kosugu or or whatever, how things have changed now. uh, it seems to me that some kind of disunity of people is observed, we have forgotten how to be friends with me like that. well, no, it doesn't stop me from being friends. i have a job. just a colossal me for three to four years. uh, i don't see vacation. i have an academy, my musical one , i have an institute. i have been envious of the department for the eighth year already, and i have my touring life , stage shooting, touring concerts and so on. i just don’t have any time, there was nothing before , when there was no institute, and when there was no was the academy. hello now it turns out to be friends with someone. well, this is amazing. well, everyone , that's exactly what belarus is talking about, we talk there all the time. well, when to live, when because there really is not enough time to meet friends. here's some kind of race, well, well, well, 127 branches of the theater, uh,

all the time. well, in general, i will not list everything that we do, but there really is not enough time. the only thing i have is iron. i go hmm to my family. where zeros to sister meshes. yes, in the summer, train to the dacha. this is what it is my time, i just adore it and not only that , so if you tell me, so luz, uh, something very important, you need to come there or shoot or something here, i'm not inclined. i say i can't. but i can’t afford such a luxury, unfortunately, i have a return, which i practically never visit. now the holidays have begun, and now the children will go to the dacha without me, because i have no time. i prepare students for state exams. in july, krasnaya polyana also works

for the agutins forum. uh, i also take students to his academy of teachers there, er, in general, but in the middle of august. i start rehearsals. e of the new performance she taganka in which i will play. well, yes, you can say that the musical, but this wedding of figaro i will play marceline. in general, my life is like this, everything is all laid out like this on the shelves. and i say, i don't know what a vacation is for 3-4 years. how does it look so amazing. what is the secret? yes, no secrets. i believe that a woman should love herself. and that's work. this is serious work. don't just know how u me for me. it's already a way of life. uh, at some point. i looked at myself in

the mirror and realized i had to do something with myself. and what was superfluous was 23 kg, which i dropped it like fasting 19:00 19:00 eat , yes, and then you don’t break down, so you don’t start attacking the refrigerator, well , somehow, i encourage internal discipline and sometimes. yes, i can, after a concert, i especially always want to, but i do it extremely rarely , anyway, lovers do it on the object on the refrigerator at 3:00 at night. once and i also resorted to this, then fortunately i unlearned and i’m generally very strict with this now, i eat the last time a day at 14:00 and everything that has gone forever from your menu is a lot of sugar butter. potato bread, in general,

i sit on carbohydrates, salivate and don’t feel like or want yes, well, you just know this desire, it disappears over the years. and what is my favorite food, but i eat pork, lamb and poultry, i figured out the pseudos. hello, how many of them are all who tour the country and pretend to be your bands in turkey, sometimes it happens in turkey, but

we quickly figured it out. yes, uh, legal so our producers in turkey, they dealt with this issue. and in a way, those who worked under our name paid a fine. that's how fire can raise such a huge thing. i spent the entire film sitting pressed to the seat. i felt like i was right there. you often wanted to fly into space. that's serious. this is the coolest thing. a person with prolonged anxiety often hears advice. calm down. or, for example, don't be nervous. thanks for the advice. need to sleep

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, people's artist of russia larisa dolina and there were some joint tours you remember. yes, yes, yes, somehow they played tricks together , you tell us, we were young and cheerful. we did not get tired, in general there were several concerts a day, we worked, not one had fun. they just blissed out like they were relaxing. mostly. this was our vacation, such a creative holiday, when a green concert. yes, a concert on tour. in tour it is green concert. this is a concert where musicians, artists build all sorts of tricks for each other on stage, well, not really but these jokes are not for the audience. we are simple for ourselves, well, for example, my ballet, which means, once i wrote

a sign such caution zelenka and, uh, put it right in front of me about what we just didn’t do at these green concerts. it was terribly funny. and sometimes the audience saw it all, well, they didn’t understand what was happening honestly, and we rolled away and the most important thing was. at this moment, i can’t choke with laughter and sing the song to the end. because sometimes it was so funny, unbearably funny. just, for example, well, for example, it means, uh, i have my dresser, who has been working with me for very, very many years. she is a dancer. i never say ex because there are no ex dancers. and she has everything on her feet. naturally. i even mean they found some big box backstage , hid it there and put it on stage. what is there? something will happen at some point. we have it there. uh, there was a dance, there was a porto number that we danced us ballet and

