[000:00:00;00] and you will see, you will hear how the cheerful drum goes on drumming along the noon there is still such a test in order to determine in moscow a person was born there in st. petersburg or in the urals and further and further yes test please continue, greedy beef, turkish drum, all 100 % moscow because pickled cucumber is immediately ural yes, uh, empty chocolate. this is just the leningrad region. it is clear that the turkish drum means, respectively, moscow. yes, who plays it there sashka sashka petka cockroaches and so on. so you're still bright from the children's memories. i have several transitive childhood memories. which remained in my memory for some unknown

reason. that is, you don’t know the reasons, but they are. if you suddenly close your eyes and are transported to childhood, then you are definitely them. that’s it. you remember one of these memories associated with my mother, this is a pioneer camp, moscow region, and a bright sunny day, and this day parental parents came. this is probably the middle of the shift and i remember that my mother arrived alone without my father and brought it with her. absolutely terrific, which she baked herself a lemon tart. and here we are sitting with her somewhere on the grass together, and she treats me to this pie, she says, sanyusha. here i made it especially for you. and now nothing is tastier than this

pie ever in my life. i have never tried it or, like my dad and i, he was an amateur hunter, but he shot very well and always left in spring and autumn for spring and autumn draft. and that's when i was just a kid. he took me to some already specially made for me. not just for hunting. yes, on a kayak trip. i don't know how much. i was exactly i can't say, but maybe, let's say, 10 years old, maybe something like that, maybe a little less. and now we are floating along the river, which i don’t remember the river, but i remember exactly this feeling. we'll soon have to land on the shore , it's raining. i sit in the front of the kayak , my dad is in the back, because he steers the pedals. here we are both rowing with him and he whistles. a melody that has been with me all my life is

a melody without words, but i remember it well then i remembered this piercing childhood memory but i don’t know who the author is say, for some reason it seems to me that she is some kind of french. it seems to me that she sounded in the movie master of the taiga, but i could be wrong, but maybe the music from the movie. that's it, tell me, but in the profession , well, roughly speaking, i call this melody of youth well , that is, there is already such a period when i know that there was an mgimo institute in your life and, in fact, you were going to diplomats. apparently, they should become, but the music already existed in parallel. here you are hooked on music.

thanks to what tune? well, it's probably not even a melody. a thanks what figure? eh, this is definitely the figure of vladimir vysotsky. this is definitely the film vertical that i watched, fell in love with the songs that sounded there for the rest of my life. i passionately wanted to learn how to play the guitar and the first songs that i picked up on a guitar that was not yet mine, but which we had at school, were, of course, vysotsky's songs . therefore, if we now talk about some melody that was e in my youth . and so, well, that's what i always remember, then i think that this could be one of the songs. vysotsky, maybe even this one, which also has something in it that exactly

meets the impulse of youth, e, here you are not a plain. here climate avalanches go one back and here behind the commune fall roars to me. and you can turn around the cliff, but you choose the difficult path is dangerous, as the military path has never been here. yes, he did not risk, he did not test himself. even if he was below the stars, he grabbed from heaven. nizonit for all his happy life, if this share of such beauties and wonders, well, and so on, there is something like that. which, in a sense, determined my whole life in general, including the choice of music, but also with vladimir semyonovich. by the way, these are practically the first songs that sounded in the cinema and the whole country learned thanks to these songs that we have such a poet, and then,

of course, he owned. so you know, it still owns absolutely. it was such a hit. here is my youthful heart that i remember a whole period of my youthful life when i looked for his records, and found them in different places, but most often some adults. e people. well, let's say there are parents my friend, then where in the house where i lived on television street, then it was called shvernik street in the house. hmm, his parents had a tape recorded with vysotsky's songs and a tape recorder, on which, perhaps, dnepr well, old-old-old, i remember how when my parents were gone, he allowed me to come to his house. we turned on this tape recorder, and i copied all the songs that were there, all these songs, into a notebook. i remember now. until now . this was the first cycle of vysotsky's song about

the earring. fomin, i meet fomin's earring. he is a hero of the soviet union here. well, and so on. it's about hockey players. uh, pro uh, the actors of the village. this was the same tape that i then rewrote and learned all these hawk songs by ear. by the way, at that time it was even there that with a high sweat, the center group went to hell, and then even to the center, something due to the fact that you are you from this weave, then you turned, and you had whole cycles. and vertinsky well. i sing all my life, including from a group and without a group. uh, then there was vertinsky who came up. on in fact, it is also organic, because vysotsky loved vertinsky very much and two or three times. this was recorded at his

