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a podcast. life is wonderful with you. i'm alexei varlamov, we'll make a reservation. today we are talking about the remarkable writer and public figure chingiz aitmaty. it seemed that before the aitmat really lies such a brilliant road, a recognized soviet writer, embodied, absorbed all the best features of the soviet era. but, if we read his prose, we will see that there is not much optimism in it. she is anxious. she is sad, she is gloomy. take his story. farewell gulsary, and gulsary is the name of a horse and the main character of this story is a peasant. tanabai buries his beloved horse, how they bury a friend, how they bury a brother, and he remembers his life, too, a very difficult, very difficult life for aitmatov. this

is the accent of the severity of the difficulty of injustice he is very important in his life and gradually in his work he goes on increasing . the story of a family that lives on a distant cordon in the mountains, and in the tien shan, and not far from the lake, issyk-kul and the main character of this story is a boy who faces the terrible injustice of the adult world with the terrible injustice of the human world. then, according to this story, an excellent a film called the white steamer, but a really wonderful film. i have a small personal memory of the main character of this film, more precisely in the actor who played the main role. it was really like that.

wonderful, and the boy he then uh fell out in this film, when he played this role, his milk teeth fell out. and this is such a gap-toothed smile. she will forever be remembered by a million soviet viewers, and i met him. i saw him, in general, in the allied pioneer camp artek in 1977, where i he was a pioneer, and he was such a very small schoolboy, he was there, probably years old, and nine or 10 had already grown up with him. uh, molars. the smile was no longer so gap-toothed, but it was still there. such a cheerful, cheerful child. i don’t know what happened to him, because, apparently, he did not become a professional actor. perhaps this role remained the only one, and the role in his life, but she was always remembered by a million viewers. and, of course, we should be grateful to him and the creator of this film, which is not as sad as a story, but still lifting. for otmatov it was

very important to raise very acute questions of our time. here, perhaps, the most important feature of chingiz terekulovich - he was a truly fearless writer who saw all the problems very well. all the ulcers are all complex. such tight, sharp places e of the then soviet life and although aitmatov was never anti-soviet. yes, he never sympathized, e dissidence, but in 1973, and he signed a letter a directed against the sugar solzhenitsyn and they think he did this is uh completely sincere and yet his prose, uh, his stories, his novels have become more and more sad year by year. and, of course. here is the sadness. she, especially as it seems to me sharply. appeared, and in his

first novel, which is called and the day lasts longer than a century. yes, e. aitmatov called this novel after a line from a poem by boris pasternak, this novel was published in 1980 . uh, in the magazine the world, and it was this novel and its other name, a blizzard stop, as it seems to me, it was some kind of, if now how to throw a glance at the history of soviet literature of wonderful literature, the sixties seventies eighties. it seems to me that this was some kind of peak under censored literature, because aitmatov, as it were, this proven soviet writer, the winner of not only the lenin prize, but also the state prize. he was allowed to say more. what was allowed to others. bring this novel, and in the chapter to censorship. uh, another writer, most likely this novel. they would have cut down, but

it was difficult for zara aitmatov and roman broke through. and, of course, this novel is absolutely remarkable in its idea, and this is both the theme of the past and the theme of stalinist repressions, which sounded there like a semi-closed taboo after solzhenitsyn a theme, and it sounded absolutely open there. yes, the arrest of one of the heroes of the children separated from their father. uh, at this half-station where the action takes place and it is obvious that the image of the railway. let us remember how aitmatov saw his father for the last time at the kazan railway station. this is the railway, as a symbol of the people's grief of the people's tragedy, when exactly on the railway millions were taken to the gulag on the road, and soviet prisoners are here in this story. it sounded so hysterical, so tragically so scorching, that at that time it was the first thing i read whitematov. i incredibly believed this author felt great. and trust. and further

. this is the movement of the plot in this novel, those who read it remember, of course, yes, the main character is a peasant and digay. well, a working peasant, actually. even more likely yes, because he works at this half-station exactly as railway worker. and here he is going to bury his older friend of his mentor. ah, the old cemetery. but when they approach this cemetery, it turns out that the cemetery is surrounded, that is, not the territory itself. yes, around this cemetery is surrounded by a barbed wire fence, there are sentries who do not let this funeral procession pass. a and. a. this cemetery is generally waiting, apparently . it will be destroyed and the protest of the author is the protest of the heroes against this course of history. yes, when, due to the interests of technocrats, yes, in the strength of interests, but the people who represent

