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. we remind you of this anthropology podcast on the first from ulan-ude from buryatia , yerzhana came to visit us. oleg sakmarov came to visit us from st. petersburg, and alexei kravchenko came to visit us from moscow to ostankino. progressive check should follow everything that is written in the song of john lennon and majin. that's how it says it should feel like no religions no boundaries between people no property to die for true well i'd like one more of his songs he added vinyl from love yes. this is even more important. yes, yes, it's a little knife.

you still see. yes, the shop, of course, of course it's true. alyosha does not miss a single propolog. here, if you'd like to see what it looks like. your viewer that's how we have it looks. here is the guitar headphone. here he is sitting. he is like you alex what is happening on the first channel within the framework of the podcast is weak. i am very interested, because there were my friends too, and it was not by chance that i saw your transmission, because i played on the term vox. uh, hmm girl. i saw her, even worked with her as a sound engineer, then folklore. i liked the singer with the harp and hank brilliantly the only mixture. yes, yes, it sounds very good, as if it had already been experienced. we have this instrument, as if it were already in tula worked hard. and uh, like a samovar once. and he's only 20 at the most. yes, amazing, dear friends. well, of course, everything is in

the hands. it's still in the hands of the men. and i really like the word anthropology, i won't, uh, break it. uh, maybe copyright ideas are right there. here is the word sloping me very, very excited since the nineties. thanks, he's that garden. well, this is the lord's petersburg program. well, of course, it was this city that i always aimed at from here from the ostankino heights. you know, that's what i get, sometimes an exact hit. god forbid this is a big part tell me. well, they are watching anthropology here in ulan-ude. well, who is a lover - this is it, of course please tell me, but this head, which look, uh, the city is not removed. don't remove it yet, well, no one would have thought of this. it stands right on the main square and in person. so if he stood there, the lord has such a head. that's the size of this studio. well, there are probably

newlyweds. yes, they put flowers for him, yes, yes, of course, this is the main attraction. yes, this, of course, is our sacred place, where there are a lot of draw, yes energy? yes, this is from our place of power, of course, treasures are beloved. the daughter of baikal, you can say that, right? or sing now? yes, because i, as it were, from the trans-baikal territory. that's where the steppes are. yes and now my father is from buryatia that is, as if both there and there, of course, the lord can talk about buryatia for hours, because it is difficult for a european to go from an incredible shock. i will tell you a tactful attitude towards the interlocutor. we don't tend to do that. we somehow immediately switch to such notes under nebraska, but not there. here's

the fantasy. well, you actually see everything that now we will listen, and now i will, but perform, but the song of the urgan sagandebah. this is the author's song by vladlen pantaev, that is , a translation of the song that behind the high mountains there is a magic country, we love a beautiful country, as if every person always believes in miracles and magic. so, as it were, the song about this is that a bright future awaits us and that behind the high mountains there is a wonderful wonderful country of the place, so rust of ulan-ude, buryatia

aga sharks of sanahada, and milk in chorus

beha is glue here.

a a a a pa pa pa pa pa pa tsana hut as a thief of whites

you know, colleagues, what i'll tell you, that's how you look at rye when she sings these fantastic songs of the roerich quality, you understand baron unbergen. this intellectual, this esoteric who has fallen in love with a mongol princess now. eh, what should buryatia write? what kind of music to make, to, well, earn money?

basically, of course, now the stage is in actual demand, of course, as if in the folk traditional folklore. you have to take lessons, so national music too. well, basically, of course, sure, because i still sing myself, but there are good interesting buryat composers who were popular. interesting buryat composers are anatoly andreev, and the most well-known among us are the classical ones, yury ordenev, popular among the people, and the tsirensha is also dumb. well, the one that people hear about. let's just say, well-known here, but remember, these two guys. i listened to uh, in ulan-ude, mmm, fantasy alone, in my opinion, on the guitar, which

go to the base of the lord's guitar together do so great. e your own business, that it seems that the whole is playing orchestra - this is not true, by the way, they sing, yes, they do not have their own songs, they work. also listen to us. give me the phone. let them be here well, these guys are worth a lot, what are they called? so we have to pull them out here, because it costs a lot. the main thing is that they themselves write, that they do not interrupt what is written for them. well, because it's still better than the group in which shah worked all his life, you can't write anything in the world, even now we all the rest can't write anything, or something, we must still what are you doing now? i'm just writing, writing, many verses of music i wrote a symphony oratorio symphony, the leningrad conservatory, because well, the soul asks from me a stream of love flows in music, so thank god. but, tell me, please, that's what i wrote. you, for example, a symphony, but you

