she was done. well, how can you write it? just just now or it says, and we get away so that i don’t see you, but never after a few lines she says, okay, there will be nothing. i'm like these here are all the changes that boiling is. that's how i don't know, come on it causes. i just definitely have rapture. katya is also a dostoevsky person, but i remember my first reading of the novel, and at school, i, in my opinion, limited myself to a crime and we briefly reduced their punishment to something like that in other works. here, and thanks to the role of me. hmm specifically already re-read, and i remember the israelis 14:30. i then sat for a week, which means i was restoring my skin, because i burned out all but i was cold. it was the stage. i remember when the mouse of switzerland rides on a train with a rogozhin from that 's just opening yes, yes, yes, yes, it's

chill, this thin, light raincoat of his. here it is this chilliness. here it shakes a little. he does not know where to hide his hands, mittens. no knot and i was cold. i remember that i was cold. i was looking for a way to hide from her. he says stop. wait 14:30. i on the beach in netanya, yes, plus 39. well, he even defeats physiology. elementary , just like that, very simply good. thank you very much for the conversation. i was very interested. this was a must- read podcast. i am the main batch file director writer. and we were discussing the idiot dostoevsky well, in the sense, it sounds like dostoevsky's novel the idiot with director vladimir khoyenko and actress ekaterina guseva

hello this is a podcast of letters. i am larisa guzeeva, we will talk about the people's artist anatoly papanov, and my guest is an artist theater of satire yuri vasiliev and daughter of anatoly papanov, elena hello. hello. thank you very much for coming elena, here you are, probably, a million times already, uh, asked questions. that's what it's like to be such a burden to be the daughter of anatoly papanov, whom you knew and not just knew, and loved everything and knew from little to great, and he became popular and famous. eh, he didn't have it right away. here through the thorns to the stars. he didn't go. no, absolutely not so, that up to 40 years. he was not known at all, and only he became known, after

how the dead played live. and this was probably the sixty-fifth or sixty- sixth year. and after that, as they say after this movie. he woke up a star, because even at school, uh, i lived with my grandparents at school, my parents didn't show up. but when he played the live dead, everyone at school started pointing fingers at me and talking about this girl. lena popanov. her dad played living dead in the movie. here is an interesting hmm such a fact of your biography, and you lived with your grandmother with your grandmother loved her, well, of course, the actors' parents are busy and you didn't really like that they came to you. uh, visit you. i did not like, they came. why did you love? well, you know, we had such a factory, factory district next to the telman factory of this savvinskaya embankment next to plyushchikha sverdlov's factory then. they still existed all there, we have only children of workers and such. i was such a yard girl, i walked,

i studied well from morning to evening, i didn’t do my hands, but i studied well. and so we walk there, jump, run, and grandma lena go home. parents need to come. come to show the days of books to report, what marks do you have there? and there my friends are waiting for me, not stooping, all the nails are not a threat, without wide evenly. ah, eat the soup. yes , but my grandmother was fine. my grandmother is my second mother, that's why i ate soup, that's why they didn't take me, when i was 3 years old they gave me a hostel. uh, they left at the satire theater and the hostel of the theater and my grandmother said, leave me knee-deep, because well , that there is a rehearsal in the evening in the evening, with whom will she be there, and my grandmother retired because of me and i had a good childhood and on time on the part of mom or dad on the side of mom, yes, and they left it for a short time, and then i went to school, like school sometimes on foot and i had such a wonderful happy childhood, and then my mommy her from

the nineteenth year. she died and was almost 96 years old, and she told me all the time. well, you can understand me. why? apparently it somehow didn’t torment her, you can understand me why i left you a gumam with my grandmother, right? what are you talking about? i didn't have any resentment at all. i think that if i was with him, it would be worse for me, well, somehow i can’t even imagine, uh, your dad, but a harsh man who asserts himself on a girl. i think you felt good and comfortable. yes, but then you were not at home a lot, because this eternal shooting ends such happiness for many parents, not at home. what happiness it is in adolescence at a young age, when they went on tour, they left me there. i was already 15-16 years old. they left me alone. it was wonderful freedom i know that here my parents, my grandmother, liked the alemmetric one. yes, she, uh, knew and the good behind her hurt. yes. she says, listen, well, well, they