concerts, and therefore it is no coincidence that the only small piece where vysotsky in the film the meeting place cannot be changed becomes the piano. do you remember what he does? where would now who kisses your fingers? that is, it was not by chance that it was his choice. it was not govorukhin who told him to do it. it was vysotsky himself who, approaching, made such an amash, in the direction of his own, as he considered one of the teachers. melodies that alexander recalls in our podcast the tune of my life. well, sasha sklyar is getting older and the melody of love, and maybe she is not connected with this period, but from another. well, if so, just ask sash, what is the melody of love? well, in your opinion, in your life, of course, there cannot be several of them either. here is just one,

but among these several there is one melody, which, if i hear it for me, is immediately. the feeling of something incredible that in life we ​​people call love, when i also heard it, i can’t say, but i it seems there is not a film within a film not within a film. i heard it, maybe it was on a record, maybe on the radio, but anyway, i remember one episode associated with it with this song. this is a youth episode. i'm already at home in another apartment, where we lived with my parents on vavilov street in my room. and i'm singing this song. alone without a guitar. it was also empty on the land of cape

nikolaevna, and when i flew to the superintendent and dad said to me, sanin no, you sing wrong. i'm like wrong. well, as i heard something no, dzyuperi did not fly, but raisins flew , the surname says this is, the author is such a writer, exupery, by the way, to say, after that i read this writer and fell in love with him for life. but then i didn’t read it, didn’t know it, and this song became for me one of the songs that i could say that it symbolizes love for me the earth was empty without you. how can i live a few hours also falls? that foliage of the garden and somewhere all the hurrying taxi, only

empty on earth without you. and you, you fly, and a man gives you the stars of his tenderness, as if from the stars. how the poet turned so he connected all this, therefore this three poplars on plyushchikha, of course, is a film by tatiana lyon there is an absolutely brilliant performance on a brilliant performance. yes, i didn’t hear this performance from anyone, but of course, in this film there is absolutely no, what i mean,

efremov’s eyes yes, the camera, yes, yes, this frame. uh, of course when i'm watching now, and no matter how many times i watch. i think it's absolutely genius, absolutely brilliantly sung. and, of course, i understand nikolai nikolaevich why exemperi, because exupéry, he has several characteristics at once that make him completely unique among writers. after all, he said this, well, in my opinion, almost like a quote, that pilots do not die. they fly away and do not return and the little prince, which he wrote. this is something quite unique in general in literature. and if we also take into account what kind of person he was, and what kind of profession he had, then we understand that it’s all the same that nikolai nikolayevich

defended precisely his exemperi in this song that's for sure. yes, such melodies are such films , here are my all woven from this absolutely and with age with our already, unfortunately, not young understanding at the same time that it shaped us. of course, and again i remember vertinsky. when i read his memoirs, it produced a phenomenal effect on me, as he accurately formulated, he says, we grow up and try to protect our children from stepping on the same rake that we start. naturally, grumble grumble we are removed from another dimension, like counterintelligence agents, so that we do not interfere with them to step on the same rake as the first time life is arranged like this, yes, yes, and when i did the program many years later and drank vertinsky, i also plunged. eh, in his memories, to better understand

and feel a lot. there, what he found for himself was artistically wrapped around his mustache, because he was not only a great artist, but he was also a very big person. this is very important, and it’s so good that he kept these memories, that this dear long one that any artist, i right here, i really advise, regardless of the genre that, uh, you choose, but especially, probably, of course, to young artists. i strongly advise you to carefully read this book sash melody of sadness. let it be light sadness or you know there is a song it would seem about nothing, but you feel such a deep amplitude, or something sad life connected with you just with this melody, it happens. for me, for example, a sad melody has nothing to do with just when i hear it. uh, i have a beatle with uh, halls happen.

and there, this one here, this plug, which he composed to feed, like this, i stumble right on it, it’s understandable, and such sadness always comes. yes, well, of course, i could also name a few. the songs of the beatles are absolutely brilliant. in many ways, of course, they are not surpassed melodists. that's for sure. it is very nice that you are exactly what good taste is. yes, a reflection of the tradition of our culture, so i will not knock you down, but i have here in our tradition in our song tradition. i have one song that even, probably, when i sadly, i remember her and i can uh, sing and whistle. yes, remember it, remember the image of this song, because it seems to me that it is precisely such an image that was created in it. hmm, which here it accurately characterizes, at least for me, this is the state of sadness, sadness and sadness. i

can't play it on the guitar. well, that is , i have never tried it, i can try it now. maybe you, uh, soon autumn will be able to. yes, of course i play. just great. all this is then a real gift for me. and even the bushes darkened and i know that i am for you i like it the way i used to like it.

