he says, you write, i say, and the man, but it passes in a month. you know several times there was no comes and says there was elk says, you understand that nikolai kolyada is a miracle worker. i need such a kolyada yes, it's good we have such an ecoda theater, i'll try to imitate, look. well, i have a different impression. hmm, in moscow we have in moscow. it's fashionable, it's cool. young faces. we are talking now, after all, about sverdlovsk and yekaterinburg, what kind of cultural center is this? so you got him to me, in general, young, apparently, age. yes, and there dmitri as you say, passionate explosions are so beautiful. yes, in the eighties, we formed dances. rock learned pompilius, pompilius, we have artists. many famous appeared balabanov appeared ural drama. here's the one i'm involved with. as a matter of fact, a lot of things i am very students. why did it work. but all

the roots are from there. here, take it. for 30 years or more, everything has been going and developing and moving from there. from what i don't know. and how did it happen that i was in the theater institute of the city of yekaterinburg began to produce one after another, and not a single playwright produced playwrights. uh, at an elite institute for 30 years. that's at least some kind of call, no one was released. do i love this institution? god bless, i studied there myself, but in 1989 i graduated from then. i don't remember a single playwright. where did dramaturgy come from? it's a very crafty profession. it's kind of a nest. yes, these are some kind of roots, this is some kind of atmosphere, which means that there is something missing in moscow. e people, but there is not. you see, some kind of black earth with roots. well, it's true, i still, uh, lived in siberia for 7 years, therefore, you can't fool me, what kind of black earth is there. these are industrial mountains. children are not from yekaterinburg, children there who come to me to study, but paw. tugulym, you know

, there are such cities, kamensk-uralsk, artyomov, industrial cities. so they know life firsthand something other than terrestrial, some of their own lives, perhaps, knowledge of life of some other little bit not invented. well, in the years of the institute, too, uh, muscovites. not enough we will generally compare, but still yekaterinburg is something special. we have a museum worker, who knows who reshetnikov is. no one knows with us everything is forgotten. we have a second-rate writer in russia in general, yes, but my mother’s bek is also considered, as it were, well, also the second nargisovich, but reshetnikov’s name, like dostoevsky, is already a lot. well, yes, he is fyodor mikhailovich well, look, uh, i have a hypothesis. why were they forgotten? the fact is that in soviet times it was read as an essay tradition. here it is directly conducted with realism communism, therefore, following the physiological school, janitors and organ grinders.

they were given there and grigorovich immediately go like such uspensky brothers nikolai but who is their gleb artril novikov-surf about mining on the great booty, who is their other story, another other different, yes, we emphasize, but i mean that the essay writers of the sixties of the century before last the two brothers of the assumption , nikolai and gleb reshikov, were too far ahead of the soviet era. sleptsov da vladimirovich that's why they didn't rebuke herzen so much they tricked chernyshevsky so, in a word, we also do it in such a way that the ural territory is famous for its talents, which, well, as if effortlessly live, yes, black earth from the earth. they don't strive for success. they do not move the capital. they don't take. he moves quickly. it gets lost very quickly. but i always say, please don't go anywhere. stay home. well, the urals, generally speaking, is a very differentiated place. forgive me for this foreigner. the word there are several

areas, thank you but, in the sense of literature, there are very different people there, the late macanin colpide. yes, there is powerful, yudifovich. leonid abramovich you all know no. no, of course, but nikonov nikolai grigorievich what a great writer was? i've now written a play on great motives. uh, books, his vestal, wrote a play in the theater of satire sergei gazarov will have to stage hoping, because well, the name of a completely forgotten brilliant writer. i worked in the ural magazine for 11 years as the editor-in-chief, nikolaevich magazine came at one time, absolutely small circulation , small. uh, the library is going on now 87 darnay number. yes, it's the most famous. yes, the famous sasha ivanchenko was wonderful. where did the magazine go, by the way, you understand, comrades, let them say they read it. such work is not

said. well, if i find out something, we 'll have dates silver wolf on sunday at first try to find the body of volga senior. i wonder how i will send the question what where when here paws here i am dmitry bug, the host of a literary podcast. let them not speak, let them read, and my guest is a play directed by the director of the kolyada theater nikolai kolyada and now now comes our middle. eh, i think not. we are finishing. only the first part of nikolai i will read a few lines. usually i