were still students. he often saw her off and saw their grandmother. there she says, mother says, i want to marry him. she says, listen but he's such a guy for nothing. well, it’s too ugly to tell us no, but he’s the most talented on the course, but it really was like that, because when they graduated, they only left him in moscow , he had two invitations to your small hut, but he left with his mother, city ​​of klaipeda where on the basis of this course they did not organize the russian drama theater a elena and when you parents we announced that you want to become an actress, oh, everything is so strange, it turned out. i already wanted to be an actress. but when you already realize yourself like that, it is probably 10-11 years old, but for some reason i was shy. let’s talk about it, because we had such actors of soviet cinema hanging on the walls, and there, both the khityaevs and kiriyenko and skobtseva, i understood that i was not up to them in terms of beauty. i was kind of embarrassed

to talk about it, but then it turned out. so i the last year i was preparing for the institute. e vymyaz. here they go on tour. i independently prepare the program, i go to your hut, i’ll come up with documents, and there he accepts, uh, alla konstantinovna tarasova and mosalsky. the course was taken. i pass come to the first round. i’m reading, i’m coming to the second round, i don’t have my last name. i left the studio school. i run crying and then i decided to return alla konstantinovna was at the institute. i waited for her, she had a consultation. she exits. i say konstantinovna, for some reason i was sure that i would do it. you know here remember me. i am elena papanova. here is what i read to you yesterday. she says, yes, i remember you, but you are very poorly prepared. come next year and think, do you need it, and then the parents came from the tour. and you always wanted exams earlier, and they prepared me there with

a teacher. i'm talking about the material, which means an excerpt. well, as it always is, this introductory and i was taken by their gitis to both shchepkinskoye and shchukinskaya, but in getes with exams were faster and my parents finished gitis. and they told me they listened, but still children with this is an institute of theatrical art. and this is a school, but still, somehow i went down yuri, and there are rumors that she didn’t really like the youth of young artists. e, but somehow he immediately imbued you with what kind of situation this was. he loved those who were sick of the theatre, but they didn’t come so easily, and took off, so to speak, but indeed the first meeting was unique. i have already worked for a year in the theater and it was my first season already 32-34 performances, all extras and then there were total extras and six, i probably had such serious

roles. and so i get to the rehearsal running. dakov. uh, i was appointed to the role of golubkov a anatolyevich. rehearsals it's hot in summer, and they really told me papanov doesn't like young people. and since we didn’t meet like that at work, and i ran one extra crowd there, and suddenly doves and we have scenes with him in sevastopol, it means summer in the hall of the commander and anatolyevich. i'm in a coat with a hat in a scarf. i have a terrible fever. we rehearsed up there. yes, this is just right here. scenes and here is one of the scenes, so where khludov says, shoot me. and the ghost of e speck he

says, go away maybe this one will guess to shoot, to which he does not give a gun, to which i must say i cannot shoot at you. you terribly stinged the inmates to me, and on this phrase. i saw the eyes on the dot, it was no longer priests. this was an absolutely insane person. i drop it. i just fell when i woke up. they ended up in the dressing room, he and georgy pavlovich ming carried me from there in the summer to find anatolyevich dragged me. that's how i came to my senses. i look, here the doctor is something white and anatolyevich and he says, save him. he is a good artist. and this is a good artist, because he believed. yes, because from this i suddenly received this high appreciation of this scourge that serves me, in general , it drags me like this all my life, it was great to show, by the way,

he he, when after a difficult performance at 11:00 a rehearsal was scheduled. valentina nikolaevich came somehow, everyone didn’t really want to rehearse, because somehow at 11 o’clock the body is still sleeping and antonic valentin nikolaevich tell us about your work with measures and go for 45 minutes. we rested and he told for the tenth time what you have already heard. many times it was called to press the puck, tell me, this is the story when you got back, and the break from the tour. this is brukter brook - this is his brother, and you show it brilliantly. well, is this a legend, really. i didn't get it, really. they rehearsed, they say, crazy and nothing nikolaevich said was. his cousin peter bluck has brilliant

performances. all my life i also dreamed of working, i would have stood up. sophia loren yes working with you. i, too, all my life dreamed of working with peter brook, i work with his brother and then a cousin. well, i could always answer it, but i know that with all this , i valued papanov very much, and was proud that he was his theater and a lot from him. well, as it were, of course, yes, and he appreciated it very highly. he he understood who was this? of course not, it’s just that in terms of personality it’s even very important , there are still many good actors, and such powerful personalities are really such an avalanche. tell me what was in it character. and there was nothing special, for example, they don’t change other actors, he didn’t allow himself, and being late was out of shape, and

