here is new knowledge. allows you to prepare faster. this gives an opportunity, in general, to people who have some unique professions that are required there for certain experiences of discovery and it would be nice if they had the opportunity. because cosmos is open, we understand that the plans that roskosmos has are huge, and uh. i am sure that the one who will be the first on mars is already living among us, the next film has already been promised to be shot. as a matter of fact, on mars or on the moon, but it turns out that this film is not only a way to show how much we are to say, ahead of the planet throughout the cosmos, but this , and in what sense, is also the promotion of roskosmos, since. well, yes, you can prepare in six months. e people, in order for them to fly not just even as tourists, but

working is even more difficult than just contemplating through the window, so the data and you know what the concept of knowledge is. this is a temporary agreement, our knowledge is increasing, and in itself about a person, and his capabilities. and and technology so yes, you know? here, i think, right now it will end quite recently there. i understand the 500 project when there are several. human were in the same room, simulating this flight to mars for 500 days. yes? well, i think, but if the artists are launched, here they can be in the same room for a long time of 500 days. they will do something, they will interfere. i once again talk about the opportunities that already exist and the opportunity

that allows non-professionals to get into. well, in general, a film that should keep a person in suspense and, in general, by and large . what was the need? sending a person really into space is necessary and for the development of mankind for and cinema and the challenge for people is also undeniable, because yes , i say again, we this study makes it possible to carry out further research. we have the capacity and strength for this. hmm. and if we talk about, uh, of course, what was filmed in space. this is unique, because everything there was really hard work

. seconds, because in order not to violate the total amount of work and, of course, personal courage, but for both the crew and our guys, this the responsibility that was on anton nikolayevich accompanied them by capillary. on the orbit and the events that took place they were very exciting, it could go wrong, after all real life events of non-stationary situations, probably a lot, but meeting with these people. i have been twice to baikonur, i met. with great serious scientists with foremen with workers who know the rocket as their home in this sense and i know their responsibility and i know how they prepare. and

how much soul and excitement is invested. she you know, when you approach her, she is a small racket. well, well, all this looks grandiose in comparison with what we see, apparently, when you see it, it really seems to be small, and the person suddenly becomes even smaller. it's just kind of tiny, and the space of space is endless and this connection, when you see the preparation and do you hear the sound of the start? the crackle of space when the rocket takes off you were imagine i hope that the whole world and the whole country was at the start, because they were watching and live broadcast. how it happened and these experiences , which were what you feel when you are present at the start, and inside there are

people whom you know well, in general, you will not hide. uh, you know the incredible excitement , so i remember about it, when it was very bright the sky was cool, the rocket went crashing into the sky, and there for a certain second, for some i can’t say for sure. the cloud, at that moment, the heart froze, it froze. i knew that this is how the first step should separate, but now it has separated and these the feelings of this sinking heart, then turned east delight you understand that it has already happened, yes, well, there were situations, there was a station you all know not the first time

a spaceship. parked. i was present at mission control during this procedure. and this is probably the moment when you begin to understand even more, because the first e, the automatic docking system turned off, then the second one turned off after it , manual docking begins, if it hadn’t happened, it would have had to. eh, it's called ballistic descent, as far as it is, that is, so the name is even unpleasant. yes, so that down, so that you need to lower it already. that's where the moment right in the soup, where we were sitting. it is clear they have a connection at the moment when the docking began, the screen turned off, because they entered the zone for 15 minutes at that moment the screen turned off. this here for me was another, as it were, then a cloud. how then, 15 minutes later, uh

