that is the content there used to be emotions. you play there is a little bit different, the story, you understand, but here there must be an inner feeling. a very powerful emotional one, which naturally spills out. this is what i liked. well, when i heard how ryan is i think about, and he also played. this is at a concert with a pianist from the orchestra. and it was

such a give, which sunk for a short time, immediately began to look for notes not. no, if there is, then they are here, just in this version, and now i played the parts, but here, in general, i, in short, increased it so that it sounded like his two. and just like that, i worked on it, i took some of the most beloved rects and even made my own program at that time i was at the palace of pioneers, uh, this is a coach. well, in russian translation, the artists of the country - how is it? uh style. it's a polka, a polka, it's a polka, it's just that the polka is less than a sim-copied

polk-time melody that set sergei zhilin in the right direction and for a very long time we played traditional music. i had only traditionally, because i really liked it. it's still school years. this the end of school and the beginning. these are already teenagers, or what? yes, when i entered the jazz studio. that's where i organized in the second year. and whoever was a teacher, one teacher's stick for the head, there were many there. and now, when you entered this studio, this is already some kind of concert work. there is another job there. there, they just held these festivals, and two large festivals, two such medium-sized ones, are held in the same hall. and tell me, as far as i know you, you still have an excellent combination, because it is separate, as galin borisovna volchi said,

when my daughter asked, here is my dream to be a director. galim borison said about the girl. you're definitely not wrong. here you see the director, this is a person who comes up with a stage, that then this is a person who is ninety-five percent a director, this is a person who knows how to make others do what he needs. if you don’t know how to do this, there will never be any director, if it doesn’t work out, maybe you will invent something, but you will need managers, how much i have known you for the last quarter of a century you are a workshop you manage large musical groups, they were large at once or at the beginning and you had to work under the wrong hands of the team this year, in general 40 years 40 years old. yes, and therefore, i hope that such a big concert will take place in the kvn club on november 18, october twenty-sixth. in the house of music, a big concert dedicated, by the way,

to sergeevich of savoy, but how her sergeevich can be said e is in many ways my e, a teacher in terms of arrangement in terms of composition. yes, this is a conditional friend. yes, early nineties so catch me somewhere ostankino said, after all, yes, thank you. i say, why did i find black cat songs with uncle misha tanya, yes, you continue to sing, i say sergeevich as long as you have the strength to walk the earth and carry a guitar at each end so that the copyrights will go properly. a black black cat is like he was telling a joke about my tenth ninth symphony. well, he would have turned 95 this year. and this is how we will do a big concert, and thus we will show, because i raised, uh, his old score, he already gorgeous symphonic jazz melody. and most importantly, his orchestrations are still relevant to this day, that is, the man perfectly

disposed of the orchestra. eh why? and you still need to learn from many of ours, so to speak, as i call them a writer. here, and he is alexander nikolaevna. they themselves always wrote no, they gave it to none, and in the picture they urgently did everything themselves and here are the old procedures. they look great. the only thing is that we have a little bit of rhythm there, somewhere in the 3rd section, something to work with. everything else works great. this is one of the few people in general, who really understood and created eh, symphos. uh, on the side or weirdness in a panicked brain? what is the wandering in the name itself or the orchestra? the name itself contains the answer and it is strangely symphonic in order to do it and realize it, and the person who does it must be familiar with strange music and symphonic does not always work out that way. and we try we go further we see.

hello again. you are watching a podcast of melodies of my life on channel one. my name is valery syutkin today my guest is sergey sergeevich zhilin seryozh we remembered ira sergeevich saulsky and i want to wish our viewers, you know, that all the misfortunes that happened to us, all the difficulties, forever remain in the past, and in the future there were fewer of them, and in the past they remain like the misfortune of a black cat twist temporary peoples yuri saulsky mikhail tanovich.

and by the way, you know, i'm proud that i sang this song with tamara minsarova. i went to her house myself, because konstantin lvovich asked us to perform together in the lights. she is already i absolutely did not want to go on stage. it wasn't long before he left, but we were. still alive, by the way, yuri sergeevich yuri sergeevich at the piano, anality is not mine. but i say, i 'll sing like that right.

it’s convenient for you, if only it were, and i’m very proud that i have a duet with mensar’s duet, and heavenly too, and eduard anatolyevich khel criticized me, valery says i didn’t like it. which one they performed, how they see off the steamers. there is no original melody in the arrangement. and this felix or others did for old songs, and she where alya santana was made by harry black on jic, and the original intro is so complicated. so i say, yes, it's generally easy to fix it. we are people of an artistic warehouse with an arrangement. this is not our part of the work , and there was such a page. i consider myself a very happy person, that once i sang with magomayev the best city of the earth tamara minsarova of a black cat and with eduard khil,

as he sees off the steamer, and today sergey sergeevich zhilin is my guest and we, together with the viewers, enjoyed the vocal debut. i can say that i have a duet with valery melody of love about sergei zhilin what is it? this will go until what age? well , it's great for all ages, what is it tell our viewers.

ladies in evening dresses men in elegant suits it was a light emotional outburst, beloved, you played such a very mature melody. when i loved the melody from me, well, i don’t know, i was a boy anna herman sounded all this later i heard much earlier, if you are in the middle, there is already such a second half of the seventies valer eighties. for 10 years now, i have been periodically

turning to musical anecdotes, a lot of jazz ones. and you know that people who are devoted to jazz, they went through different times not very funded. to put it mildly, i have a favorite was in those days. and there is also such a position there bass trombone . that is, as if an orchestra can do without it, so buster banists, as, roughly speaking, in symphony orchestras of viola performers. always the same, so to speak, less than the violinists enjoyed the love of the audience, let's say, or the love of specialists. in short, from a buster banista, decided decisively at silence, 3 years ago. she made this decision, but so far she has not been able to get away from it. you know why there’s nothing, as if you’re emphasizing, in fact, in fact , quick banters, good, they really appreciate

, good there are good, yes, you know about trombonists, in general, there is a pipe with my wife they come to the parking lot, they close it in front of a large hypermarket they’re going to the car, which means there are plans for a lot of purchases to the store, wait, i ’m a trambul there in the car. he says yes. here is the tram. well, like us who needs your friend? yes if a friend breaks the glass i will take it, what will we do? yes, no one needs your work, how will you drag everything that we planned to buy a whole list. leave. leave, then back comes back comes closer the glass is broken. he says, you see, here, i told you, he comes closer, and there is another trombone in the back seat. more injuries of good different uh leaving the rubric of love, but before we do that? i still wanted to ask you, who is she? it's young. hmm. your first love. oh, don't talk at all.

well, there were, probably, such real two girls whom i really wanted one at school, and then later she was 25 pioneer. but somehow it didn’t work out anymore. well, it's not destiny. do you remember how two trains that go towards each other, but did not collide. why not? that's how i apologize, but i hope that the audience saw your close-ups and your deep ones, because now i caught myself thinking that i have not told this to anyone before. you understand about the first there at school about the second palaces. pionerov also added that it was not there. not there it was good. this as you understand. ah, intelligent man. he will never develop a topic that is unpleasant for his interview. he will bypass her. i delicately relying on the melodies of your life ask, and you have the right to say?