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to fulfill the entire flight program and conclude the landing without a ship on a parachute, all the cosmonauts from the first detachment knew that they would definitely eject. they have no other way to land commander dolgov ivanovich was appointed, this is his workplace, the second pilot, nikolaevich andreev, he was stationed anywhere. here he pulled out the remote control handle and ejected his jump was very risky, because he, in principle, could lose consciousness. i look at the arrogants already at 19.000 m. at this height , the fall occurs at the highest speed. this is minus 50. there, 60 - 70 is much more than a person without special equipment. can bear to simply admire this man, because height 24.000 suit this is not just a feat. right now it would be crazy to jump out of space on friday. podcast

of the creative industry on the first channel in the lineup, podcast, paws our guest today is igor chipurin and with you elena kip, producer , producer and eklipeikin, or you are the director of the presidential fund for cultural initiatives. i recently uh talked to a person who represents industrial design. and so we talked with him about the state. strictly speaking industrial design. and i asked him to draw me, so to speak, here is a diagram and indicate where we are at all, when we are, he drew such a ladder, and so somewhere below, so that's it. well, we poked here, how did it happen. we have wonderful traditions of industrial design, generally speaking soviet. uh, how we ended up in such a situation that, because the design we have is again at the point, so to speak, in the very initial development. i think

that, probably, it was design in the days of the soviet union. such, probably, was not actively developed, and there really were no efforts there, but to do something individual. i even remember the technology textbook when i was studying, the first line was that we differ in that it enslaves individuality there. and here's how the unity goes through here's the similarities , and that's why, i think, this was the main problem, when there was no reinforcement to make something actively beautiful. most importantly, it was already over. but it seems to me, the history of the soviet union , because if you take, and the twenties, if you take the thirties, then this is how architecture developed. how evolved uh, the same malevich kandinsky, how did he move where he lives, if where did the music move and at some point? unfortunately, this is

anti-individuality. it seems to me that she absorbed it, but that's all, and we came to what we came to. because even if we talk about my direct profession as a fashion designer, then remember the union fashion house society - it was an amazing school and an amazing story, but there were many fashion houses that simply created, there are five coats, four suits, some dresses and then it was sewn off for the whole country in the same color and in no way developed and there they thought more about not beauty, but about the comfort of producing all this later . understandably difficult times of changing all kinds of structures. but i'm glad i'm that old. i'm real for this time. i am proud that, for example, and my line of furniture, it was still not me, but the italians, that is , the italians did not see you the designer who can create an amazing line of furniture, and i did the same with the car when i was contacted make cars, i

made it a car, yeah car design, but i why is it that it’s just the time in which i live, it apparently already needed and continues to need such designers, and i hope that i want to believe, even believe that i’m not alone, of course, i work. sometimes when with designers with architects. i see so many talented young guys, they think very freshly, they make very juicy bright products. well, it's just like a huge country, that so far it's not possible to cover the whole country, but i believe. i really communicate with very, but talented young people who are engaged in, industrial design, which is engaged in some kind of drawing of objects, that is, not in the profession, i don’t want to believe that they will force themselves not to be disappointed in this, because, for example, my generation of fash-designers. if you look at the week of haute couture fashion in moscow and we had

some kind of pleiades who came out on this podium with seven collections, practically no one remained a profession, someone became. it’s just that someone has gone as an artist as some kind of apprentice, that is, for the most part, it will be difficult for a designer, of course. yes of course, well, it's hard to be here, because there was no industry as such. and we began to create it and that's it. at the beginning it is always very difficult. i really work a lot, and i don’t regret it, but anyway, probably, i gave my life only for the profession, and i enjoyed it and still get it, but this is the kind of sacrifice that not everyone has. he can afford it, but i see designers in different parts of the country. i mean, now it's fashion clothes, yes, designers who are powerful enough, but they complain every time to the fact that they do not have enough investment and have undermined the appearance of so many. uh, in view of the fact that there were no purchases, there was no sale, it was not sent off, it was not done, it was not bought, it was not

