in such a not-so-happy state. but this is a wonderful book. ah. hello pictured. this is the first collection. eh, the stories of the eighty-seventh year on the gold ring were in circulation of 60 5.000 copies, while it was not on sale. it was all zagnom in the republic. then there was such a manner that you don’t have to read, well, the book is in short supply, to be honest, they didn’t even want to print it, it means the boss, who hmm would agree to print it, but only in the form in which they did it all . i don't i know it’s a little different from what you wanted, yes, what they showed me was not like that, that is, everything there was cut by the move. i say, no, i won't be in this. no, i see. here. no. well, we know better how to do it. no, you won't print them. i take her and no. you leave. we will remake these here in the form of doing. i say i'm leaving you and soon

your hut will be rolled out on a log by your young guard, and where does he get the information from? it's clear. i say, the sources, of course, and everything came back. in the end in the end printed, as needed, and we talked about this debut. and now, as always, in the middle of our program of our issue, a few words about another tolstoy about lev nikolayevich, and this book has its own story. i bought it almost by accident and even thought of giving, uh, such a gift to a person who understands literature, the old edition of 1912, but when i took this little book, i will show you the spine in my hands, i realized that i could not part with it . here is a three-volume book, which e was published by e, beloved daughter. a tolstoy edition of alexandra lvovna tolstoy, edited by vladimir grigorievich chertkov and now. in 1912 it is

three volumes. here they are sewn together in one convoy. even visible, the border between them a and e, here is the reader. eh, right here in that, the first one is clearly visible, on this title the reader. e , of that time i got the opportunity to get acquainted with those works that tolstoy did not publish for many years, because he had a very complex relationship between royalties and property and professional writing. we know such stories of conflicts within the family chertkova sofia andreevna wife. uh, lev nikolaevich, we know that this is the publication he wears. here is such a, uh, beautiful verdict, it is allowed to print free of charge, that is, tolstoy, uh, well, practically, but hmm , in a positive sense, turned his work into what we call a public demon, that is, for reprinting without either heirs, this is a whole

social history, but for me, of course, this is mainly fiction history, because e here is from a story after scores in soviet times, which were part of the school program due to social motives to completely ingenious substances. father sergius is here. khadzhimurat is the devil here. here, having two editions, too, as if the semi-unfinished thing is the devil, great er, thing. that's all, it caught up with tolstoy's fans in 1912. uh, over a year later. eh, after his death, it was, well, such, as it were, the posthumous will of tolstoy, because literature lived for him. it was an act and an absence; literature was also an act. and after his death, these same works. eh, come to the reader. i would very much like to emphasize once again that the book like a cubic piece of a smoking conscience is boris pasternak's definition. it is also very important. she

communicates and talks to us. even if we don't read it in its entirety. that's all that we, together with this nikitina, told you all this is the emotion that owns us. and our communication with these works is important precisely because they are part of this book, which could be bought in bookstores and shops in 1912 after a long wait, when these, but the books of the story remained hidden on the written herd of the table. eh, lev nikolaevich well, now let's return to another line of the tolstoy family, when you are more nikitish, and tolstoy well, there is another book of significance that cannot be overestimated. and yes. yes, i remember you speaking somewhere. and i was at that show. said what what is what

each line? eh, you already knew before the war? i remember this emphatic saying. you somehow made this novel stand out in a special way. and now, thank god, i have forgotten him, so maybe i can even clean it up. well, i basically have a very bad memory. although hmm this is the so -called writer's memory. i read about it in one book funny features of writer's thinking. well, it's a very common thing that the memory of writers doesn't remember, and it makes a lot of sense, because if you remembered, you couldn't. eh, that's it to give out the text. yes. you would be disturbed by your own texts, which you, in my opinion, are so full of knowledge of others, which you read and everything interferes, because when you are at work in the moment, everything is in order with your head. well , then it's all thrown out thrown out i had an aunt. marian alekseevna is the daughter of

aleksey nikolaevich. hmm, she was, in principle, a professor of chemistry. and although she was adrena literary. and here i was talking to her. she says i used to compose elements in my youth. here they published it even in the new world, somewhere else, but i could not write. at least i would like to, because i have disgusting properties. i have amazing memory. i remember everything. here, look, she pointed, that is, at the locker. there stands bunin's rotation. she says, you can take any house to build in the middle. apparently yes open in the middle to read the phrase. i will continue to you until the end. she says it's torture. tanya is torture. remember everything, this is torture and you can’t write in such a state, and she didn’t, then you forget, then at the moment of creating the thing. it must be in the head. he is in the head of the thing, not connected with the mouth. yes , something like that has changed the state of the structure when you enter the state. writing

