that's getting into this concentrated environment. you show your true human inside, or you start to hype, well, right away everything is clear with you, or you remain a person there. for me, this has always been very important, including at the factory, because this is still a reality. what percentage of people manage to remain human? from the point of view of the factory, 50 percent did well. well, you should go. now, if you felt in yourself, here you are, from the balcony, you can’t, it seems, how to look, well, time has passed, and you would began to compete. i'm curious, it's just your personality. if i wanted to sing, then, of course, i wouldn’t just go, i would trample and run something, but of course, i broke off at that moment. i was such a humble person. it always seemed to me that someone better than me would definitely sing. i would probably go if music was my life, but i sing in karaoke

and sing well. yeah, but i can't sing. yeah. that means it's not mine. that's why. i just had my own factory, known. i just came from the other end. and those who maybe not to sing they got to the factory. at our first factory, almost immediately there was a situation where a girl is dangerous at the factory at the first factory, no one understood anything, including the manufacturer. and let's be honest, and now the girl decided that no. it’s not mine that she asked to leave until now we can’t find her zhanna charukhina closed all her social networks, and still doesn’t want to get in touch, and then the fate of some project participants, who later tried to realize themselves in show business, was very funny , something did not work out the way they would i wanted to, because the guys point out a very interesting property that the factory understands how it is a hybrid of a television product and show business. well, that is, as

a television product. it exists for these 3 months that it is on the air and the television staff are doing their job. here they are doing these diaries and concerts of show business trali-wali, but the guys are part of the production centers, for example, the producer saw the artists in action and realized that, probably, she did not quite live up to his expectations, it happens that after the factory at the artists. it blows the roof and then begins ordinary life and then begins for some a period of oblivion. and here is the most interesting. eh, in fact the most interesting factory. it started after the star factory when the guys were already disappearing from our radars and, uh, it's always interesting for me to meet the guys. as soon as you ask. well , well and well, except for those who will already provide answers to these questions. they are always sad or they are, in principle, you know friends. yes, the fact is that there is a viewer's perception for which successful success is

polina gagarina here she is in the opinion of the mass audience. everything is fine. she is the winner of the second factory. and now she is also doing well, or timati is the fourth winner. oh no, he is not a winner, just timati is just at the fourth factory, along with a group of gangs. even in the other finalists there were none, victoriousness, the fourth factory, too. she is doing well. this is irina dubtsova to her ears. well, timati was just at the fourth factory. here. there was a gang band, everything is cool, cool. and look. what timati successful success hiv success but everyone forgets about such a moment that polina gagarina after the second factory. she did not sign a contract with the producer, and the fact that , for example, everything was progressive and growing upwards with yulia savicheva, because she signed it and then she went to eurobest, and then went to eurovision. that's it. here she has such a linear history, and polina does not have a lull in her, then a failure, then a rise, a rise, a rise. i mean, it's different for everyone. what i mean is that not every time

the hero disappeared from the radar, not every time. you can call it unsuccessful. ah, your empathy. yes, you probably had some personal preference, you resolved the conflict . hmm no, not so much, my role was like that. she is moderation between the characters and the viewer. i needed to explain, firstly to the viewer, what was happening, because not always everything was possible 24 hours a day to watch the star house there. and behind the fact that the guys, uh, someone is there, who fell in love with whom, who was in conflict with whom, we even had fights in the star house dysch right hear come here. thousand oh my god, everything happens at all factory ruslan korik against the novel. barsukova no, there are things that are difficult to broadcast from an ethical point of view, of course, especially on a federal channel, but at some point the factory was broadcast on the internet and there were people who normally just watched

their reality shows. well, that is, here a bunch of some plasts are rising. why did this thing eventually become what it became, and there were moments when you disagreed with the producer. well, we always have guys. uh, they tried something called to break the game yulia mikhalchik, in my opinion, she wanted to leave there instead of someone without a tyra, or something, and she rushed to the microphone like that and i want to go like that. well, there they were all so already on such katya. for example, i would let yulia leave, why not? if a person wants, but no, then i'm a producer not allowed. but when khvorostyan fled to diana at the sixth khvorostyan factory, they already allowed it. i thought to myself. mm. okay kamon why one yes to the other no, but on the other hand. it's already different producer, different realities. no, sometimes, of course, that's what the guys wanted to say. well, the tree-sticks on the other hand are the producer. this is a producer. there, together with the channel, he must determine the vector of what is happening here, and on the other hand, because we all really lived in this. in all this, it was