progress. scientific and technical, but tradition is sacrificed, it’s very interesting how it changes here, but it’s like aitmatov’s trick, if this young mat is rather against tradition, and he welcomes, he longs for the onset of this new world, then aitmatov, already wise by experience, look at these things otherwise, it is tradition that, it turns out, is important for him about the onset of this new time. he is afraid because he sees what this new time brings to people. it is by no means good, not light, neither peace nor love, but it brings people a threat and from mats. here, by the way, it becomes very typologically similar, very spiritually close to such a wonderful russian writer as his brother, as valentin rasputin a in the story a by valentin grigorievich farewell to materra. but where is the construction of the dam destroying the village and also destroying the cemetery. actually

rasputin from this. it begins, but rasputin's story came out a few years earlier, and aitmatov, as it were, picks up this rasputin theme and the voice of such different, but somewhat similar russian writers. it was the voice of the then soviet literature of literature, which, as it were, sounded the alarm and called on people, called on the society to think again about where we are moving. and this theme of the movement is not only the soviet country, so it has always been a writer. very interesting. yes, on the one hand. he is a kyrgyz, he is a representative of this small people, but on the other hand, he writes as a russian writer . he is a soviet writer, he is a world writer, he always felt in himself. this is, as it were, a connection with a small motherland from a large motherland and itself our land is a great homeland, and therefore, it may not be accidental that such a science-fiction theme invades aitmatov's novels. and the heroes

of this story, where there is a past present future, where there are ordinary people and educated people, and service people, and soldiers a and animals. yes, they are also present in this aitmatov's world in general for aitmatov . this is the unity, er, of man and nature, and such very difficult relationships between man and nature are also a very important thing, but this is not enough in this story in this novel. more precisely, yes, and a day lasts longer than a century, as we remember, but aliens appear. yes, there appears such a powerful fantastic storyline related to the fact that two cosmonauts are russian and american. and, as it were, without the sanctions of their leadership, such as the soviet, such an american come into contact with an extraterrestrial civilization, makes such an excursion to the planet forest breasts, and on this planet. they

see completely. another society is a completely different world order, this society is fair, this society does not know the warrior - this society does not knows evil, and, as it were, the thought that is whitemat's. it is that it is necessary not only to build socialism there, to destroy capitalism - these are all dead ends of human development, and both must be completely changed. it is necessary to completely transform the earth to change the nature of human thinking. and here is such a utopian beginning, which is more common in people in their youth. it overtakes aitmatov already a man. wise already, probably, there killed with gray hairs, but nevertheless for him. this is indeed a very important thing. we continue. this is a podcast of life amazing. i'm alexei varlamov with you, and today we are talking about a wonderful writer and

public figure, chingiz aitmaty, of course, roman aitmatova. and the day lasts longer than a century, and it sounded unusually courageous. yes , incredibly bold. i would say provocative in the good sense of the word, and in that distant year of 1980, the moscow olympiad, when khrushchev promised that communism would be built, but instead, uh, the country was actually already on the threshold, and very big and very tragic, but change. a i this novel by otmatov came out, which, of course, became an event not only in literary, but also in public life, and i remember how such a wonderful editor of the new world a natalya mikhailovna doltova told me, what, when did the novel come out? then in the early days, everyone just took all the critics of the review into their mouths, because no one

knew how to react to it. still, everything was read. yes? such is the direction of the ideological orientation of this novel. she was completely outspoken. she was not covered by anything, but then she came out article in the newspaper. true, where roman was given high marks. it was declared difficult, but, nevertheless, such an achievement of a remarkable soviet writer and aitmatov's work continued his writing destiny and his next wonderful novel came out. eh, already, well, in fact, in other social historical conditions. it was the year 1986, when soviet literature was the best representatives of soviet literature. in essence, it was they who opened the era of glasnost and perestroika. yes, from a political point of view, mikhail did it sergeevich gorbachev but it was the soviet writers viktor astafiev in the sad

detective story. and valentin rasputin in the story of a fire and chingiz aitmatov in the novel scaffold by critics, then they called these three works a trip by the first letters, and a fire is a sad detective and a scaffold, so it was chingiz aitmatov in this novel, again began to raise the most acute social issues, issues of terrible the injustice of soviet life, but the question of energy addiction questions of violence are questions of defenselessness. and people. these were the years when literature sounded extraordinary socially. these were the years when literature, as it were, showed readers , remember the titles of the future film by sergei govorukhin, it is also impossible to live, but it was russian soviet writers who began to do this and chingiz aitmatov was one of them and essence. it is precisely this period, and the seventies of the eighties, as it seems to me, was the pinnacle, and of his work, and to the collapse

