and it seemed to me that just saying that sasha sklyar is there or alexander sklyar is there, like you , is not entirely interesting, not entirely catchy. and i remembered that i had a business card at the embassy when i worked in north korea and it was written in the english manner, as is customary, which means on the one hand in korean, because we are in korea and on the other hand in english, because you have to communicate with other diplomats. show handing over your business card is polite so that the person can peek. what's your name was written by alexander f dot sklyar and for some reason i didn't think twice so myself on the air and designated hello guys. with you, alexander on the air, the program learn to swim, well, melodies and music in general are the best keeper of memory. when we

hear this or that song or melody, we just immediately remember to the smallest detail what happened at that moment, so here we are through the melody. as a matter of fact, we remember our life with you. we are absolutely peers. and we have something to remember and a melody childhood. everyone has their own tell me what song or melody is associated with your childhood. well, of course. several melodies that entered my childhood and have been with me almost all my life, because childhood memories. they may be the brightest, what you remember from childhood stays with you forever, but i remember in particular when i was very, very small. i went to kirovograd to visit my grandmother, who was then a great-grandmother. i came from moscow for the summer. and i was asked there then by adults

perform something. well like a rhyme or something i asked to be put on a stool because i was a small pill. it seemed to me. this is more properly solid and sang them a song about a young drummer. how do i remember where this song came from? i can't tell you, but since then i remember it, because this moment of the moment as i stand, here on this stool and sing hmm, you can yes, try into the world of show business. here, yes, that is, it was big. that's perfect. by the way, i never played the guitar because she. well, of course, this is a children's song, but this is my own feeling. i'm also trying to catch up. we were going to death. yes, we see the face of death. the detachments moved forward,

spartak the ends of the brave fighters forward, the detachments advanced. spartacus all courageous fighters, this song is associated with my childhood in general. moreover, it seems to me that you know this, something was written about a trumpeter in the world, it was adapted into russian, yes, because when another song sounds, get up early. get up early. get up early, you will see you will hear how cheerful drum drum house. there is also a test to determine whether a person was born there in st. petersburg or in

the urals. empty chocolate. this is just the leningrad region. it is clear that the turkish drum means, respectively, moscow who plays it and there sashka sashka petka is a cockroach and so on, just like that, something else is vivid from childhood memories. i have several transitive childhood memories. which remained in my memory for unknown reasons. that is, you don’t know the reasons, but they are, if you suddenly close your eyes and are transported to childhood, then you are sure of them. that’s exactly what you remember, one of these memories is connected with my mother, this is a pioneer camp, moscow region, and a bright sunny day, and this day parental

parents came. this is probably the middle of the shift and i remember that my mother arrived alone without my father and brought it with her. absolutely amazing, which she baked herself a lemon tart. and here we are sitting with her somewhere on the grass together, and she treats me to this pie, she talks to anyusha, here, i baked it especially for you. and nothing tastes better than this cake ever in my life. i have never tried it or, like my dad and i, he was an amateur hunter, but he shot very well and, uh, he always left in the spring and autumn for spring and autumn drafts. and that's when i was just a kid. he took me to some already specially made for me. not just for

hunting. yes, on a kayak trip. i don't know how much. i was exactly i can’t say, but maybe, say, 10 years old, maybe be, here's something like that, maybe a little less. and here we are floating along the river, which i don’t remember the river, but it remembers exactly this feeling. we'll soon have to land on the shore , it's raining. i sit in the front of the kayak , my dad is in the back, because he steers the pedals. here we are both rowing with him and he whistles a melody. which with me all my life this is a melody without words, but i remember it perfectly then this piercing childhood memory

but i don’t know who the author is, i can’t say. for some reason. i think she sounded like this. i think she sounded like movie master of the taiga, but i could be wrong. well, maybe the music from the cinema is like this, say it to the profession, well, roughly speaking, i call this melody of youth well, that is, there is already such a period when i know that there was an mgimo institute in your life and, in fact, you were going to diplomats, but the music already existed in parallel. you got hooked on the music. thanks to what tune? well, it's probably not even a melody. and thanks to what figure? this is exactly the figure of vladimir vysotsky. this is definitely the film vertical, which i looked, fell in love for life in the song that sounded there.