not a game of factory for us. it was everything for us for real, perhaps also that's why it went to everyone so much that people still write in the comments. lord, i'm glad. and remember that happy time when i was little and my biggest problem was there is no way to earn money to feed my family, and my biggest problem was, and that my favorite factory owner was mined. hmm. and you are friends with one of the factory owners. you know , you go to karaoke with one of them, i haven’t been to karaoke for a long time now. and it would be necessary in honor of the twentieth anniversary of the factory , this is how it should work. right now. and that roman does not move anywhere to stop. here, i now sing a song nowhere no more stir. i have something right here, where is my microphone. no, we were not particularly friends, with no one from the guys in e. hmm exactly. now, if we are talking about friendship, but there is this one here , your factory marker, no matter what season you are.

thank god i am in their family, and they are me too, as relatives, i have relative to the guys, the older sister complex is always like that. you can’t get rid of this anymore, i can absolutely say for sure that after twenty of these years last year, exactly a year ago, we began to make a block specifically for the star factory ah. you do it on your social networks. i do it on my social media. uh, i invite the guys, and we remember this too portal to this carefree nostalgic youth but i am grateful for this opportunity to rethink that experience once again, because sometime in this tv race you forget sometimes just to talk, and then it hit me after 20 years. how much interesting stress for the guys, then the nomination was. well, that is, i thought that it was just on emotions, but it’s a shame that you are given and reminds everyone of the scheme, how it happened, the storyline of the factory. and that

this is not only a talent show and a reality show in end? this is also every week at the reporting concert. you have a nomination for producers, and the teachers' council nominate three participants each , they save one. the spectators of the second are saved by the team. and that's who no one saved, he leaves. and this was for the guys. it's just like that, it turns out. here is the decolotuna. i remember my then feeling, but what the guys say. here is the whole truth about what happened 20 years ago. now listen to her. it's such a big psychological revelation for me that i have for me opens the guys up to a completely new side, how they actually experienced it all. how did the same gang stand for each other and how cool in defiance there nominated the radmir. eh, and then i put timati against the joker in one nomination and it was necessary and the team chose timati or the joker and this is one group and in the studio the whole root timati timati's team is also all in shock.

there for whom to vote in the end, i see , it means they choose tim because for me it's cool to forgive at all, but they all talk about it now, what a feeling, what are you experiencing. it's like it was yesterday. if now star factory 8 would be interesting for you to plunge into this life again. you know friends. i think that the star factory is not needed now. i don't. no one can convince me. although i know exactly what the plans are, and start the new season. the owner format has factories. hmm, that is, they are going to do something there. they even hung up a questionnaire saying to participate, but everything had its time recently on channel one there was another show with igor igorevich matvienko and with yana churikov the author was called igor igorevich in this question, of course, handsome. again passers-by. this has already happened with the experience of the factory, everything happened in the factory. you know that friends is

that matvienko has a plaid of new artists. factory roots, and vika daineko , the winner of the fifth factory, is also his creative asset, that is, thanks to the factories, he got half a hundred there. but the fact that at some point igor matvienko felt that the country needed to somehow consolidate the community of writers, because the authors of the sunwriting, they all the time arose chaotically , somehow someone did it better, there some good author makes his own game grading academy. here he teaches people to write new songs hello well, like, here you have a few hits, you sold them for a big artist. here, i'll play cool now. so come on, i'll teach you how to write songs and monetize this cool skill, but the question is, what have we always had? this moment suffered a little. actually , the cut-off idea was that people writing songs all over the country in the field somehow, uh, someone is chaotic, someone has already shown up at various talent shows. uh, and it's just