so on and impatient, and this is from other actors, he is very disciplined. he is very collected. he always rehearsed amazingly, he did not like the first performances of the eighties . the rehearsal hasn't gotten any better. i talk all the time now. this i once allowed myself, then i took my wife to the hospital. and we had some kind of concert and they were waiting for me in rafik. i'm late and i see anton michi, who is saying something to himself. i say anatolyevich i took away, just my wife in the hospital. it’s not because i was just there, well, i didn’t have time to do it, and then he forgave me, and in general, he understood, so to speak , and it’s not easy, but lena was said to be an extraordinary eternal person, and with such a heart with such compassion and he

did read. and what, the main virtue in a person is his, and the soul, yes, pure, that's his inside, you know, he was different. he could be very kind, he could give someone all the money he has, and sometimes he will be like that, that it can erase the powder. he was not unambiguous, he was not kind, and i ’ll be back to yura, i said something. i just don't think he was. he was a very smart man, and at a time when legends also circulate. that's when he said to the little guy, uh, about brook, he already knew that he could already say that. i will read this statement. anatoly dmitrievich can be intellectually developed. or maybe anyone, but if a person is unscrupulous, then for me, if he were seven spans in the forehead , this person does not exist for me. i don't respect him and maybe a person to be uneducated and not a candidate of sciences, but the most beautiful thing in this person is that he is able to blush. but

how beautiful it is when a person blushes ashamed of him. this is the quality of conscience. i really appreciate in people and, of course, i appreciate humanity in people, you know? i do not like deaf feelings of people. they can't see beyond their nose. but when a person can understand everything, enter into your position, this is the most valuable. quality i recall this is a display of a letter, we are talking about anatoly dmitrievich papanov, and yuri vasiliev and elena papanova are visiting me, friends, my man went through the war. yes, and he also had health problems. uh, i had toes, in my opinion, yes, and there was no heel, no, there were two fingers he was amputated. by the way, a little overpowering. yes , pain, then this is important for an actor, but the form - this vital spine affects everything and no one has ever known about it. well, that is, the most important thing is that i have worked for 11 years. i only found out after his departure that, because i had never seen him, the temple was small, and he

danced everywhere. he was always moving. that is, it’s generally, so you need to have such a powerful willpower in order not to show it at all sometime. he came in a sleeping bag when he interceded. yes, yes, he was told, what will you do? well, tarkhanov said the rector. yes , he says how you will work in general, and he came to the mountain in the gymnast. lame in the month of october have already begun classes. he says, how did you read it to him, tarkha-tarkhanov, he says, well, how will you be lame? he says i give you my word that i will get rid of the chromate and he came to the course and says, i understand. it was the forty-second year. why was i taken? because on the course there were basically only girls , all who could, the boys were all at the front, and he came lame and there they had such a wonderful teacher on the stage of movement. he did so much with him. and when he was already handing over the motion scenes. the dance no one could even guess that he was missing two toes there. he got married early, i know, yes, well, how early they finished. mom, we

studied together. yes, my mother is also a frontalist. she she worked in an ambulance train, she was a nurse. she had already entered the gitis before the war, campaigning for her evacuation , and her mother went, which means that the nurse was all on the ambulance train, then the ambulance train stopped, she didn’t come to the gitis to find out, and there you were doing classes and she came, and in the same tunic and she didn’t have any clothes, except for a tunic and boots, and he, too, and so he approached her, saying, you were at the front. she says, yes, well, i was and it somehow brought them together, and then they still traveled together and lived in one area on plyushchikha and now dad says we went we went yes we went, if in the forty -fifth year, they signed all the time, i want to cry, when in general you can even shoot such a movie script. so all his life he was confident in one single woman, your mother, with his wildest popularity. and this is his modesty some unusual.

