see below the plinth it doesn't work. that is, i don't know, it rarely comes to me, would you like a direct question, would you like to talk to the audience? you also like good evening. here is now your opinion, what is the position of the state of the status. yes, tricky ones , it’s interesting, now konstantin lvovich is also looking, probably, and also and also internally. yes, konstantin lvovich, if that's what it will be with the highest and you say igorievich, let's go. you are a movie yes, a movie in the afternoon , and in the evening, please, be kind here and open your hands in front of the viewer, but here you need to we will all work together seriously to do this with dignity and correctly. the application has been accepted. by the way, my daughter. and a moment about humour. still, i can’t help but ask, but humor is also a weapon. very powerful , yes. of course, when you go through the feat of the people there in other hands, this is well, here is the feat of the people

when you walk on it. yes, there is , uh, a separate exposition dedicated to the kukryniks. for example. she is beautifully absolutely amazingly made, but this is a weapon until i see it being taken out at all. e from so to speak from the scabbard in good sense. yes, that's why it's too much. uh, a sharp surgical instrument with no one to operate it in anyone's hands. this tool should be here, you just need to think hard about how and in this case , use this weapon and i will repeat. whose hands should it be, but at the same time, here is our festival, which we have been doing for 4 years in kaluga, this is our attempt to see. this is up what i tried to do now 2 minutes ago again and in this now it was, and outer space to see some of my own fantasy. remember that we are the great soviet union who launched the first satellite. yes , this is gagarin or alekseevich gagarin next year, he will be 90 years old. yes, he

was the first astronaut on earth. and now we are collecting films of various themes for this festival. naturally, first of all, space and various genres, and the viewer comes to the tsiolkovsky museum in kaluga and watches various world cinema with great interest, and in space and, to be honest, for these few days every year from april 12 to april 16 in kaluga, i exhale and from what we we say, i have a feeling that now is the very moment when you need to take our man so much, shake him up a little, well, say it. well, you remember who and who your ancestors are than your great country. so what can you be proud of. do you remember what you can be proud of? that's just to our man should not be treated like that. so ah, pushkin alexander sergeevich yes, he talked about it, two feelings, wonderfully close. in

them, love for our father's coffins finds food in our hearts. love for the native, ashes on them, bequeathed from eternity by the will of god to the very independence of man, the guarantee of his greatness is the state. we must stand firmly on our feet and not forget about our ancestors, about our coffins, which are still in the ground one way or another. she does not forget us to influence us in such a different way. remember this. here are the films of scholarship, the fruits that he made 2 years ago about what happened in the pushkinsky mikhailovsky reserve during the war during the occupation, and it just speaks about this, who are we russian people. such an independent we exist when we can't even imagine not reading pushkin yes, there is a character there, he says it's enough that we are proud of him. no, all the same, it lives on us, and

we cannot give it to the enemy under any circumstances , under any conditions. this state is necessary for a modern russian person, i remembered just learning and fruits and related to this issue, but here it arises after the release of each film related to the war, a discussion arises. yes, it was not, was it, was it at all, is it necessary show, is it not necessary to show it like that, and so on, a lot of criticism arises, because everyone has their own opinion on this clearly, how would critics feel about it, how can i tell you? who criticizes why? yes, and what do they put in front of hmm from the goals, if the criticism hmm is interesting i need it so that i do not make similar mistakes from the next picture. yes, i will take this kri. and if the criticism is agul, just to screw up your business, then i just don’t read it, i don’t watch it, since our paintings don’t happening. and if there is criticism, then, and you have

the wrong tank ugolnikov. and yes or vice versa it could not be like that, and we say that yes it was like that. it’s just that we show and demonstrate to you, and the facts that are unusual for you, and some of the stories that i won’t be able to shoot, but i just don’t have enough soul strength, but now, for example, there is a proposal to shoot khatyns. this is an old story. i had several scenarios. every time i read them, i tell myself i can't do this. i can't , she would because khatyn, and then it was not the germans who destroyed it, but with special cruelty those same people, the descendants, who now back there in western ukraine weigh this one from e, were doing it, you have to think. that's how much you have the strength, and the ability to make such a movie, and criticism, well , of course there should be, but at the same time,