sitting there in some city writing songs selling feels great, huh? and someone writes, uh, chanson, someone else, some genre, someone writes songs. and it happens with us that one song shoots and everyone starts to fuck in exactly the same style. one hundred and five hundred authors have the same songs. in general, matvey is a man a few steps ahead, thinking, and he decided to collect the authors in some kind of single field, so the author’s project appeared, but what he decided to do from it. uh, some reality show. this still factory sharpened. matthew is here. you will not convince me, and i believe that he did not lose. this is a creative industry podcast on channel one with us, obviously churikova is a tv presenter and a legendary tv star. we are with you on tv with a man from tv in 2023. i thought either that you will still be in television. and what will still exist, and we have been observing for many years now that, yes, whoever watches this

tv has died, probably for the last 15 years. i hear this with enviable regularity and quite stable, but then we rewind back to an era when television was total copper. we recall the film moscow does not believe in tears and the monologue of the hero who says that soon there will be no theater, no newspapers, nothing will be one continuous television. now they say so about the internet there in all its manifestations, that the internet has come and should kill everyone, but in reality we see the situation a little different, given how inert it is. in general, such massive things are developing as the media industry in television is still too early bills are written off due to some technical features of signal propagation due to habits that have been developed by several. it's already real for several generations of people who already associate their

calendar with the goal of vision. and it's so soon e can't be done, that is, it must happen a few. for generations, those who are used to the 21:00 time program should be gone. but on the other hand, when a new media comes, it forms other habits. and, of course, the modern child there can no longer be explained to him, what used to be the program. good night kids, and in the last it’s all, and the child is used to using content anywhere on any device. and this is interesting, how people of these two paradigms can get along on the same planet in the same society. well, uh, of course, i usually don’t really like it when we do some kind of strategic, and planning there, how to develop the industry, is a thankless job, especially when you try it on yourself and think that, in principle, if you celica, then this is it a moment that will be with you forever. no , we are all developing along with the media in which we work, some of us appeared in the era of television. but we already used

the internet there to search for information, and before our very eyes, the internet appeared very quickly there in 2006 youtube, no one knew yet that it would become a new pattern of information consumption so quickly, and at that moment it suddenly became clear that something that we have nurtured in our viewers, but our core. well, at least when we worked at mtv back in that old team there were ninety eighth year. and we told people people, you yourself are stars. you can create and we absolutely believed in this sacredly, because we were so recruited according to the principle, that they say, you are not someone else there, but you are just here, because you want to talk about it and want to do it. that's what you do, that's why you work on this channel. it was we who, back in 1998, they really believed that they were the same, because people were on television, and in that century they thought it was there. not only the gods get there, and i think

so, but it seems to me that it's perfect, that there is something that was said, u on the channel u on the cool youth music channel, that you can also be like us u everything was not taken seriously and now in this parallel reality there are bloggers, for example, who also seemed to appear and become demigods for many. it was they who yesterday were the same as us by and large , that is, this is just a question. uh, probably deeply psychotic and logical socially hierarchical we always need someone to whom we will look. like this and uh, some conditional idol conditional a person's opinion leader the authority that we will trust, on which we will focus the question. where did he come from, if before television only talked like this, it was absolutely authoritarian, and i said that when we appeared we were already there. uh, i'm talking about my colleagues from mtv e, that is , the ninety-eighth dash of 2004. here, i would outline the era like this, when hmm we really were. my own for everyone, that is, here i actually always kept in the depths of my subconscious in

head for me were reference points, the announcers of the soviet era, as the greatest professionals in their field. anna nikolaevna shatilova. i am so glad to see her every time, and to look, when kirillov was alive, he also traced this connection, that is, for him. hey, me and my generation. we were a continuation of this line that they once started, and for me it was expensive on the one hand, and on the other hand, it was a great holiday. and it’s a great happiness that you, that, you were entrusted with the broadcast, and this is still the media here, this is also necessary understand, and somewhere you understand that it's not all here. you may not say all the words that you use on the street with your friends. well, at the same time, you are here and now free. and you are here and now creating. these are awesome feelings. in the nineties, in general, it seems to me, television was happy and blessed. leno, with this creative one, you can create. yes, let's go on