after all, he will tell the car and how today the latest mercedes, i don’t know how it was, then i’m at the table. yes, and he did not drive close to the center on the volga. he does not drive up. tell it victory to him, yes, uh, gave the military unit. after living and dead decommissioned victory, then he bought. himself volga e with this same with a deer, and now he didn’t drive up in this car, somewhere he stopped 100-200 meters from the theater and said that why would i be here, so the actresses, the actresses walk in torn tights, and i i will ride. yes? well, he was very like that, amazing here, really amazing, so that people don’t get angry, well, so that the cap is always very modest. yes, heavy jeans were for friendship, or there is no such soul of the company, heavy on friendship he had a certain circle of those people. these were absolutely great writers. here is his such tenderness and such

love for andrei mironov, that's what they were right there. eh, that's one organism process. yes, he never made friends. they were just the stuff of legend. what's there, almost? not because of the fact that they left for a friend. this is all untrue. no, they are just partners with andrei alexandrovich, in my opinion, there was alexander anatolyevich mikhail mikhailovich margan. anatolyevich zakharov, they had grief for the people's commissar from the fact that mironov at the funeral said that he would be next, but friendships like this, what are we, how do we mean, what is friendship was not? they just were good. uh, partnerships are partnerships, yes, yes, and not because they could not live without each other. and such tenderness, well, about which the legends compose this, uh, anatoly did not have. yes, specifically. i wanted to say he is, when they went to concerts

andrey alexandrovich yes, she said, anton even had a total deficit. here it is in itself from aleksandrovich will go to the base of something there with the base some things will be brought , some good things will be brought to them. they give there. it was always andrei alexandrovich, and he always said anatolyevich let's go to this restaurant for dinner, because mironov was there. it seems to me that modern fashion is very fashionable, and when he entered the theater, the train of his french cologne for those times, so it always seemed to me too. what a strange, what an interesting friendship here, and two such wonderful actors, but dad was great, he was friends with the little one. here are the last years. he was friendly with viktor ivanovich, and he also had two friends. this is odnoklassniki, they are both artists. so probably not. yes, he was not a party person. with the messenger, they once still drank great. but with dad, on the same

day, your yes, uh, when did it begin to interfere with the profession with alcohol? it just so happened that his mother died at the wake , he got very drunk, and his mother was always against the fact that he drank all the time scolded him for it and he gave himself a word. it was the seventy- second year and died. he is 87th 72nd year to 87 year old. he never drank. he directed it like a director. uh one play. yes, and there was a role for you, and he said that lenka is just your role, but suddenly you play badly, but say, no. this is when i finished gitis. of course, even in general in my personality. i should have wanted to be working on this satire, but my parents weren't welcome along, especially my mom said no. although you know at that time, it didn’t cost anything for dad to go to the cloud. i have, of course. we would have taken to the theater of satire, but my mother said, no, she will never work with us in the theater, because she will play well,

say the artists will say that their parents trained them to play badly, my daughter, papanova, played badly, so i went to the yermolova theater, and then hmm, in my last year. dad put the last gorky and he serves me, he says, there is such a steering wheel. there is for you. i lips, of course, you want, i say, i really want. he says i also want you to play it there. hmm humpback. yes, i really want you to play it. and after a while he says, you know, let him still say, dad on his own. give it back it wasn't practiced. this often there is very close, but then it is still impossible. it was said, you know what they will say. well, papanov brought his daughter. come on, now the burner will play, and then i will lead you, and then it didn’t take place, because this summer he passed away in life. he only had surrender though the soviets know so interesting. ah, in soviet times, e us through a soxport film , if you remember, we went abroad, and i

was in mozambique with a picture of a cold summer of 53, and i remember this film frame by frame, it is one of my favorites. i am now he is the greatest throughout. and now the hall is sitting in mozambique , a film is on and they are neighing both directly and in dad's friends. they thought it was an e-western. and when they brought the script, uh, lately. mom read scripts all the time, he had no time to read. she says, just not filming it's a western. why do you need it? and your mother said that she did not understand, and he read it himself, he says. no, i'll be filming. do you know what else he said? nadia i haven't acted for several years. i have already begun to forget. hmm, this is a brilliant film and a brilliant role. let's see a snippet. and this is the last role he has become.

so i want to live like a human being. it's work. it will blow me apart. seryozha is about to change dramatically. i was taken away in '39. was abroad. do you represent a wife?

