tv PODKAST 1TV June 23, 2023 1:20am-2:01am MSK
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combine i mean, really imagine how cool. everything, here's how you can organize it. yes? that is, you can, firstly, get an interesting experience in trying to get to the cosmodrome. well, in fact, everything is much simpler than it seems, but this is also an interesting experience, yes, and as to baikonur , as well as to vostochny, and then a separate experience will be the study of space infrastructure before, well, that is, many people think that it’s worth going to cosmodromes , just to start watching. this is wrong. this not so tourists can now get to vostochny, yes, that is, now they can get to vostochny. yes, just recently, by the way, there was a launch, and from there, another one. it was a sufficient number of people who wanted to see the launch. now it will be in september, and the next manned mission. only already from boykonur, but in the east for now. uh, screening is very important to understand actively upset. that is, it already works there. uh, the launch pad for soyuz launchers, ah, but the launch is being completed right now. for a hangar
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, this is actually the most promising advanced the launch vehicle of our country, here, and there will be a manned launch at baikonur in september, and they are usually the most interesting, because, well, people are sent into space, that is, a tourist can, well, see reality, of course, a huge number, and various activities, starting from the exit of the crew from the astronaut hotel to the song grass at the house of the earthlings group hmm, until the moment when they leave already in spacesuits from behind the 254 platform, a and go to the start. yes, you can see it all with your own eyes. well, you broadcast live, what are you talking about in this time? i am talking about how the preparation is going on about what is happening at the cosmodrome. every time i try to find some really interesting story, some interesting moment, so that the audience can catch on to something. for example, ah. on the launch pad, there are huge iron structures such beams, and when i first visited them, i saw such huge
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yellow stars, and the big ones a little smaller and asked someone a question. what does this mean, in general, what is this asterisk? why is it like some kind of street art or what didn't it turn out to be it's a tradition of launchers. after every start. they draw e's on this metal structure. uh, a yellow star, and one small one means one launch. and actually the big one is 10 launches. and specifically, from 31 sites of the baikonur cosmodrome, there are already more than 400 launches. it has been committed since the moment of its discovery. that's also interesting. and there are some interesting traditions that you have learned about, that you tell about. well, here's the fun part. probably this is all that is connected with piloting and the program. eh, that's when the astronauts, when they send astronauts a day, are generally filled with all sorts of traditions for me, one of them, how important they are, uh, is vot pro here you are of the crew. they leave the cosmonaut hotel, where they actually complete their launch training. under the song grass near the house
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, the earthlings group, everyone knows it and is confident in our country. and this is some kind of moment of pride and joy at the same time, because you see, this is how i once saw you off, uh, following you, in my opinion, oleg artemyev flew with his guys. last time i i was at the launch of sergei prokopiev and every time it was some incredibly exciting feeling. uh, it’s very interesting to watch further, for example, and the report of the state commission, when the crew, already in their flight suits, report that they are ready for launch, ready for flight. this is also some kind of amazing feeling, actually, to look at people who are just about there in 3-4 hours reporting twice more one more one just right. yes, yes, that is, we report. uh, in my opinion, the boss, uh, the leader. uh, commissions, yeah prelaunch it's, uh, after us space suit department. yes, by tradition. uh, in front of the rocket itself
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, we are like that, well, i always reported to the commander of the head of roskosmos, yes, and actually with tourists. unfortunately , there will be no opportunity to look at the cosmonauts so closely at the launch complex. but here's just, well, we 're working. our film crew is there in order to hmm the viewers of the broadcast show this moment we are allowed to go there. and you yourself know that astronauts cannot get close, after all , safety precautions. here, well yes, it's an amazing time. well, the kick is so light that they give. actually, the head of roskosmos or give such a small acceleration. yes, yes, here are some such traditions, and i can remember, tell me star happened on this next, that it all ended, what to do next for the people who flew, m-m, firstly, that you packed your things and left everything, this is where your work is over, but depending on the vacation, in fact, if this is a manned program, then we then and everything , as it were, are going, and such a branch of the