in one of which the lid is opened , marina crawls out in a marine suit and the musicians start dancing bull's-eye. all this was rehearsed bullseye there and inserted a piece. this. well, i didn't know. it's us, we are. i 'll come up with something for them, they came up with something for me , ballet, for example, there is always something behind the scenes. especially if we work at theatrical venues, there must be some scenery there, something that they didn’t find there, i sing, well, maybe some kind of comic song, someone from the ballet takes a mop with a bucket and starts washing under the floor on stage while singing. tin. yes, these were terribly funny, but the audience does not understand this. they think it's all staged, yes, but the musicians are just dying of laughter. and you have to keep your face. this , of course, is unbearable. be a brand that is directly ashamed of happiness, no, there is no such thing. delicately all the same artists, all the same. i

think they are cautiously cautious man because i remember my when too. well, these collections were. well, sometimes they joked right there. i remember hmm the musician came out. she played the piano to him taped. uh, keys, like him, and he he means, well, i how he yelled, i remember him. well, he is russian, of course, this cannot be done harshly, it is necessary that everything be just so delicate and respectful to each other. you can invent anything. i also remember one very unpleasant moment. it was many years ago, when i was still working at the odessa philharmonic. and we had such scenes , one of the musicians had to go on stage with a briefcase. there they put some bricks for him, and here he is, and he is right in front of the very came up and took the exit, and he understands that

he cannot take this briefcase. here it is tough. that's not the way to joke. yes, i remember, we also toured a lot and densely in one period in my life with just the mercury breakdance trio. and we traveled a lot with lesha glyzin and his team. and here we also arranged greenery there. there he has a song in which valera maklakov comes up to the piano and right at the right moment opens the lid and enters. well, we didn't stick him. we just dotted the entire keyboard with calendars glyzina and. so he opens up and sees his face like that. she's on toas. there were all sorts of things, well, in germany we worked it in the program in the program was like this. well, let's say a clown, so some reprises. this girl was a clown. and now imagine we are dancing on

ours. well, the big team has a lot of us on stage. we're having a rebuild. we have a drawing, which means choreographic and it comes out. here imagine before us and begins. do some reprises. she thinks it's very funny. and we and we can't do this it's just, well, well, we somehow pushed her , someone snapped at her leg, well, it was only then that she realized that she was starting to leave. well, and so on. in general, you are generally a strict leader, like a carrot. well now i'm softer. how many stars have left their solo careers is a shame to say sokolovsky is our guy. then, in our groups , a lot of girls worked, there and in cream and, uh, they come out. yes, a lot of us, in my

ballet, the two came from their todes in general, they always work in every hospital. somebody from our children from todes or from our schools. here, well, dance. uh-huh basically, here we are watching and enjoy watching. here, that means ours. now i also often work as a pillar at different sites in st. petersburg in moscow uh-huh who else are you working with now? how if not a solo concert of yours? basically, from the performers, in fact, with e with everyone , yes, well, let's say some kind of program or filming, and here we are directly sending us a list like this, and that’s it. we have a whole area that deals with hmm exactly. e work with the stars. uh, even kramer is doing it now and uh, it's one of our

favorite things to do. uh, because it's always an honorable joy when we started working with the stars, my god, i remember, this is the first one. uh, the first feeling, we went out with sophia mikhailovna rotaru my god. i would like to touch her, this is something amazing, or they saw larisa. here is the first time. this is some kind of magic, my god. how lucky we are in general, we are cool, i remember very well, i feel and always amazing. yes, yes, this is a team, that has always been innovator. here are the best and i watched from the very beginning the very first team. it was simply impossible what they were doing on stage. i forgot sometimes that i sing. i'm good for me. i think i need to stand with my back so that i can't see, because if i look back, god forbid i forget the lyrics, because they danced so

incredibly. it was a pleasure to work together the best best dancers best voice in the 2000s too in the huge competition how uh to keep the first place? well, not necessarily , right now, i’ll tell myself about myself, no necessarily right here for me was never self-aiming. here is the first place to go. i just loved love endlessly love what i've been doing all my life. i dedicated everything to this with all the awards that i have. it's just as a consequence of my love for my profession. uh-huh, that's right, nothing to add. we never thought, but we must keep this bar. that is, yes, such a thought, and here is the first pedestal, there and so on. it just happened that way because you love what you do and take it very seriously and that's it. this is the key to success, and hmm, the key to the fact that you will remain on this pedestal, but the goal itself has never been. for me, the worst thing for an artist is a ban on creativity