do not write from a bottle alive dead stunning in papanov there was nothing from the famous artist being very famous and recognizable, he was burdened by his fame and shunned everything that could emphasize it, he was hiding behind dark glasses and

nondescript clothes, there was nothing ostentatious in him alexandra proshkin film director a cold summer from a third recalled that papanov, unlike other people, did not advertise his intelligence even through his outward rusticity. suddenly a quote from tyutcheva broke through here, then he himself, shy and delicate, did not tolerate anything else like that, when they climbed into his soul and fenced off from this, we played a performance on those tours, on the last ones in vilnius , we played capercaillie's nest and anatolyevich we somehow always behind the scenes somehow with some such jokes there is something like that. and here he he was so collected, he was somehow so sad, and he said, i say, well, how anton is, well, he was just filming. tired of the war , he remembered that this, of course, was war. she told me in it that's how it was for him. in general, the decisive thing is that he fought, and he wanted to give back, he said, i want to act in

this powerful basis. by the way, we have fragments of the play nest of capercaillie. let's get a look. from decent ones of the most proletarian origin, the mother in our eighth garnish is sold by the father , a plumber, but he is still in prison. love i forbid you to meet with this girl, even forbid. you don't have to say that. yes, and maybe i will marry her for

the health of the estate. they rehearsed for years. can i tell a story about this yurt. you probably know, uh, so when they found out that there would be a capercaillie nest and dad knew that he would play sudakov. and here my mother plays the role of a wife. right here in this performance. mom plays his wife, and before that, olga alexandrovna aruseva came up to him. she called him tolic. well you know what she's saying now. listen, go to pay, and ask him to give me the role of your wife. he says, ok olya, he went to the tulochka. he said nikolayevich tolya flew out and wants to play this role, but he will get it. yes, and i wanted to put on your wife, he says, and as you wish, he left. you see , this is how it characterizes him, here. when he never asked for anything for his own? uh let you get married. i got married early. they didn’t want me to leave so early at all,

i immediately graduated practically together and got married here, especially for a student. well in in general, you repeated, yes, the story of your parents. i even wrote a letter to him when i left for my first tour. tours were long and arrived no one knew anywhere until it was introduced it was very boring. i wrote this letter to my parents. well , as it were, take me away from here, as from a kindergarten, then somewhere else. i was introduced to some mass meetings, met the actors , and suddenly they give me a letter from my dad at the reception. this is the only letter that i consider to be parting of my life, dear daughter. nika hello, it’s hard for you to understand, but what can you do with our acting life, it’s good that you immediately. it’s not easy, when you start with an easy one, then later it’s difficult to fight with illusions, it’s difficult, don’t tear into the clouds from that stronger one on the ground, and it gives you bori in itself envy

of ill will towards your comrades. this is poison for any creative organism, as stanislavsky said, love art in yourself, and not yourself in art, an artist, like any artist, needs to travel a lot , travel, observe, absorb , accumulate material. with pleasure. i would go to kemerovo and tomsk, that's where we were on tour, where is your fundamental principle, the curiosity of an actor, an artist, a person, leading. after all, it is so interesting, for sure, they differ at least from muscovites and the dialect, probably, is different, other moral habits. i , for example, as soon as they arrive in another city. i'll go to the bathroom right away. there people are exposed not only physically, but also spiritually and morally. how interesting is that? how can you be bored? do you think that anton pavlovich chekhov , sick, rode on the bed-posts through all of siberia in the rain, and in the cold for the sake of boredom, for the sake of thirst for creativity, you need to educate yourself the need to do the business that you

have chosen for yourself, then you will not have time for boredom. kosya - about girls. he is your e daughters. well, i caught it, of course, yes, well, it was good grandfather was a good grandfather. well, work again. he came to us not often and all the time, when he came, and there he would play with the children, when he left all the time he put money in my pocket. and why did you say? quiet so only mom, maybe they had some kind of agreement so that we kind of lived on our own, right? i remind this is a podcast of a letter, we are talking about anatoly dmitrievich papanov, and my guests are yuri vasiliev and elena papanov. yuri tell me what anton dmitrievich taught from the most important thing, maybe you refer to them somehow. yes, here's one for him. here i am

after 47 years. i'm in the theater and, of course, i understand that this is what we get at the institute. these are all such basics of your approach, not a profession, everything starts in the theater sometime. papanov's partner, this is where the school begins. actually, in addition to the fact that he listened to every performance. he knew the tonality, he needed that's the tonality of the play. how is the performance going, where do you need to improve? where can i take a little bit, if the rhythm he needed to hear it, see it, then approach, of course, the rabbit, as he carefully, very much my wife and child with mine were sitting somewhere at the patriarchs. i saw something on the sword, and he was walking and he was rehearsing something alone, as always , such, what are you talking about, yes, and then, of course, he has a fantastic property, he could comical situation for a second of one phrase