read from a book, but here is an abbreviated text. uh, with such excerpts, it's just that it takes less time, and from the cherry orchard from chekhov's boring dramaturgy is my favorite, because with the cherry orchard i'm borscht to say i've been sleeping with you for decades. i love this play. and so, uh, as we, of course, remember, and whoever does not remember will now find out and immediately forever that the motive, the hearing is very important there. motif of hearing that hears further. what is it, maybe there are not hearing firs who speaks the day before yesterday. a tub somewhere in the mines well, in the uh of a broken string, finally, the most mysterious incomprehensible symbolically loaded, but here is the jewish orchestra , which can be heard across the field, but it is very important that literally from the first lines this motive of heightened hearing changes absolutely everything in that reality, which chekhov offers us

in his last play. here is a start with small ones. uh, the train came in lopakhin banknotes. thank god, what time is dunyash. soon two lopakhin is already lightly extinguishing the candle, how late the train is for two hours, at least he breathes in and stretches. and what a good fool he was, he came here on purpose to meet at the station and suddenly overslept, sitting, fell asleep in annoyance. if only you could wake me up. i thought you left. he listens, now, it seems that lopakhin is already on the way, he listens, no, to get the luggage, then, yes. everything, how many meters are there to the dmitry vladimirovich station in the theater. i saw and i will say, yes, i’m not calm, but you didn’t read it. i really i'm glad that the theater is starting in our country, but what about how it's staged? we know it was

goodbye, i'll tell you how to shoot, when the whole room is sleeping on these words. i'll tell you, but without a hall i should not sleep, but sit like this on the edge. yes, of course, do not fall with pleasure, because these people. eh, what do they hear? it will remain far away. she's not in the yard. uh, domra nevskaya yes , he will get his luggage, then, yes, all uh, my father, he really was a man. and here i am in white vests and yellow shoes with a pig snout in kalashny ryad. only now the rich have a lot of money, if you think about it and understand that a man leafs through a book read a man. here is a book, i did not understand anything, i read it and fell asleep the soul of a dog. they didn’t sleep all night, they smell that the owners are coming, well , the dogs don’t even hear aloud, what is it that walks with their noses and the infantrymen lopakhin? he listens for the fourth time and indicates to us that it seems they are coming. well, then everyone goes right across the stage,

i'll show you the famous scene and tell you how bad directors are. this is what good directors do. i go to the cherry orchard. there everything is completely different alcohol director - it means that because of chekhov he listens. this is how the curtain opens. so, and there ku-ku -ku-ku, that is, it was. why yes, yes, yes, then it means dripping so caps cap-hop, then shovels, talks about the ocean train cuckoo. ku-ku bubu, thank god, and so the whole performance is possible to die, because he gave it all. what to do? yes, the whole hall is doing carols together. so forward sleeps, then back. they sleep terribly. it's impossible the door opens and everyone yells, lyuba is a russian spit honey cossacks.

they are waiting for all the domestics waiting for her joy. she comes from paris that's how the situation is don't play. they are bloom, bloom, bloom. you know what bubu and that's it. will it be on the next tour? you don't suck. i don't know, but i'll definitely tell you. i have a very cheerful tester, but in the finale , lopakhin never really cuts such a baluster with an ax. this is how chips fly to the last row in the center of the country so scary. so scary, god scary. i didn't understand, at the end it's scary, because the audience pays money for tickets in order to cry there at the end according to the covenant of power. why are you laughing? yes over laugh at yourself. i understand. that's all. well , after all, i generally like it when they laugh laugh laugh later. god, god, god, we believed him. we thought that it was kolyada the clown skobaroh, chatting something there, it turns out that my next question

was just that. you all mixed it up beautifully. the next question was just, well, about the style, about the principles of the kolyada theater, but now i will very sharply, sharply move it away from me, because well, chekhov is simplified by this oblique and, uh, with these dances of bari, there is no this schoolboy seven. no, look what you see there what's in the text before your uh, scene. uh, in which the text does not need a soul there. now i'm going to faint, there are shovels. well, they love ranevskaya. yes, this is not a word, but for some reason i came here. yes, there dunyasha say that the infantry in the proposal did to me. eh, everything is absolutely tied up with this whole system. as we now speak and fall all this is done. it's interesting, in the audience , dmitry well, tell me, even my story likes it doesn't give a damn, doesn't know at all