well, for the sake of what to criticize with colleagues. we always talk about this, that we cannot lose trust, but at the same time this is our responsibility. and if the film is called the battle for sevastopol, then the viewer should see the battle for sevastopol is nothing else. if the film is called to save leningrad, then i have to see, and the fate of the people who tried to save leningrad, they escape on a barge and from this city. well, and so on. this is the responsibility that lies before us and gives us the opportunity and the need to treat criticism. calmly pseudo- documentary. this is also a whole trend. it is now called fake. yes, but this is a whole direction and how do you feel about pseudo-documentary, when, say, you can attribute some facts. this works on purpose. uh, the palace itself gives it a new color. but it does

read. uh, a large audience, like uh, real something into what it is immersed, what really happened, i don’t belong to pseudo-documentaries in any way and having made more than 30 documentary films in my life, i also understand. what a responsibility we face, even when you want to in order to a little more interest the audience to come up with something else that you could believe in, it would look authentic. and no, what on the topic of the great patriotic war. there are some episodes that i would very much like to shoot, but as a result, if you don’t take them off, they will look implausible, for example, as i read in the krasnaya zvezda newspaper about one episode of the great patriotic war when a soldier shot down a junkers plane and a grenade junker, by the way, planes diving very low, and diving above the ground. and these planes did not dive

on sharks, and one of the soldiers, as they say, was very tired. he attached a lemon to his belt to pull out his cheek and untwisted i forgave her and threw it away and hit it exactly in the screw. take it off, they'll tell me. well, in short, well, this episode was just some kind of fairy tale. well, we understand that this is not the way to remove it. and you need to shoot something else. and in general, the history of the great patriotic war has scored so many facts that need to be filmed and you tell about them that it’s not even worth inventing anything. the creative industry lab podcast is on air, and we continue our conversation with a wonderful guest , people's artist igor golonov. how much should be filmed about the war, then if of a big movie about the great patriotic war , there are not very many of them, to put it mildly, then there are serials, in general, quite a large number have already accumulated, and far from all. in general, they

are of good quality, to put it mildly, that's how you get to the series and that's how to this new genre of working with platforms. that is, this is a new thing for the industry, but this is the first time we have filmed it. well, just a series from beginning to end before, and we made full-length films and serial versions from a full-length film, and then we tried to shoot a full-fledged series like this so according to those, and the canons of what it should be, but we just tried to be both reliable and bright. and, that is, the material was actually removed again. something big movie no matter how much my colleagues hold hands with me, that it will cost more and be harder to produce. still, i stumbled. no, we will do exactly that, and when you say, about the series that are being filmed a lot, of course, there, as usual, there are bad nkvds. yes, and commanders are not always responsible to their soldiers, which sometimes happened, but this is not what actually happened in such a large

volume, well, it’s just that the same responsibility and reliability work here, which in a big movie for the sake of which you shoot a series in order to quickly do something for a minimum budget. you stand it on the screens or in order to again tell something reliable and important in our viewers and children. what goal will you strangle, and then everything will be clear behind the budget numbers. i understand that you are not watching, but can you be caught behind the numbers of views? that's it, so that, well, it's clear if the my series comes out. and if we have the opportunity to continue it, then i have to see what the rating and numbers of this series were, just as i look at the box office of russian releases in cinemas, understanding yes, what’s what and when the box office of the awarded cinema is low. i'm worried because it's not the failure of this picture. it's an industry failure that you can develop a marketing solution or a marketing solution or

whatever. yes, that's why every time i look at how it goes. e picture, with what rating? with what audience share? with which fees? i'm saying don't think about this particular movie, what about everything that's going on right now? we need to seriously think about this, but this year the most important film about space called challenge was released and i can’t help but ask how the person who carries the festival in his arms literally tsiolkovsky. here's what impact, in your opinion, whether this film will have, maybe. maybe we haven't seen the full implications of this movie yet. well, what needs to be said is, of course, fantastic. yes, i was at the spaceport baikonur together with everyone, when we saw off our guys into space and i honestly did not believe in it. well, yes. here they are now getting into this rocket. let the rocket take off. by the way, i was

