why met there is a separate? history will be a separate program. and so to speak, uh, in the history of our acquaintance. uh, and the music that accompanied us is also a lot of it. just this year, i began to act in a feature film to see paris die there, this film was voiced by itself. there tatyana vasilyeva well, you probably know about this film, the film is quite famous alexander proshkin and hmm, and the music that we were accompanied by george michael at that moment, yes, it was just him, and the songs in em and his first solo songs. then i just remembered this song as a melody of love, because i really like laziness. georges michael but, accordingly, we have been to his concerts twice, once in munich, once in moscow, yes. yes, yes, it was great. yes, and in general, i consider him one of the most outstanding performers of composers here in one person. yes, that is, he himself sang amazingly and composed amazing things and was a unique artist. here, unfortunately, his psyche could not stand it. well, that too

often often happens. here e very e, we regret that he passed away, but his songs, and lena's just hard for her is not my favorite song . yeah, i slept the name. it's a whisper. yes? by the way, i don’t remember saying, yes, it means some kind of no, i don’t think about mysterious let’s call it that, yes, well, her favorite song is a tuff, because uh, yes, because yes there is such a clip there are these all models, where he is on the director at the end, the director at the end, and super hypermodel linda ivangailist is there, yes karen miller is where the slate is, well, just naomi in general. well, i don’t remember exactly what, so, uh, the work of jorjamak has been accompanied by us all our lives. and we

still love him very much, so this melody of our love and right at this concert on march 22 saw it for the first time. yes, there is such a thing there, you didn’t tell me this, somehow i, uh, well, in our country you don’t want an information field. you they will definitely throw it in that you saw it in the photo, friends. this is the truth i saw. it's me in the photo, but live i saw there i arranged it so that it went to the end. oh, yes, i had a friend, the wife of my friend, who, so to speak, in whom i saw this at home. so then i say a little bit somehow you can back and forth. she says, well, i will try the organization will be an occasion here is an occasion with mom with a table an example to our viewers. i want to say. i once led dima groysman to his daughter's wedding. well by friendship to them and groysman. this is the producer of the group. yes, he has been with them all his life. and when i asked, uh, attention, that the guitarists

of the chaif ​​group, vladimir shakhrina, vladimir begunov, would congratulate them, they came out and, turning to their daughter, groysman, they said, you know, sasha, you grew up with us behind the scenes. just like that, you are a child of gems. so she, uh, the child of chaifa , and i was the first who hit you on the ass on the bare once born after dad, and you are her young man, who became her lawful. we can also remember in the life of every orderly person, if possible. and you have such an opportunity and many viewers. now there should be such an opportunity. possibly one love, one family, one favorite band, one lightest love melody and one producer, and everyone laughed. and i, too, and formidable dima cried with happiness, so uh, take the example

of dmitry yuryevich uh, devotion to love makes a man real, because when a man talks about women about many, he talks about himself lenochka stesha mark, a big hello to you from dads. as the hosts of the podcast, i say yulfevich. thank you for your son, and you enjoy, be happy and do not pay attention as the most. the main thing is what wisdom is not to pay attention. let the people who do not suit you do not suit you. dmitry malikov is our guest podcast of the melodies of my life. our guest is dmitry malikov, we remember the melodies of dmitry yuryevich's life, we move on through your memories, through the melodies of your life and the melody of hmm sadness, sometimes such

bright sadness arises. you know from something you hear a melody and it's not like you don't want to live. and you understand that there are different colors in life. and it is precisely this melody and its m-m that characterize such sadness. well, you know, we all will have different moments and there is a light chest here, sometimes there is not light sadness. that is, yes, yes, unfortunately, everything is different. i really love this choral singing. eh, and including spiritual singing at one time. there, in my youth, i listened to concerts and there the bornyansky spiritual, and now i really like the choir of the sretensky monastery, for example, and how i also perform songs on the internet, uh, so to speak, somehow in found them to have a wonderful performance of the song. mm, the steppe is wide, remember, you are the core, there is no roar.