turn tragic. here even in the nest capercaillie here comes the scene. there they tell , and at that time my classmate, with whom i did not have time, hanged himself, it means to talk before, seeing his condition, and he is there something like that, they are joking there. and suddenly he turns the bookcase like this. he 's like a funeral tomorrow and i understand that this is the second plan, that he thought about it all the time. but memories once played. we and the left concert in a large self-service dining room spectators few catering workers. papanov and mironov, in turn, duets and three left the washing room. they read something , played joked situations. naturally, we didn’t like it and i reduced my program to a minimum. andrey will do the same, but tolya is worried that he went out to this more than modest and far from festive audience, as he performed his

program with full dedication on the stage of the kremlin palace of congress. that's respect for a person. in principle, yes, for me it is so revealing. i know that there was some kind of rehearsal, but there was a kidney director and svetlana ryabova participated and she had something it did not work out there and others offended her. she ran away in tears and her antali dmitrievich , uh, caught up with her in the corridor and began to calm her, looking for candles. this is my fault. it's me who doesn't work with you. you will succeed. all is well. this is generally, of course, from an adult held. but such a level of an actor to hear such support. it's forever. i went to a concert with him, probably the last one he was persuaded by some administrator to go to the military unit, where the son of this administrator served, so that he would be given a leave of absence, and he went to three concerts came up to me and let's go earn a little.

we arrived there, and now we are driving up in a car, a company is standing at the hotel, soldiers are standing, and they are saluting anatolyevich, they simply received him like but this is what we are talking about, he was so worried, and he is rubbing like that i look with a handkerchief. i say anatolyevich, what are you worried about? he says, julia is good, the artist is always worried, absolutely believe the truth, and for me, for example, it's hard to imagine that anatoly dmitrievich was a different person, and not a topic like that. today you are in superlatives, tell and with burning eyes. yes, yes, 2022 is the year of anton dmitrievich popanov. and even this year for 20 years and continues. yes, e year banana in the theater of satire yes, here we are. on may 8 and 9

, it was on victory day that we played such an evening dedicated to uniform swords always. we remember him for a century, we and lena were and the whole family. let's get a look. i want to drink, lately the theater has begun to do a lot with satire outside the repertoire, it’s unpleasant that almost everyone participates in this performance. corpse. i'm not talking about the adult artists who worked with him remember him, and i'm a youth who never saw him, never worked together live and this association is worth a lot.

many thanks to the theater of satire for doing this and to you very much. thank you thank you for coming. i remind you, this is a podcast of letters, my guests were the daughter of the great anatoly dmitrievich papanov, elena papanov, and the artist of the satire theater yuri vasiliev thank you very much. hello this is a podcast, paws. my name is

dmitry bagh and we have a literary clue under wonderful name. let them not speak. let them read, you can read in any situation , you can read in the evening on a sofa under a floor lamp , you need to read in a tent. you can read in space, you can read even in the theater during the intermission, if you don’t understand everything, from the first act, this is especially important, because today we have a wonderful person visiting us - this is a playwright and the director of the kolyada theater , his last name is consonant with the theater. as you well guessed. our guest is nikolai kolyada hello nikolai hello, we discussed it behind the scenes. how are your notebooks? of course, here, uh, a lot could be attributed to you of all sorts of properties, because you are a man of orchestras - everyone knows this. you said that there would be cleaners and a cashier in the theater. yes, yes, i do everything in a private theater, so i do all some kind of commercials. eh, there is an answer: i write plays, i stage performances. i

'm heading to the light to figure out costumes. i even write music dmitry i'm ashamed to admit it. well , really, but think it's a good life. well, write covers, yes, plays, see for yourself. eh, i mean, they don't have their own. i can not watch concerns. here are the conservatories that have already been made. i love to rehearse. this is to indulge. you will come to the process, indulge in laughing with the artists. let's do it. let's, just like in childhood from my mother's curtains of a stick. let's do theatre, let's do something fun. but when you sit down in the audience, you watch the performance is already ready. it's not boring anymore, because you want to jump out onto the stage from the yelling fire of the curtain. if you want to remove all the artists so that everything is done, they do everything, the rehearsal is wrong. everything, not everything, they want everything. it just seems to be a spectator. in general , i take it easy. and they start beating me like that. i then just sleep. can why do i need these nerves? that is, i made