. there were moments when your concerts were banned from me. no, i have never had such a me, forbidden to show on television, but in soviet times. we had such a leader lapin who did not like me very much. and he, when only one of the music editors dared to insert my number of some program. he cut out. wow, it's hard, but there was a story that the kremlin banned it. there was such an editor. there was such an editor in soviet times. eh, do you remember the very promising surname pronin anecdotes? how many majors were there? so pronin means, uh, they were rehearsing some kind of concert, then i worked in the sovremennik orchestra with anatoly asherovich krol. and a concert dedicated to victory day was being prepared, and an arrangement of a very famous

soviet song from the movie volga-volga was written. e hmm yes yes yes yes yes yes yes yes how is she was it called? yes, yes. and so, ah, it was written in a jazz style, because. it was the big band jazz big band. i started rehearsing and started singing it. and that means i sang out. we're going backstage. uh, this pronin runs up to the roll and says what kind of disgrace it is. she is a breathing singer, no, and jazz. she ran epivista, and i had concerts turned off and excluded. what a disgusting thing. my god, we don’t have such a thing. yes, god have mercy. we somehow, uh, this has never happened before. i can't even remember. i remember that we

back in soviet times in order to allow us to go on tour. we needed to fly. it was called the program, if we had garbage, a bird in yes, it is called a foreign language. we had to translate, which means that we had to print the translation like this and it had to fly in a stamp to put something so that there would not be any there in the translation. and something there that was not necessary. here, i remember this, but it ended somehow quickly and that's it and no. i am when i almost broke. uh, your program is in the bolshoi theater it was a concert named after my plisetskaya. yes, yes, about this to us i say, i am immensely proud of this. uh, she invited us to her anniversary at the bolshoi theater, she saw us on tv in germany, and they showed our

concert. she says, well, it tells me tin told me. well, generous. uh, she says, you look how the guys dance everything. i want them to join , uh, in my party. uh-huh and imagine here she is leaving. before their anniversary, and of course, after some time, it means that they decided after all. it's natural to do it. uh, play. well, her and her memory. and there in the bolshoi theater, when the program, so she herself wrote with her own hand, who teaches and then someone from the management of a very large theater said, so from there. this is not our format at all, so no, i understand. why shchedrinskaya, if there is no todesa, there will be no evening, because the t-shirt wanted so much. yes and here is what the t-shirt wrote here with her hand. that's exactly what should be stunned exactly how it should happen. it was later that they told me

the address he told me in the summer. well, this one situation. well, we danced. e. in the big it was our dream. yes, but it might not have happened. by the way, our podcast about dreams is called 20 years later, but it seems to me that we need to dig a little deeper, because todes is 35 and like our acquaintance. what did you dream about when there was not yet this e glory when there was not this grandiose success. do you remember your dream. so i will become famous and get rich and no, somehow it is known and there was no getting rich. i still daydream before bed. i remember as a child i was then shown on tv, when i was little, there was tv bastards, then it was a fridala. this is what i have. yes, for some reason , this is what i imagined. uh, so here is

such a team, yes. the most interesting thing is that i did not dance there. this is amazing. that is, i didn’t insert myself there as a soloist . yes, let’s say, i already imagined myself as a leader, which means a choreographer, and here they are in front of me. yeah, all the time, yes, yes , it was colorful too, so everything is bright and these are my dreams, and then we did. we i say in our time i remember that we thought there. oh, we need to be paid more there, or that's how much ours will pay us. here we are, just to go on stage, just to dance, and here i always say, guys , you should just, well, love, because you do so on, only in this way, yes, without a crazy love for the profession, nothing will work , because it is very difficult for us sleepless nights train planes.

after all, everything affects the mood, health and so on, so you have to be here very strong. and this is the very first condition - you have to love your job crazy, so that you never get tired and never never. not e lived people that chose this path. this is a podcast 20 years later i am the host konstantin mikhailov today we are talking about russian and soviet pop music and dance 20 years later, how to make money? uh, let's just say how it was easier then or now this question. i never asked myself. and of course, now a little bit better in this sense, well, again, it wasn’t ends in themselves. when i never, uh, oh, you have to be on time, it’s there that they pay here, but here you have to go there more, there has never been such a thing.