about me in this case. tell me, i 'll tell you tonight. tell me, you are a skullcap put on and cease to be a director, as it were, yes. in fact, it would be a director who pays salaries and counts money. this is how dunyasha is the most subtle. chekhov's is that the sound reaches the layer, despite all applications. you will explain this, i understand the artist will tell me he is brainwashing me. i realized that this is the best director. put on a couple of sails, i'll tell you. oh, what a clever girl, my god, what is being done here on stage. that's the main thing that i did in any way. and what am i doing our interlocutors. uh, after the end of this the program is changing chernyshevsky, that is, nikolai kolyada becomes a tv presenter. i'm going to direct. this is the main result of our conversation. and now, nevertheless, explain to such a skeptic and

layman and not a director and not an actor, but, but a person who believes that the text in general , they very often need to be performed, explain what kolyada theater is not in the sense of an institution. and in terms of style, everything is possible in the theater. want what you i paid in 2 seconds do not need a technician. yes, i’ll laugh, yes, here you are a student teaching technology at school, you know what is there technique, acting is. it's all playable add-on set-up event, god why the belt thank god? and the soul is quiet, wait. give. i say, but sincerity can never be played in the theater, either it is there or it is not, goodbye. here in my theater, forgive me. i say goodbye to sincerity, real, and i achieve this, if this is not there, if this is not there and there is no sincerity, everything is everything and everything. the rest it doesn't matter, but again it was

a bad word to argue with you sincerity. i've already started to get so wet and calm down, i think, well, no. we'll deal with it now man. no, let's not go. i work in the citadel of konstantin sergeevich. i adore nadezhda petrovna alamanov in the great brilliant fashion designer, and suddenly i began to write a play, but because she did not leave in the seventeenth year, she was a supplier. ah. yes, they let me in. so, when we were on tour, in the museum of em hut, and i looked, everything connected with it was left there quite a bit. here she is, she said before she died. eh, i'm probably going to die soon. i have two drops left, though without a name, my play, chekhov and sterbrod or their bitches. a number of jokes that he said to this book that you're bitching your stern or two drops? yes, two drops, even though i wrote a play where she writes about stanislavsky hmm and does not

say, well, i came up with, i'll come, this. these are the worst words, because, if you look at the great stanislavskys, they turned the icon into an icon, our icon is again asked by people dmitry, can you imagine he wrote a book in the thirties called my life in art. now, if you're any of the actors now from the playwrights to the directors. would you write mine life in literature, what would happen to you. what kind of arrows would you understand, and he allowed you to do this, he considered himself to be gods during his lifetime. lord, forgive me, lord, and i did not write her name lomanova on posters. although she makes costumes for him and wrote. i pretend to be quiet. it actually rises in me absolutely not. you do not rise such a terrible anger uh achilles sing, yes , goddess living to turn it into an icon

is impossible. look monsieur. see what's the matter, i repeat sincerity. if you let me agree. and what i like, what you don't give, a very bad word, because no, but sincerity. i sometimes see my wonderful talented guys on the set of tv shows. they say, so i only tell you, so go further against. yes they love it, no it's not at all after a few tweaks. eh, events and so on, you know what konstantin sergeevich says. he says that nothing can be played. you tell me that everything can be played and i will pay. now says kolyada yes, now i jumped into levitation, i'll do it. uh, stanislav how did i do it? you see, look, it doesn't matter in terms of broadcasting to old ladies. yes it's good. yes, russian grandmothers, grandmothers, grandmothers, idiots, you said. but look what sergeevich says , my most beloved person to any horse. i love young stanislavsky and so on. he says that you won’t play a damn thing if

you don’t grow it in yourself. it’s all about, that’s why it’s so small, maybe the actor is suspicious when they play a lot. yes topic speak for a very long time. let's understand a little bit, i took you away and therefore, i will send a play, two drops of koti, she is small, 21 pages and read what is there. a lavanova, as i imagine, because i studied a lot of everything that she is stanislavsky. and chekhov, whom she met, says, i understand now let's finally talk about your prose, here i am from your fat a few months, probably already ago yes, i received this book, very funny, good cover. i like this carroty pleasant carotene color. these are our artists. katya kaluzhnikova also wrote to the request. i speak, draw me, katya, an izhebike. we are his cat. i found it on the concrete goods, as if we were looking

out the window on that one, turn it over here, uh, from the other side. i understand, yes, we compose sad stories here from the back. yes, look, well, uh, i really liked it. maybe i 'll give you such a cheap compliment. i really liked it. it's simple and it's hmm quality and uh real. although it's a strange compliment, because there are so many now. unfortunately so kind. it's just that it's easy to learn now, but you haven't learned from you. a you, well, from the earth from the black earth write all this, and i know the truth to tell you. i love chekhov the narrator. i love it and that's why i don't. well, what are you, bishops, the last student in the ravine, this is all this in general. space is unthinkable. it's unthinkable, something blew an empty bottle when they were sitting there by the fire, and she came up with a dead child and