the structure of emotions is there and the emotion is there, but this structure is vague. what does it consist of. and yet here are the cosmic clouds , some kind of plasma is spinning there. you see, there are some lightnings sparkling, the devil knows that there is light there, there is no light there, or it seems to us, through telescopes. we do not know. here comes you. some state. you feel, this very text, it seems, it went to be born, and you feel it. eh, volume. you can be mistaken, just some. here it is. it can be finite, it must there must be a final text, of course, and not all of its sides are visible to you. well , i'll start, i'll try. that should be happy people, that is, you don’t know until the end, if you know what to write, no, this is nothing. it's too late. no, you generally think, well, i don’t know where it ends. keep it that way for now, we'll see. and when you go to this end, suddenly you understand? no, it wasn't the right way. we will now turn around like this, that is, he himself starts, if you live this

childhood without calculation after all, or are these discounts? well, you understand it well, it's intuitive. i would say uh, but here is the calculation in the sense that you can take a piece of paper and write a diagram on it , but this means that i will throw it out at any moment, you know him clearly, pasternak , again, he comes to me all the time . hmm uh, memory uh, in our conversation, he has a wonderful one. definition we cease to recognize the reality of all things. eh, take on a new dimension. and i, by the way, speak approximately and we see the difference between the former image of reality and new, which we just saw, we try to call this difference, it turns out art. yes, it looks like something reminded me of what you are saying, so when you, as you said then, i quote you again up to two. er, well, that is, here are the last details felt. all back alleys of this novel hmm

was that a special case because there's not much to hang on to? this is such a dreamlike reality. no, there are quite a few meanings, uh, that are there, so to speak, well, as a person has skeletal system circulatory system lymphatic system nervous system. yes, there are different systems. and all these systems are there, there is a jamb on which it rests, that is, well, it still goes less. yes, there is less everyday life, because this is some kind of invented world. yes, in this sense, that is, there is little soviet there. what is different here, when you live in soviet times, is understandable. and you need to understand how 90 3 rubles. a month to support a family of four , and the devil knows, but in the store, damn it, there's nothing. come to me, the smallest my salary was less, but i know it was less. yes, i worked for 1 month as a postman,

delivering a telegram. in the summer i worked as a student, yes, yes, and they had a salary of 4 rubles. and you could e go to such a salary for a month. and it could have been by the piece. here he took a gram or three kopecks. it was interesting, in principle, well, yes, 34 34 rubles. we're a little earlier than uh. hmm i was thinking the plot. i also have to be fruitful, let's move on to the book the felt age. they'll talk more. there is about it, yes about the soviet reality, but still a novel for a second. here is one of one of these neuro-lympathic systems, but i didn’t have enough. that is, i understood that the book needed to be built somehow and it needed some kind of book. well , i also have a skeleton, of course, there is exactly this one that carries it, and i found it in the alphabet. mm, that is, i realized that i need to e roman e, break it into pieces, e in chapters alphabetically. and when i introduced this

alphabet, it quite easily fell apart into these same chapters. at the same time, i deliberately rearranged the letters e in this alphabet. there, closer to the end, i rearranged the letters in places, changed the order of the letters. not a single person noticed it. i didn't notice either, to be honest, that's also important because they say, uh, books. they say it was a favite. they say that the alphabet is the basis, but at the same time they really are this alphabet. well, uh, well, i remember that chapter. this i must know. this is great, dear readers. read the novel by tatyana tolstoy rat and you will see a modified russian alphabet with the old names of the noble letters abc in the form of the verb good. yes, we all remember philologists, yes, philologist slavists. uh, all the alphabets that were, because there were all kinds of reforms and peter carried out reforms and crossed out, but omega and