that is, ruslan i'm just stunned, as i can say, otherwise, but this from this harmony from this strength from this power from this, of course, from this from this and longing and at the same time the strength and e of fate, that is, well i, like everything russian that is in me, but responds to this song. and when i hear it it’s just that i’m even, well, how qatar is coming here, you know. that is, i suffer. i cry to her. i am her joy. i hope that's all emotions that, uh, here, perhaps, so to speak, are deep. yes, by the way, i went to them at the end with pleasure, and in general, for the sake of saying e, it’s fair to say that georgian

choral. i also really enjoy eating in different cultures. here, yes, and in general, in general, some kind of spiritual, well, in our temple, when you get there, right? or when to say so? e for example, i have, well, like a classical musician? mm, that is, when i sound the organ? this is also the same strong impression there bach when there are some processes - this is when one or here i have, for example, on the contrary, it happens when i feel like a big company there. when i'm alone, i put on my headphones, i turn on this song. eh, here, then there is the black raven. there they have, that is. well, here is such a whole, so to speak. such a series of these wonderful songs. you know, there is one, in my opinion, uncle misha zhvanetsky has an excellent definition. uh, loneliness is never bad for you. this is when there is no opportunity to be

alone crowd, and at that moment he has a completely different state around him, like the scenery is all noisy. well then, you just need to find an opportunity to get out of there, you know, somehow, if you want to remain a friend, your namesake dmitry earrings is also in solidarity with him, he is a very religious person. and when you somehow ended up with him at a party and there it’s such a rave, patis, you know? dima how is he so once i passed in hell. this is the feeling of the dissonance of improper obesity. but so this is sad. well, that's from sadness. i probably the main thing for today, e, to the melody of joy that gives you strength. and when you feel that you want to live here. well, that's it, honey. well, you want to live when you succeed in something creative in the first

place. well, in addition to all the other everyday family moments that bring joy. yes, there is a child, so to speak, a relationship with a beloved woman, there are healthy parents and so on, of course, this is why this is creativity. and last year, in my creative plan, the year was quite successful in the sense that fruitful, that is, e i e, released, firstly, two instrumental albums. the first is called the alignment of the planets, the second is reflection, and then i missed 2 song albums. true, they are all a little. well, so to speak, they are compensatory collections, that is, not exactly 10-15 new songs, but nevertheless, quite a lot of new songs. i've got a few new clips out so uh, i've been trying to be productive and i'm actually continuing to do the same now. i'm getting out in just a few days. new song new video and i just enjoy the joy when you get a melody and here is one of the melodies from the album reflection reflection -

this is a purely piano album, such a calm, blissful harmonious major music. i even wrote there such a word music for those who want to be happy, so this is at home in a major major. e. this yelling, by the way, also looks a bit like spiritual music. that's all, in the same spirit. here's the whole album i have in this spirit. that is, therefore, when i turn it on before going to bed, for example, and if you if you want to fall asleep quickly, and if you want to have good dreams, be sure to turn on dmitry malikov's album reflections and that's how it will happen. tell me, this is within the framework of an anomaly. yes, yes, this is within the framework of pianomania. uh, because i continue to be

a servant of two masters. i compose and perform songs, i am a pop performer and with pleasure. and everything that concerns pianomania. this is also a concert. by the way, in the near future igor buton and i will have a triumph of jazz as part of the festival. he is also your guest. i know, yes, your friend and our common wonderful friend and person and musician. he invited me to make a special pioneer just program with him, so to speak , we will play with him in the department, so pianomania exists in the form of such concerts. yes, yes, it exists in the form of a piano concerto with an orchestra on coins exists in the form of my master classes. e called music lessons. when i meet children with them together near the church and tell them how important it is to study classical music to get an initial classical education very interesting. i would stop a little, because everyone knows dmitry malikov, e, how wonderful the performer of his songs on the stage. e already the last. well, for more than 10 years you already

have anomania in the public domain knows, uh, dmitry as a classical musician. but this is actually pedagogical activity, i'm about two. e, i have already held these master classes in our country , so to speak, and i did not follow the path of creating some kind of school, for example, a stationary one, and i take e, do not be lazy, just like you also tour a lot i take. i just come to a certain city collecting all the children. who makes music in the hall and for an hour and a half i play with them together, i talk about my creative path, and we motivate them, er, to make music. so it seems to me that i succeed in something just like i have a play to turn the game around, where there is also a story about the life of composers about how different composers they are and the fact that they achieved greatness also thanks to, first of all, e to his work. and it is necessary to work hard in life in order to achieve something. reach, so that's what pinomania