of the soviet union, the events that followed in kyrgyzstan itself, but about. chingitarekulovich had a difficult attitude and the time was difficult and his roman brand cosandra. published in 1993 in the magazine znamya and his social activities, he really did a lot to ensure that those ideas that sounded in his books, these ideas, but really tried to change the world, he was, uh, the creator of such a forum of world intellectuals on the lake uh , issyk-kul, and his really, wonderful public activity, the activity of a diplomat in the nineties, he worked a lot from obscenities, and in e europe in luxembourg in belgium a anxiously followed what was happening, and she his homeland and gave a lot of interviews. eh,

i was very worried. uh, for what's going on in the country this too. such important, and milestones in his biography, which still require reflection. and maybe what he tried to stop the altmats, what he called on people on both sides of the split world split back and east, the split population south, here he is, who dreamed that humanity would really be hard, but as a single family, but managed to defeat her sores their contradictions. this really still requires reflection, but for sure deserves a huge thanks. he died in 2008, not having lived a little before his 80th birthday. and, of course, this was a huge loss both for world

literature and for russian literature, of which he was a part of kirghiz literature, and which he greatly appreciated, with which he was connected . his fate lies in the fact that they buried him according to muslim custom, they buried him in the cemetery next to his father, so they united two wonderful sons kyrgyz people and tariko aitmans. it was a podcast life of wonderful. we talked about a wonderful

writer public figure genghis matt you were the leading podcast writer alexei orlov hello this is harry's podcast by fire, i'm its host denis gorelov with a tale about the main premieres, last month some of the films that we are reviewing have already become a bit of a thing of the past, but nothing special. i think that's why it didn't happen. so hmm on the program today, and the stories about the series spy uh about our intelligence. uh series uh operation neman about our counterintelligence. uh series. hmm half an hour before spring, and songs and hmm picture from theatrical release picture call. and it was judged that the call was made by the first channel from it itself. and let's start ah. the idea of ​​painting is a challenge. e, was born to konstantin esta e, at least 30 years ago.

at least then. just then. the first time i heard them, the plot revolved around the fact that the first cosmonaut of the earth, yuri alekseevich gagarin, did not actually die, but was removed from sight by the decision of the polishers and now 25 years later, just in the mid-nineties, he was allegedly found in distant imprisonment by the already elderly gagarin, and the young reporter performed by natalya was a completely convertible actress at that time, and after shooting playboy and conducting the oscar ceremony, therefore, uh, she could well act as a certain decoy for the western audience. uh, the very idea of ​​gagarin was needed to attract foreign investors at that moment, our budget was quite full of holes and without some kind of foreign aid it was completely impossible to raise the space topic, and investors could only be attracted to

a single familiar surname. this surname was gagarin the main plot. a new picture, e became work in orbit, and our space crew, whose captain at the time of the spacewalk is injured by debris. ah, a downed satellite. and ground him uh hmm in general, with the preservation of life, it is almost impossible to overload an injured person. you see, the decision to send our doctor there is won by the surgeon. uh, julia peresilts plays this very heroine and goes into space. uh, as a matter of fact, both the heroine and the actress , together with the director, are stigmatized with a lisp, and in this way it turned out that russia not only sent the first man into space, the first dog, the first woman. now we have sent the first filmmakers into space and upheld our line of space priority in everything .

baikal baikal, evil tongues, of course, said that it would be better to spend this money on pensioners, but we didn’t have any lump-sum spending at the current moment of the picture, we just entered the double payback mode. that is, in fact, the full paid off completely, because the cost of rental is equal to the cost of production and in order to fully recoup the budget, and the picture needs to collect these same two budgets. now two budgets are collected. everything, in general, is normal in the film. hmm, on top of everything else. e, a quote was used, a fairly famous picture from the history of world cinematography, and

few people remember barbarella's film now, but in all e encyclopedias of popular cinema. you will definitely find a photo from this barbarella film, where e hmm, a french director launched his next blonde wife into space. e jane fund, but exactly, just like we sent the first dog into space, the first woman of the first kemetrographer, and one of our faces, by the way, a former compatriot. vadim nephews. e, launched the cinematic orbit of his regular ones. he is blonde. at first it was a bordeaux breeze, so it was a catrine, and finally by the year sixty-eight. he got a new wife, jane fonda john, he changed like a glove and made everyone pretty famous actresses, and mean nothing strongly in this picture there was no climactic scene. u-e happened right on the credits, where e for some incomprehensible needs of mis fund. uh,