some others crossed out i don’t know or who advised him there, then omega for a long time o i am an opponent of all this, you understand, because uh hmm yes, simplification is the opponent of the reform, which also leads to simplification, when they call me petrovich. well, in one of the variants, this goes back to the letter sound. i am very sorry and very sorry for the years and i see that the forest is ide yes, i see dialects here. i understand that yes, villas in polish, yes, that is, uh, the fact is that the same letter kills the difference in the sounds that were there with it, but just, uh, yat, i'm very sorry. but megu doesn't, because he doesn't. we have a separate long sound. a. is that a shock position. well, okay. this is for beauty. too bad, huh? yes. yes, that's what yes, yes, yes

in french german. not psi, they are funny, yes, that is, you are also against simplification, i am for complication. this is directly related to our podcast, our dear interlocutors, because reading is a habit, like perception complex text. shadows establishes new neural connections in the brain, you will not have alzheimer's if you want to get alzheimer 's, well, don't read anything i guarantee, then this is our slogan tatyana tolstaya is wonderful talking about our podcast, because i'm convinced of this, the same applies to the first letter. yes, the pen does not write at all angles, but a ballpoint pen or a thick felt-tip pen there, it destroys fine motor skills, that is, reading is the fine motor skills of the brain, many of which are inaccessible and so accessible. well she's leaving because you have to lie on the internet.

we hide the so-called tackle, yes long text. it's a lot of letters here somehow, people say, we're only used to the fact that there was a short text that means itself. yeah well, i have to say. that's what i have to say that i myself read on the screen on the big screen. i can't on the phone. yes , these yes on the big screen, uh, and i must say that few people care about the convenience for me, so that i read bad fonts it is impossible to commit and make some larger simplification. everything is also shown to students what format the book is. remember, you were a proofreader. yes? remember some kind of format corrector. i was a junior editor over the deal on the rector's salary. moreover, well, yes , a work book. here, uh, sorry for the offset, but i remember some kind of format, and i remember, it's 84 by 108 in 1/32. yes, they again , as they say, because all this is gone, the text

that we are going on the screen has been released. he is very much enjoying this. here is the runner. and this is kant and this kaptal, and this is the title page and typefaces, we 'll take away the helvetia from the academic, and hmm simplification leads to what we see, as if only the text is nothing, not burdened by burdening. most importantly, but such that it was sweet. here is the difficulty. here, i would also draw these screen savers in books with medieval initial letters, so that some birds of the girl’s ribbon were intertwined there. yes, but i know that you would love it for years. in general, the publication book, i agree, well, well, but still we started with journalism and said that journalism is something incomprehensible or too general, but you really have texts that hmm well, on the verge of fiction, but it's fiction. yes, this book in particular

is one of my favorites. this is the age of felt and the book also came out some time ago, but about seven years ago, but nevertheless perceived as but how do you feel about this? this is what this memoirs are sketches, there is a lyrical hero, that one is just a story about a person who, uh, shares his everyday experience, there is no through plot, what kind of felt book is this century tatyana nikitina tolstaya here i have collected different texts from different times, and which are connected by more or less one theme, uh, stagnation. that's how we lived, how i lived for the seventieth year, and the seventies with the beginning of the eighties, maybe yes spilled over. eh, here is stagnation, no, dates, here it stagnated at some point and you live, what is there, the main thing is the absence of a deficit is not simplicity. hmm there all the main constraint movements. you are not enough where you can go abroad does not exist does not exist. just some weird people. sometimes some

komsomol workers. yes, they go abroad, but not for us. here we are ordinary people. we do not understand how to do this even in bolga. you won't get in. what else uh, the incredible hmm agility and survivability of people, the wit they use in order to survive in this situation. well, for example, a person liked in big plywood, plywood leaves. yes, no one will give you. so, uh, the engineer thinks. hmm, he goes to the director or some boss there and says and keeps such a small surname like that. yes, and he says there semyonovich, uh, here was the plywood to take home, i need to take it here well, uh, you tell the watch that they let me through from the plywood, so let kozlov through with the plywood there hmm that he is, then there is a huge plywood. it's sharp smart. do you have a certain reality in

the journal science of life was wonderful, and the section for the home master. adviсe. yes, throw it away. with a toothbrush, because i had to make a refill for a ballpoint pen and a refill for a ballpoint pen to spray paint, using a second shirt to spray paint. yes, you can mop make from some even rubbish. and that's it. eh, the felt age is just such a book. that's exactly how i perceive it. this is a woven portrait from scraps. eh, a decade and a half, it would probably be right to say so in one word. uh, it was forever until it ended like this is called one of the books about this time and uh, we talked about a recent comparative book and about an older time hmm and we will certainly hope that you will give us new books. we are waiting for this. yes, but if some circumstances that some things get in the way, for example, i had such a collection dedicated to food, and