remember, the very first thing was your big fee, so that the authorities would come, gorbachev was allowed to us, like a nasty concert. i remember my first concert cost 5,500 rubles, or something, in my opinion, 500 rubles. yes. i remember that i was brought a briefcase. in the portfolio were three rubles 500 rubles. there would be a salary, then there were about 100. well, yes, very small salaries in general and the dollar was cheap. everything was cheap and so on, these 500 rubles. don't remember your first such a solid jackpot. well, let's start with the fact that i always made good money. when i had six aerobics before the todes, i

already had a dance school. well, that 's not what it was called and the experiment. i earned 500 rubles. per month. can you imagine i was 18 years old, and i was earning, as in the village, as a factory director. of course, i did not sleep. well, understandable. i was wearing. i didn’t have a car, and then hmm for trolleybuses. here, i remember, here it is from morning to night. and i also had two plots. i worked as a janitor in the morning got up. i had two lots. that's 60. yes, who earned it here and here i am in this way. and when we went on tour, we had five to six concerts. they were collections. that's just sofia mikhailovna these are tours. i will never forget 189 concerts in 1.5 months. can you imagine 2 x 3 x 4 x 6 x 5 workers in chelyabinsk. so on to the bus. and here they

come in the morning. and so we worked in this way, and we bought a tv. i remember in this one how we dragged. and this is a tour in general anecdote and videos were given to us then it was just a profession. this is where you watch the materials from, but larisa did not ask you about your twenty-year-old dream. when i was many years old, when people still lived in the soviet union, it was a lot of years not to travel abroad. when that power ended, they began to let me go abroad, and my dream was, of course, to see broadway, and for many years i went to specially in new york and went to broadway for all the performances and had a dream someday. maybe i'll play on the eyebrows, idiotic quite a dream, because it is impossible. it's unrealistic, and we had it like that. this

is what is called transferring, in my opinion, yes, people do not know how to dream. and as we see, what allah dreamed about came true, what we dreamed about. you came true amazing, this cube, by the way, it is magical, it also fulfills a wish. maybe you can now voice what you dream about for yourself in 20 years. i would like to be in the same shape in 20 years as we are now and not only in the outer vocal form. luckily i have a voice it sounds like 35-40 years ago now, so my opinion is the best voice in the world, because who else and who else in this genre, i probably still don’t know. i have a better guest today, a better voice of the world, a better ballet. okay, we agree. agree for yourself in 20 years. surprisingly, we are just the same here, absolutely the same.

i would like that what we are doing now , of course, i want everything to work out for the children, so that they are happy, of course, a cafe, in general, so that, uh, we would be like this, yes, here in this form, maybe lose weight, maybe in 20 years. lord so, to do what you love, of course, to have a family nearby, so that the children are everything, so, so that sometimes you still allow yourself to relax. and you dream of love, you are two beautiful beautiful free women , a fiery brunette, a stunningly beautiful blonde. are you free now? as far as i understand, yes, there are not enough postcards of relationships or time and my open ones will not be enough, but there will not be enough time. i'm talking for you, you never need loaded men like that

just like you, so that they mind their own business, sometimes like that. yes, meet and enjoy communication. yes, i agree, of course, the whole vladimir andrey, of course, the podcast is 20 years old. later, i had two amazing beautiful women, in whom everything is ahead of me leading konstantin mikhailov, but i hope i have something there, too, somewhere a boy. thank you for watching. only money is nothing in

nature. you won’t say, lord, i can’t, and you want it, my dear said. your eyes are water. the lord is tired of you

hello dear viewers on the air channel one podcast melodies of my life i am host valery syutkin and today we will learn about the melodies of the life of my wonderful friend composer, people's artist of russia dmitry malikov, please. hello everyone good evening. thank you. thank you for finding time for us as viewers, the melody of my life is, in fact, music. this is the best memory keeper, therefore, we will probably start from