said, i'm not a wizard of some kind. i forgot when and got on the cart and go. they are taking her, she is holding her. this is a dead child. look, well, it's impossible. it's scary to read. it's not just scary. this is this written. simply simple, but the heart is breaking, of course. i wanted to forgive me. lord , it's great to be like chekhov's narrator, and now the second book is coming out called don't be sad. i want so much that people who read my books or there you look to calm down somehow. e tell comrades everything will be fine. wait, i'll take a look. here i just don’t know what will happen in the second one, but i have an hmm impression on this book. uh, that's what uh, but this uh, contrary to dramaturgy , is absolutely not theatrical things, because there no pointe. there is no connection there. often. yes, there is, uh, some kind of story. well, the girl

saleswoman meets some guy, fedya yes, for example, and now she is making some plans , thinking about how to kiss him. but i can't. yes , all this is written with a big soul and does not deceive her further, does not take her away. everything will be fine. i want you all to believe that it will be good, but look at others, but in other things, and where it starts badly, everything remains bad. yes, there, it seems to me, i just see this is such a physiological sketch, because this is the solution. yes, this is fedor mikhailovich c-2. eh, well, well, i don’t know, even besides the tv presenter, of course. what exactly is waiting for you. after today's graduation , what other talents will open up for you, but uh, in addition to the director, actor, uh, director of the theater , artistic director, armature, cleaners, cashier, main ballerina, main ballerina

costume designer. uh, the set designer of you, of course, uh, hmm hasn't opened. and i discovered for myself. eh, the talent of a prose writer is e beautiful. well, actually, er, under completion. i will ask the question that uh, actually, in my opinion, which , thank god, you completely crossed out. hmm uh was the designation of the theme of our program. so i wanted to ask you, and the author's theater, how would it have a future. today it is possible, but our listeners and interlocutors, of course, know that now, uh, we are in the transition from the repertory theater, which is dying creeper- to the project theater or three signs or some other words that i can’t pronounce. but the author's theater of the beginning of the 20th century, whatever you take, the author's theater stanislavsky nemirovich will even pronounce these terrible words for you. here is the women's commissar there, yes tairov well, upstairs, copyright

copyright theater is everywhere, behind which they are just a chain of performances, but also the manner and approach a and so on. this is what de boerov says. well, the soviet years, georgy alexandrovich left. the great director was gone. volchek leaves , leaves, disappears, or people also had an author's theater, and they are also often asked. volchek i was a friend from volchek and what do you leave behind? yes, puke? the wolf said, yes, what will be, will be. what, a what's the difference to me here? what will happen after me, but it was and remains was the user's world, great by the way, i respect him very much. stanislavsky was volchek was a bikchuk there was a tabakovite great kingdom of heaven, whom yes efremov people, near whom

i even had to stand with some friends to talk if we staged, that is , the author's theater is not only the theater where one person and the cleaner and cashiers are directors and artist but any genuine theatre. so, you can probably say yes, genuine and sincere real with the word sincere. i'm only on 5 seconds. i will reconcile, because i think differently, but today in our conversation, of course, everything ends in much the same way as in the stories and stories of nikolai carols, that is, it ends. everything is on the route note, everything and everything will be fine, uncle vanya, we will see the sky in almaza, we will rest and people in 300 years will be better than we are, we remember all this very well, and uh, therefore, uh, i thank you from the bottom of my heart playwright and others and others and others of the future tv presenter nikolai caroling for this meeting. thank you

see you again and dear, and i tell all our interlocutors invisible to us, as always, read with pleasure. hello friends on the air podcast melodies of my life i am its host valery syutkin today i have a wonderful friend, a time-tested muscovite , a wonderful artist and he came not alone, but with a team with whom he has been working for 35 years inextricably. we know the name alexander ivanov and next to him there is always a group of rhonda imagine your heroes so that i don’t say suicide invitations igor mikhailovich zhirnov all our arrangements the whole palette of our music. he's all grey. hello valerochka. here is gera