i passionately wanted to learn how to play the guitar and the first songs that i picked up on the guitar that was not yet mine, but which we had at school, were, of course , vysotsky's songs. therefore, if we now talk about some melody that was e in my youth . and so, well, that's what i always remember, then i think that this could be one of the songs. vysotsky, maybe even this one, which also has something in it that exactly meets the impulse of youth, e, here you are not flat. here climate news avalanches go one back and here behind the commune fall. and you can turn the cliff to overtake a new one, choose the difficult path is dangerous, like a military path. who hasn't been here? yes, he did not risk, he did not test himself. even if he

grabbed from the stars below from heaven. for all his happy life , cheerful shares of such beauties and wonders. well, and so on. she has something like that. which, in a sense, determined my whole life in general, including the choice of music, but also with vladimir semyonovich. by the way, this is practically the first songs that sounded in the cinema and the whole country recognized it. yes, thanks to these songs that we have such a poet, and then, of course, he owned. so you know, it still owns absolutely. it was such a hit. here is my youthful heart that i remember a whole period of my youthful life when i looked for his records, and found them in different places, but most often some adults. e people. well , let's say there him hmm parents we are his friend and

then where in the house where i lived on television street, then it was called street shvernik in the house. hmm, his parents had a tape recorded with vysotsky's songs and a tape recorder, on which the dnieper can be, well , old, old, old. i remember how when my parents were gone, he allowed me to come to his house, we turned on this tape recorder, and i rewriting all the songs that were there all these songs. i remember now. until now . this was the first cycle of vysotsky's song about fomin's earring, i meet fomin's earring. he is a hero of the soviet union here. well, and so on. it's about hockey players. uh, pro uh, boxers boxing. this was the same tape that i then rewrote and learned all these songs by ear. i am a fighter.

by the way, at the same time it was like that with moscow then the center group went to hell, and then even to the center something due to the fact that you are you from this hundred, then you turned, and you had whole cycles. and vertinsky well, high. all my life, including from the group and without the group. uh, then there was vertinsky who came up, in fact, also organically, because vysotsky was very fond of vertinsky and two or three times. this was recorded at his concerts, and therefore it is no coincidence that the only small piece where vysotsky in the film the meeting place cannot be changed becomes the piano. do you remember what he does? where would now who kisses your fingers? that is, it was not by chance that it was his choice. it was not govorukhin who told him to do it. it was vysotsky himself who, approaching, made such an amash, in the direction

of his own, as he considered one of the teachers. well , then, uh, the genre itself is also seemingly incompatible, but i’ll say here by swiping historical taxes and and probably vertinsky at the beginning of the primary and vertinsky and yves montand. and vladimir semyonovich vysotsky is the people who here he was responsible for his presentation and communication with the audience alone, even whit montana when the orchestra was playing. he hid behind such a translucent cloth, as if there was an orchestra. it would seem that this is the best decoration in the world. living people they still play, but he said, i am responsible for what i do. look now here will be all you need is to communicate with me. one on one emphasized its such it is no coincidence that well here and there, respectively. well, excuse me and just one small remark. i think that

maybe this is what was for vysotsky and what was most important in the figure of vertinsky was vertinsky. the author himself is very important, of course, and he was one on one with the audience, it is clear that he had a piano. it is clear, yes, but a companion, but still the main figure you alone stand in front of the crowd of vysotsky even has on this topic. there you remember the song at the microphone and on behalf of the microphone he has. that is, probably, vysotsky already then understood that he will be just such a single author performer. here is the guitar. and that's why he saw something in vertinsky that would help him, then form himself for the stage. so, it seems to me, why vertinsky was so important for vysotsky melodies, which alexander sklyar recalls in our podcast of the melodies of my life. well, sasha sklyar