tv, after all. it was the result of selection. all the same, the selection had to go through the qualifying stages. whatever they were. now the entrance is completely free, then it’s a matter of charisma, and so on. it's not. e this one. i wanted to say age , well, in general, in general , listen to this relationship, well, in order to become successful and famous popular, we went through a huge number of stages, grew and gradually and so on. and here are the young ones . and now, they are already millionaires, there are fundamental things. i studied journalism. i tell you now we are now with whom are you masters of culture? we are now in the senile grumbling trying to do. i'm trying to get away creative rumbling. to be honest, yes, i wanted to be a host, i really wanted to, because i’m always like this for dvizhukha

. i need to suddenly realize that at some point , right in the journalistic, i got this vein in me. i became interested in writing article notes, despite the fact that i was all far from journalism. well, somehow she mastered it. in this children's teenage newspaper, the verb there a little bit began to understand that i liked it. we were then taken to the tv. we've seen how well it's done rock program such a youth music television was very interesting, looked. i realized that yes, yes, yes. it's around here somewhere. and when you are a teenager, you are trying to grope, what are you and do not know the answers to questions at night and listen to your inner feelings, some intuitive sensations. it seemed to me that yes. this is where i want to be. but who was not so important, but here, to be sure to dobrich, this was not like that. i found it interesting. how this machine for creating a creative product works. and suddenly i realized that this is what they show us on tv, and then there was still a program up to 16 and older, an absolutely legendary product for young people in general. and i

worked. even we have older. by the way, yes. this was 100 years ago for the senile, in general, roman and we matured two old wallets so normally. i grew up on you. no , really, rob, okay, but when some such completely adult guys in ties come up and say yana alekseevna i grew up on your broadcasts. this is what hurts. yes? yes, pain the pain was a psychotrauma at some point, and then i realized that it’s cool that they grew up so great. the guys, including me, oh my god, well, i want to ask about you you are now and you yourself, here you are, who are you, what are you doing? how is the mission? you have already accumulated so much in the background yes. what is your mission, because you influence people a lot. you are an important person. uh, you are part of the history of a lot of people in this country, but i'm glad

to be part of the history of the personal biography of many. and but i think it's awesome responsibility for me. i can't let them all down now. somehow lives in me, but it's not in any way. it doesn’t constrain me and doesn’t structure, they say. you are the answer. this is my organic. uh, just once with me. i mean, i had my own mentors. i looked up to the people there, who, by the way, did not let me down. and now i love this when you look up to a person, and he remains well done. i also want so i would really like to see those who were inspired, i am my guys my colleagues, they were not disappointed in us, but this is not, let's say, my dominant personality. i see, now including my task to be a kind of transmission link in this huge chain, what do you think star factory our first talent show. let's rewind to soviet television, a chic program. come on, girls, and the allo program , we are looking for talents. well, that is, we are not the first in this chain and not the last. so i see

, including my task, to say, it's always so difficult to explain to young people young people think that and we were like that in the ninety-eighth, without brains at all in terms of the fact that we throw pushkin out of the ship of modernity did not exist before us, absolutely nothing. and now we have everything. now other people are in this role, but nevertheless with a certain amount of errors. obloms of the kilometers traveled. on this path, people all understand that oh no, after all, something needs to be taken from those guys and girls who have already filled some bumps before you. and at this moment , hello young people, my team is completely younger than me. right now , the guys and i are the team with which i make my programs. these are all guys 20+. that's between 20 and 30, who have already gone through a lot in this life. and i see that all i know is me, they understand me. and it's very cool. so, in this i see my mission, not just a mission, but a task. and i am pleased that

these old-fashioned things of mine about the fact that the layout, let's plan the work, let's, and don't forget to sign the contract. this is important, because there is always a legal component, and we write live sound. it also has its own set of protocols. and thank you lord appeared more there do not know the sound directors who normally work with sound. the artists. you think, lord, well, glory to you words. thank you lord, everything is getting better precisely in terms of the fact that the very healthy industry began to look like this podcast of the creative industry on channel one. dear friends with you was yana churikova, tv presenter, tv journalist and in the studio were roman karmanov, director general of the presidential fund for cultural initiatives and media manager, and elena kiper clip-maker and producer.