, they announced that hmm, perfectly anton nikolaevich kovrov docked, moreover, when it started, when they said one of the serious big ottoman sultan nikolaevich loves it? well, it's like that. here he really is a master. it's not often, uh, it falls out to an astronaut to do it manually in space, but on earth they master this process. and now you know nikolayevich’s workshops , you see his candidatures, how he turned out to be, probably, one of the only ones, those who could be trusted with such, i understand many of them. well, someone was at that moment, right? the station itself yes, i'm in that sense, uh, lucky too. me myself,

that helicopter in which i was filming were not mediocre at this point, that is, i can confirm to you. uh. we have been preparing for them. i knew how to approach the apparatus, what to do and in fact. so we waited for two and a half hours in 8 helicopters were in space to see the place where the device will land. two and a half hours later, we saw a high fall and already further, because the helicopters were escorted, and right from our i immediately approached, than we ran up there in the form, so to speak, they were present there. well, that is, the proposed circumstances do life-giving amazing things. you need to come up and see if people are alive or there, therefore, in whatever image you are.

you remain a man if you understand what you are doing, so you know when i approached this device that it ran from him, that he, when the measurement was very successful, went through the window. it is so black, still so burning, burning, such covers separated from it, antennas for communication flew out, but i went up to this porthole, which is so caught that there is a person, but when the guys appeared from there, this is the first thing they had the reaction, of course, was also a feeling of joy that you were on earth, and at the same time, i understand that they were pressed by the multi-ton atmosphere of the earth. it is necessary to pick her up to carry, and we continued filming and the guys. play. well, in the sense of playing even that day, it turns out that i was filming what they landed and could already go, like normal people, to rest at the moment they opened the hatch. uh, they immediately hit the screens.

e cinemas, that is, we will see in cinemas really and absolutely the moment not re-shot, no duplicates of anything. this is really absolutely the moment of landing. everything, as if absolutely valuable. this is the rarest case when it is possible for actors to organize such extreme proposed circumstances that are realistically adequate. this is a great interesting thing for self-exploration. in these proposed circumstances, how was the preparation for the role going on, who inspired you so that on these shootings i met amazing people and, of course, the inspirer of this process, dmitry olegovich rogozin, is his belief in the popular science value of the project. it moved it further than

the masters who know the cosmos and anton nikolaevich kapellerov and sergei konstantinovich krikovlev. uh, and wonderful craftsmen who worked there in the rosaviation. you know, this is the concentration of all science, but also including later consultations for the mouse foam itself, julia and herring, who visited and passed this test, is the main distinguishing feature. these people have absolutely passion and absolute attention. genius - this is not retreat attention. and these people can see that they are in this problem, if it arises all the time the image that you sought to create. he is what it is

was the chief designer. this is the chief designer. it was a flight leader in a person who had been in space more than once, possessing the knowledge, authority and experience of a person who knows the cosmos at that time. here is the existence of this problem. from a practical point of view, that is , moreover, if he does not know something, he knows from whom he needs to hear, he organizes correctly. talented knowledgeable people around me. how long did it take to shoot that's it for your block. well, it lasted in such small, uh sections, because part of us filmed in the built-in flight control center, none at the facilities. e, this large ground-based part was filmed, and , in general, there is so much difficult moment for me from all this ground

-based part of some kind . what is happening on earth. concept - it means to feel here to feel this atmosphere. attention, the need for need and salvation. and you had the opportunity, then to talk with yulia ask, well, how does an actor who is in space, it turns out to be working on a role, that it was a lot of talk about how, how . how does it feel during prep. uh, i know a lot of secrets, i won't tell them, but, but we don't have the opportunity. if we talk about preparation, of course, it's very tough. she was very tough, probably very tough, correct in relation to the actors and the director, in order to understand, first of all

, the psychological capabilities of the body. you know , getting into the orbit, getting into such conditions of weightlessness, to a person. check it out on the ground it is impossible and klin and yulia, they were maximally charged and the possibilities and organisms allowed. and then there were various events that allowed me to show it several times. the courage movie is being released as far as it can have an impact on our younger generation. what do you think, of course, we are in the hope that the audience of the younger generation, first of all, will see this space with their own eyes and understand that a person can really do anything and that we are a country of great opportunities. that's it,