doing a space striptease in zero gravity. e, flying along different e, bulkheads of the ship and quietly, dropping from myself. e, one piece at a time, e sending them in different directions, and the times were monastic american cinema still did not allow nudity on the screen, despite the reputation of extreme depraved cinematography, the usa allowed themselves a completely naked woman on the screen only in the seventieth year, and therefore at the moment when the last rag was supposed to take off with miss funds. she, for all sorts of reasons, berry places, space credits went. like a fig leaf. but hmm , they still didn’t divide her to the end, but something similar happens in the new picture, where yulia overpowered the day before. carrying out an abdominal operation, e-e changes clothes right in the air. e hmm with hair flying and in general a clear feeling that this is a hello to a picture

of fifty years ago, uh and actually crossing out all kinds of erotic feats. uh, jane funds. uh, that moment , after all, it was all filmed in the pavilion. it was an imitation when the same stripping occurs in orbit. eh, of course, he is no longer dancing against him. no one script actually completely mirrored our uh old picture of the blockbuster crew uh, because everything that happened in the crew. and during the catastrophe in the air it was an absolutely unbearable blizzard. uh, the screenwriters of the movie great screenwriters frit. we decided to shift the viewer's attention to e, personal relationships with all of each of the pilots. and all this was made. at the highest level, it attracted real universal attention, and the then critic remarkably wrote that the soviet pilots defeated the elements, because one

had a daughter, the other had a wife, the third had a lover, and perhaps an exhaustive presentation of the plot of the film, the crew in the film call. everything happened hmm in general, let's just say, on the contrary, and everything that happened in orbit is full of such hmm frightening let's say it's authentic. uh, everything that happens on earth is still, uh, such sentimental conversations or sensitive aunts, firstly, the heroine yulia apel, and her husband crashed in a car accident, and she is full, and he doesn’t have any sense of guilt for the fact that she survived, secondly, her daughter is in the senior class, she stuffed her classmate’s face, the classmate ended up with her daughter the prosecutor, the girls are shining a real time, and if the mother had not flown into space, then the girls would have been behind bars in the third place with the girl and, in fact, with her mother, and the grandmother, the heart, says that

her daughter flew into space and sits in orbit is completely impossible and unacceptable. a that's why, uh, i have to talk to my mother on the phone from orbita uh, simulating a business trip to irkutsk uh, exactly at the time of the cavity operation with broadcast to the flight control center. uh, the impossible blizzard but still impresses many. unfortunately, ah, there were many motives there. quite predictably , it was quite clear that when the vile prosecutor received a call from the very top, he would certainly stand up quietly and cautiously look at the photograph of the supreme commander-in-chief, which hangs on everyone prosecutor, which he did was quite accurate. it is also clear that when as the commander of the ship. uh, hmm offer at the moment. e anesthesia falling asleep to read a rhyme, that is, all the millions of verses written in russian, he will choose a rhyme. i found out that i have a huge family in it

, a river or juice in the field of each spikelet, and it was exactly this poem that he chose, but i must admit it frankly. uh, all those 35 minutes of useful time that are on the screen, and the included films were shot in orbit, completely cover all the jambs, uh, committed by the screenwriters on earth. and when? the heroine has an overload in orbit, then in general it is quite clear that this is not just an overload of the heroine, but possibly also an overload of the actress, that she urgently needs to sleep in a hammock in zero gravity when she dives through uh, space passages like shrek in the air. just like in a submarine , you can see that all this is seriously exactly the same, in general, it becomes clear. yes, what a difficult task is abdominal surgery. uh, upstairs, when any scalpel tries to fly away. fuck knows where and just like and all the bloody drops and dressings.

and all this, in general, is very impressive. and those who missed the picture, i do not recommend skipping this picture, and at the moment when konstantin erts headed channel one. his first action was, uh, a portion of a package of public service announcements, 10 uplifting commercials trying to bring the nation out of photographs , quite, frankly, the great depression, a in orbit out there in space flew, vladimir mashkov and nikita mikhalkov played cities and argued mikhalkov said he said that the most beautiful girls in samara a. mashkov said that the most beautiful girls in novgorod and the most beautiful girls ended up in pskov, and they overpowered them from there. as for mashkov, he apparently decided to loop his space relationship

with the first channel, and in the film the challenge played the general designer, too, very well, he was seen on the spot. and in o, that package of ads , uh, after each video, a separate one appeared. uh, uplifting slogan. oh, he himself the title most important was the slogan everything will work out for you, and you were written with a capital letter. uh, we can say that in fact everything worked out for us, but the film fought back. eh, the film clearly entered the history of cinema, and in belgorod , where i just returned from with posters. uh, the call is hung all over the city. eh, right there in the center. there is absolutely not overpowered, and in a spacesuit, milos bikovich. of course advertise this picture. they can only be their actor, but on the other hand. uh, serbs have always been prone to the varied gypsy shohimakher. we grow them for it.