a play, they go on 15-17. i have king lear going there for 14 years. i play the king, the lyre hamlet is coming, and i play the shadow of my father for 12 years. well, there are performances for many, many, or what will i watch them? the actors know what the person who has been playing the shadow for many years knows his business. it certainly is. yes, yes, yes, yes, that's all, if you listen with all your heart. yes yes, it’s not my mother’s duty to you, but there to take revenge when you hear everything. i am the spirit of your own father. she is condemned to wander for some time. i remember to be. eh, that's the question worthy to perform. oh, resistance is the most terrible of this and the most terrible of that is mortality. yes, yes, and no one came back from there, and the most terrible words there are such that maybe a mockery from those who are not fit and she

laughs at you, scoundrels and people who are unworthy of you, these are the most terrible words and right there you turned aga with your eyes into soul and there is not everywhere inside, and there are five different translations into the soul, pasternak turned his eyes with pupils into the soul and there is a spot everywhere that gertrude hamlet says yes. or then he says he knows, yes? why did his beloved father die, and her beloved husband. what do you think, what are we doing now? what are we talking about literature or theater all the same at the moment, just chatting with bolts of the gamete. yes, perhaps, but the most disturbing works of hamlet's four captains. yes, the last line, what silence or all other silence, when oleg, i saw my artist, he reads a monologue e, to be or not to be, and every time i stand backstage listening. when he starts screaming to be or not to be? that's the question, i

'll tell you the truth. i'm in tears because he makes them grand in the first place. secondly, there is some text, but, why? and why live when everything is decided, while all our problems are solved by blows. wait sorry. that's all, oleg berry. well, a legendary actor. who doesn't know, yes, that's true, but uh, does this text need to be executed? there is a german concept drama, that is, a drama for reading, after all, everything is in the text. imagine i'm talking. i tell you and those who hear us that, e hamlet, who loved his father knows for sure, and who is the culprit of death? is it easy for him to kill a person? yes , easily rat polonium here once through the rat perfumer and then all over the castle. it's easy for him to kill a man. well, or him playing the role of a madman, but it doesn't matter. here instead of going and killing. my god. how gullible he is. and then what dreams he dreams of death. and here it is necessary to kill or not to kill the monologue, by the way, here to be or not to be, i

moved it to the second act, because in the first act , for no reason, he walks at all, he walks saying to be or not to be, and i put it in the second act, when he says, poor yorick, you go to the cemetery to put it out there some kind of cross from these bones and then says to be or not to be. that's the question, because when we were rehearsing, i asked him, why did he suddenly start with the first action of the occasion, he immediately says what i'm talking about? why live? then? everything is possible in the second act is very logical. all goodbye that i'm not simplifying. no, it seems to me, but something like that is not there, logic. tolstoy gorky gogol, our great ones know such a house that all billions go to nikolai there is enough space i understood everything. remember what i said. eh, tolstoy chekhov and he spoke roughly. so , well, shakespeare is a barbarian, of course, your play is even worse. yes, yes, they say he is shakespeare the barbarian. chekhov's truth, i must tell the truth

of the boring play, but we will discuss this too, especially since i will read today the beginning of the cherry orchard about my performance, because the train words are ahead of us. well, you know, there 's no way we can start the play. and like a perandella in six characters in search of an author, when everyone knocks with hammers, and then the audience calls, you understand that the play is already underway. that's how we have nikolai caroling. today the plays are already on. and my first question. i'm not like you can not ask, but the question was. well, such a traditional one in general, how did you come to a life like this, how did it all turn out? yes, now you are nikolai kolya, yes, whose last name miraculously means his profession life e caroling carols. yes, yes, it's a lifetime. here's a whole tradition, how did it all work out? how it all began. finally. i this question in you the theater director is money money money money, and here is your essence. yes, yes, 70 people work.

they need to be fed, they need a salary, and all the time it worries me terribly, because i can’t be indebted to anyone , again she laughs and says, how much are you here, just like ours, baby or what? and grandfather all the time said panicles pennies. they didn't beat me anymore. he doesn’t demand anything from me, he was a penny, and the family was 10 people, with his grandfather. there were 10 children. he worked as a carpenter, did, only one began to carol. well, yes, then there was dad, that's why he is one of these ten children. and i, well, i don't know, when i was 15 years old. i went to the city, sverdlovsk entered the theater school. well, initially yes, from kazakhstan yes , all the populous land and the village is called fresh gorky and everyone laughs like that. what's the name? well, from the surname i was lucky from the name, maybe in the village, not that. it is insipid no gorky is our life.