turned out to be. here is such a big one that is interesting to me, and the direction of the whole in classics e, it’s clear that this is not one person, but still, how much do we have a podcast of the melodies of my life in classics, yours, well, let’s say so delicately three favorite composers a little play them a little as part of the education of our viewer. sergeevich yes and rachmaninov melody bach

well, the conclusion is something like that. mozart melody of life dmitry malikova dim i am very glad that you and i have wonderful moments memories can not be told about all the children, because dmitry

yuryevich and i are together in the company of gentlemen. eh, many years ago we started to support this tradition, sometimes we leave everything such a male company with humor not devoid of barracks places, but always with the hope for the best we make a trip morocco uh greece mongolia mongolia i emphasize that it is always nice to meet you, because here is an intelligent person, as i said never hmm no talk to your interlocutor on unpleasant topics, no matter how much time e, with dima we didn’t spend together always positively always even if it’s some kind of sad event, we discuss together we always find some kind of bright way out in it. perhaps that is why music helps us to solve any

issues. it is absolutely mutually and always here, if i want to say, if you find yourself in company with you. it's always a cheerful good evening. uh, smart, interesting , musical identification, so lena and i always love it too, when we shoot together. yes, stand up, when we part, we know that it will not be long, and as a finale for me, a melody to a friend. see you tomorrow, so that we set our viewers on a positive morning of a new day dmitry malikov tired of glowing. it's time for you to go home for a long time

it's dark outside, and i can't do anything about it. look into your eyes. look into my eyes thanks friends. till tomorrow. dear friends, this is a podcast of the tunes of my life. today, together with you, we learned about the melodies that accompany the life of dmitry malikov , people's artist of russia dmitrievich thank you thank you for visiting us, good luck to you. this is a podcast of eisenstein's witnesses and

hosted by me, film historian natalya ryabchikova and my colleague stanislav didinsky , in this podcast we tell who and how created classic cult little-known forgotten soviet films. we get into the secrets of film archives and tell. why watch soviet cinema now, how to better understand it, and how to get the most out of it, and today our topic is the ninetieth anniversary of the wonderful soviet director russian director alexander minta and his film, made at the end sixties burn burn. my star stas why is it important for us to talk about alexandra? because this person, who in many respects laid the foundations for the attitude to the cinema, as a kind of mass spectacle, this is the new standard of the soviet blockbuster. recall the fairy tale of wanderings in the film. this, of course, was done by and so, who thought about how it is generally abroad. they rent mass cinema in those years when he was actively interested in it and

subsequently developed his theory of the concept further directly into a three-act structure, as in general, any mass film is built. there is the first action with a plot, the second and third, where the culmination and denouement of everything takes place. that's metal in that sense. this, of course, is such an amazing and evolutionary path of the soviet director, who started with children's cinema, in fact, who was actively interested in what his colleagues were doing, including even participating as an actor, and on the set of his colleagues and further the film woe woe my star became a turning point for him in many ways we are in 1967 year. alexander metta has already released three films . he graduated from the gig. he studied with andrei tarkovsky and vasily shukshin wonderfully, an incredible workshop by mikhail roma, according to alexander naumovich. well, it's not like he's learned a lot. he understood roma more when he had already re-read those very lectures. released in a book edition and the sixty

-seventh year is important in soviet cinema in soviet history, including because the fiftieth anniversary of the great october socialist revolution was widely celebrated many special films were released and apparently alexander meta thought that a would be great. to show how a new soviet art began in the revolution in the minds of people at that time among people associated with art. yes, when they think from the twenties, and at the beginning of the xx and ​​sergei einstein, first of all, everything here is meyerhol and the idea is to show how such an artist is. e, the revolutionary exists e not just in a situation where the entire state system is changing. yes, but when in some periods the system changes almost everyone a day when such men are an unstable political situation. and when it is not clear who is in charge? yes, what kind of ideology pressure, how to behave in a situation where the world? the limit is unstable. yes, and somehow it was red comes

to rob whites come to rob was in one film, this story is about how to live as an artist. yes, when the conjuncture is different all the time, does he need to follow this office or, on the contrary, does he need to save himself, and for menta it was such an attempt to answer this question for himself, including for himself an account of these three characters that he would show us on the screen and tell about that era, first of all, to the children for whom he made films, previous years, this one , touch the door, and other wonderful films. and when we say harry harry is my star. we pronounce it so easily. in fact , the name appeared, probably, the very last in this film. and when we look at documents about how the film was made, we see a series of titles that first of all include the name of the protagonist, first just came up with a name for him from the cream. here is a creative pseudonym. of course, of course , the art of the revolution is for the masses, and the witch is that. that from which it grew in general, uh, everything, this is the content of the film. we have a photo from