german yurievich ivashkevich. our best keyboard player is a man who worked with all the musicians of the world group and not only that, and even some alien ensembles were captured by sergey nikolayevich voloshchenko. our wonderful guitarist is the best guitarist in our band. we have some of the best guitarists, he is one of the best. sometimes i play along with them, but very badly. you're like keith richards and roni wood 'cause when they only ask the younger ones, who is the best guitarist? they asked the guitarists to say, and what did ronya say ronin said that he was kind of new? we play sucks, but when we play together, the joker speaks branded. i want to say the feature of the group. and you, yes, that, two very busy guitarists are already more- sometimes i play in some bands. but nothing. i say, but why is the second one there? he? well, as if beauty, yes, guys, siberia yes, of course. from

tomsk we look, moscow pskov is not, tomsk yurga is the basis yes, harmonic with such a test friendly team. today, my friends, we were lying around, after all, your applause is unexpected. childhood itself, if you ask alexander ivanov, what melody do you associate with your own childhood? that childhood is the first thing you remember turned, of course, these are some first records of your parents and because of various soviet cartoons. and, of course, songs from soviet cartoons - this is probably the most important song that still goes with us through life, our soviet has become our russian absolutely and our fan cartoons, but one of my favorite cartoons was, uh, a movie about cheburashka yes, and

of course, on all holidays on all birthdays of gena yes, let them run clumsily. let's remember together, shall we? let the pedestrian run clumsily and through the puddles, and the water along the asphalt as a river and it is not clear to passers-by on this day and fine. why am i so cheerful, and i play the harmonica at the passers-by. unfortunately, the jam day is only once a year. unfortunately, the birthday is only once a year, the third of march, what is your very first

memory? here i am before kindergarten i can't remember myself, i'm four years old. the fact that i honestly remember how i was swaddled. i am so yes, yes, yes, and i remember that i was very uncomfortable. i wanted to take my arms out. why was i swaddled? why did they wrap me in some kind of diaper there? it's right there. here is the rock-n-roll of svoboda valya what kind of district was it in moscow sasha, i was born not far from three railway stations. e, olkhovskaya ottoman and lokhovskaya street, church. here are the parents, of course, not musicians. we somehow, well, dad is flowing, someone was dancing on played the accordion. here mother sang so folk village songs. and so, of course, the professional people worked in the national economy of others

and gathered for all the best holidays. yes, with all the relatives, ivanov goes to school, grows up first in a kindergarten. well, this is understandable, the girls need, by the way, the first one i fell in love with was precisely from kindergarten, the test is not far from the kakhovskaya metro station. but my name was tanya tan, and when i was transferred to another kindergarten closer to my mother’s work, to the factory and the metro station on sevastopolsky prospekt was such a plant. mom was the controller of the oxide department of the shop, they made cathodes. and then i was transferred to this kindergarten. this, of course, was unrequited love met in life. no, i haven't met. tan hello. i remember tan hello. if you remember, you know, i also still talk to me and ended up in such a state. brought me back again. i left a photo. i have always had a baby with us. do you remember what kind of kindergarten summer cottage, such

a nakhabina's summer illness, and i'm standing there, i'm in the center a gentleman like that and two girls with glasses that catch butterflies, of course, unique and here. the girl was called. as i remember now, lena zaitseva is here. you just said, tanya, i'm suddenly out of memory. this is once again to emphasize that music is the best first keeper of memory you remember, here we are talking to you. yes? for the last half century i have never needed shared love, yes, then people sang major songs, but the way i had undivided love did not happen to me and tanya at the age of 3. and then here are all the songs. i'm sad now. here, well, i would not say that they have you sad waves there is optimism and hope for the best. the main thing is the song, what kind of profession do you associate with? youth through which song alexander ivanov realized that he wants to sing and wants to share joy with people in this video. well, first of all,

probably, the bremen town musicians. and, by the way, there are many ronda bands and your musicians there, very similar to these, uh, characters. and this is the desire to tour there to save the princess there dra. hanging out with the bandits there, yes, it's wonderful gennady glazkov there is nothing better in the world than wandering friends around the white light to those who are friends and continuous anxiety to us any roads, yes, any roads. there, the discovery of the guys was amazing for me

