probably, yes, well, and that's it, but no, there is michael jackson, yes, yes, elvis presley of our man. here, in short. uh, i don't linger on the set. it makes no sense for me to stay there. i want, but i have a concert, it's a fitness workout. that is, it's a thrill. and that's it. i receive this hormone of joy, i give it to people. i dump everything. ah, it doesn’t guard the soul in the soul. no, no, everything is clear, but near the house the love of the fans is somehow manifested, there they will pierce the wheel, there is something else, uh, attention. pay attention to the driver. i don't drive a car. no, it doesn't matter. why am i i am engaged in mental activity, and the songs came that i should stop this very thing when inspiration comes to me. ah. it's not safe andrey, if

you remember the group king and jester, and if you imagine that this is a state, who would be the president with you there, who was the minister, who and what who were you, who was the pot? management e world it can only come from previously accumulated experience? and we would like to be uh that tatami, so we always had to deal with the emphasis on the jester and ridiculed the king, but when uh there is no some unified control, here in this uh world, if you don’t try, and start to control it , it will begin to try to control it from the other. and as a rule, someone else usually comes. ah. from the outside, that's all, therefore, it means,

well, but complete, as it were, well, so that in this world there is no control of anal, yes. this is impossible, because in the same place what then turns out then that everyone can clash with each other, and no one will tell them that ah-ah is good, you understand, well, there are many other things that are needed, but so to speak. well, let's stop, who did you have? ay-yay, yes, everything is fine, well, as it were, everything is little by little, well, roughly speaking, who was responsible for the discipline, so that exactly all these affairs were there at the rehearsal, yasha was engaged in, and this is an administrative function, an administrative function. yes listen to this cube, it grants a wish, and you can safely say, without making anyone laugh. what do you want for yourself in 20 years? the only, and through 20 years

be. and we'll do the rest. thank you very much. you can watch the podcast 20 years later on the channel one website in excellent quality any time. our guest was andrey knyazev , one of the founders of the korol and jester group and the leader of the prince group.

i have been for a long time. shared with me. and i'm blind, believe me, you will start to mine, i will be faithful in the night, the fall will arrive on the other side. you know how everything in warm clothes will be cold to shout at you.

your ghost's delirium lonely through me to see the dark forest of fate frozen tons you know such as everything in the earth will be,

i promise you cold.

will it be cold for you? interesting

dear friends on the air podcast lab and creative industry on the first channel in the studio elena hyper and roman pockets and today our guest is igor ugolnikov , people's artist of russia more both at the corner of the show, uh , evening broadcasts on channel one, absolutely amazing, and then at some point, igor ugolnikov, as the host, disappeared where the needlemen disappeared, we have here, right? igor ugolnikov did not disappear anywhere and triangles are in charge of the studio, the warrior film shoots

, uh, military patriotic and not only patriotic cinema and triangles absolutely do not need to be on the air every day, in any case, there were plenty of them in my life, but triangles. e now is not at all who he was before, although the name, patronymic, surname remained the same, but now i'm interested in something else in life, so you are right on the screen. tell me to meet in a wrong way, you can often, but the title of people's artist of russia, which is for me may 12 was awarded, of course, very responsible for me, because this title. now they just don't give it. and now, and it will oblige me to correspond to this title in each of my new work and in my aspirations. the title of people's artist of russia must correspond to a. i'm busy. now, for example, with the huge work of creating

the film about the people's militia, for me it is still now a personal theme of working on the picture podolsk cadets. with the help of my fellow friends, i managed to find the place where my grandfather, who died in the people's militia on the seventh of october, the forty-first year and responsibility. now before this topic. i have now personal and on all. and also my additional work, which also became extremely interesting for me to create an exposition. eh, the museum of them and not only in museums and the exposition of museums on victory in moscow and the exposition on november 7 on red square is still the current exposition, which i am engaged in and therefore there is no desire for any time. i just don't have anything else to do. when did the hero's journey happen? dramatic? how did this bridge come from that igor to today? well, in fact, this bridge was laid much earlier at school,

when he staged small performances, primarily on a military theme. and after i entered gitis in the 1980s and also stayed there to do some plots and plays, and even tried to make warm for the performance also on this topic, a military theme. i always had and was present in me like a dream, like a necessity, but to do it, but as you rightly say, i was engaged in this life entertainment television. yes, and the time was then the epic old soviet television was leaving, a new epic time was born, the new epic television. and we really liked caviar, and the tv to amuse people. and by the way, speaking to me it seemed. that people then needed it very much. it was from the ebony program. it was from the program, then i'll stun this one from the good evening program. in general