hello friends live podcast ringtones of my life, i am its presenter valery syutkin today i have a wonderful friend, a time-tested muscovite , a wonderful artist, and he came not alone, but with a team with whom he has been working inseparably for 35 years. we know the name alexander ivanov and next to him there is always a group of rhonda imagine your heroes so that i don’t say invitation igor mikhailovich zhirnov all our arrangements, the whole palette of our music. he is everything, but german yuryevich ivashkevich, our best keyboard player , a man who has worked with all the musicians of the world group and not only that, and even some alien ensembles were captured by sergei nikolaevich voloshchenko. our wonderful

guitarist of our band. we have some of the best guitarists, he is one of the best. sometimes i play along with them, but very badly. you're like a whale, reachers roni wood because when they ask only the youth who is the best guitarist, they asked the whale, richard says, and what ronya said ronin said he's good new let's play shitty, but when we play together, the guys worked that in the joker group you have, by the way, i want to say the chip of the group. and you, yes, what, two very busy sometimes a guitarist too. i play in some bands. and i say nothing, but why is the second there? he, well, as if beauty, yes, guys, yes moscow tomsk tomsk pskov is not, tomsk yurga is the basis yes, harmonic is such a test by a friendly team. today

, my friends, we were lying around, after all, your applause is already, well, childhood, if you ask alexander ivanov, what melody do you associate with your own childhood? that that's what childhood is the first thing you remember turned, of course, these are some first records of your parents and because of various, but soviet cartoons. and, of course, songs from soviet cartoons - this is probably the most important song that is still with us through life , your soviet kids definitely put ours, of course, russian absolute fans of our animation, but one of my favorite cartoons was uh, a film about cheburashka yes, and of course, on all holidays on all birthdays of gena yes, let them run clumsily. let's remember together, shall we? let the pedestrian run clumsily and through puddles, and

let the water run along the asphalt like a river and it’s not clear to passersby in this day is fine. why am i so cheerful, and i play the harmonica in front of passers-by. unfortunately, the jam day is only once a year. unfortunately, my birthday is only once a year on march 3, what is your very first memory . here i have, before kindergarten, i can’t remember myself for four years. that i honestly remember how they swaddled me. i am so yes, yes, yes, and i remember that i was very

uncomfortable. i wanted to take my arms out. why was i swaddled? why did they wrap me in some kind of diaper? it's right there. here is the rock and roll component of svoboda valer and what kind of district was it in moscow sasha and i was born near three railway stations. e, olkhovskaya ottoman and lokhovskaya street, church. here are parents, of course, not musicians. we somehow, well, dad tap-dancing he played the accordion. here mother sang so folk village songs. and so, of course, the professional people worked in the national economy of others and gathered for all the best holidays. yes, with all the relatives, ivanov goes to school, grows up first in a kindergarten. well it is clear. by the way, the first girl. the one i fell in love with was from the kindergarten of the twist channel. it’s not far from the kakhovskaya metro station, my name was tanya tan, and when i

was transferred to another kindergarten closer to my mother at work , there was such a plant near the plant and the metro station on sevastopolsky prospekt. mom was the controller of the oxide department of the shop, they made cathodes. and then i was transferred to this kindergarten. this, of course, was unrequited love met in life. no, i haven't met. tan hello. i remember tan hello. if remember, you know, i also suffer until now and got into such a state, i was returned again. i left a photo. i have always had a child with us. do you remember what kind of summer summer cottage of a kindergarten i don’t know nakhabina, and i’m standing there. i'm in the middle of a gentleman like that and two girls with glasses that catch butterflies in a frame, of course, unique and that's it. the hand was called. i now remember, lena zaitseva, you just said, tanya, i suddenly came from memory. this once again emphasizes that music is the best