know very well that everything should be friendly to the media . for example, we would like to show everything, understood. i am sakmanov to a wide audience. and how we showed it here easily, please, i have a variant of techno-fusion uh, kravchenko on the guitar kravchenko on the guitar. and in general, it's interesting, that's what i'm ready to show everything. alyosha what are you doing, the hero launches an arrow looking for his destiny firebird is looking for and the shooter my comrades tell so then we should

ask you. and why would you come here, but you can either tell such tales, and i had experience. i know i won't at all. i have composition. main character. i don't go before. he did not speak, but now he began to sing and found an arrow somewhere in the desert. she shows him the path of the little animal from the glade is already with him such dryness. so he sees the shamakhanskaya queen sitting. or maybe this is the queen, here is the reign, and along the endless buryat steppes, and there, yes, she treats three. here. cha-chay despair simple with elephants, the more he drink elephants come to life and begin to dance. and on the first string he plays dancing on the fourth. the last of the buryat steppes, or something, dances, and begins with a barefoot, and then,

but it takes me a long time to rebuild the guitar in the eastern fret, therefore, the mouse runs out, says, i also want to go with you. so get ready for speaking in anthropology. we just need such people, so that it’s not clear to me, from the very first i sang how it will end, in the end. chorus in 3 minutes. come on, with what score, and with what score, but today our guest is now, how to say it, the mongolian princess following the defense of the moonhorn. let's say we then ask for something else to be in time, which we will now hear. and now i want to sing the song at the son, and the song at the wedding, when he escorts the young bride to a new family, and it was accepted from the buryats of the mongols admonish with wise words from the song. yes, here it consists of 25 verses in general, i 'll sing now, three verses.

naturalness

fool soul

this is an anthropology podcast the first channel is visiting us from ulan-ude, the republic of buryatia russia sings. yes, she sings, well, as it were, she will not be a singer; she ended up as a light industry designer. she sews clothes for me, tell me

please, what is on your desktop now? what are you doing now in recent years? my characteristics have changed, yes, that is, interests and somehow tastes musical preferences have changed a little before they were fond of pop music. well, now they're listening. jazz, i also like the work of the mongolian singer. do you like the mongolian people to go on tour about this in ulaanbaatar? yes wow, dear friends. well, i am convinced that you were pleased to meet sergeant sendzhieva. and those who are already familiar once again looked at what form she once again enjoyed this amazing voice with this fantastic talent. and of course, and of course, and once again very cool. i touched this thousand-year-old cultural layer, this exceptionally

noble, talented, hard-working and very, very kind people. god bless you and your daughter, yes, and all the buryat people and the beloved city of ulan-ud. now i will sing the songs of the lark rivers translated into this song before our ancestors, when they left their swing. let's listen to him, ulan-ude.

hallelujah good.

your

cheers

to listen well

hello on the air podcast eisenstein 125 e and in the studio film critic artyom sopin and film historian natalya ryabchikova today we will talk about the film from eisenstein, ivan the terrible, which is not only one of the most notable paintings in the work of eisenstein himself, but is probably one of the most significant films, in principle, in the history of e- culture of the 20th century, because this a film that brings together a lot of features of different types of art. actually, thanks to this film, including from einstein , he proved that cinema is a full-fledged part of the world pantheon of arts, uh, along with older views, painting and literature

theater and ivan the terrible we see how many features are intertwined. in addition, this film is, of course, historical in different aspects. it is interesting historically not in the sense that in that long history when it was filmed and even more so in the old history that is worn, but in relation to our interests. eh, in the history of how historical science is developing now and, in general, ivan the terrible is involved in this not only with science. how much from an artistic point of view, of course, because ivan the terrible - this is a picture that, in general, can rightfully stand on a par with such works. like e. macbeth e, shakespeare or pushkin's boris godunov, that is , works that e represent a certain matrix, not even so much because of the history of our country. how much in general from the history of civilization, because it is certain , fortunately or, unfortunately, rather in this

case. unfortunately, recurring uh, motives in the behavior of people, not even necessarily kings. this is, uh, a rather complex work and psychologically interesting historical ones. a now. maybe we'll talk about how this project appeared, where it came from. yes, in what years it was created, because, of course, you need to start with dreams for eisenstein, the thirties were very difficult. actually, as for our entire country and, uh, the strengthening of the great terror. at the end of the thirties, it was especially evident in his situation, because he was one of the brightest figures of that left vanguard of the twenties, which in the thirties was condemned in every possible way, who were accused of formalism. uh, and besides, eisenstein uh had this one here is a trip abroad at the turn of the twenties and thirties. we know how many. e military leaders, like many engineers who went abroad in those years, many were repressed from einstein miraculously, literally