it's probably important that every person still, after watching, i saw my goal. and your challenge. what is his challenge? therefore, this is the motivation to challenge yourself sitting on the couch, and you have to run to draw, sing to study , this is the challenge. the challenge is primarily in yourself. this is, if this super-task appears in the auditorium, which means that the mission of this in this picture was completed does not stop seen a lot. i was in different proposed circumstances and work. in different parts of the world but basically my

activity led me there the meaning of our life in cognition stanislavsky about it. said self-knowledge. in this event , nothing is more interesting than knowledge, because knowledge gives inspiration, that is, a breath of the new, but inspiration. if you are inspired, it leads your attention, you become your attention becomes a feeling where you live, you live, rapidly, moving towards a constantly achieved, but never achievable goal, and this gives life, like riding a bicycle, you do not pedal, you fall, therefore, this is how you move what we love, what we owe spend your whole life giving the impression to the audience and yourself vladimir lvovich then a film

about space means, and then a tour in chersonesos and work on an open site last year and this year, as far as i understand, the continuation of the story will also continue and you will go to chersonesos again and will again stand, stage. and what will happen this time? it was an incredible experience for us, indeed last year the presidential fund for cultural initiatives allowed us to accomplish this internal mission of ours, because our theater for 400 seats is small here in front of we had a very difficult task. an open-air hall for 1,600 people and it was necessary to win the trust of this hall, it was yes indeed. we would be very worried, because, but we were and really delivered 300 places in this sense

, it has passed. these are very fortunate for us. it is in this atmosphere, of course, we brought the sailor's silence of alexander galich to our performance, which was staged by larik pavlovich tabakov, as he called it. our seagull is how the seagull was for our basement theater for the moscow art theater. this is the play that was this play was forbidden to open the sovremennik theater and left oleg nikolaevich efremov the role that i am performing. i played the greatest genius eugene in stackney. moreover, it was unique, there was a dress rehearsal of a woman from the ministry of culture and so on and this performance was closed for 30 years, the plays were restored and you know why it is so interesting? alexander arkadyevich galich was small in sevastopol

until the age of 23, and these impressions of sailor silence, but about what he was talking about, they were born there. this atmosphere is there and this year we will take it. uh, our performance is based on the play by the great and with the music of vladimir dashkevich, a passion for bombarash. it will be once again the challenge we have through the performance is absolutely me, well, in the hall in the theater it is unbelievable that it will be in the open air. they even pretend to be older. yes, please, we are waiting for you somehow imperceptibly. we have reached the end of the program. but now i can’t help but ask if there is a dream idea, here, which has not yet been realized, but it is in the future, so to speak, somewhere in a remote life is that life does not end with us is very important. whoever goes further

will continue this work also passionately, therefore, here is my dream for the guys to be engaged in this day successfully fruitful with discoveries. but i once found a favorite quote from stanislavsky , i won’t even quote it, but the word such a concept is better than emission, for which it was criticized, because this is some kind of metaphysical form , so i want to say, yours is very descending. thanks a lot. yes, but it's really him. scolded scolded, so when he came, did you emit better or not? did you somehow attract him or not? see there. thank you very much and thank you very much, dear friends, the podcast, the creative engineer on channel one has been completed with you elena

of the russian federation oleg tabakova hello dear friends vertinsky today, but this program is not for those who know happy love, probably this is you but agree happy love, it happens, maybe once and not for long. but unhappy love. each of you must have had more often, alas, and longer. today we will show incidents of love in the ingenious poetic presentation of vertinsky, and here we have sergey fedotov, comrades, right here from st. petersburg

, here are the audience for you and give us from a broken heart. good night dear friends. i would like to introduce e my musicians who are participating in our performance alexander vertinsky yellow tango and pianist. hello how good without women and without phrases. without bitter words and sweet kid without those cute too private eyes yet. how good without

theater scenes without long noble explanations without these hysterical changes, without these belated ones. regret and how ridiculous is the absurd game, where the loss is great, and the gain is negligible, when your partners are cheaters, and the exit from the game. impossible, how nice it is to sit with a friend together in a simple scottish and smiling

to remember that. there were pancakes to give an account to nick in the world, but in order to win back the loss a little. start with the core.