the soviet screen magazine, which shows how the main character should have looked if everything had stood still, as metal was conceived, yes, a hero appeared. at first his name was pavel from kremas, then vladimir mass appeared the term of the genre definition of the genre comedy about from kremas and appeared in the process of writing the actor, on which all this was written by an incredible wonderful actor. director roman bykov and his cream. this is an artist who is not recognized by the old system. uh, at the beginning there is a prologue, where in the sixteenth year in 916 he is just an understudy of some tragedian and hopes that someday he himself will be able to ask new ones, like you, remember this prologue, if a literary script ends with the phrase that i i'll show you with him. and here is the sixteenth year. soon the revolution is coming and so on and so forth, well, this scenario in general. wrote, of course, not one he wrote it together with his regular

authors with a creative group, and on a duma frit. uh, such wonderful soviet screenwriters, and there was even such a term, a fridunsky script, well, the script of frid and the duma sometimes so their colleagues spoke about them with irony. here's to amita. it was such a creative union that, in general , worked for him as a director for many years, in general, yes, yes, a lot of films. not so myself. this recalls funny that the screenwriters themselves were not very happy and each time swore off with him, and work after the next release of the next film, and then they returned and he asked. and why well, so others are even worse of course, the story when screenwriters are dissatisfied with directors is an absolute classic, universal for all countries, but temporary for peoples. yes , the screenwriters are always unhappy with what the sex director is doing, it seems that the script was written quite easily and quite quickly. here they applied. in the summer of 607, and in general, at the end of the year, there was already the first version of the script and

the script began after the prologue rather festively in a small southern town, boiling water appeared with uh, traveling itinerant actor on the way to moscow we can see a fragment, how it looks in the film ultimately the wandering theatre. avarischi theater experiment art revolution begins julius caesar volunteering vladimir and hiding you romans street friends, and here is one of them

later, the metaphor recalled that he was very attracted. this transformation of a wagon into a theater transformation of a small curtain in an actor's cloak everything is very much what we are talking about now, a warm lamp, yes self-made, but how it is really created on the run and should attract viewers, it is clear that we see on the screen a completely different actor or rolan bykov and this is the first drama that has befallen. eh, the filming process, but while bykov appeared, other actors who remained in the film were added to it. in the end , a wonderful character was written for yevgeny leonov. illusionist, as alexander naumovich calls him mita, that is, the person

who is engaged in showing the film. well , that is, and after a bull you were changed to oleg tabakov, which you just saw on the screen. he perfectly, in principle, joined the top three actors of which the director himself was originally. yes, i saw on the screen among the performers of the main roles, and just here evgeny leonov, who played the cinematographer of an absolutely imaginary opportunist, is another such bright work in this film, but again, who are these characters? why why is this a trio of artists? yes, on the screen, who they personify, and the third artist efremov yes, of course, who does not have a single word in this film, in fact not a single retort. why because in the script they were, of course, because according to legend, efremov said those that i have so many problems in the theater. listen and go ahead, i'll just keep quiet and do whatever you say. i did a great job. three characters were supposed to represent the thoughts of the director, and such a composite collective image of the artist is an intellectual creator. and

what rolan bykov played well, according to later recollection, of course, not you, did not quite fit into the fact that he wanted kalanbeks too, uh, worried. creator experiences included. e. hmm frankly. after all, they wanted it all to be latent, tragedy, merhold, and so on, and bykov, according to his break , did it too frankly, but methane could not do anything about it. again, according to him and in his opinion, his happiness in the film was noticed soon after the shooting, well, they already reached about one- fifth of the useful footage after the soviet tanks entered the czechoslovaks. and this is important, because attention was immediately paid to what was happening inside country, ah and eh, after looking at the studio said that the film. in general, it may need to be closed, but this hero is too sad