, that it is clear that oleg anofriev voiced the first film, almost everything, yes, but new adventures of the bremen in the footsteps of the bremen musicians. that was the name of the buslim and the hot magomayev there everything is better than the golden sun, but here is this foreign ensemble that we stopped by for an hour. so, i immediately understood, yes, yes, it was a great surprise to find out that at the beginning it was recorded musically by the writers, he i’ll look for guitars, and then vladimir mulyavin’s so pronounced belarusian presentation, and the team was recognized and changed vocalists and drank. uh, lermont is one of the funny guys. yes, yes, this cartoon is impossible to forget, and from youth , these are the first ensemble. do you remember the name of your first band, where it was in school or yes. we had the first group. and at school and in the ninth grade, are you already right away or at the beginning? i

started on drums. yes, yes, they made drums themselves, they made guitars themselves, some pickups were soldered there. here, well, they tried something there they treated some senior comrades of their repertoire, that there is a gear, but hawai, star is better than me, no one has a reason, that is, there are gilans. and by the way, then he played. this is a good video for me in life, that i knew several songs did not disappear, from the field and somewhere in some competitions, when i performed there, this or that they celebrated yes school, and the name of the team was what or simply was not called valerie i remember only the only thing that i had a friend mikhail potov. eh, he had a father. in what word is such a midovskaya family, how there we decided to give our first? another powerful concert on the roof of the house, and mishka

had an apartment on the top floor, and from there we extended electricity to the roof and gave our first concert. and here we are 30 people druzhinnikov with policemen. yes, everything was taken away from us and the parents were called. we got such people there, well, thank god later, here is michael's father, after all, a man, dear, he was able to recapture the equipment, but the first concert. it was so high, that is, somewhere on the 14th floor , approximately and naturally. what is the beauty of conversation? with a friend the opportunity to always insert something yourself. you know what my group was called at school, our guitarist oleg is decently english. he says i came up with a killer name. and by the way, a thriller. i say you can't go back. and what is it? and he tells me he was excited about reality, then everyone came up with, of course, they understood that what would you call the ship like? yes, yes, indeed, in

the education column, you and i can start later. well, of course, the school will give records to record cassette records at home. my friend dragged me into an audition for a rock opera, boys boys. uh, on sparrow hills to the palace of pioneers. so he didn't pass the audition. but for some reason they took me. i sang where the maple rustles. here, seryozha drozdov, a blue bird. so your first professional ronda was just like that right away, here ronda is with you forever or you are somehow eight philharmonic behind you, that is, yes, our wonderful friend with you, when you had a group phone, so at first you rolled around the country past nina yes, yes, here, and then us e we immediately after the arax, when we settled down, and the volgograd regional philharmonic society will make up the wind group, then the name philological groups remained. this is ron earlier. yes, it hit litvina. this is litvin yes, he is in 2004.

he came up with the name leafing through a musical encyclopedia and called it a group one so short, but when you answer, what is rondon you say or the audience was explained, yes circle this is a reference phrase and a musical and political prisoner in a circle, when you say it hard, run around the verse, chorus, joyful they say that we have a circular view of the infinite. well, now the serious question is the melody of love, and i usually ask you, you know, this can't be. what are you dancing with a girl with your beloved? it might be what causes you to simply max out. mm volcano of feelings and to stas yes ecstasy. this is a used kurtosis tass. yes, but it's humor. oh, and love is all seriously, it's the same when you don't need anything from a person other than him. so i say, in this already m-th category, it seems to me, you can

do something of your own. yes yes by the way i want you do, because if the initial rhonda vanka stand up all these works, and here is the album that you released a sinful soul and sadness in the mid-nineties ninety- six. yes, it's just an absolute bomb, because it's wonderful. thanks seryozha , he has wonderful poetry, especially about love, but since you missed the best traditions and arrangements, there is a lot of sting. e. soprano saxophone or clarinet there are a dozen petrovich petrovich, there are also musicians of the moral code and musical araks, but it was an amazing album by vadim golovin and i think that these we have the same love melodies, because on this album i have, well, right out of the most pronounced favorites one of them in yours i have everything beloved thanks for understanding how

nice it is to deal with another person, i follow your creativity. yes, my definition of the word is an intelligent person who does nasty things without pleasure. yes, and so the melody of love, we remembered the album of the sinful soul of sadness, and there, of course. the most sensual songs as a gift to your beloved woman with such a generous movement i will lay you under the feet of the sky alexander ivanov sings and the group simply has nothing left, so alexander of the heart. i will lay the sky under your feet. star a bird, free yourself. i will lay you under the feet of the sky,

just come back, just come back. i will braid eternity into your hair, become the sun, explode with light. i will braid eternity in your hair. just come back, just come back to happiness, hard time, ungrateful role. you gave me time, i hurt you. in the field the same betrayal of your soul you gave me

time. i caused you. i will lay the sky under your feet, just return to word home. two such significant songs from this album. that's it, of course, god, what a trifle. i just really can't help but ask you for a little piece, right?