to insure the simple vanity of a man. surely , this song resonated with many resonances in the heart and all men, of course, responded that you understand with whiskey? and most importantly , you are still jealous. even though you're still being lied to. oh lord, you never know, we still have to hear today, we ought to learn more about seryozha i wonder what the first thing is, what does the amateur begin to do when vertinsky is shocked and tries to him, it turned out to be on a par with him, starts grazing, well, according to everyday burr. that is, it turns out badly. here seryozha is not a card, nevertheless vertinsky your will to judge and god

arises between his term between his e, estimates turned out. yes, of course, of course it really doesn't matter. i would study, i don't think it matters. and yet, our performance turned out to be such a conductor between vertinsky and today's time. we have the third day of memory of alexander nikolayevich on may 21, how can we not remember, soon, you will become someone's beloved wife, thoughts will calmly, and i stroke my hair from our spring fires, and then comrades. how can you forget, dear. come on lord well , of course, sometimes you can hear, how could he write such a thing? yes, like this gentlemen well, for example, well, how do you like it? and not for a long time

fashionable, not decent for a long time, rednecks with a jacket smell. that armpit writing about it is amazing when he's king. this is the song he wrote. uh, after he found out about this vlodesk, this man who beat his wife. uh, a and vertinsky literally scoffed at her after learning this monstrously completely story. here's a song he wrote literally there in half an hour and he sang it right in the face. after that, the lord began to hysteria. he cried and sobbed and said that he would never behave like this again, and he corrected himself. this the rarest case when a work of art affects a person. and he's getting more done. by the way, irina plays rossel mitoske. yes, we have a little. so let's say. in our country

, the oppression of women is felt in everything after this song, a man came to me behind the scenes and said. you know, such and such iniki opened in my soul, which i didn’t even suspect, probably in the fireplace with them in mind a song about saratos. there are fantasy. let's sing. let's listen comrades. alexander vertinsky performed this song in berlin on concert, where the same violinist odessa pepel was present, looking him straight in the face. your lover is a violinist, he is gray-haired and hunchbacked. he erected jealous does not like and fucked up, but when he

plays a concert your heart is like a bird flying. he is alphonse to call, he knows the secret and knows how to make a woman, but when they yearn for. he broke the club with wax, robbed the impersonal. deluxe itself. he managed to turn the fan into souls, and has long been out

of fashion. not good for a long time. your mole jacket with a slight smell of the face from the manner of holding appeared in you both negligence and laziness. and laziness. is it possible, it is bitter as if to laugh. is it possible to stomp the words led with heels, like slaps in the face. but they reached him hard exact meant only for him. and when you, suffering from khromov's caresses , cry quietly, somewhere in the corner without breathing, he plays

his concert for you, from which the ugly soul will fill with blood. and the belly hate him despising himself. you forgive everything for the end frenzied at the slimy pain love the rage of pain no longer the owners of the hands. everything is normal. applause after that sounds like this in the hall. and you just. well, of course, we don’t hear what’s behind the scenes, but

the tv is happening that i’ve been calling you in general this song has evoked all my life imagine. against what background did the soviet listener have to see this real poetry about the vicissitudes of love. but by the way, people are the same when listening to this song. they don't know this story. you know, yes, i have always been surprised. he did not tell, as we just told the audience. here was a story that happened to me. and all the same, the song how to say with a bang, passed. here is seryozha uh, some are like that the humility of a russian wife here, it seems to me, alexander nikolaevich was most interested in, and he simply shows this by example, there was a violinist's violin or someone else. and what is not a violinist today is not a source of domestic violence. don't you wonder how different, beauty, i'll just tell you what you endure. well, he is such a dombra. this is drowning,