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mission control center, uh, we are actually waiting, and the opening passage hatches. well docking the resulting glass, for example. now, after 3 hours, yes-yes-yes-yes, now they fly according to the two vitkov scheme, if i'm not mistaken, here, and tourists can do anything for tourists there, you can, firstly, explore the city itself, it's very interesting, there is a huge a number of all sorts of space artifacts are scattered throughout the boykonur. and if we are talking about the baikon, or you can stop by the museum, and oh, which are there too, which the museum of astronautics has already told to look at the snowstorm, and which are there to see in the house koroleva gagarin must travel around the launch sites, and sites that are no longer functioning, but were once very famous, for example, gagarin start and site number one from there. from where, when from yuri alekseevich he went into space, and tourists are allowed everywhere accompanied. there are guides. naturally, by some groups, but this needs to be seen, and in fact, there is a lot of work at the cosmodrome. i'm always afraid
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when i was always afraid there, or rather, when i put on shoes there for the first time, that i won't be able to do something something. that's something not enough time, because even just to stand in the steppe. and just like that, look at these expanses at these gigantic distances, look at the camels that ride horses there. and this also takes time. there are actually a lot of cafes restaurants, there are a lot of hotels, that is, there will definitely be more to do than mr. market, market. pilaf is very tasty there. by the way, here is one so secret that you can bring something from there, by the way, some oriental souvenirs. yes, there there is one secret place where the most delicious pilaf that i have eaten in my life is prepared. but i won't reveal it. meet at baikonur if you see me run up. i gave you all the secrets. i’ll have to go further deftly in kazakhstan, though i haven’t eaten anything like that in my life. very tasty lots of fruits. there, too, by the way, but now i think, that's just the autumn start will be
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manned there, just the fruits there, the saliva actually flowed. i remembered to watermelons. there are just amazing melons, too, very tasty, right? we continue our conversation with vlad mironov about space tourism on earth. here i want to ask you my standard question. i always ask, how do you see a person in 50 years in space, what will he be doing. i would really like, in fact, that we went to explore deep space. it seems to me that in 50 years our country will definitely have a smart base. well, for starters, go outside. here, actually our planet. and as far as possible to get, at least to the moon. i think that in 50 years we will already be well, our country will. lunar base. and that is, not just to fly around, namely, of course, of course, to explore. first, our only natural satellite will go further. and actually there further. we are actually humanity for more than 65 years,
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manned astronautics. we never got out. here, beyond the boundaries of our earth, as it were, the universe, and who is going on there further to conquer mars, for example, but i don’t know to go somewhere even further beyond the boundaries of our galaxy. this is very interesting, but everyone hmm space begins on earth is the first thing i i understood when i came to work at roskosmos . so i think that in 50 years there will be a lot of space tourists, but for now , you mean which one to fly into space. yes, i think that and how will it develop on the terrestrial or already, probably, not some kind of terrestrial. so i think that smart before exploring, and actually the planets, and satellites and going somewhere far away, you must definitely see how it all works on earth, so i agitate everyone to come to our spaceports to get acquainted with these space people to watch at launch be inspired by this, and in 50 years already i
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think we will all, and so on the weekend drive to the moon. and i myself would like to fly into space, of course, listen, i actually went to your podcast today and thought, well, after all , life is amazing. well, i don’t know before that that i definitely interviewed you. and today you are sitting in front of me interviewing me, that is, ok, my friends. yes, yes, i ’m just thinking, what if i, too , someday will be able to fly into space. then if everything is so uh, unusual in this life. yes, i would like to definitely, and who would not want to, i do not know where he flew. uh, on the third flight. yes, the third flight. i had the commander of the international space station on board, i was immediately on board. uh, two countries in the one that before becoming, well, a professional, they were teachers at school, well, at school, colleges in america i have everything ahead of me. yes, i mean that all roads are open, that is, put in a word at the cosmonaut training center please, then i will be more active.