is getting older and the melody of love. and maybe it is not connected with this period, but from another. well, if so, just ask sash, what is the melody of love? well by your opinion in your life, of course, there are also several of them; it cannot be. here's just one. well, among these several there is one melody, which, if i hear it for me, is immediately. the feeling of something incredible, that in life we ​​people call love, when i also heard it, i can’t say, but it seems to me, not in the film, not in the film. i heard it, maybe it was on a record, maybe on the radio, but anyway, i remember one episode associated with it with this song. this is a youth episode. i'm already at home in another apartment, where we lived with

parents on vavilov street in their room. and i'm singing this song. alone without a guitar. it was also empty on the ground. nikolaevna and i, and when i flew to the superintendent and dad told me, sanin no, you sing wrong. i'm like wrong. well, as i heard something, no, dzuperi did not fly, but flew. raisins, take it, the name says it is, the author is such a writer, exupery, by the way, to say, after that i read this writer and fell in love with him for life. but then i didn’t read it, didn’t know it, and this song became one of the songs for me, which i could say that it symbolizes love for me

the earth was empty without you. how can i live for a few hours ? the foliage of the garden is also falling, and the taxi is hurrying somewhere, only empty on the ground. one without you. and you fly and the stars give you their tenderness. how the poet turned so he connected all this,

therefore this three poplars on plyushchikha, of course, the film by tatyana tam is an absolutely brilliant performance on a brilliant performance. yes, i didn’t hear this performance from someone else. well, of course, in this film there is absolutely none of what i have in mind, the eyes of efremov, yes, yes, this frame. uh, of course when i'm watching now, and no matter how many times i watch. i think it's absolutely genius. absolutely brilliant . and of course, i understand nikolai nikolayevich why exempery, because exupery has several characteristics in him at once, which make him completely unique among writers. after all, that's what he said. well, in my opinion, almost like a quote that pilots do not die. they fly away and do not return and the little prince, which he

wrote. this is something completely unique. in general in literature. and if we also take into account what kind of person he was, and what kind of profession he had, then we understand that it’s all the same that nikolai nikolayevich defended precisely his exemperi in this song that’s for sure. yes, such melodies are such films, here we are all woven from this absolutely and with age with our already, unfortunately, not young understanding at the same time that this has shaped us. of course, and again i remember vertinsky when i read his memoirs , it produced a phenomenal effect on me, how exactly he formulated, says, we grow up and try to protect our children from stepping on the same rake that we start. it’s natural for the wife to grumble about another dimension, like counterintelligence agents, so that we don’t stop them from advancing and the

same rake, like for the first time life is arranged like that for sure, yes, yes, and when i then, many years later, already did the program and drank vertinsky i also plunged. eh, in his memories, in order to better understand, feel, and there was a lot of what he found for himself , he artistically wrapped it around his mustache, because he was not only a great artist, but he was also a very big person. this is very important, and it's so good that he kept these memories, that this dear long that any artist, i really advise everyone right now, regardless of the genre that, uh, you choose, but especially, probably, of course, to young artists . i strongly advise you to carefully read this book sash melody of sadness. let it be bright sadness, or you know, there is a song it would seem about nothing, but

you feel such a deep amplitude, or connected with you just with this melody something sad life, it happens. for me, for example, a sad melody has nothing to do with just when i hear it. uh, i have a beatle with uh, halls happen. and right there, this here, this plug that fed, it’s like, i ’m stumbling right on it, it’s understandable, and such sadness always comes. yes, well, of course, i could also name a few. the songs of the beatles are absolutely brilliant. in many ways, of course, they are not surpassed melodists. that's for sure. it's very nice that you are such a good taste. yes, a reflection of the tradition of our culture, so i will not knock you down, but i have here in our tradition in our song tradition. i have one song that even, probably, when i'm sad, i remember it and i can, uh, sing it

