even before the bananas, he defended how the juperi had claims, it turns out that when this song creates, they said, why exactly did he say? for me it's important, it's clear because this is a well done man, as if from the stars, as the poet turned. so , he connected all this, and therefore this three poplars on plyushchikha , of course, the film tatyana tam is an absolutely brilliant performance on a brilliant performance. yes, i didn’t hear this performance from someone else. well, of course, in this film there is still quite a moment what eyes? efremova yes , the camera, yes, yes, this frame. uh, of course when i'm watching now, and how many times i haven't watched. i believe that this is absolutely ingenious, absolutely ingenious light. and, of course, i understand nikolai nikolaevich why xii because exemperi it has several characteristics at once that make it?

a completely unique environment for writers, after all, he said this, well, in my opinion, almost like this quote, that pilots do not die, they fly away and do not return, and the little prince, who he wrote this something completely unique in general in literature. and if more take into account what kind of person he was, and what kind of profession he had, then we understand that it’s all the same that nikolai nikolayevich defended precisely his exemperi in this song, that’s for sure. yes, such melodies are such films, here are my all woven from this absolutely and with age with ours, unfortunately, not young. he understands at the same time that it has shaped us. of course, and again, remembering vertinsky when i read his memoirs, it produced a phenomenal effect on me, as he accurately formulated, he says, we grow up and try to save

their children so that they do not step on the same rake that we are starting. naturally, grumbling grumbling and we are removed another dimension, like an agent in counterintelligence, so that we do not interfere with their advancing the same rake, as the first time life has become so arranged, yes, yes, and when i then , many years later, already did the program and drank vertinsky i also took a dip. eh, in his memories, to better understand and feel a lot. there, what he found for himself was artistically wrapped around his mustache, because he was not only great an artist, but he was also a very big man. this is very important, and it's so good that he kept these memories, that this dear long that any artist, i really advise everyone right now, regardless of

the genre that, uh, you choose, but especially, probably, of course, to young artists . i strongly advise you to carefully read this book sash melody of sadness. let it be bright sadness or you know there is a song it would seem about nothing, but you feel such a deep amplitude, or connected with you it's just that with this melody something sad life happens. for me, for example, a sad melody has nothing to do with just when i hear it. eh, it happens to my beatles. and there, this one, this plug, which on the map is illuminated like this, i stumble right on it, it’s understandable, and such sadness always comes. yes, well, of course, i could also name a few. the songs of the beatles are absolutely brilliant. in many ways, of course, they are not surpassed melodists. that's for sure. it's nice that you're exactly what good taste is

yes, a reflection of the tradition of our culture, so i will not knock you down correctly, but i have here in our tradition in our song tradition. i have one song that even, probably, when i'm sad, i remember it and i can, uh, sing it and whistle it. yes, remember it, remember the image of this song , because it seems to me that it is precisely such an image that was created in it. hmm, which here it accurately characterizes, at least for me, this is the state of sadness, sadness and sadness. i can't play it on the guitar. well, that is, never i tried, i can try now. maybe you, uh, fall is coming soon for behind you know how, yes, of course, i play. just great. all this is then a real gift for me.

you give one bush, and i know that you like me, as i once liked you. from what? longing gnaws at me. why are you sad with me with

our viewers? linskaya is a singer with a speaking surname, because her voice is crystal clear, i can’t help but bypass the period, your bright one and the boatswain and tramp project that you and garik sukachev uh embody beautifully and even in none album return to the guitar. thank you i

just keep going. well, it didn't last long. that is, it’s so huge , and there was a pause, when i had a period when i said to garik, let’s do a continuation there , everything, well, somehow it didn’t work out, and in the end. in general, we abandoned this topic and it turned out that we abandoned it for a quarter of a century until, until suddenly , the stars suddenly converged so that we, uh, resumed this project. well, as they resumed, they just did the second part, that is, the tramp bosmans, 25 years later, this album has already been released in that year. i'm glad that it happened and i also wrote a song for him. one, just like our song about our youth , a song about, uh, how we felt then . that's when it was, uh, it is called again the month of may and it is, as it were, a continuation of that garik's song for a cat for a month

a month. the month of may here is this song of mine i proposed to this project. well, i am very glad that we did it, because something very important for us was then in this project, which means that it has been preserved. here's what's important. for me. this is good. maybe mountain. hello, little one. well, i am with great pleasure to my friend, with whom we have been together for so many years. and i dedicated this song to him, that is, when it had already been written. i went straight to garik and told garik this song. and again , i dedicate the month of may to you and even gave him a handwritten piece of paper with the text, where it is written to my friend garik. well, all the moves are fixed, right? yes

and i want to live and walk in the rain. as if you were the voice of the past, i clearly walk along the boulevard and new sounds and new faces are all around. i myself am 17. i again a dashing tramp. and i circle the most beautiful girl until the morning. i meet the dawn over the moscow river. and there will still be no yesterday.

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