yes, the song, of course, about this i want to say why vertinsky e reacted like that, because he took it so close to his heart. uh, it's an injustice that with someone happened. it is now possible to tell a lot of stories about this, that he responded to this. here, for example, there is a story. well, the first thing that comes to mind is when nastya and anastasia aleksandrovna learned at school and began to collect money for help. uh, they raised money for poor students there. they brought everything, which means that with this money, uh, the director of the school bought a carpet for his office when vertinsky found out about it. he, it means he was shaking, he got dressed and ran to school. here, nastya , of course, also ran after him and he almost strangled this director when he found out, he reacted so violently. here are some things that are unfair in life. this is what vertinsky was all about, it was amazing precisely because vertinsky

is relevant for 6 seconds and our time is no exception. channel one presented you with a wonderful series vertinsky and we are especially glad that you met it with exceptional spectator attention to each other, these are the impressions of the series vertinsky on channel one. i do not see any madness in the desire of a person to live in his homeland

in wet moscow, alexander surprisingly told when they lived in a european place and alexander nikolayevich became friends, because galich knew the song of the soviet period, when alexander nikolayevich was in exile, and he constantly talked with him, and he read the lyrics of the song in a restaurant and galich decided. so to say shikanut ordered myself and the first. there, second, third there is a decanter of vodka, and the vertical said to himself a seagull, there is a sandwich. nothing else and suddenly a lady runs up to them, such a very respectable lady, uh, they come up to vertinsky and says alexander nikolayevich my god, how we love you you still leshchenko whom well, well, well, peter

leshchenkovitch. i am friends with bunin with rakhmaninov and so on and so on in my friends of this person. no. excuse me, please, don't bother us, yes, and after that, it means that he, and even the tormented one didn't leave. and then he paid off himself, of course, and he went ahead and galya means to provoke. yes, such a story. you see, dear friends. how many more stories of the unknown can be taken and resurrected. how much more do we need speak yourself? so, of course, an inexhaustible source. these are very instructive stories for us contemporaries. in 1950,

a young man comes to work in the west of uzbekistan. moscow artist. igor savitsky, he still does not know that here he will have to find and preserve the amazing falk treasures. and savitsky began to paint a portrait of the same young girl at the end. robert rafailovich jokingly asked the model. which picture does she like best at work. igor vitalievich said, she i am like in life, but on yours. what i want to be vasily lysenko one of the most mysterious artists of the russian avant-garde these are the two dozen bolotins that igor savitsky managed to buy from the terminally ill author, a greek citizen married to a russian employee of the canadian embassy, ​​georgy kostaky. he just understood how important it was, because everyone

around him considered him. just a fucking idiot, but he was some very very funny collection. cheerful crazy what was done by the artists. this was russian art the status of the most advanced that the feature film catchers premieres on sunday on channel one. this is an anthropology podcast on channel one and our guest is a damn virtuous performance by sergei fedotov and his comrades. now you want to sing an unnecessary song? yes, why is a very necessary song to call a tender letter, dear friends, here is some song. this is poetry, it is very important that seryozha also does not go to the mainstream. well madam already the leaves are falling know everything seems to be. here

, too, our merit would not be know that it is still superfluous, although why not sing once again themselves. find even, but go dig out what might be, while staying away from our cameras of microphones. this one is interesting. well, this story is also related to a woman. uh, when vertinsky arrived in shanghai, he met an amazing beauty and a very talented pts and dancer larisa anderson. she drove a huge number of men crazy. so vertinsky , of course, also fell under her spell. so he began to look after him all sorts of even some kind of scandal once there was not very strong offended that she did not answer. and somehow they parted, she left somewhere and vertinsky continued to love wrote. here is this unnecessary letter poem. uh, which irina skosareva set to music,

so today we can say the premiere of the premiere of the song is an unnecessary letter and co-authorship of alexander vertinsky music irina soon, dear friends. we invite, as a wound , all those whose courtship was rejected, all those who bear in their souls pain that does not heal. come don't be afraid. we will be our friends it’s time for both of you to rest from love, because you didn’t return it with any words and with what tears?