the first time on boykonuria. for the first time at the start of the space ship, they got into a rocket, and then we sat with a shudder and looked at how they would dock now, and something didn’t work out there right away and we worried about them and then when they were. we were worried all this time in space, and then we sat and thought, what kind of film will turn out and also worried, and, of course, watching this picture for 2 hours and 40 minutes. and we can ask ourselves a question. wow, how it's done, how there will always be critics, how there will always be people who will speak. why was it necessary to remove it. and that means on the ground. we have the experience of a family salute film, there is a film being the first, yes. well, why is it needed? and we need to, and maybe we will understand. we are not now, but a little later, most likely, we will understand about this later, when it enters the history books. by the way, i

don't see much criticism. here in this since it seems to me that this is just also connected with the fact that, after all, space is a separate topic for us, which we do not want to be critical of. space for us, this is absolutely an unconditional value. this is some kind of breakthrough, right? and our cinematography and our space industry, of course, but i cannot but ask a question about creative plans, since, as i see them, there are many, but all creative plans and triangles. they affect you and me we end up in the cinema for films what should i expect i wanted to exhale a little and make a film, uh, a new year's comedy, finally. well, my god, finally in spirit. uh, i won’t anticipate events to write a script and shoot, i have an idea, but for now, you need to finish shooting a film on the people’s militia, a film on call, hearts , the script for a film about the defense of tula will end

, the script will end and make a film about the ural tank corps and link the time when e workers in three shifts made tanks on which they went to the kursk bulge and the current people are engineers, workers who do in three shifts. the tanks that go there with duct tape and, uh , this is also a kind of plan that needs to be implemented, there are ideas for a scenario, and what about the korean war, when our domestic mega fifteens under the leadership of kozhedub shot down american sabers. few people know about this either, but you need to show it, especially since we have these instants 15, one of them is even on the wing, if we talk about plans, then for now this is some kind of preparatory work that must be completed in the near future time. anyway, that's all for me there is time. what to do, and new year's comedies. we'll talk more. and what makes you

the most happy as a creator? yes, never nothing now. there is always something that is not done. well, it was necessary not to do it this way, but i was immensely, happy on june 22 , 2010 in the brest fortress behind the screen, and which was the interest of the polish gates at 2:00 am, when we first demonstrated the filmed picture of the brest fortress, or 1.500 were sitting people and watched it was at 2 am on june 22 this picture, and i looked at the audience who are looking at screen. i saw their faces, and these were veterans and children of many people, and at that moment, of course, i was happy that i managed to complete this huge work and make it worthy, and here it is. my viewer who is watching. here it is my happiness.

today igor ugolnikov, people's artist of the russian federation, was in the creative industry program in the podcast paws line on channel one, we wish you great happiness to experience every time you watch the premiere of your work , elena kipper, clip makers and producer roman were with you pockets, general director of the presidential fund for cultural initiatives, media manager all issues of projects, podcast, paws. you can look at the site of the first channel one tv point ru, goodbye. hello dear viewers on channel one, the podcast of the melodies of my life i am the presenter valery syutkin and today we will learn about

the melodies of the life of my wonderful friend. thank you thank you thank you for finding time for us viewers the melodies of my life this is, in fact, music this is the best keeper of memory, therefore, perhaps, let's start with associative memory of childhood, because when we hear some kind of melody , we involuntarily recall what happened to us at that moment and that’s why it’s so popular now, some retro performers of retro songs, because people return to their youth their youth, and in those days when they were, as it seemed to them truly happy, although in every time, of course, there is a stone. what is the beauty of a conversation with a friend - this is an opportunity to talk about yourself, but today the program is not even a melody, but we we will remember. it's literally fixed. and then the most interesting thing is what you have connected with it and therefore