sold, and what should i do? here's what it takes. here, ideally, what is needed in our country is there is no culture of investing in design, firstly, but in fashion, especially since this has never happened, and therefore, either you live off, like our brand, due to the fact that you work endlessly and invest yourself. well, it is very difficult and this development is very long. a or when your loved ones can afford you. and when i won the speech contest and went to paris to buy myself a ticket, my mother sold it, a beautiful tedal suit, pidos is a designer who dressed the beatles and with this money i bought a ticket, that is, here's my mother in me invested, and thus, but this rarely happens. i want to believe. now there are a lot of programs. i hear and sometimes attend conferences a lot of government programs that are ready

to help a young designer develop. i i am very happy about this and i want to believe that those guys who are complaining, who are upset about something, and they must somehow steer in this path, because it seems to me that there was no such hmm state support for design and fashion designers in our history never. share your experience, uh verbally and talk to interact with young creators, that is, or maybe some kind of educational program ever. uh, in general, not all children have the opportunity to walk around the factory at night and breathe. yes, there i am a lot, in principle, i give lectures. for example, i recently came from five business trips from five cities. and i , uh, gave away my knowledge everywhere and did it sincerely with pleasure, so i can’t say that i would like to create some kind of school of my own.

it just won't work, so i pass on either my knowledge or my taste in this way, because i can tell a lot about color, i can tell a lot about hmm teenagers. i really for all my years, our brand is 25 years old this year, therefore, for 25 years. i'm on my own taught and sometimes share. so i'm always open even. maybe it's not that open i'm the only one caught thinking that i have so many brilliant people invested their love for me with their soul from clients. my very first clients were there. about demidova great actress. and these sane people invested their trust nowhere in golitsyn, who worked. in italy, i realized quite a long time ago that the time has come to give back. that is, i have already taken too much and now he does not feel that i have to give it away, because

it is impossible to just take from nature. by the way, speaking of giving away, here are the clothes. this is a very influential thing , the state, generally disintegrated, because people saw what is. uh, things are more comfortable, generally speaking, yes, and it had an incredible effect on their minds, that's the question. can russian fashion be like this about soft power , now in the opposite direction we will be a tool. the fact is that wherever i show my collection, and i showed them in almost all the capitals of the world. i have never felt neglected. i, on the contrary, at first i felt surprise, curiosity, then support at my parisian shows were the most famous fashion journalists, that is, they analyzed and studied, so i personally continue exactly the same way, so i already said that i try not to notice the negative. you really need to

sing and sing. you must sound and always sound high quality, so i have no doubt about it that this beauty will save the world. this is a very important saying that lives in me all the time. well, actually russian. fashion is some kind of special, but the knee is the city something separate in the world, because, well, they seem to be inspired, some, but only carry some aspects yes, signs some kind of russian fashion as a phenomenon for the world exists i, uh, when i did, it seems, the third show in paris i asked a question very famous for a french fashion woman who handled the press among the frowns. i say to sylvie, i don’t really understand how i can show my russia here in paris. hmm , he says everything is fine with you. you take russian literature. you take russian music.

you've got the whole story, so shaped that we perceive you, as a russian designer says, and how can we single out, for example, a french designer, he says exactly the same, everything comes from the heart. everything goes through some of our cultural values, in which we were born this aesthetics. this is the past, this is music. i would very much like russian fashion to continue to develop as a modern tool, because i would not like the themes of sheepskin coats , felt boots of kokoshniks, to be exploited, because this past time has been experienced. we have cars. we we fly in airplanes. we must be very, but constructively consistent with the time in which we live; everything else is our culture, our aesthetics. why do they think and i was often told that russian women are the most beautiful, and i myself don’t know why they are

the most beautiful, yes, they are the most beautiful, but this whole story comes from the heart, because one famous photographer. this is what he said to me. why are russian fashion models so successful, and back where he says, they have such deep eyes that photographing is a great happiness come into contact with it, so that's all . again, here is the inner world that our culture gives us. we found the literature of our upbringing, how our parents raised us. i, uh, often see the embarrassment of europeans, when a woman does not open, you let the door through, she somehow does not understand what you want from her, but for me this is the norm for me norma and when a woman comes up to me to stand up, this is again education, this everything from within and departed from those times, which somehow still boils in our blood. dear friends creative industry podcast, we continue the conversation an interesting conversation with the honored artist of russia, designer igor chapurin