i just don’t have enough volume. uh, so that it turned out here. well, i know what to think about it. maybe i 'll do it now, i don't know. eh, i have one plan, then i have another one, in which i will not speak, and not to jinx it, because i will say everything as i say. it doesn’t work out that way, and a book will be published soon, uh, dedicated to the memory of aleksandrovich timofeevsky, we are his friend, who came up with the name felt age, he is the son of a wonderful poet alexander pavlovich timofeevsky book. it consists of two parts. it consists of conversations about culture that i have with him, there are about five of them. uh-huh. and i think this is a unique genre. so you say, a publicist is not a publicist. no, this is generally a new genre, some kind of correspondence from two angles, so let's say about it memories there are about 30 people. so i found one who agreed and were able to write one memories and

somehow we fixed some image of it. already there is a bright person. it is a pity that he is not there, he is missing. we will be waiting for your new books, both this and others, and i can only rejoice at how much we have coincided today, and we have coincided in the main thing, we have coincided in that a modern person needs to read to maintain brain activity and normality. uh, we had another edition of the literary podcast. let them talk, let them read, and i am his presenter dmitry bak, we are their interlocutors. e was tatyana nikishina is fat, and our modern wonderful writer and i don’t know, maybe a publicist in part. uh, i tell you what i always say at the end of our programs. read with pleasure.

hello, dear friends, not so long ago , as part of our television academy, we handed out meatballs to the region in ufa. lord, this is the result of this trip, it was impossible not to fall in love. in this brilliant musician , zainaddin, dear friends, ufa-bashkortostan , this brilliant man builds a bridge between the past present and it seems to me, and he takes the national turkic bashkir melos and makes it the music of the 21st century. this is fantasy. yes, plus a video. that's why i'm standing here, they're sitting here, because i'm right now i will leave you alone. come to us and with his colleagues, and then i'll come, because in the case there will be not only sounds, but also video. well

, i hope you love these people as much as we all loved them in our time. so come alone, ufa bash. kortostan all talk, then i ask you.

applause

thank you. thank you, without

any effort organically intertwined with modern computer. let me say stupid because thinking. yes, i agree, but she had such a goal when they created this project created a project with a people's artist republic of bashkortostan e we wanted to come up with what is fashionable modern , what can be danced, but at the same time, so that it is associated with antiquity, e with culture with ethnicity and in my project i play 15 instruments and that's it. this is combined with fashionable modern music and it turns out that you didn’t have to look for this kind of show, especially a lot to look for. it seems to me that in the bashkir villages all this is still sung. it all exists. it's all sung. and so it happened. my father dreamed of being an artist. it somehow didn't work out in soviet time. and when i was born, every

day he began to play the kurai speed, that this is the bashkir national instrument, this is a reed, which is in the southern urals. can i give a reed, please, i even brought a reed to show. and here, too , comrades, you saw, here is that second one, where is this beautiful girl, this is what kyzy and or khanuma i don’t know how to say. better xs is shorter, and so and so this kurai is a reed that grows in the southern urals as a flower. this kurai is depicted on our flag on our coat of arms. uh, seven flowers - this means seven births. e bashkir, and i specially brought this reed here. and this is how it grows. we pluck this reed. and i have already prepared in advance, here we are tearing it off. e. a flower, eh, then i ’ll hold it in front of you specially, please, i’ll cut this edge in front of you. please now make

five holes. i make five holes, i did it right with a pen, five holes and it turned out. here is such a beautiful one. very meditative spacious sound reminiscent of indian bansura only bonsour all over the world okurai knows, many of us, dear friends, have just learned that night. let us continue to show what you and your father have thought up there, on long winter evenings. so here i am , if possible, right on this instrument now, but live without you needing it or not? uh, not necessarily expensive ladies. let's go, let's leave our viewers one on one

living. i'm right now live, and without arrangement i would like to sing an excerpt from a small epic.

but wow, and throat singing turned out to be mongolian things no, in fact throat singing, many turkic peoples drank and, of course, it is very interesting that you have a lot of e, the history of the siberian bashkirs, after all, where did they come from? oh they, we are the bashkir people. he also roamed over vast territories. and now, even if you take, but the bashkirs, then we are sprinkled all over russia that you have such good honey. i even brought a special program for you that reminds me of the first channel program. and why do you have it like this probably because the nature of the plant is the purest water of the mountain. it all plays such an important role. in making such fine honey.

