communication is my thing, what i like is when there are a lot of people, they start making a new mess with some new projects. and what kind of porridge do you have there, well, barbie was built that young on the black sea coast, yes, that is a dream, about which i also thought, 20 years old, instantly. i built it for a year. now i understand, i now have a goal to get to sochi once again and cut myself in your bar and take a walk, then you are so cool positive you live to the fullest. you breathe straight. uh, you come straight from the sochi sun, and some magazine people they call your work, well , the semantic hallucinations group, when it was called the most depressing group of russian rock. for some reason , for some reason, it happens to me that when i start writing albums, here, the previous album is called loneliness forever, and it starts with a very positive song. thank you, thank you brothers.

thanks sisters. we were not my stars, a very positive song, but it all ends with a mega-doctor, that is amazing. that is how i managed to shoot an album from a super positive song. yes, super dark. but i just think it's some kind of backdrop that we're all going to die. you know, kostya and it will be a little bit of me there. i would like to believe. in principle, cosmos really hopes so, but there are no guarantees. we will never know this. yes, i remember now your song , your depth and song. i love this overall masterpiece. for some reason, i listen to it and perceive it as a testament, as a guide to action. what to do? then after we're gone, or you're gone, there's an amazingly sad song. it was just the moment. e, i i understood that the history

of the hallucination plane group would end, and i was in such a very difficult background, as it were, because the gap was very difficult, because for a whole year of this farewell tour. we drove, as if in different cars with the guys there , we were in different dressing rooms, that is, people sipped, as expected, like a depech group. it is located in different dressing rooms and is found only on stage. yes, and in general , relations somehow went wrong, or something, in the group, you know? i can just say frankly there is nothing to open here. it was though it seemed that it's all good, but really. it was a dead end, because no motivations helped, so that this organism would work and money would not ask for anything. did they sabotage rehearsals or didn't want to play? that is, you need to understand when people say, before the nations were washed away there, and now you

really need to understand that you recorded the last two albums. ah , the drummer, zhenya nikulin, who is now playing with me, and before that he played in the total group in those very 2,000, and in the bare-chested in the adrenaline clip. it was just zhenya last two albums. we already did in fact with him e groups so we stayed. further, that is, it was possible to rent a studio where no one comes. that is, as if everything was, well, everything, as it were, that is, choose at concerts, it was not everything. well, that was the end, and then i realized that i had been pulling this strap for 26 years. i was not yet 16 years old when the semantic hallucinations group appeared. that is, i have been playing this game with a completely stupid name with an idiotic name all my life. and yes, young people. here the teenagers stood on the porch, uh, house

architect. there was some kind of exhibition of some kind of underground artist, so we gathered such guys. let's make it time for groups to us some kind of organization perfectly. let's go, where do we start? give a name to come up with began to come up with a name for someone uttered an auditory hallucination. i asked again semantic hallucinations are all about. would be great to know. what have i done? ha ha ha. yes, first of all, this inconveniently long title is hard to read. secondly, until now the policemen are giggling over me and they ask if there are such things at the adler airport oh hello. that's how, well, that's, as it were, and 26 years old. i pulled this story, unfortunately, it was not enough. i'm crazy right away, but turn on iron man, and how would e somehow dictate my position. i constantly tried somehow to make people all, uh, be happy , express themselves

somehow feel comfortable different sides. it was very bad. well, as if performance, that is, played in democracy is everything yes, yes, yes, that’s why, when he is my close friend, he asked me, seryozha and how did you do it so cool that you dispersed the group, and now you stay and, as it were , your concerts continue and you sing songs and it’s as if your life is getting better. i speak so of desperation. today my guest is the leader of the semantic hallucinations group sergey bobunets seryozhka is your son nikita what does music do, has nikita arrived today? uh, to this studio with me, he rides with us. uh, we play, of course, yes, but he has have their own group. and where does he live with you in sochi but no, he stayed there, of course, he