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i would like, of course, at least for 2 weeks, like look at our earth from the porthole or experience it. this is the feeling of overload at the time of rocket takeoff. it would be very cool, but uh, again, returning , uh, to this idea of the original cosmos, any cosmos begins on earth, so come to the russian cosmodromes well, i support vlad that, of course, you need to at least get enough to go to the cosmodrome see the real start i am anton shkaplerov. today i was visiting. uh, creative producer. ah, broadcaster. e. roscosmos media e. vlad mironov i am anton shkapper. this was the space history podcast all space history podcast episodes. you can watch it on the website of channel one one tv dot ru
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this podcast is a must-read. i am aglaya na batnikova, director writer, today my guest is the children's writer sofya remis and the writer ivan shepnigov. we will discuss the work of the nasal and dragoon classics in children's literature, the nose and dragunsky can be said to have become the founders of the realistic genre of children's prose, what is their innovation? actually, probably, it is precisely in the fact that just this world of realistic childhood. it was created among the first by precisely these writers, and we and the dragoons have a lot of humor, something that is strangely lacking in children's literature. although it would seem for children. it's supposed to be all fun, but unfortunately it's usually fantasy. usually these are some kind of fairy tales of history, uh, countries and travels. adventures are necessarily something magical, and in the realistic stories of both
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targon and nosov there was something like that. what sees the children themselves there, let's say, some kind of revived hat, yes, or there is a firefly that, like a magical piece of something magical , glows. yes? that is, this is the magic that exists in our real life, which i need to come up with a special one, you just need to see it and capture it, but it seems to me that they take some fragment of reality, yes, and with their focus, well, usually everyday situations. they see it as a magical adventure. we can say, they only enhance, let's say, all the effects. for example, in dragunsky's story, if i were adults, but a very simple situation is taken, the child imagines what would happen if he were an adult, and his adult environment was all children and, accordingly, he would control them, and he plays such a truly sadistic picture in which this is a very
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funny story. it is very small straight to all its turn to recommend to read. he just takes the usual phrases that parents use in ordinary situations and shifts them, as it were, turns the situation around. when is grandma coming? yes, yes, yes, yes. oh, where did our granny go? something the neck is wet, covered in mud. that is, it 's all really what we say to parents, say to children, and we recognize the network. yes, we find out all this, that's why it's funny, it's funny, because it's true , because we find out everything, and, as it were, a slight exaggeration gives this comic effect , and indeed, in our dragunsky there are very, very funny stories . vanya , please tell me, what do you think, what is the difference between the worlds of the bow dragunsky, one worked in the forties nikolai nosov yes , viktor dragunsky is already the sixties a little later, but there are some features of the world
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of each and now. fundamentally different yes, nosov is very sad, and dragunsky is very funny, but i can explain, when i was preparing to re-read, i thought that i had not read it. i need to read this again. i was surprised to find. well, i do have such a feature. i constantly have some phrases from the literature that i read when i was 5 years old spinning in my head. so i memorized three words, and they are spinning with me all my life. i don’t remember where it came from, it just means it caught on and i was spinning one of these phrases were porridge bitter not salty. i know where it comes from. i began to prepare to re-read how it all turned out in this way. it turned out that it turns out, of course, that's all. i have read this many times. i just carefully forgot how i forgot. well, in principle, i tried to forget my childhood, so i forgot children's books precisely for this
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reason. i came to this that i tried to forget. because he is very similar to my childhood, and this makes me sad, but dragunskaya tried to forget, because he is very different on my forests, and this is also sad. enviably in this world the difference is fundamental. yes listen well, tell us about this story mishkin porridge sock. it’s just exactly, so i’m so, well, i’m afraid, yes, the children were at the dacha for 2 days and they left to eat something, but only i had sonya, too. i kept saying that this is like this. it looks like this is my story. and i didn’t know what it was about, because i forgot it was turned off. only there. they catch as soon as we had yorkshiremen. well, the necks of the little ones were fried first to cook porridge , they end up not trying at night in wells. it'll get the drowned kettle. yes , i’ll clarify by a miracle they didn’t drown themselves, then they burn these minnows with water, they don’t have to put out