why do you leave me gnawing. why are you sad with me with

our viewers? linskaya is a singer with a speaking surname, because her voice is crystal clear, i can’t help but bypass the period, your bright and the boatswain and tramp project that you and garik the bitch, uh , embody the beautiful and not even in any album come back yeah thanks, i just put . well, it didn't last long. that is, it’s so huge, and there ’s a pause, when i was a period when i said to garik, let’s do a continuation there, that’s all, well, somehow it did not work, and in the end . in general, we abandoned this topic and it turned out that we abandoned it for a quarter of a century until, suddenly , the stars suddenly descended so that we, er, resumed this project. well, as they resumed, they just

did part two, that is, bosmans tramp, 25 years later, this album was already released that year. i'm glad it happened. i also wrote one to him. here is just such a song of ours about our youth , a song about how we felt then again the month of may and it is, as it were, a continuation of that song by garik for a cat a month a month. the month of may here is this song of mine i proposed to this project. well, i am very glad that we did it, because something very important for us was then in this project, which means that it has been preserved. here's what's important. for me. this is good. maybe mountain. hello , little one. well, i am with great pleasure to my friend, with whom we have been together for so many years. and i dedicated this song

to him, that is, when it had already been written. i i went directly to garik and said this song to garik. and again, i dedicate the month of may to you and even gave him a handwritten piece of paper with the text, where it is written to my friend garik. well, all the moves are fixed, right? yes and i want to live, love to walk under ours. as if golub you were obviously walking along the boulevard and

new sounds and new faces all around. i myself am 17. i am again a dashing tramp and the most beautiful girl, circling until the morning. and again i meet the dawn over the moscow river. and there will still be no yesterday dad.

we leave. and my mother accompanies me, amahanuv from the window. a dad will tell me, look, it's not too late there, son, such a month is may, this is such a guys spring. for the rest of my life, give me the allotted time, let's compose a song. and the old ones will play everything forgetting the words and we will build a house and take the children to school. and we will

love you forever our city of moscow love rhyming on a new old word love with pleasure i introduce you to the song of joy melody that build to live helps say. by the way, you are also continuing the utesov cycle. yes, well, rarely yes, rarely, but i play. i just have a program utyosov's program with maxim piganov is called. thank you hearts. it's clear. and

there is a good interesting utyosov arrangement. here from time to time. we are her character bridges , trying to cling to the great glory, you know, with humor, of course, naturally, cabernet is felt by people who possessed a timbre, which to me is this, so to speak, they attribute trusting cip trusting strong. it's clear so , after bernes, there is not one performer with excellent ranges. yes yes yes. no, this is a special feature in the singing character, it can be work out. but you still need to have some prerequisites for it. here, in bernes, it is simply presented in the most, probably, ideal form, right in front of him, that is, he’s right there , talking to you, he’ll leave, smiling odessa is confidential for sure, and bernes has well,

confidential in a cube. yes, that is how much he owns your attention. yes, therefore , some of his songs are his performance. i just work as a magician. this example is impossible. well, that's just and for me, this is the same , you know this too, intonation not repeatable and not surpassed by anyone. this, of course, this is him tells you directly. here you are sitting right now listening, he tells it to you. yes, sash, you have all your creative, so to speak, handicap, he is very correct. direction based on the best tradition. so you said what we are woven from here vertinsky utyosov vysotsky vysotsky , first of all, e, and rock and roll. you have some absolutely russian. but yes, but i certainly have my idols. rock and roll. we just didn’t talk about them, and i won’t be able to name a song there, much less perform

a joyful one, but before you say, of course, i emphasize that you have, uh, in the blue eldorado or there is everything, all the authors that i see, this influence, it is clear and the presentation is all. you know right away, weaving on my from this time all the melody of alexander's joy is a look. well, probably hmm, one of the melody of joy, uh, i would call the song of the moscow route. this is my melody of joy when i sing this song, and i rarely perform it at almost every concert. there is a concert when i don’t sing it, it’s wrong. do not sing such concert songs. i, naturally. this this joy. i want to convey to my audience, but this is one of those few songs that i sometimes sing in a small piece, in general, outside the concert, not so much the words themselves, but just the feeling itself, so i chose it. as one of the songs that can be called

sklyarov's song of joy, let's go to the moscow marshar. you, familiar to your neighbor , wave a bug at random, an attack to someone crippled by sadovoy's little paulochka. old lilac look, singing in the frame of poplars