said, i won’t get into this passion. and of course, music is better to do. as if you have a concert, he comes from yekaterinburg, that is , in fact, my whole group lives in yekaterinburg, except for the bass guitar. yeah, the bass player and i live in sochi. and zhenya is a drummer , he was a native muscovite, but fell in love with a paradise girl and moved to live in yekaterinburg, now he is the most notorious patriot of yekaterinburg and, as it were , constantly trolls me. well, how's the weather, then yes, we come to rehearsals either in yekaterinburg or moscow, but in general. we just fly from different people to the concert. we fly from different directions and we meet. cool. that is, we can say that you found your rose-colored glasses . do you remember what you couldn't afford. and what do you know, that they were nothing special then and could not afford by

and large. how many times were there examples? when, for example, we were sitting on some station? i remember very well the ryazan railway station , we had some kind of transfer on trains then in the 2000s there was still a problem with terrible planes. yes, from trains, not very constantly, i even had to travel by trains with transfers. and so we sat at the transfer in ryazan, we had at all. there's a bottle of beer , some kind of pie. and at the same time he was on channel one. so, our song stars 3.000 was in first place at that moment we are sitting in this waiting room, here are grandmothers, these buns are there , all this and we are with this pie and so on. well how would be great. i think all the artists were in there in the beginning in that situation. it was completely normal there was a different story, as if the other side of this coin, despite the fact that the 3.000 album was terribly perfectly recorded, because it was made from demos, because

we pulled, pulled, pulled and we were told that we had to take it in a week album, and we have nothing but a demo. it's like a malevich exhibition. after 20 minutes opens where the pictures are now something like this, despite the fact that the 3.000 album is very badly recorded. people somehow felt through all this, that they felt something. yeah, and they were cut for us, and these songs, as it were, became folk songs for real, yes, that is, somehow i was very lucky. in general, the stars are 3.000 sergey bobunets.

beads are falling, i'm sitting on the window under the stars waiting. good luck good luck is coming. life on mars by death, but not from the moon, but gagarin offended the light brought the funeral to swear to christ

who flew here the task coped with the dark sky comets glow cosmonauts like this, i 'm sitting on the window under the stars. good luck i think surrender for that the heavens were created from that, now i am crying for a star up to my ears for the moon freedom. i kiss the sky, it is its constellation of god with me freedom, to jesus the sky allelic life.

freedom freedom

here is our wonderful podcast, the cube fulfills seryoga's wish, what would you wish for yourself in

20 years. so, well, first of all, i would like us to meet again, both of us be alive , feel good plus. we would have something to talk about, as if we were still not coming, i see well, it’s better now , of course, our age is no longer abuse, so forever young forever sober yet, secondly, so that i want to write, guys. it was a podcast, 20 years later, there was a cool person now, sochi, one might say, was already guarding and, in general, the person who took root there seryoga buba bubunets. thank you if the message for this meeting, thank you for coming class, this and many other episodes of the podcast 20 years later.

you can find it on the channel one website. hello, dear friends, before us is sati kazanova, but this is not what it seemed to you, dear friends. you know a great band the factory headed by igor matvienko is a melodist. do you know what it looks like? glory to success, but you don’t know, how the inner world of sati casanova looks like today and therefore today there will be an amazing musical, and i ’ll tell you that a surprise picture, but it will also be an amazing dramatic one you haven’t seen yet welcome to the amazing inner world. and i will sit there so as not to disturb anyone in the corner and quietly, i will listen

with you. hallelujah noise alemra my son, because

the lord

yes, i wonder what millions are thinking now, army of our viewers. the kindergarten shows us that a comrade. let's get ready for some unexpected twists and turns. what was the idea when you put together this fantastic composition, a fantastic project called sati ethnica. and it all started with this guy, ildar garidarium further. we searched. we had an acoustic sound. first concert. i remember being in a lutheran cathedral. yes, we performed while sitting, everything was so decorous, then we met. this guy from bulgaria is sometimes vila in blagoev. lord yes you have some kind of international, kind, have reached the point. well, these two. eh, so you understand the controversy. so i settle these disputes all the time and, as always, unanswered. yes

acoustic sounding in another for electronic sounding, and i want to combine both and of course, anechka anechka kravets i don't know, this is the fruit of our intelligence, yes, and sergey sergeevich is a genius. do you know when i play sergei? i understand that a musician without a high island of intellect cannot be a true talent, of course, no one never says anything good about the drummer, the guitarist always gets the main girl's kisses. these text messages are all guitarists and a poor plowman. it is, of course, a drum. it is, firstly, and the muscle is expended more than the rest. well, in fact, he is a plowman, pasha, and so you say, girlish kisses. but uh, pash twice became a father recently, because quiet powerful. it's great. listen , but you just sang