, i consider the ninety-seventh year, when the program was running daily, good evening , one of the happiest years of my life, because every day i met with the audience and met with open hands. spoke into the camera. it seemed to me an important thing and i did it openly, lightly and kindly, by the way, i don’t see, for example, the current presenters who would use this wonderful skill, but to talk with the audience with open hands and be sure to look into the camera, because we especially now we often talk with the audience, we are looking for words and we don’t look him in the eye. and, all the more so, we close our hands. well, this is a skill, but as for the transition, it really happened, especially after good evening, when i switched to television officials, i did this not intentionally, but by the will of the court, when sergei vladimirovich stepan offered me to head

the union television. i flatly refused, but he said, here you are. you didn't talk about how you failed to make the public television of russia vlad killed. and you told me about your dream to make a film about the defenders of the brest fortress. here's a chance for you - a direct opportunity, and then we managed to make a tro tv channel. that was the name of the channel union state. and most importantly, to convince everyone that i am worthy of making a film, and the defenders of the brest fortress. well, this is one of the most difficult genres, probably cinema, and films about the war, especially since we, speaking, grew up on very good films about the war and now we have to go to the cinema and watch a good movie. it's such a big deal. what are the features of the genre of military cinema. you are right when you say that you should go to the cinema now and watch good war movies. this is great

luck. maybe because my colleagues when making war films , authenticity in films about the great patriotic war is often neglected, and thus the viewer's trust is lost, and the following films lose this trust. uh, conquer again, but it seems to me that the main principle of creating films about the great patriotic war is to follow, and the precepts of their ancestors, the way films were made, the great films of the soviet era and making the brest fortress. first of all, we set such tasks. we continued the soviet tradition of war films. well, one more principle, make these films exactly where events took place, because it affects those who make the film, so it was the brest fortress or there with the podolsk cadets, where we filmed both in the brest fortress and at the ilyinsky line, and it’s impossible to lie here. that’s definitely not going to work out, and we make every new picture exactly according to this principle, and maybe then we can

hope that the viewer will come to our film and, having read, for example, from the creators of the brest fortress and the podolsky cadets , will understand. yes, i will watch it, but this is how you need to work to make it so. well now it’s very difficult to capture the attention of a young viewer who is fed up with, generally speaking, audio visual effects and doesn’t this impose on the directors who make films about the war, these are the duties, that there it exploded more brightly, it means that it’s unbelievably bahala because of all corners and so on. for example, there are films. yes, a war, where there is almost no war here. you are right when you say that modern viewers, especially the young one who sits on tiktok and on the internet, and who are not used to watching anything and empathizing with anything more there five minutes. he is not able to perceive not only films. and yes, which carry

a deep meaning and a patriotic beginning. he is not able to perceive anything, except for what he quickly perceives and forgets, maybe this is the most important thing, the main problem is that we now have a very difficult time talking with our children and grandchildren. they even begin to get angry with us when we talk to them for a long time or invite them to read a big book. they start to get angry and go into their phones. this time connection is lost. and what will be next is difficult to imagine one thing, one can only say that anyway we must continue to do our job in our childhood and there was such a genre when the class and its great in the cinema were going. and such a collective viewing of the movie and the child had no chance to get away from this one. in general history. is it necessary nowadays? these are the exercises to carry out for children when they find themselves without a choice in front of the screen and there already, who will capture, who will capture

the educated moment must be present unconditionally and enter, we now have a new concept of mentor. i guide you on the path of truth. i'm not even your teacher anyway, and he 's leaving him here too. it seems to me that all means are good to achieve the main goal, so that the children think about something, so that they ask questions about how the little boy went out with his grandfather. i remember after watching the brest fortress by the hand and asking where . and how did it happen that we won that war when everyone died, for the sake of such questions it is worth making films. and most importantly , show them to children, you should not scare them. they just need to be honest and dignified. about the lives of their ancestors. we just don't care about it in our families either. unfortunately, beyond grandparents. nobody knows the history of their ancestors. and here is a man sitting in front of you, which you know. now that his great-grandfather in the tenth generation, in the eleventh generation, evdokim

ugolnikov was born in 1690. i want to imagine his life as my great-grandfather and in all my ancestors. that's how they lived, what they aspired to? and even to be honest, i feel my responsibility to them at the same time, but they talk to children about this. here imagine you have everyone has two grandmothers two grandfathers right, yes, it turns out, they also had the same dads and moms too in your great-grandfathers and grandmother's rights. yes , but who were they? i don't know. well, now imagine that they are behind you . how many people should now stand 10 generations. count the children go astray and call some number there. and now imagine that these ancestors are standing behind our backs. and they are exactly iron and think about it as you want. pull up let's say

the great country in which we grew up should still go to our children and grandchildren in the state that our ancestors were so worried about when we talk about what should be passed on to children. here, as if the tradition is a little gone, when the ancestors pass on knowledge and the form remains, and after the form. they just don't see the content. that is what stands behind every act behind every step. what are you talking about, maybe it's some kind of new format, when you have to, nevertheless, around uh, the result of activity, uh in the art of a large number of people some discussion some organize. i don’t know, maybe there is some kind of discussion for children , which should tell them what is behind the scenes, what is behind this film, what is behind this music, what is behind this song that was created on the topic.

patriotism, although patriotism, well, this is a very broad concept, yes, on the topic of love for the motherland, which and through parents through ancestors through love in general, in principle, to some kind of epic to the human principle, in the end, because form. but when we talk there film special effects are created with the help of new technologies. yes, the creative industries of art involve the use of new forms and technologies, but one way or another, you need to tell, most importantly , a sincere, honest, sincere story and talk about it, because it seems to me that children quickly read new formats yes, instantaneous