i think we will be on the right track if our viewers take, yes, and study the interesting history of the bashkir people, found out more than we had time to say, and now our task is to continue to charm them further, of ​​course , well. i didn’t come alone, but the honored artist of the republic of bashkortostan came with me, and ziliya bakhtieva is doing well , lord, but this beauty is not a single person in your heart for a long time, and this beauty , this voice did not leave you indifferent, what is it on you, dear trees. well, first of all, this national bashkir jewelry. these are kosniki, by the way, i inherited from my great-grandmother. but if you show it to large frames, then there are even royal coins of 1856 . that is, now i have done

the past directly on myself, i would say, well, this part of silver, pure silver, has long been considered, uh, a sacred protection from impure forces due to the fact that everything is ringing. it kind of drove me away from myself. e, some kind of negative even and even there is such a thing. uh, the concept, how far away, if you hear the coins, how they say they ring bashkir woman. first you will hear, and then you will see the cats of the braid. uh, also had such, uh, meaning as uh, the status of a girl, because uh, in the past, if it wasn’t such that you could come up and get to know the girl. it couldn't be done from afar. you could see if she was married or not. look, if a girl wore two braids, that is, it meant that she was still mom's and dad's daughter. that is, she

is unmarried. and when she wove it into one braid, that is, one could see that she was already married, you would not approach her. and, of course, there are, uh, their bashkir headdresses , uh, called koshmal, and they also wore them without fail. uh, this, uh, nightmare in order to, well, in order to show that she is already married, and uh , we even have whole legends about how a girls didn’t want to marry, uh, for those men they chose. there is such a straight salmon. yes, uh, called yes . there is a legend about the seven girls. the legend has to do with the fact that they were stolen. they ran away, caught them, then they ran away again, then they were caught again, and so that they would no longer they ran away. they had to cut their feet.

eh, and yes, and they put finely finely chopped horsetail in there. this, of course, was very painful, and they could not run far, but, probably, there was a great desire to see their native lands. and e go home, they still one day. even through the pain. they ran away, but they couldn't get far. they ended up near the lake kultuban. this is bashkortostan from the maimaksky district. where do i come from and there is a lake of kultuban, and they are, uh, holding hands, huh? just made a better choice, we'll die here together now. and here they are with enormous honor. well , yes, of course, and they are all from the huge tables all over the world, they just drowned. darling, you are so

romantic and high vibration. uh, hmm , they caught up with us on the air, that now we will listen to the song and we will keep in mind this graceful and high bashkir part. and what's the song? this is my author's song, i myself wrote the music for this song, my own sister. yuliya bakhtiva next to den played the instruments. uh, the arrangement was written by narodny artist of the republic of bashkortostan gizatulin. so it was a team effort. we sang it for the first time in kazakhstan and, of course, we enjoyed it. we would like to fulfill it. for you, too, i went to the audience, bashkortostan iliya ura

bashkortougana her orata her native

hey, i'm glad.

in one and a half hlourallout with bulatas you fucked nakhurova antonina lavender any beard.

well, comrades, i’ll tell you this, such bashkir manners of receiving guests right on the trees, you need to say kyzym, tell them directly the new bird rakhmat and how do you feel about

the fact that your music is, of course, ideal for discotheques, at least now somewhere , this is where everyone is dancing, this is an insult to you. no. you know it's the opposite. eh, very good. i would say, because we make modern music based on traditional folklore, and young people like it , invite you, of course, young people. of course, we control a lot for it throughout our country. also in about 20 countries. we have already performed at the festival and represented our russia and our republic bashkortostan sorry for the banality, dear friends. well, just like the decoration that the great-grandmother gave dear trees shine. and today shine a thousand times more than the treasure of the spirit, which we pass on to our children and grandchildren. ah, teaching them to love. uh,

the musical roots of each of his people, of course because i'm about to say something else. you better listen, okay, we do a lot of performances for children. and what are the children listening to now, mostly listening to rap music, and my friend and i, and his name is rinat e, wrote rap. not just rap ethnic rap. i went one on one with the audience.

not ready to work.