managed to avoid repression, because stalin hoped to tame einstein. and in general, despite the rather independent of einstein's behavior in the thirties, when he was going to stage the film. e, with his view, on collectivization, a little not in general, showing it as a tragedy e of the russian village, everything went to the fact that einstein was supposed to be arrested in the thirty-seventh year. generally. uh, the situation of the ban on that film about the village of bezhin lug practically led to this, but stalin decided to give einstein a chance. e, suggested that he put on a film about alexander nevsky here as well. generally. it's not that we didn't understand each other, but eisenstein made a film about repulse. uh, this mechanized knightly machine chained, vlad is actually this etivtonian army and e from einstein. eh, i was just considering it. as a statement in favor of humanity against. eh, this here is such an er, dogmatic

iron grinding machine. what, in general , was stalin's power, but stalin, in general, perceived this as a favorable context for himself. e he took it as a film glorifying e. conducted by what he considered himself, although according to historians of the civil war. in general, with this, but it was not so. definitely. let's say. so nevsky is still important to us as the predecessor of ivan the terrible, and because eisenstein is finally i tried, but to embody those ideas, and the combination of the montage combination of the sound of the image, which he walked. well, 10 years. yes, and he finally worked for the first time with sergei prokofiev, the great composer, who was able to embody these ideas, moreover, gave eisenstein, and also material for reflection. yes, for these theoretical analyzes of his favorite post-analysis and with this baggage.

both of them approach already the fortieth year of their forty -first year and in fact. uh, just here , out of nothing, it won’t even work not only with sound, but also with color, but this is a separate episode, which we will tell about in due time. what about? the proposal really was very hmm peculiar, because here it is important to remember the context at this time , historical works are just beginning to appear that rethink the place of grozny in history, which, uh, strive and try to at least justify the tyranny of grozny by creating an oprichnina and eliminating the boyars . that is, such an establishment of sole power. actually, what was wellin in the thirties. uh, when he first got rid of the e mensheviks of the ussr from trotskyists of the so-called e, and so on and so on and so on, therefore, this proposal, which was received in january of the forty-first year, a and e, was voiced by zhdanov e, who invited from einstein for a conversation and

suggested that he make a film grozny agreed not immediately, but from einstein a, in general, he took some time to think and himself recalled that for him, as they say now, the trigger was attending a gala evening. e. the anniversary of the death of lenin, the next evening was at the bolshoi theater just in january of the forty-first year. and and, reflecting on lenin's death, an event seventeen years ago. and from eisenstein he thought about, uh, how frightened stalin was that after lenin's death he began to destroy everyone around him and realized that starting from this fright in grozny's childhood, uh, we need to start this plan, and then he will work on the script. he started to work. eh, i worked in great detail with a large number of historical sources. first i was looking for a screenwriter, uh, and. in general , large figures were considered, for example, the writer leonid leonov, but by the summer he, in general, already independently develop a scenario and then on

june 22, forty-first, and everything changes. i just didn't think that the filming would be postponed, because the filming was difficult. and it was very strange for him to decide to continue filming, moreover, to provide the film crew with everyone. entered, despite the wartime situation, but wait until then, it is also necessary to say that a is clear that initially they were going to do this in moscow at mosfilm. here is june 22, and then, and in october, the studios are evacuated over the bridge, that is, not just they but as in the conditions in wartime, to shoot a film about e medieval russia and how to shoot in evacuation conditions, when they actually don’t have, and those resources that they are used to, at least in moscow, 242 actually goes to e, developing sketches, tailoring costumes, finalizing the script. and here i must say that sketches played a huge role. this is what eisenstein painted not so much as the artist of the film firm

was or wonderful artists. spinel. nikolai warriors, but actually these drawings were such an emotional embodiment of the future film, because the film in principle, you can see very well, and it is graphic in terms of the nature of the movement of the actors. according to the drawing of their roles and in general, many actors even complained about the fact that eisenstein always makes them take some kind of, uh, specific poses show that this is how you have to go. so you have to go through here with a window, they complained, and some were fine, because to lie like that, and a company of actors , probably, by the way, was only possible in alma-ata, maybe in moscow he could not do it. this is a twofold situation. on the one side. it’s clear who should play grozny well, of course, nikolai cherkasov, who has already played nevsky, moreover, he’s just an actor of plastic arts, he’s an actor of action , he’s an eccentric actor, and well, he’s not in almaty , he needs to be caught, they need to agree, but on the way, and then, and who will play the queen