to visit. yes, remember it, remember the image of this song, because it seems to me that it is precisely such an image that was created in it. hmm, which here it accurately characterizes, at least for me, this is the state of sadness, sadness and sadness. i can't play it on the guitar. well, that is neither i haven't tried it yet, i might try it now. maybe you eh. e, autumn is coming soon for you to manage. yes, of course i play. just great. all this is then a real gift for me. you will give these beckoning bushes, and i will know that you

like me, as when i liked it , why does melancholy gnaw at me. why are you sad with me? absolutely agree with our viewers to listen to more interesting cases. that's it

frank or performed it directly. yep, very sensual. yes, and who in general, what performance of this song do you remember? she has several once. yes. i, probably, also want there directly from women's things, in my opinion, she also sang it. yes , someone sang, but for me, my kristallinskaya. so i remember how my dad told me that maya kristalinskaya is a singer with a speaking surname, because i can’t stop her voice, i can’t get around during the period, your bright and the boatswain and tramp project that you and garik sukachev uh v you embody beautifully and even return ketah in more than one album. thanks, i'll just put it on. well , it didn't last long. that is, here so huge, moreover, there was a pause when i had a period when i said to garik, let's do a continuation there, everything, well, somehow it didn’t

work out, and in the end. in general, we abandoned this topic and got that we abandoned it for a quarter of a century, until, suddenly, the stars suddenly converged so that we, uh, resumed this project. well, as they resumed, they just did part two, that is, bosmans tramp, 25 years later, this album was already released that year. i'm glad that it happened and i also wrote a song for him. one, just like our song about our youth, a song about how we felt then. that's when, uh, it is called and again the month of may and it is, as it were , a continuation of that song by garik for the cat for the month of may. the month of may here is this song of mine i proposed to this project. well, i'm very glad that we did it, uh hmm, because something very important for us was then in this

project, which means that it was preserved. this is what is important for me. this is good. maybe mountain. hello, little one. well i have great pleasure to my friend, with to whom we have been together for so many years and i dedicated this song to him, that is, when it had already been written. i went straight to garik and told garik this song. and again , i dedicate the month of may to you and even gave him a handwritten piece of paper with the text, where it is written to my friend garik. well, all the moves are fixed, right? yes, the trees are in bloom and you want to live and love to walk in

the rain. you are obviously walking along the boulevard and new sounds and new faces are all around. i myself am 17. i am again a dashing tramp and the most beautiful girl, circling until the morning. i meet the dawn over the moscow river. no, no yesterday. we leave. men

knock on the abdominoes, and i rush to the guys, i want to hunt soon, and my mother escorts me, amahanuv from the window. and dad will tell me, look, it's not too late there, son. for the rest of my life, give me an allotted time.

and young punks will find new rhymes, rhyming in a new way the old word love. in a new old word love with pleasure i introduce you to the song of joy, a melody that stands

and helps to live, they say. by the way, you are also continuing the utesov cycle. yes, well, rarely yes, rarely, but i play. i have it's just that the program is utyosov's program with maxim piganov, it's called thank you heart, it's understandable and there are good interesting utyosov arrangements. from time to time we play leningrad bridges, trying to cling to the great glory but with humor , of course, of course, cabernet to the cliff, these are people who had a timbre that i like to me . so the nation. this is definitely after bernes not one performer with a great range. yes. yes, yes, i couldn't do anything. no no, this is a special feature in the singing character, it can be developed. but you still need

to have some prerequisites for it. here, in bernes, it is simply presented in the most, probably, ideal form, right in front of him, that is, he is right there, talking to you, he will leave, he sings smiling, odessa juicy, and in bernes, well, confidential in a cube. yes, he has your attention. yes, therefore, some of his songs are his performance. i just work as a magician, for example, it's impossible. well, that's just, but for me, that's it. you also know this, intonation not repeatable and no one surpassed. this, of course, is the night. here he tells you directly. here you are, sitting right now, listening, right? here, sash , you have all your creative, so to speak, he is in a very handicap. in this direction , relying on the best traditions. so you said what we are woven from here vertinsky utyosov