, uh, the melody of childhood, even this is not so, which you heard for the first time in your life, uh. and so, which, so to speak, is this period from when we have not yet forgotten how to speak. birds and we believe in miracles this period before you chose a profession, but i think, you know, in my case it’s just to remember some tunes, because in the first place it is connected with the activities of my parents. that is, these gems are just the seventies of the beginning and their blossoms. they gave a whole, blankets of songs that, by the way, are still alive and you have to go to the tundra and you don’t have to be sad, and everything that i have in life and of course. oh yes, my address is not at home, nor the street. my address is the soviet union. i want to say a huge thank you to yuri petrovich malikov lyudochka to you for your son and , of course, to david tukhmanov and vladimir kharitonov, it’s, in hockey terms,

like fetisov kasatonov, such a couple that, in addition to being a sage the soviet union gave us all the money of the victory, how beautiful this world is and various songs, a cheerful planet. just me so far. by the way, sometimes i also sing this song to me with a small potpourris of songs, and my sister delivers it to dad and dad and people are very happy. and it's amazing. you yourself probably know from your own songs that often children, who seem to be quite small , they sing, for example, your songs are some old songs of mine, songs that, it seems, they should not hear, but they, and at some genetic level, it resembles. here is my dad. he created gems a thanks to the fact that he already dreamed about it very much, although before that he was a jazz musician and worked with various performers, as a double bassist, but then he managed to go in the seventieth year. uh, there was expo 70 in japan in tokyo, and he worked there for 7 months, just when i was growing in my mother's stomach, so, uh, he

's back. i was already born, and he, and my mother gave birth to me, and he was born in response. and he did it, and in this way, then somehow you remember. e, so to speak, the possession of equipment began a lot, and he brought just a set of acoustic equipment from japan and this marked the beginning of this to the team and one of the first songs was here in your tundra, then the address is the soviet union, by the way, here are the songs, if you disassemble them harmonic they are very interesting, very unusual, they don’t look like anything, that is , there are actually no analogues, at this time these songs are so there was a lot, but there was some kind of hope, positive optimism. well, as we jokingly call it there, komsomolsky rog yes, but on the one hand on the other. and as it turns out, this energy that was in these songs is absolutely unique, and it still works. and you are such touring children were. you traveled together with the conditionally unconditionally. we went on tour, but i

remember more consciously, but from this one somewhere in the period of 75 to 85. well, firstly, after the seventy-fifth year, we met volodya presnyak, because it was just that our parents came and our parents took us to concerts together, then there were national teams, i don’t know , you caught this time of years, when there were still many collections and fascinating there were tours, because such were the cities, how is tashkent, there are several sports palaces there for several days. we were there somehow it was very, well, romantic for us, although, for sure, the conditions were average, because , well, such is the most stagnant soviet and we, as it were , were brought up behind the scenes and absorbed this spirit, and often we even had children there several volochka sat down at the drums. i got up on the key, so to speak, we still had guys there, such a mini group, even such a group, well, of course, they all had attempts. but at that moment i was already studying music school. uh, here merlikovskiy lane at the conservatory and in.

in general, my parents, so to speak, moved me more to some kind of classical such popovich wanted me to receive a classical education, because, apparently, he received it very late and still remembers how he came to the tchaikovsky monument when he was already quite mature there. he studied at the mining college. and how he just physically cried and dreamed. here e get into these walls he managed to make him take the class. e double bass, but already a stropovich for a kafir. and therefore it was this dream that he, as it were, realized through me in that including too and i went to a music school from and studied classical music. but on the other hand, of course. in general, i am such a child of pop suburbs, too, therefore , all my life i have been a servant of two masters, tell me, here is mark your son. uh, what's with the music we have here? i would like to educate the brand, well, as wide as possible, so that he himself chooses, that is, of course. he must receive some musical basics of sports