the childhood of associative memory, because when we hear some melody, we involuntarily remember what happened to us at that moment, and therefore popularity now, er, some retro performers of retro songs, because people are returning to their youth, their youth, and to those times when they were, as they seemed really happy, although in every time, of course, there is a buzz. the beauty of talking to a friend is the opportunity to talk about yourself. yes, but today we will remember the program, not even the music, but the melody. it's literally fixed. and then the most interesting thing is what you have connected with it and therefore, uh, the melody of childhood , even this is not so, which is the first time you life uh, heard. and the one that, so to speak, is this period from when we have not yet forgotten how to talk with birds and believe in miracles. this period before that somehow chose a profession, but i think, you know, in my case , this is just, uh, remembering some tunes, because first of all it is connected with

the activities of my parents. that is, these gems are just the seventies of the beginning and their heydays. they gave a whole, blankets of songs that, by the way, are still alive and you have to go to the tundra and you don’t have to be sad, and everything that i have in life and of course. oh yes my the address is not a house, we are not a street, my address is the soviet union. i want to say a huge thank you to yuri fedorovich malikov lyudochka to you for your son and , of course, to david tukhmanov and vladimir kharitonov, it’s like, in hockey terms, like fetisov kosotonov, such a couple that, in addition to the address, the soviet union gave us seven days of victory, how beautiful this world is and different songs, a cheerful planet. just me so far. by the way, sometimes i also sing this song to me with a small potpourris of songs, and my sister delivers it to dad and dad and people are very happy. and it's amazing. you yourself

you probably know from your own songs that often children, who seem to be quite young , they sing, for example, your songs, some of my old songs, they watch songs that seem like they shouldn’t hear them, but they, and similar at some genetic level. here is my dad. he created gems a due to the fact that he already dreamed about it very much, although before that he was a jazz musician and worked with various performers as a double bass player, but then he managed to go in the seventieth year. uh, nah, this was expo 70 in japan in tokyo, here he is worked for 7 months, just as i was growing up in, uh, my mom's belly. here, uh, he's back. i was already born, and he, and my mother gave birth to me, and he was born from the light, and he did it, but in this way. that is, then somehow you remember. e, so to speak, the possession of equipment meant a lot, and he brought just a set of acoustic equipment from japan and this laid the foundation for this band of his

and one of the first songs was in your tundra, then my address is soviet union by the way, here are the songs, if you disassemble them harmonically, they are very interesting, very unusual, they don’t look like anything, that is , in fact, there are no analogues, in this time there were so many in these songs, but some kind of hope, positive optimism. well, as we jokingly call it there, komsomolsky rog yes, but on the one hand on the other. ah, as it turns out, this energy that was in these songs, it is absolutely unique, and it still works. and you were such touring children. you traveled together as if unconditionally. we went to the console, but i remember more consciously, but somewhere in period 75 to 85 years. it is, firstly, in the seventy-fifth year we met volodya in a presnyak, because just his parents came and our parents took us together to concerts, then there were teams, i don’t know , at that time of years, when there were still many collections and there were fascinating tours, because such were the cities, how is tashkent for several sports palaces there for

several days. we were there somehow everything was very, well, romantic for us, although for sure. the conditions were average, because, well, such is the stagnation of the soviet and we, as it were, behind the scenes and were brought up to absorb this spirit, and often we even had several children there, volochka sat down at the drums. i got up on the keys, so to speak, we still had guys there, such a mini group, even such a group, well, of course, they all had attempts. but at that moment i was already studying music school. uh, here merzlyakovskiy lane at the conservatory and in. in general, my parents, so to speak, moved me more to some kind of classic dad , they really wanted me to get a classic education, because, apparently, he himself received it very late and still remembers how he came to the monument. for tchaikovsky, when he was already there, at a fairly mature age. he studied at the mining college. and how he just physically cried and dreamed. here u get into these walls he managed to make him take the classes. eh, double bass

to kafir rostropovich, so he kind of realized this dream through me, including, too . and i went to a music school from and studied classical music. but on the other hand, of course. in general, i'm like the child of pop suburbs too, therefore, all my life i have been a servant of two masters, say , mark is your son, uh, who is now 5 years old. what's up with the music here? i would like to educate the brand, well , as widely as possible, so that he himself chooses, that is, of course. he must receive some musical basics of sports must be present in life. i , so to speak, was such a street teenager and street football interested me and hockey. that's football. i'm busy. in general, so far, but i’m worried that i didn’t go professionally i practiced because, in principle, these skills . of course, they were very useful to me, so football, uh, judo should now go to judo already because