wherever you are, always, remain a man until you remain, and always remain necessary as a warrior about what you need to protect, protect and be real like that. this is an anthropology podcast on channel one, our guest is zainaddin, ufa bashkortostan is weak on costumes, how to say it , a team of talented ufa designers is also working on an external agent of influence on the viewer. yes, that's their job too. yes, it goes very well. first, it's erotic. all of course. well, and you, of course, also have very such batyr e, clothes, as if there would be a shell. well, that's how it is chain mail, or something, and in our show, when we skate with concerts in one concert, we

change about 6-8 costumes, and starting from the traditional ending with denim costumes that, uh, are processed for ethnicity, that is, therefore, we are always in different suits and in fur and in such modern ones. but today, something like this, well, it's very cool. and here's what's also interesting and a hairstyle, then absolutely everything that is connected also evokes memory in you. we explain with the east ishem. this is what i think he looked like. well, there is something of the horde in this , because, for sure, it is surprising that today it is also a trend in the most fashionable youth salons, it turns out that time is a snake biting its own tail. it's like under genghis khan, these whiskeys were fashionable. well, so that the helmet wouldn't slip from sweat, so it is the same on my head today , in general, there are lizards, these are lizards. here are the pens. yes, legs under the tail, but we come up with such

hairstyles, i want to be original you are there in ufa at all gathered. uh, whole like that, i'll say talented conglomerates. and that's probably the intelligentsia. yes, this is the fertile layer. maybe. well, if you take us we ourselves were born in the village. i'm in the village boy . wow, and my dad's mom is a physical education teacher, tell me, is this also a girl from the village, huh? from ufa and larisa from the village come on, yes, if , as a result of this appearance here on channel one , we call bashkortostan a couple of thousand tourists to see where such villages will be considered our task to fulfill, of course. we have a very beautiful nature of the mountains, mount iremel , the agidel river, and very, very much everything comes to us for rafting. come and rest with us. well, let's not interrupt this musical flow, and so with this number, come alone, ufa

bashkortostan invites you all to this exceptionally hospitable i will say republic or how to say republic republic i will play an instrument that is made from a friend of a cow. and this is a russian pity. russian pity instrument kurai performed throat singing, and the compositions are called bashkir folk.

melody dear friends, uh, if i express a common opinion,

but in this little thing, in this bashkir rap cybernetic brew, there is one thing i want it to not end, of course. how do you get it, yes. you are, why are you a pentatonic scale? yes, listen to it like that, it's just understandable, even for those who are not particularly sensitive here, to understand that the auditory suckers are all the same, it's understandable, and it's just sausage, comrades. can i think that you are now up to barely cross. it fits very well. and we not only brought bashkir instruments. i myself studied at the musical gymnasium in the class of trombone. yes, i myself am a tramp player and we even make such mixes, uh, with different instruments from the rammed du-dumk zur to dombar. everywhere has ripened you represent? how did this boy

annoy his parents? he also knocked on everything that he had in his hands, after all, listen , if there is everything that glitters. if there is a trombone , it is already in the hands of the zaynedine. if there is something here this russian horn, it is immediately found on well, how, well, it’s necessary, and even uh duk and even duduk uh, hmm somehow there was such a story. uh, they stopped me. uh, well, traffic cops, and in order to let go, i began to put on a concert. and they let me go until i played on my finger. then they were only surprised , you can take your fingers and play. learn to play the finger and go wherever you want fantastic. and i also

brought a lot of tools, in fact. i have a wooden box. and this is the tool we call this is a harp. there are different names for different nations. that is, we call it kubys, and they call it a jew's harp. yakutian khomus is called one for you, thank you. and what to do with it? this is a wooden kubys , we found wooden kubys a very long time ago. that is, in ancient times this instrument was played. he made from birch. and here is a thread like this. and you can play it like this . this is such a wonderful instrument, this is how salavat yulaev enchanted emelyan

pugachev a hundred years ago. i brought a lot of kuraev to memory set for you. thank you very much on the rambun, of course. well, then , let's listen with a trumpet to what happens in the hands of a talented person. i would like to thank dear friends again and again. uh, bashkar, tatarstan, who gave me and my colleagues a meeting with such a talented person of new conquests for you. and to you, dear friends, new interesting meetings, like those that just happened, all the best.

if

possible, dear viewers, let's all applaud together.

gentlemen