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the fire. they wait until the oil burns out, that is the situation in reality. uh, then it's scary, they're not even in that, not in these details here. what is there, well, neighbors, if there was some kind of fire right here, it would probably be . that's right, the children are alone, this is the situation when you are left alone. well, here's one at home, yes, a classic situation. this is a very cool situation for any child for a child who is constantly surrounded by adults, loving, conscious , responsible adults, it is a thrill for him to be left alone to burn some oil there once a year. and this is such. and when this, in principle, is the norm for you, that is, when not the norm becomes the norm, it turns out to be such a sad world of children, which is divorced from an adult. and this is the world of a lonely gloomy child. why is it gloomy? it seems personal to me, but he shouldn’t have such a dragoon, as he shouldn’t have a nose, but that’s the point, so it’s sad. i probably do too
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closer dragoon that's because a for me , all the same, the connection is a little man. e according to the age of a small and a large adult. this is also an important part of my life. i just, rather, grew up, like a child from dragunsky's stories in a loving family, but i have emotional ones, i was left without a father early. but even now, uh, now i remember these relations of dragunsky's parents about this very much in essence. we can say that telling dragunsky is such a peculiar, declaration of love to his wife, and to the mother of the hero. yes, to deniska's mother, because there constant, that is, a story about how beautiful she is, that my mother is the most beautiful in the class, how is she such a knightly dedication, that deniska's stories are a knightly visit? maiskaya yes, and there, of course, the family is much more prosperous and not even in the sense of some sort of financial circumstances. just by virtue
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of what is felt there, this love of mom and dad, and caring for caring, let's even say more caring for each other, which simply automatically turns on is transferred to the child. because there are parents who, with the birth of a child, their. uh, let's just say that personal relationships didn't end like this. sometimes yes, on the contrary, they got some kind of new breath. i mean, dad is in love with mom. mom is in love with dad and the child - it feels very good, because when she comes to the house, in some stories some ladies who can be said to incite the clinic to dad. here he is trying to give him something there. there, in the story, a drop of nicotine kills a horse, and the child feels it very well and tries to resist all sorts of things. he understands, he feels these relations of parents. he such a sensitive child, maybe just because he has a fairly prosperous, that is, emotional. yes sony
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you are the author of a fairly well-known series of note books. i don't know gosh. tell me, please, is it possible to call viktor dragunsky your teacher in the literary sense, did you focus on deniska's stories? it seems to me that there is something similar in the structure and there is a lot of similarity in the approach, indeed. well this is an amazing story. i noticed this myself only when they began to talk about it, when the book had already been published, apparently this is the case when some work goes so deep into you in childhood that you don’t even realize that they already live in you, that is, special ones. of course, i didn’t write about dragoonsky well, probably a lot of things turned out that way, but in my opinion you have in common with dragoonsky that we see the life of adults, through the life of a child. that is, we read situations in the family, well , relationships, we all read some problems of adults, that is, they are shown through children's focus through the optics of a child, but at the same time we recognize them. we read them and it turns out that the child is united here in
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a single system with the parents. and they have such a common and reality such a curious sometimes touching sometimes funny life. and so, it seems to me that this technique, probably, i generally like books that adult children can read. this is a separate type of book and marshak spoke about children's poetry, but it seems to me that this can be attributed to prose that examples of children's poems are checked twice by a child and an adult with good taste with a delicate taste, if only an adult likes these elements, this is not children's poems. if only a child likes, and these are not hack-work poems, and these are not exactly quotes, but it seems to me that he asks, this is also applicable and this world with some easter eggs for adults. eh, subtle smart interesting is what, of course, dorogonskiy. i really, really appreciate it. it's great. vanya here you are an adult writer, but at the same time, i know that you and sophia
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have now written a book for children about urban teenagers together. period tell a can an adult write or switch to a children's writer format, how much is it difficult. what is the feature? what is the difference between an adult writer and a child writer, you went through both experiences a writer, maybe a child one, including if he had a happy childhood, and if he had such a not very sad childhood, then let him write better or only for adults, so i would have separated us sophie and well, in the sense, that's how i'm a child and an adult, so it was difficult, i had to work or a child. it was the hardest job in my life. yes, i was afraid. just every word of every word. i was afraid because i will pass there you can’t have your childhood, but it’s sad, sad look. well, this is also a certain, probably, narrow-mindedness for me. here sony explain that it's not here, probably, one should be afraid of being sad, yes, in childhood, well, dear, he