, tragic, melancholy. and in general, not in line with what we should now show to the soviet audience, and then, alexander did not offer to replace the actor in such a way and took tabakov , who created some incredible enchanting, e, sparkling game of this very cream. yes, he ’s very athletic, straight out of the blue, it’s clear that he’s younger than bykov, and at least they made him a little thin and sad here, too, but then he’s more energetic more optimistic. and this was in the spirit of what was needed. and who are these three artists that we will be on the screen, well, as he said about the summit, this is such a collective portrait of artists. what can be? he himself would like to be, yes, who he would like to be and, probably, he will never be the only one he is afraid of being a opportunist and the third one he is most likely not very stable, but inclined to compromise from cremas. well, the confectioner

is, of course, some kind of geographer, and here metapas, walked through them. well, along with the writers, it's pretty fun. let's see an excerpt where the character yevgeny leonov shows the audience. uh, the inhabitants of this city the film is a defective movie obviously yes, it was filmed back in 1910 drama at sea france young

mothers actually he turns the pedals, because it is necessary that the dynamo-mom machine, which with the help of which the movie is shown all the time , gives an electric charge and actually on animated pictures appeared on the screen. how would they say then why do we say that it is infection on the one hand about the twentieth and on the other hand about the present and then today, because this is a small film that was made specifically for the movie cops. we see three times during our big film the comedy basketmas, or my star, and each time it is accompanied by a new one, and the text changes completely for one viewer, such for another viewer, such for a third viewer, the third and, in general, methane shows, including and the kitchen of the soviet cinematographer. like us

we can mount it, re-voice it and, in general, play with the next one, because it’s quite a cultural art. so , of course, it's funny, but how then at the end it returns almost original for the evolutionary text, when does white come? to the city and beyond, the hero gilyonov reproduces this nostalgic intonation for the times that have ended. what times are over? what is cremation fighting against? extremaz, because he is not a bolshevik, he is not a supporter of any ideology, he is fighting, in principle, for the creation of a new art in place of that dead old academic art that dominated the theater, and, in many respects, cinema in the 1910s. after all, the new generation, and artists in the twenties. it was just rebuilding itself from this papa's. well, not a movie, but papa's in the theater, which seemed to them, well, it's boring, well, not realized and, of course, the revolution, but it breathed life into a bunch of young people

who decided to change everything, but at the same time, e from the cream is very worried that there is people who don't listen to him are revolutionary drama. they don’t want to watch, but they run to watch . this is a tearful melodrama, and especially, and he worries that it is very harsh on her. the girl reacts very dramatically, whom he picks up even a girl, and who becomes his companion throughout the film, which is so nailed to him and, uh, tries to somehow protect him, or something, from the hardships of life , understands that he is malnourished and plays this girl elena proklova is not her first role. but she gave her, in general, such a path to art, just alexander meta for 4 years. yes, of this film, when he took her to shoot after a huge long search for the heroine in his film they call open the door then or it wasn’t 12 years old and she was brought to the shooting after some doubts by the second

director alexander cops, who was also her family grandfather. and after that, lena proklova stayed to act. and in general, the cops already had, as it were, in their heads yes, the candidacy of the actress for the role. uh, christinas or rats? as it is called in the film and she already knew. she also worked with leonov she worked with roman bykov. she worked, and he even with efremov already by this time a and in general, she was, almost ready to play a more serious role, and in this film , this communication with the stars of sovremennik with tobacco efremov, according to her, led her to the fact that she entered the moscow art theater school the following year. here is a film about art about how an artist lives this art for her became the incentive that she, perhaps , lacked. she only finished school in order to really start to work in the profession, that is, before that it was such a childish, maybe a hobby hobby, but on this film she consciously

felt like a future actress. well , it seems to me that the most curious thing is for the context of the era, and the fact that she plays the sky of whom, and the gendarme, the play that she puts from cream with e. these are very relevant and important. heroine. of course, of course, then in 60-60. she appears as a heroine of the revolution in a broad sense, but look, this is how gleb panfilov started the film and a similar character appears in his previous film in firewalker. no put jean blow to dreaming. even tarkovsky, who writes about this in his diaries. in general, this is a very relevant figure for well, not only for that era. how much for the revolution as a whole, yes, and the anniversary of the revolution of course, everyone in well makes you think about how it could be paid on the screen, well, from the cream he manages with all the means that he has at hand, but almost sets fire to the theater. well, let's hit it guys.

this is a concert for you garik sukachev acoustic concert tomorrow on the first you know that this is a podcast of eisenstein's witnesses where we talk about who created the class and how.