the song circassian adyghe kabardian in the circassian language. yes , it's the same language group. er, in particular. it was an old song in the kabardian language, guasha-mafa. you see, i couldn’t help but sing what i heard from childhood, yet you see it , the girls appeared factory. what is it like to meet? well, you know, today i, uh, hmm, we rehearsed at the matvienko base before coming here, because we weren’t going to kindly parted for a long time, thank god , and we are at the rehearsal base precisely by igor matvienko. i think it’s necessary, like igor matvienko e, he became the beginning of my ethnic putin, in fact, because the songs of the virgin girl factory there anyway. here is this folk mateev and igor always told me that if you listen and sing. if you're already leaving, alone, stupidly means ethnicity, tell me,

just now there will be something indian, right? yes , tell us about it, perhaps this path found me, not that i was looking for it in one beautiful morning. i woke up thinking, i have everything, but i have nothing, emptiness, as jean poulsart said, a hole in the chest the size of a god, everyone plugs it. how could i somehow know that i needed a mentor directly to a spiritual mentor who will give me answers to certain questions. and the questions you know, how existential, who i am and suddenly i meet a mentor and and come over and over again your frame. but i listen to this music endlessly, and the scar is nowhere in india. it is interesting that in germany i heard a lot of mantras, budgens , kirtans, and all sorts of things that sing god in sanskrit or different dialects, and hindi gujarati and so on, that i'm just i absorbed it, at first i started singing for myself, i wasn’t even going to take it out on

audience, then a small yoga club. i didn't need either slava or damn it, nothing. then when, when this guy got me, he just got me. he says, come on, come on, please, and i don’t remember the first concert, there were already 100 people there and already some such success. we must dear friends and say that in orthodoxy, well, in general, in christianity there is the concept of okunism. it began with the fact that e people would like to unite different directions of christianity. here we are, for example, orthodox, and there are catholics. and then there are protestants. here it would be possible to unite, but today the word is ecumenism. we already call in general a movement to unite everything, and it seems to me that what satik is doing with his colleagues now. this is musical ecumenism, there is no god but god , please. just don't be indignant immediately. what is paganism? let's better

listen to what they play and think. how much paganism is here. and how much is the service of the high?

car

well maybe nobody knows. that epoch where we now live and the devil takes us with the

help of money. see our satya. he too tried to take it with money. well, it was taken, then later she is diagnosed. well, well, how to say, not that i now directly refused money. you see, i'm all in jewelry and a beautiful dress and so on. i mean, uh, you know, phagavadgita. i’m sure you read that wonderful scripture, it says that here, and you don’t need to refuse, but you don’t need to become attached, don’t become a slave to what you have, so you understood it, and not immediately and yet and not completely . this way i suppose a long life, well done.

white color premiere gagarin forever 16

june on first, we never tire of surprising you, dear friends, as part of the anthropology podcast. for example, you cannot imagine that this is your good old, beloved friend. sati casanova in such a new form , say, this is complex music, who arranges it in a beautiful sense. it all started always , of course, then, in my opinion, we were not with us when eldar was fond of it. in general, we heard this mantra, your frame tumantru - this is a budgeon, rather not even a mantra, because the budgeon differs from the mantra in that that mantras are one phrase constantly, repeating one. and here, uh, let

's say they are compiled and maybe in a different language , so we heard your frame we fell in love and , as it were, tried, then already, when ivayla came to us. and this is the arrangement of this horn of the element, the radar. yes, yes, yes, that's all, it's not not not something let's just take it straight. here she is, like this, sits down for this mantra and come on, yes, she had static ones. and you have constant changes in settings very interesting. ok then. now, what we will hear is also devoted to the female aspect divine potassium. if anyone does not know, this is a rather ferocious form of the divine mother of the hindu pantheon. it's the same fool. the same party, but in such a very menacingly ferocious mood, and now the mantra of a very tender mood. well let's go.

wind wind

mat