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said much sad, they are there. you also enjoy this sadness. i mean, like nosov has two children. they dropped everything into the well, and then they burned the last food and were left alone at night, sadder. yes, there he tells one, and the story is cucumbers for a boy for his mother, he stole cucumbers, brings cucumbers to his mother. here as if deniska rather, dragunsky brought cucumbers to mom, and mom would burst into tears of happiness, yes, and mom from nosov’s story says where she got the cucumbers. he says, well, here in someone else's garden. he says go bring back the cucumbers. he says, well, there's an uncle boy. here, he was already chasing. and what does mom say to that? here is the mother from the story of the nose. yes, it would be better for me to have no son at all than to have a son of a thief. that is, she sends the child back to this so much
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gun runs. yes, well, it's ba for children, it's simple, but i don't know what's scarier really there is a common with balaban. he loves policemen very much and introduces this image of a policeman all the time. well, the truth is that nosov still has this policeman and is so kind, who maintains order, but, nevertheless, nosov, uh, has some coordinates of good and evil, which are very clearly presented to the child by adults. and it gives a sense of security and order, i think, but at the same time, a little, uh, gives some kind of edification. well, of course, security, of course, is not unsafe. in the sense that the watchman won't shoot this boy, of course. it's scary, it's not scary. why yourself? that is, in principle, that's enough for me. here's one thing i would have thought, if i hadn't read it, i would, because this is the story to the boy, stole cucumbers, brought everything to my mother, period, that is, you can give it out and leave and not read anything else. well, it's good that there was
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someone else to decorate it already. is it better to eat mom at least yes? a dragunsky but these are two absolute poles of the pole. yes , it would be nice for a child, of course, somewhere in the middle there is a person with a long advice is often heard with anxiety. calm down or for example, thanks for the advice. it is necessary to sleep it is easy to say, but in fact, anxiety can be treated. by the end of the first week, afobazole helps to cope with anxiety and related anxiety without sleepiness. afobazole anxiety can and should be treated. find out everything about the alarm on the all-russian portal of the territory and the point of the russian federation; it is difficult to choose a car; the price does not fit
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suitable price, who is suitable? the price does not fit the car, and when you find the perfect car with the perfect price, the account goes for seconds. popular books and ivan shepnigov author of the novel stream today we are discussing e nasal dragoon classics in children's literature, why they are unique in nosov and dunno and in stories. uh, a lot is given to a particular system of society in which the child grows up, this system explains to him what is good, what bad bad cheat bad steal. there will always inevitably come a punishment for bad
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deeds, a certain one is read. well, that's the socialist ideology. and this is a lot. dunno it seems to me, yes, not znayka on the moon , i don’t know how in a sunny city, a certain model of society is drawn and this is important. and in dragunsky, it seems to me, uh, rather the emotional world is the world of relationships. we can say that the heroes of the dragoon, they live out of time, of course, that is, of course. there is a sign of the times, there is even a wonderful book of comments. i'll tell you, i'm not now i remember that the author has a very good book, where all these signs of the times are analyzed and , uh, the fact that deniska lives in a communal apartment there, there are five people in a room and many, many things like that. here, uh, but emotionally. yes , you can easily imagine these heroes now. uh, just clean up some utilities there. now there are also something. well, there are some signs of the times from the series mom,
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tired of washing dishes, and engineers have not yet come up with such a machine that washes dishes. and here's a boy trying to invent this machine untwisted the electric platter. but the most important thing, probably, in this story is that dad decides to help mom. they don't leave him. all options have been tried. really low offers. a whole scheme, how to eat with the whole family from one plate. tell the diagrams. actually, deniska is invited to invent mom and dad and deniska says that she will no longer wash dishes if they do not invent some kind of trick. for her to wash herself in some way, it’s clear that mom from the very beginning hints to dad that it would be nice wash the dishes, but that's without a relationship. he understands very well that this hint is just this relationship between parents. that's all and uh, deniska does not understand. he really thinks there needs to be some way. he invents it all. he came up with such a conveyor, when mom prepares a bowl of soup, the first member of the family eats it. so then while the second goes to the world of hands from
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the same plate there, well, that is, one plate is used there for the whole lunch or dinner, or three plates. but dad, you understand very well, everything is at the very beginning and in the result, of course. he says, okay i know, after not being so tricky. yep, that's actually a great plan. uh, for dad to wash the dishes sometimes. it seems to me, it even seems to me, that it is important that deniska's father is the author of the actual text. yes, as we understand it, he treats himself ironically enough, and we see this dad of the character also from some funny funny side. there is some self-irony in this. just at the dragunsky himself, as i understand it. that's like a children's writer. yes, this is not a story about an adoption. yes, this is a story about him and it turns out so a little collectible character. he is not collective from the whole world, but he is collective from him and from his son. that is, he takes situations. e from
