and saw welcome to the wonderful inner world. and i will sit there so as not to disturb anyone in the corner and quietly, i will listen with you. because

the second you are afraid.

yes, it’s interesting what millions, the army of our viewers, are thinking now. the kindergarten shows us that a comrade. let's get ready for some unexpected twists and turns. what was the idea when you put together this fantastic composition, a fantastic project called ethnics. and it all started with this guy, eldar gridarii further. we searched. we had the acoustic sound of the first gig. remember was in the cathedral a lutheran cathedral. yes, we performed sitting, everything was so decorous, then we met this guy from bulgaria and vaila in blagoev. lord, yes, you have some kind of international, kind, they have reached the point that you understand the disputes. so i

settle these disputes all the time. acoustic sounding in another for electronic sounding, and i want to combine both and of course, anechka anechka kravets i don’t know, this is the fruit of our intelligence, yes, and sergey sergeevich is a genius. do you know when i play sergei? i understand that a musician without a high island of intellect cannot be a real talent, of course, no one will ever say anything good about a drummer, the guitarist always gets the main girl's kisses , these smss are all guitarists and the poor, and the plowman, this, of course, is a drummer . it is, firstly, and the muscle is expended more than the rest. well, in fact, he is a plowman, pasha, and so you say, girlish, kiss. and here, uh, let's go

twice became a father recently, because, well, powerful. it's great. listen but you now she sang the song in daring language circassian adyghe kabardian this is one language group. uh in particular. it was an old song in the kabardian language, guasha-mafa. you see, i could not help but sing what i heard from childhood, yet you see it , the girls appeared factory. what is it like to meet? we rehearsed at the matvienko base before coming here, because we weren’t going to for a long time, it was you , you kindly parted with the cigarettes at the base. it was igor matvienko i think it must be like igor matvienko e he became the beginning of my ethnic path. actually after all the songs where the girls are factory there anyway. here is this folk mateev, and

igor always told me that, if you already sing, if you are already leaving alone to a dumbass, then tell me, just now you will be something indian, right? yes , tell us about it, perhaps this path found me, not that i was looking for it in one beautiful morning. i woke up thinking i have everything, but i have nothing. emptiness. what jean poulsart said, a hole in the chest, the size of a god, everyone plugs it. how can somehow i knew that i needed a mentor right in the spiritual mentor would give me. answers to certain questions, and you know existential questions, who am i and suddenly i meet a mentor and come over and over again to your frames. but i listen to this music endlessly, and the scar is not somewhere in india. and it is interesting that in germany i heard a lot of mantras, budgens , kirtans, and all sorts of things that sing god in sanskrit or different dialects. uh, hindi

gujarati and so on, that i just absorbed it, first i started singing for myself, i wasn’t even going to take it out on public, then a small yoga club i didn't need no glory no pancake, nothing. then when, when this guy got us, he just let me get it. he says, come on, come on, please, and i don’t remember the first concert, there were already 100 people there and already some such success. we must, dear friends, say that we are orthodox. well, in general. christianity has the concept of ecumenism, it began with the fact that people would like to unite different areas of christianity, because here we are, for example, orthodox a and catholics. they are protestants. here it was possible would and unite, but today the word is ecumenism. in general, we already call it a movement to unite everything, and it seems to me that what satik is doing with his colleagues now. this is

musical ecumenism, there is no god but god , please, but do not immediately be indignant. what is paganism? let's better listen to what they play and think. how much paganism is here. and how much is the service of the high?

i am a fortune teller.

pocket

is yes, well maybe, nobody knows the rut.

afraid. this is the very epoch where we live now and the devil takes us with the help of money. see our satya. he also tried to take with money. well, it was taken, then later she is diagnosed. well, well, how to say, not that i now directly refused money. you see, i'm all in jewelry and a beautiful dress and so on. that is everything. uh, you know, bhagavadgita. i'm sure you've read it, it's a wonderful scripture. he says that here, but you don’t need to refuse, but you don’t need to become attached, don’t become a slave to what you have , so you understand it, and not immediately and yet, and not completely. this is the way i suppose a long life, well done. receive 1,000 rubles. for inviting

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part of an anthropology podcast. for example, you cannot imagine that this is your good old, beloved friend. sati casanova in such a new form, say, this is complex music, who arranges this such vinaigrette for you. uh, in a wonderful sense it all started always, of course , back then, in my opinion, m-m was not with us either, when eldar was first on the guitar, because he was fond of flamenca and in general, we heard your frame tumantru - this is a budgeon, rather not even a mantra, because a budgeon differs from a mantra in that a mantra is one phrase constantly repeating one. and here, uh, let's say they are compiled and maybe in a different language, so we heard your frame we

fell in love and sort of tried it, then already, when the ivilike came to us. and this is the arrangement of this horn of the radar element. yes, yes, ladies, that's all you have, by the way , this place is not something, let's take devi premo. here she is, how she will sit down for this mantra and come on, yes, she had static. and you have constant changes in settings very interesting. ok then. now, what we will hear is also devoted to the feminine aspect of the divine potassium. if anyone does not know, this is a rather ferocious form of the divine mother of the hindu pantheon. it's the same fool. the same party, but in such a very menacing, ferocious mood, and now the mantra of a very tender mood. let's