, your brown eyes on the square of this station to the south i will have an electric train and i will go beyond moscow. i i will go to no place where the coldness of this horse is melt water. and went through the moscow routes and not only

together with alexander where you can hear the cry of an owl, where the coldness of this bed, the whole water. by la-la-la

hello dear friends. this is a podcast life of the remarkables, and i'm with you its leading writer alexei varlamov and today we will talk about the remarkable writer and public figure chingiz aitmatov, at first glance, it may seem that aitmatov has an exceptionally enviable fate. he lived a long, full life many excellent novels of romanov's stories , based on which films were made, performances were translated into many foreign languages, he was a major, public figure, a happy family man. he was loved by women respected by friends. in general, beautiful finished, like a novel of life. in fact , this life had its dark sides. there were sad and tragic pages, and maybe that's why chingy's work is dull for this, if you read it carefully,

it's more sad than joyful. that's why it happened and we'll try today figure out. so chingis stukulovich aitmatov was born in kyrgyzstan in 1928 in the family of a prominent party leader. his father trekul was really a man, an outstanding one of those people who believed in the revolution and went to the revolution and served and achieved very great heights in this public service. he was the second secretary, and the republican regional committee. i don’t know how to formulate this authority correctly, and the party was even a minister in kyrgyzstan for a while , then he was sent to study in moscow and therefore the childhood of the future soviet classic, childhood. chingiz aitmatov had a happy , well-fed, very interesting childhood. moreover, he went to school in moscow and lived on povarskaya street. and what is very important since

childhood, there was actually a billington. he knew the kyrgyz language very well. russian language, then the kazakh language will be added to this. this also determined a lot in fate. e, chingiz aitmatov but this happy time ended in the second half of the thirties, when clouds began to gather over trekul aitmatov and realized that a very sad fate awaits him trekul managed to do the most important thing. he managed to save his family. you understand that death awaits both him and his wife and his children will face a difficult fate, he managed to send them to their homeland in kyrgyzstan away from e moscow away from frunze to the village he cooked, as they say in kyrgyzstan, and the last thing that he managed to remember was an eight-year-old or a nine-year-old chingy. for aitmatov, this is the figure of his father,

when they said goodbye at the kazan station in moscow, the train started moving, his father ran after this train. and they don't see each other anymore they saw that after a while the trikul was really arrested and the family did not know what happened to him, the mother of chingiz aitmatov succeeded. even if not immediately, but we managed to find a job as a shield grower on a distant collective farm, we managed to get some kind of housing, and there, in a distant kyrgyz or growing up, it was like growing up. eh, chingiz aitmatov , he already went to a kyrgyz school, which is also very important. first there was a moscow school , then there will be a kyrgyz school. he was very educated very smart very able-bodied well studied. and what is also very important for the years of his growing up fell, that hard test that happened to the whole huge country to the very huge multinational

soviet peoples of the great patriotic war. and, of course, this war also left. clever trace in his fate and in his life, and of course in his work during the war. he worked as a secretary in the village council for sound ; he was a competent, capable boy. sometimes he had to do a very hard job of carrying funerals from house to house, and therefore the war, of course, left this indelible trace indeed. the trace , though, and the stamp, so to speak, is indelible . the trace well, it really was a wound that hurt in him in the same way as early, associated with the loss, but of his father. and after graduating from school, he chose a good, peaceful, useful profession , a profession for technology, then he studied in the capital of kyrgyzstan in the city of frunze at the agricultural institute. in general, it would seem that he was waiting. such is the fate

of a rural worker, but talent spoke in chingiz, talent spoke, an artist's talent. goals and another very important afterword, the relationship of his own relationship with his father the fact is that the family really did not know what happened and only in 1956. after the twentieth party congress. they received an invitation to the local state security committee, and there they were told that tricolor had been shot back in 1938. and all the hopes of the mother all the hopes of the children that their father is that the husband lives somewhere. even started a second family. all this collapsed overnight, they are the second time, and the orphans and this wound continued to hurt , continued to bleed mats not without reason. so often it will be