, all episodes of the creative industry podcast. you can look at the site of the first channel 1tv.ru, well, that hoodies and this oversized clothing kills. eh, our feelings of beauty about it. already talked about today. here we are, probably young designers are also young. i think those who are just starting their journey. here are, uh, a few of those tips or recommendations, where should they look? in which direction? i think the main thing is that the new generation is missing. this is all the same knowledge you need to engage in self-education. you should always study the history of fashion, you should study the history of fashion of different countries. you have to be familiar with fabrics. i have very rosy examples, when sometimes a young designer comes to me for an internship, he does not even know the name of the sleeve. he does not understand. what words i say to him they seem abusive, and therefore

i recommend to the new generation. learn learn, because clothes are not two, sleeves and necks. this is the philosophy a person is the inner world of a person, which he, but embodies in the form of his external appearance. knowledge knowledge knowledge is, of course, a lot of work. i don't know where to start college. eh, well, the institute at once. i don't know what factory i lived at a time when there were no mobile phones. i thought about how my parents found me, but then it was somehow normal and there was no internet. and i started as a designer, when there were no magazines , there was no internet. that is, i was expressing myself, it seems to be yes, and now that's it, maybe study go on the internet, there are millions of courses millions of people. eh, give away their knowledge. learn. it's real. eh, well

, a person differs from a non-human in that the creation is trainable and improved, so you need to improve yourself and move on with your profession. well, here is the profession. uh, young designers. they have parents. that's when, uh, i was in my twenties or there 18 when choosing a profession, if i told my parents that i would do animation, it would sound like, well, pretty let's say so fantastic then it was that economists were in vogue , lawyers were in vogue, there and so on. now the creative industry is flourishing, that's what you can say to parents, and young people who want to become fashion designers, how much is a profession that will allow them to get on their feet, respectively. well, how is it supposed to start a family. well, and so on. it seems to me that a designer is unwittingly in his profession, if he does not develop, he becomes a very interesting personality. personality for, again , his parents, for his family, for his

children, because this is a person who improves the world in any case, a person who improves the world is a beautiful person, therefore parents. it seems to me that there is no need to be afraid of this, give, directly direct and give birth to these amazing people who, in their harmony, decorate the world of close people , decorate the world of strangers. it's real. now is a very interesting time for e-talents. and if it weren't for him, designers and an artist, who would you be at the beginning, i dreamed of being a skater, and i had an idea, when my mother was at work, fill the room with water, everything uh, balcony. shama froze and the artist's ride beautifully transformed the space. yes , it was a little time of astronautics. well life is life. i took fashion in a hedgehog and put it in its place, and i do not regret it, and into

space too. yes, i dreamed of being the astronauts you 've seen, the greatest film of all time nations, a challenge already. for some reason i'm afraid to watch it. and in the context of what i don’t understand, what emotions aroused in me. yes, i will definitely look, but i was just born at a time when astronautics was actively developing, and figure skating was number one in the world, so i took the best fantasies and wanted to be, apparently, the best. ballet in space in costumes by igor chipurin is the next step. it seems to me that in the rocket from igor chikurin the rockets will be so huge that there will be various mini-productions. by the way, rockets, but you haven’t tried on yet. i have one dream is to make a design on an airplane of some company, that is, all the seats sheathing, that is, to make it so beautifully

comfortable that people who fall on a few hours on the etliner. just relaxing from the pleasure of calmness. and here is some in the very design beauty. maybe i'll have time, dear friends with you today on the air of the e-program of the creative industry. uh, in the podcast lineup. lad on channel one was a man who transforms the space around him irresistibly. igor chepure is an artist of russia absolutely and the program was hosted for you by elena kiper cells and uh, producer and roman karmanov ceo of the presidential fund for cultural initiatives media manager was a podcast goodbye creative