finish

the mat yes, dear friends, well, here it is, what a thing,

when a person begins to work at a high level of energy vibration here we we can say that such a person begins to make art for the elite and the next number of our program is contempt for the audience it is. well, i notice for myself, what to do? well, i see no need to self-flagellate. it's better if you say something so that you want my friend the viewer to perceive. how would it be better to say so, how would you like him to listen to your work, what should he meditate, should he, what should he do? first of all, he shouldn't do anything. secondly, everyone can, listening to our music, find themselves find their own here it's yours tell me, please, what songs do you know exactly. oh, these are mine. well, first of all, we have an artistic council. we even

have a chat. right now we have such a hmm in the draft already bulgarian. oh, yo, yes, well, i don’t remember the words, the report is that bulgarian e, melos is there, and turkish arrhythmia slavic polyphony turns out to be fantastic polyarrhythmic folklore. but you won't be playing this. i don’t have a completed musical education at all, so you know , like this, i don’t like it when someone says sati is wrong. you are not there now. i say, i still like it, and we live like that. we have hot disputes, of course we are looking for. i think that we will still be polished, when you make such music, in my opinion, another french proverb is suitable for you, dealing with blacksmithing. little by little, you become a blacksmith. it seems to me that you are forced to

deal with mantras. and that means vibrations. and, therefore, you will be forced to deal with high. well, let me say the plans of the universe astral, for example. and you were wanting there was in the himalayas. i'll go again in a few days. no, it’s not nepal, it’s the himalayas now, in cybernat, he has notes of gangotria , rishekesh, all these himalayan places and temples and places of power, multiple visits to india in general, not that i am in india in me and the himalayas are in me now. well, what are we going to listen to with you the mantra shevita kedhari, he should understand my viewer in this. imagine that the music is wrapped in a mantra, but even if you somehow don’t like it, come or it’s not clear at all it doesn’t matter. enjoy the music. and what can be reached for her daughter?

vitalya

when e means, almost 20 years ago i came to the first channel, of course, the factory of stars. i did not think that this beauty would come to such complex conclusions. it's great. this is the actual dramaturgy that i promised you. now the next question from our viewers in the end, where to find you? you give concerts, yes, and more and more to our delight this summer we are performing at the wild mint festival, and a number of ethnic festivals. uh, there will be a festival near st. petersburg in krasnoyarsk. we have such an ethnic festival

direction, seriously? well, the same wild mint calls us more, as representatives of electronic music, we close one of the evenings on the electronic stage as headliners, which is also a great joy for us and our big solo concert will be in november 15 november yes, in moscow in one of the groups . you know, i love the material very much in concert halls. listen, he loves, too, he knows, well , teeth, you know, and so the girls are factory. this is his, this is pashka something . pashka sang there. i love you, but i'll get married. that didn't go right. you know, on the other hand on the other hand, that we will curse each other, but why are you saying it’s good that it ends well, and this is not the finale, but on the contrary , only, apparently, the beginning of a new interesting path, dear friends. thank you very much for your attention. i leave you alone with the new kindergarten again and the group. how do we call

a group of something sati ethnic sati ethnic. that's how it's called good. here, thank you for your attention. see you again. all the best. mokryshna

the great

hello i pilots is a podcast of space history. visit me today came, a wonderful person, people 's artist of russia actor producer yevgeny mironov hello yevgeny, here we are united by the fact that we both went into outer space. you, as an actor, starred in the film i, as

a professional, came out for real, one of the best films that i think has been made. lately about space are based on real events of the time of the first, in which you played a major role. e you were the producer of this film, what prompted you to tell about this story, and yulisich gagarin and in general, manned by astronautics, firstly, thank you very much for the appreciation from your lips to hear the evaluation of the film. this is very important. and what inspired me, you know, i saw a documentary. and where it was said that after 50 years the declassified information about the first spacewalk, and alexei arkhipovich, i thought, what are we doing. here in hollywood, not only fimo would have been filmed, a remake would have been filmed for this man. how can we have a story that doesn't need a screenwriter. there 's so much drama there. uh, there were collisions

this whole flight. yes, they even start from the ground, that it's simple. well, you understand, not one script will write such a and further. so it began, the most important thing was, and the most important thing, was to persuade alexei the archivic. and i remember that i dialed him in a trembling voice, i had a number. i dialed his number and i think, lord, how can i explain who i am and the films that i start, i just dialed the number and say alexey alexandrovich, this means zhenya mironov, i'm an artist, zhenya hello. i didn't even begin to explain what kind of films i starred in. and in general, i need to see you very quickly. he says come and i and for traffic jam was late. i was a screenwriter. i arrived 4 hours late. suddenly stands shiny sneakers. true, the training suit is flat, alexey alekseevich says. well, come on in, and this is where it began, how our journey will continue. as you discussed the movie scene.