must be present in life. i , so to speak, was such a street teenager and street football interested me in hockey. that's football. i'm busy. in general, until now, but i’m worried that i didn’t go professionally, i didn’t do it, because in principle these skills they, of course, were very useful to me, so football, uh, judo should now go to judo already, because i have to be a man. and she loved him to this point. ha ha football. i know for sure. yes, yes, they just have them in kindergarten, therefore, there is no choice, but this is a good sport. actually swimming. he is a music teacher. to him comes. i also teach him so to speak, but he already knows how to play. ah, he likes it, not very much winged swing, in general they watch the same adventures of electronics, yes, yes, wonderful songs. so much so that we'll see her tongue , of course, this morning. so i was leaving, looking at something, watching in chinese, although they don’t understand chinese, yes, well, you know, someone our mutual friend is already giving children to learn chinese. by the way, this should

be listened to, because e in childhood. you don't perceive. it's like a discipline this educational one. it's just that you communicate quietly with burning. yes, dim, yes. first of all, i want to say that the gems exist and thanks to the new gems your sister and not the songs live, and i myself. i remember when i received an inheritance from mikhalych tanich in my youth, and yuri the sausian black cat. uh-huh, and the first thing i felt was the ninetieth year, and there were 64 songs. i thought, he has been living for 26 years. behavior others happen once a year or two. so they forgot and forget today such songs. it seemed to me, but to this day, and yours and thanks to our to the viewer and part of what i wrote, it lives this such a pleasure, and here, in my father

’s performance, you remember, the world was not just like the relationship of those who sang everything that we have everything that we have in life and i have everything in which the joy of everyone day is all about what the trio or dreams are all this is all. you are now everything in life, if i have everything in which the joy of every day everything that i call my fate is connected, only slaughter, here. yes, how, how, what kind of positive clothes are sung to this day, yes, and young people know, but we must pay tribute to the old guards, i yuri fedorovich periodically see that he takes strength together with lena presnyakov absolutely yes, they go and give to

nefedovs. yes, the entire composition, so to speak, of the legendary gems lives. yes, well, that's it. they very accurately reproduced the atmosphere of dmitry's childhood, as it were, yes, now let's say the melody of youth. so what influenced you already as an uh musician who uh started writing his own songs. i want to say how much compliment in your music. she has good taste, because there are traditions there are cultures and even i don’t even say, there is a cortege, and until tomorrow there is something of ours. slavic light and what kind of music influenced you as a musician who already understood what it was or was just beginning to understand that this would be your profession. if we talk about sending classical culture aside and talking about rock music or pop music, then everything probably started, with

klin i started listening to the first albums, then at a more conscious age, when i already turned 13-14 somewhere -15 years. eh, just it was dawn not waif. um, so to speak, that's why these are all western, and the bands we are absolutely an idol not a kershaw. great. yes, i really love howard jones, and thomas dolby and the kchgu group, and the rhyme is there, i don’t know, well, if we talk about a group that has remained since that time and has become a cult it is definitely cheaper. they, too, at that moment, but at that moment they were in a number of others , of course, and michael jackson and so on, of course, the first clips. there's a thriller beat belijin, that too. well it was an event, probably, uh, any impression of a teenager, the first one is strong. here it was very bright, in general, everyone was worried about mom, and mom was it. finest hour number charming cool

nostalgic grandmother practically did not bother you to sing this song. it's just like your younger brother is older from afar, i look, it seems, like they are generally the same age. such performances provoke demographic explosions on our project, the generation does not conflict, but wonderful duets unite, two stars fathers and children new season on sunday on the first and always on one tv dot ru and for some reason i now remembered such an artist and such a group andrey sapunov and the lotos group the fact is that andrey 80 is just the fourth in the eighty-sixth year, but these two years, in my opinion, my father’s ensemble of gems worked for 2-3 years, and he always staged

somehow apart, and he had his own repertoire. he very interestingly made the same tukhmanov's day without a shot song, he had a unique voice. he had such a specific character. he was not a very sociable person, he was quite closed, at least within the gems, but then when he left gems. he made this group. and i really love to myself, including their creative just like the creativity of the cruise group for example, yes, sasha monin is a wonderful person, the krug group released a fantastic album. yes, that is, therefore, at this moment, when you are maturing both as a man and a person and as a musician, of course you are surrounded and you love a lot of different music, but as for this song specifically, which i now remembered, it is the wind from the island. barneo they have this song, she's coming, by the way, 10 minutes, that is, at the beginning there are such rather complex harmonic transfusion transitions, and then at the end there is such