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deniska's real life most likely imposes his adult. here is this experience and my childhood experience. it turns out like this. here is a synthesis of all these emotions of children and adults. and this is the most ironic about the pope. she just refers here, because he is trying to understand right away, how he sees it, how denis sees his dad at the same time. yes, well, that is, this is such a split and mood and mood of the personality. it's great. somehow we see in one story several points of view at once. and this is very cool, it turns out. everything is fine. i can't help interfering. the topic will just go away now, but cool details, well, compare. now you have spoken them. yes, nosov, the boy stole the cucumbers and brought home to the dragoon boy. i threw cutlets and threw them away, but this is the pole. it is fundamental in this tragedy that the dragoon boy throws out again, that is, there is
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a lot of food at home outside the window and the child is not afraid that there will be no food. and from nosov, he stole food and brought home. well, this is the difference, after all , a prosperous world, nevertheless. it always ends. well, everyone always admits their mistakes written, as textbooks are correct, but as it does not happen in life. yes, they don't end well, not in a single word, that is no, i believe i believe. here in this melancholy, but in how everything ends well, but this must be drawn at the end. i never believe. i say to me why am i enough? it seems to me that the story of the nose ends at this point, the boy stole the cucumbers home. say uh, to you it doesn't seem like children's writers, they look at the world more honestly.
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there is such a moment children's writers remain children in the sense in which they guard the ability , here i am forced, using the wording of not a children's writer, but we are still my favorite wording of tolstoy leo tolstoy to look at things simply and directly, like a child we are all adults . we live in a world of false lies, hypocrisy and everything else. yes, probably, everyone understands everything so beloved, but everyone looks with their eyes smiling and saying that we will send it well. that's all. everything is better you know it's bad. well, that's what you need. and that's how society works. yes any any, naturally yes civilization, and children retain this ability to see things as they are. this is the main thing, the difference i also retained this ability, but i look at the world rather gloomy and here it is to cheer myself up. yes, i suppose, well, in an adult. i'll try to write some funny things with me to cheer everyone up, but in
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the nursery you asked how it would be, that's why it was scary that it would not be possible to convey, uh, to modern prosperous children. yes, who are not afraid to throw away hmm yes, cutlets and do not steal cucumbers. yes, for my mother, how would they not convey their longing to very sad stories. and these are just those stories where children encounter the world of foreign adults, because the children of dragunsky live among these are good children with good adults, they have, uh, all these relationships are where they go to sadovaya, there is a big movement, where they go to in principle, these questions are not raised, they are not relevant, is it necessary to steal steal cheat. well, there is no such question, because it is impossible and should not be done. no, it proves that you can’t do your own, see you can’t. well, this may be the nature of the time, nevertheless nosov worked
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a little earlier, but at some point they crossed paths, because we lived more with them, by the way, in many respects similar lives, one had a relationship with the theater of the other cinema. uh , both of them, there are two wives there, uh, well, that is, there were a lot of all sorts of intersections; another question is that nosov was gloomy in character, this really so, and dragunsky was very rave and very, and cheerful and his yes, they always talked about him, as about such a person who has many guests, yes, a holiday person. it seems to me that this should also be somehow felt, of course, to speak, as if only now they noticed that, well, everything was somewhat gloomy. it's simple. i do not see myself gloomy again, to be honest, i listen to you with great surprise that you were so good at remembering one proof, it is so shaky, of course, but i can still i will say that one of my favorite writers, dmitry is bitter. unfortunately, he died early in
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april of the tenth year. i remember exactly that day when i read that he died. well , he died very early, he could have been very big to write even more. he worked in short form. he has a small, branded one of his again one of the phrases, for which constantly spins in my head and such a distilled longing, that you can’t think of anything better. here he loved this melancholy, then in each for me there is none. well, gorchev was very fond of nosov and he described that he constantly traveled in trains between village in the moscow region went to st. petersburg well, on business, documents, that is, yes, this is the train, well, and in search of a book, he constantly describes everything in the compartment. you put out a can of beer laid out, i don't know which one on the moon, and everyone looks like literature. an interesting adult put beer put dunno to me such an adult gloomy, uncle, bearded such unshaven scary, as he reads.