everything worked out well. i remind you that the fire podcast is with you and i am its host denis gorelov with a story about the sirial and cinema novelties of the past month, the next number of our program is the series spy ah, a picture with sergei bezrukov in the title role. and what, in general , quite seriously determined the perception of this picture. the fact is that, m-m, many of our compatriots experience a completely irrational dislike for this artist, reaching hatred, while everyone is watching. please note that, uh, all the pictures are with hated by the people without arms go very well, and the peony also went very well. and often, under hmm, such an irrational hatred for an artist, many try to bring at least some logical basis. they say that he is a bad artist - this is not true. yes, sergei vitalievich is a good artist in the picture,

it turns out to be absolutely on the spot, and the picture is dedicated. uh, to the fact that a-a of fsb analysts , after 20 years of impeccable service, a-a, is retiring prematurely. uh, his name is captain rybin, uh, but uh, at this very moment, when he is finally preparing to sit to calmly catch the line at the dacha, and suddenly, it turns out that he is not rybin at all, that he was, in uh, in his time , infiltrated into our reality by american agent u, sent as a schoolboy and introduced by u through the assistance of the cia embassy residency in moscow to our fsb agencies, uh, left by a sleeper agent. and now it's time to reopen it and make it work for its historical kind. at the same time , agent uh, over the past years already uh, somehow

got involved in the new motherland, got married, raised the daughter made friends and so on, and obviously he quite likes russia and in the coffin he saw his america and does not want to work for it at all. but at the same time, open up to your own. uh, new friends, the employer can't do it and just uh, like that. uh, specific uh, slightly predatory smile with absolutely icy eyes characteristic of sergei bezrukov uh, she absolutely saves him here. he looks very convincing in the role of a double agent who does not want to be a double agent at all, but wants to be the son of his new side of russia haters picture. e. they immediately said that a, firstly, a hmm, it is impossible to become a scout on the initiative of an enemy spy network. and we do not take initiators. this can be answered, of course, that the cia embassy residence, which introduced the hero in our rear, knows more or less well

. hmm what qualities should a potential seeker have? fsb positions and where to hang out and what faculties to enter in order to loom in the eyes of fsb recruiters ah, then the haters said that captain rybin was too i sat in the captains. eh, but here you can already object from the point of view of russian classics. eh, it is clear that captain rybin is like that. uh, a paraphase of the classic kuprin headquarters of captain rybnikov, who was, uh, a barrier in our armed forces by the japanese general staff for a long time sat as an inconspicuous clerk on documents and passed on all the secrets of our genebab to the japanese, and in order to more or less smooth the topic. uh, already in the second series. eh, captain. rybnikov is assigned a lieutenant colonel. call jump through two ranks so that the people finally calmed down. as for the quality

of the picture, i can say that this is perhaps the first, decent, intelligence picture taken by us in 30 years. ah, which, in general, is probably not surprising, but the fact is that soviet cinema about intelligence activities about special services is all the same . in the german rear by colonel maklyarsky, and the script. uh, residents of the fate of the resident wrote mistakes under a pseudonym and shmelev and the east. the head of the entire counterintelligence of the kgb, general gribanov and the head of the smersh fleet, a colonel petrachenkov. uh, it was written on thin ice hmm by the curator of the partisan movement , colonel bryantsev, and besides, uh, even the pictures were not shot.

the kgb officers, uh, 17 moments of spring and dead season , were still written by people who were very seriously close to, uh, our intelligence counterintelligence office and people who knew the nuances of operational work very well, and after the collapse the topic of the soviet union was actively flooded with amateurishness, a huge number of films were made in general. all these optimists are amethysts, uh, spies number one, there, etc. etc. and hmm, in which it was clear to the naked eye that the authors understand very little about operational actions, a and b in general are amateurs. what can not be said about the script of the film. eh, oleg timoshi's spy is not there to such an extent that it even arises. eh, some. uh, some some interest in this surname and some doubts timoshi. shawl, he's really

in fact, in the film, the most ordinary operations within moscow are provided at the highest level of uh secrecy with the introduction of new new names in the traffic police database with the blocking of security cameras. e s. well, with many things that only a professional can know, and accordingly, and hmm, upon careful study of the screenwriter's profile, it suddenly becomes clear that in the network, despite the seven scripts he wrote. uh no, neither his patronymic name nor his photograph can be at all intelligible information about his life and biography. uh, and in general, uh man. eh, more or less is in the fog. eh, perhaps this is an accident, but i wouldn’t be at all surprised if under the name timashedshim a cadre employee works for himself, who sometimes decided at his leisure.