first memory keeper. remember the most important thing. here we are talking to you. i i never know in the last half century, by the way, because i was able to share love, yes, then people sang major songs, but since i had undivided love, it didn’t happen to me and tanya at the age of 3, then here are all the songs. i'm sad now. here, well, i would not say that they have you sad waves completely there are optimists hope for the best thing. the main thing is the song, what do you associate. here is the choice of profession youth through which song alexander ivanov realized that he wants to sing, wants to share joy with people in this video. well, first of all, probably the bremen town musicians. and, by the way, there are many ronda bands and your musicians there, very similar to these characters. and this is the desire to tour there to save the princess there to fight. with the bandits to us yes, it 's wonderful gennady glazkov

there is nothing better than friends wandering around the world for those who are friends and continuous anxiety for us any roads are dear to us any roads. there, the discovery of the guys was amazing for me, that it is clear that the first film was voiced by oleganov, and the new adventures of the bremenskys by in the footsteps of the bremen musicians, so i was called slim and hot magomayev there everything is better than the golden sun, but this is yours, remember

the foreign ensemble that we stopped by for an hour. here, i immediately realized that i was fighting. yes. yes, it was a great surprise for me to find out that at first it was recorded musically by the writers, he will look for guitars, then so clearly, the pronounced belarusian presentation of vladimir mulyavin to the team was recognized and changed vocalists and drank. uh, lermont is one of the funny guys. yes, yes, this cartoon is impossible to forget, and from youth, here these first ensemble. do you remember the name of your first band, where it was in school or yes. the first group we had was e at school and a in the ninth grade did you sing right away or at the beginning? i started on drums. yes, yes, they made drums themselves, they made guitars themselves, some pickups were soldered there. here, well, they tried something there, they treated some senior comrade not of their repertoire, what was the gear? well, hello, star is not better than me,

that is, there is a yamkin, i was studying. and by the way, then he played. this is a good video for life me that i knew several songs di disappeared ottseplyan and somewhere in some competitions, when i performed there, that is, ours celebrated, yes , the school, and the name of the group is what or just the housing office number nine was not called the aviary. i remember only the only thing that i had a friend mikhail soles. uh, he had a father invested such a honey family, as we decided to give our first. another powerful concert on the roof of the house, and mishka had an apartment on the top floor, and from there we extended electricity to the roof and gave our first concert. and here we are 30 people druzhinnikov with policemen. yes, everything was taken away from us and the parents were called. we got such people there, well, thank god later, here is michael's father, after all, a man, dear, he was able

to recapture the equipment, but the first concert. that was high. that is, somewhere on the fourteenth floor approximately and naturally. that's the problem. what is the beauty of a conversation with a friend, the opportunity to always insert something about yourself. do you know what my band was called at school, our guitar player is decent for english , he speaks, i came up with the name of killer x it's a thriller. i say, well, you can't go back. and what is it? a? he tells me, excited reality. nightmare then everyone will come, of course, they understood that whatever you call the ship sails like that. yes, yes, by the way, that's really in the education column, you and i can start later already. well, of course, the college institute to listen to the chapters of the phonograph record cassette records dragged me on the subject of listening in hand about the boys of the boys. uh, on sparrow hills to the palace of pioneers. so he didn't pass the audition. but

for some reason they took me. i am where the maple makes noise sang. here, seryozha drozdov, a blue bird. so your first professional ronda was right away, so rhonda is with you forever or you drank some sort of eight philharmonic over your shoulders. yes, our wonderful friend with you, when you had a group telephone, so at first you rolled around the country past nina, yes, yes, here, and then we were right after the arax, when we settled down, and the volgograd regional philharmonic was composed of a group of wind, then the name of the philharmonic remained collectives. this is the name ronda she litvina got in the fourth year. he came up with a name leafing through a musical encyclopedia and called the group so short, but when you answer such a rondon, and what you say is a circle this is a referent phrase and a musical and political prisoner in a circle, when you say it hard, we run in a circle repeating, chorus,