an astinate, very major, and very uh, such a beautiful harmonic move. they sing so singsongly there, yes, where it is far away the clouds cut through the sky there and the free wind yes, yes, yes, yes, the bartender from the island and such a big beautiful choir is coming. you can listen to this endlessly, and it goes on endlessly. here they are singing the same phrase for 5 minutes. that's just a very beautiful surprise, because for me. which is in barnau, which is in the southeast know there and malaysia there. yes, for me, we associate the golden calf with the book of elf and petrov, where the governor of the island called the panikovsky ostap bender. borneo and

i, of course, firstly, i was well acquainted with my own heavenly andrew, because they are also brothers. uh, hmm older than his brother. uh, volodya was the director of the time machine and sunday. and i, of course, andrey sapunov know on sunday and in football, together with you, we played starko periodically talented necks absolutely refined musician, of course, ringing. the first thing i remember in his performance is this. well, you know, now you have illustrated. this is clear to me. there is. e, dmitry malikov yes elton john's components and there is also some kind of harmony, by the way, here, i also love him very much, because i think he has great songs. he. well, he has a voice. well, what can i say, we all know him well and love him, especially his old songs. that's why such wally major beautiful long, uh, melodies. perhaps this is what resonated with my

work, what you said. yes, i remember very well, and this moment, in my opinion, you are something with the green theater, you are the first in such a general in the white square, i would have been used to the national team, i was used to participating in the tracks. yes , yes, this is 1988, and june 25, yes, yes, yes, i remember, because i consider this date to be the beginning of my creative activity. no, then why didn’t you have two songs, you are never mine. will never be but in a dream i can’t be deceived. excellent

, this song was lunar dream two songs, i have everything was for me dima shavyrin the kingdom of heaven. yes, yes, to sing them and this year is 35 years since that concert. i therefore 35 years of my creative activity. so i also want to give a concert on the same days in the green theater, maybe either in the hill park or vdnkh ha, ha, well, but we are moving on, these songs appeared. you have become an idol. naturally. uh, a lot of girls, but the melody of love somehow met lena, so that you can tell about it. george michael still this junction of his solo career, the beginning of his solo career, then there are a lot of girls, but the heart and fate can be connected and preferably connected with one,

as life shows, and in the ninety-second year i met lena, too. we were 30 years old last year. and this is exactly what is happening. i want to tell you. march 22nd happened on your birthday. yes, the spring equinox. yes, march 22nd. we met, too, we remember it there. i remember that there was a concert at luzhniki that was generally funny, but i don’t know, maybe you also participated there, although it was unlikely that there was a concert and television shooting dedicated, and the arrival of sylvester stallone's mother is now funny, actually good. well, if the salons helped you to say, i, well, it so happened that lena was also at this concert. in general, we met. i remember that it was very good weather to get up. you know, here is such a march, when there is still a little snow, but the sun is already warm already. so to speak. i want to take off my warm jacket. here. well,

anyway, we got to know each other. there it is separate. history will be a separate program. eh, so say, uh, the story of our acquaintance. uh, and the music that accompanied us was also very, uh, a lot just this year began to be filmed in a feature film to see. paris to die there was voiced by this film itself. there tatyana vasilyeva well, you probably know about this film, here is a film quite well-known by alexander proshkin and hmm, and the music that accompanied us george michael at that moment, yes, it was just him, and the songs of wem and what his first solo - some songs. then i just remembered this song for some reason melody people because laziness really like it. georges michael well, respectively, we, uh, have been to his concerts twice, once a juminka, not once in moscow, yes. yes, yes, it was great. yes, and in general, i consider him one of the most you. given, er, performers composers here in one person, yes, that is , he himself sang amazingly and composed amazingly and was a unique artist. here, unfortunately