vysotsky vysotsky, first of all, e, and rock and roll. you have some absolutely russian. but yes, but of course i have my rock and roll idols. we just didn’t talk about them, and i won’t be able to name a song there either. and even more so to fulfill the joyful but before you say, of course, i emphasize that you have, uh, in the blue el dorado or there is everything, all the authors that i see, this influence, it is clear and the presentation is all. here you know sotka on mine for this time all the melody of joy, alexandrovskaya well, probably hmm one of the melody of joy, uh, i would call the song of the moscow route this is my melody of joy when i sing this song, and i rarely perform it at almost every concert . there is a concert when i don’t sing it, it’s wrong. do not sing such concert songs. i naturally this

joy. i want to convey to my audience. but this is one of those few songs that i sometimes hum in a small piece, in general, outside the concert, not so much the words themselves, but just the feeling itself, so i chose it. as one of the songs that can be called sklyarov's song of joy. come on, moscow marshal, you're familiar with the neighboring insect waving at random, in the meantime, y-lesson.

the lilac look of plyushchikh three poplars your brown eyes are better than this station to the south , right, i will have an electric train from moscow, i will go, i will go nowhere. where i heard the cry of an owl, where this horse is cold melt water. in my life, and passed the moscow routes.

melt water papa

is like tenderness up your lips, i really need names. now first kiss first

sadness first sorry first goodbye first kiss first want.

hello friends. this is a non-format podcast places of power for young artists and the walk of fame for artists whom the whole country knows and loves today in the studio, as always , my charming co-hosts karina cross valya carnival behind my back the magnificent group of gipsy-ban taya anton lavrentiev do you know what we have an extraordinary program today. actually, like everyone else, but today she is special, because our guest is charming, incredible, simply simply magical natasha koroleva fr. hello everyone, and also the super popular and talented artist kazan is our guest today. nice to meet you. i'm just going to give you a start so that you understand gazan has a total of 500 million listening to tracks. you. just imagine this figure of 500 million. i honestly envied white envy. this is a tiger. what kind of lion is a tiger? here he is now

sitting here, hello everyone. hi natasha, i have a question for you right away. here. i know that you started your career at the age of 16, that you came to audition for igor nikolaev and you immediately want to know, uh, there was a moment about sandwich here . no, it's not contrived. it's true, yes. and when we arrived with mom? yes, i was 16 years old. uh, such a cold november moscow , igor listened to me, uh, at the studio on some musical i remember, on which even where her, and then he had a concert at luzhniki , the man had already spent the whole day there fiddling with the studio to the studio and, of course, it was clear that he was hungry. and we are only from the train and with my mother. naturally, everything was there with me. and not only sandwiches, not only. and of course, my mother quickly cut the bread , salso and what was also, and probably

the composer’s heart melted in this way, because he did not collect the nanny. it seems to me that it was hard not to notice you even at that age, your success was immediately clear. well no, after all, it was probably the first impression. and that i am very, very, very young, the creature has arrived, just like a child. and of course, well, no one wanted to take care and babysit. well, then, after all, i had quite a lot of professional experience behind me, because what is on the professional stage? if we say so, i’m only 12 and the songs that i performed were also the well-known composer vladimir bystryakov, who wrote such a song as where did the circus go, he was even yesterday hmm and the wind did not have time to rip posters from the walls. uh-huh thanks to this song, at the age of 12 i went out on such large stages

of concert halls, and in such iconic ones. uh, concerts, such as the congress of the komsomol, it’s beautiful , the congress of the communist party, that is , you understand, the concerts were very pretentious fat, it’s hard to say, i immediately went with trump cards, that is, i was not lucky in life. i started with trump cards well for the authors of the coolest songs. so this experience, of course, was , and when igor nikolaev invited me to come on tour, besides me there were several more applicant girls and each got my song. i got a song about yellow tulips, maybe i can somehow sing this song. the fountains dried up. summer ended unexpectedly yellow tulips. you to me