joyful said that we have an endless circular view, horizon well, now the serious question is the melody of love, and i usually ask that you know, this can not be. what are you dancing with a girl with your beloved? it could be that it just makes you maximum. mm volcano of feelings and to stas yes ecstasy. this is a used kurtosis basin. yes, but this is humor, but, and all love . seriously, this is when you don’t need anything from a person except him. yes, i say, in this already m-m category. it seems to me that you can do something of your own. yes yes by the way, i want to do it to you, because if the initial rhonda vanka perked up all these works, and here is the album that you released a sinful soul and sadness in the mid-nineties ninety- six. yeah, it's just the absolute bomb

because it's wonderful thank you serezha trofimovich. he has great poetry, especially about love, but since you missed the best of tradition and uh, sting's arrangements are many. e. soprano saxophone or clarinet is such a dozen petrovich petrovich, there are musicians of the moral code and musical araks, but it was an amazing album by vadim golovin and i think that these melodies of love will coincide with us, because on this album i have, well, directly of the most two pronounced favorites one of yours i have everything favorite thanks for understanding how nice it is to deal with another man, i follow creativity. yes, my definition of the word is an intelligent person who does nasty things without pleasure. yes , and so the melody of love, we remembered the album of the sinful soul of sadness, and there, of course.

the most sensual songs as a gift to a beloved woman with such a generous movement i will lay the sky under your feet, alexander ivanov and the group sing, but he simply has nothing left, so alexander gives everything else a very kind heart. i will lay you under the feet of the sky like a bird, free yourself. i will lay the sky under your feet, just come back, just come back. i will braid eternity into your hair, steel, the sun, i will explode with light, i

will braid eternity into your hair. just come back. just come back, happiness, a difficult time is not a grateful role. you gave me time i caused you a guy? i caused you. i will lay you under the feet of the sky, just come

home again. two such significant songs from this album. that's it, of course, god, what a trifle. i just really can't help but ask you for a little piece. god yes. i see the sky in it is silence. i rise to the sky barely breathing, i suddenly realize it's my soul

without drummers, it's strange. this is my soul, help with your head, when there is such a sky above me and it seems that you can get the stars with your hand, that this world is like you all together god, what a trifle to do at least once. anything friends

and yours and yours yours. bright and very eager to dance. you just blew up the hall different, because different generations. this is the difference - this is the most valuable dear. mom suck, this is your copy, which should be proud. one of the wonders of the world only just

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your friends to tinkoff until june 30 and together participate in the raffle of 100 million rubles. tinkoff he is so alone and hello again, the podcast of the melodies of my life is with you, i am its presenter valery syutkin today alexander ivanov and the group talk about his main melodies. our wonderful musicians. you know, here's a story to remember. i somehow remember. we gave a lot of joint concerts, on the right, not only anniversary ones, but also life, and i remember igor had it, it was amazing. uh, his definition of love, as we talked, and he says that you remember something like japanese, as they say, bitch, yes, the japanese condition of the bucket, it's aimless. uh,

looking into the distance. yes, well, as if contemplating the emptiness in general, and in principle love, yes , you look at such of similar manifestations and understand what is happening, well, something is happening. and i always thought that the best reflection of this state is, by the way, the same song is ancient, in my opinion, 70 no, it is later than the eighty-sixth year, but from a cartoon. yes, it is called white boats. it just somehow more generally reflects this state of the packages, so we are now

jesus pier ships capristan ships cafes are not needed, boats are docking , pine boats are docking, boats are docking. this is shain's man

of small stature resourceful who? guys, with a good sense of humor, there are people who will be able to combine a child's smile and the romanian region together. she had such a small foot and always had such shoes with frayed toes, but a bright memory, and what melodies, yes, and what mountains, by the way, we opened the program with shainsky’s melody for absolutely all sorts. that's genius. so this is the soviet composers who, of course, knew how to make melodies of harmony. absolutely at the highest level, this is our childhood. he really

wants to say thank you to vladimir shainsky. thanks sweet memory. yes and, by the way, for children, a melody of sadness. here is our next such always traditional page. what is the melody of sadness in alexandra ivanovna today is quite relevant here is the song of our fathers, who with milk