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well, i'll translate a little now, he reads such garbage and laughs. and all i need is for people to smile more, we write dmitry mustard it is very characteristic that the gloomy gorodshev loved this gloomy nosov, here is more. e about the world. here are these foreign adults. we somehow encounter this alien world in these stories. in what way does it manifest itself? it is basically conditionally possible to divide dragunsky's stories into three parts, there were a lot of them for 10 years. i wrote even more. and here, probably, uh, this is an exit to other people's adults. it's more like the last part. where actually. here are these wonderful children from the world of kind children, yes, meeting with conditional adults there are not necessarily adults, there is a big movement in the story on sadovaya, and they don’t meet with a full guy with a teenager, but from another world. where the garden tattoos obviously sat , my grandmother begins to tell about dying of double
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appendicitis. yes yes. the children suspect that something started there with the fact that the children received a long-awaited bike. and, uh, pleasure, yes, yes, and that is, it was just happiness , and, well, if this teenager is short, he lures this bike from them and leaves on it and they discuss. that's what could have happened to him there, maybe something else had hit him with a car, that is, for these children. they wait until they return. they are waiting and they will stay like that until someone tells them that there is nothing more to wait. yes, and here are the sad stories of utromsky. they are like that too. just lyrical stories. well , there is, for example, such a story eh color under the bed, where the boy eh plays hide and seek and is accidentally locked from an adult woman in the room. he sits under the bed and is afraid get out and imagine what will happen if he stays there forever, if she and he are embarrassed to get out, because she already took off
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some part of her clothes there, that is, he understands that the farther, the worse now she has already gone to bed sleep at the airism. these are adult stories for the past, they are simply shown through children's optics. but they really can be quite for adults to contain there, not an event, yes, they unfold, but from some of the sensations. he dodges the whole story. yes, this fear of what he it will remain sitting there, then, of course, now it saves him. there, his dad begins to look for adults already. and here is the case when, as you say, the nose saves you in adults. by the way, here we were talking about the police yes, in the promillion in nosov's stories. there is also a story where the boy is just the opposite. but he is afraid of the policeman, he calms down so good that he even stops fighting , you agree to help this child with him, we talked a lot of stories and a bow about this super thin policeman who
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he understands that the child is afraid of him, but he makes sure that he helps him, and the child is not all the same not afraid. that is, here are some adults too, well, you are police officers, who are the representatives of the authorities, that is, accordingly , the child gets the feeling that he is protecting, that the authorities are taking care of him properly bad adults at the bow. i don't even remember. here dragunsky there are bad adults and their strangers and family families absolutely definitely and from the school there are good adults wonderful music teacher who listen to everything that i love, that i don’t like denis loves. uh, horses with kind faces. yes, honey, there is magical, which means he has a friend mishka that you love, they eat something, and he eats all the food that he loves and in the end when maybe you love something else. that's besides the food. well, kittens, he says, well, that is, here is the grandmother, but immediately the character. yes, here are two
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