from einstein found it? he came up with the idea that ulanova would play the ballerina, with whom he already knows, moreover, she is a mate, but while they approve her, the theater needs to go to perform elsewhere. she's leaving withdrawing impossible have to look again he tried. it seems to me that half of almaty is about the cinematic cinematic and eventually settled on e, lyudmila tserikovskaya, who actively advised taking it. uh, the executive video of the currency skuratu mikhail zharov, who at that time was the husband of tselikovskaya and uh, who saw her in this role. and, a, in general, insisted that a tselikovskaya play this role in general. eh, it is significant here that cherkasov started music. zharov played comedy roles, a huge number of gadok was generally comedic actors, actor of the youth theater a-a. tselikov comedy actress, uh, serafima birman. in the thirtieth she played dramatic roles in the theater, but again she started with comedies, including

comedies in films. we need to be sure to say who could play instead of seraphim , we see her. on the screen in the role of aunt e, the main villain of such a film in the role of euphrosyne, but after all, it should have been even more famous, even more beloved cabinet actress, and faina ranevskaya, who was tried, who really wanted to play, but, but they didn’t take her, unlike but from ranevskaya. at least we can see how lyudmila tselikovskaya ended up looking in the frame, and how she would look next to the birman seraphim. we have a small fragment. it cannot be said that if anything, he didn’t really compromise with the performer of the role euphrosyne, because the authorities imposed the actress polovikova, and the other actress, in general, e from eisenstein when ranevskaya’s invitation did not take place, he

nevertheless nevertheless, he insisted on his other candidacy as the first seraphim. he's fine i fit in here, but this is an invitation for comedians, at least there were actors with a comedy background with comedic skills. in general, not some kind of whim, because from the side of einstein a from einstein e, specially invites economic actors to the tragedy simply because they feel more. eh, the edges of conditional genres. i have a theory that he called comedians, among other things, to make it easier, at least somehow, to survive on this set, because in addition to the technical conditions, there are also conditions. just shooting here is shooting from night to night, and cold. we have many memories. yes , how are they there for hours, let's say, they sat on the make-up? the energy went to the shifted factories, so they were filming at night, they were malnourished, like everyone else, right? ah, they had steam coming out of their mouths during filming, it was colder inside the studio space than outside. these

were also quite serious tests for the actors , it's great that serafima birman, like a number of other actors, left wonderful, very colorful memories of filming. in in general, indeed for many. it was one of the most important events in my life. in general, if not the main one, that is, even the birman, who seemed to be proud of her theatrical biography, and she staged and played herself. but for her, it's all the same, this is a meeting with eisenstein with a man who thinks so figuratively bright and so unusual. in general, it was absolutely. eh, such a gift of fate. this can even be seen in the letters of mikhail named, who played kursky, so he writes heavily. i got sick while sitting on the make-up. i'm waiting i'm cursing with other actors. i don't understand what 's going on. i don't understand what einstein wants and then the next letter he looks at the pieces and says, well, eisenstein genius i figured out how it's all supposed to work. it's great. it is not in vain that we suffer here, and not all actors not

always, but eisenstein understood what he wanted from them. yes, this is his highest idea or a lot of ideas of conglomerates. why does he oppress, for example, yes? why does he work with light like that? why did he refuse to make full use of his usual cameraman eduard tessey and called andrey moskvin to see these distortions. uh, of course, cherkasov suffered the most from them, who, in his memoirs, are rather critical, and this experience describes and at the same time, he regretted that he told a journalist like that, uh, dictated, because for him it was also emotionally the most important after all, as he later realizes towards the end of his life, and here, too, he had to play a huge amount of experience. ages, that is, it begins. he is a sixteen-year-old youth in the episode of the wedding to the kingdom and on the other sides. e, he, e, should have actually become an old man by the end of e, the film, as you know, was not completed

; in deep old age. e as a child. uh, he was played by another actor there. eh, boy, but from the wedding to the murder of the staretsky, we look at cherkasov, e, the most complicated green, in general, which took several hours to do. let's see what it looks like. volkov under our power and now, of course, this is a very practical mask, yes, and a mask that gradually appears on ivan's face because here, in

general. this is such a film, in many respects, about the self-destruction of the personality gradually by ivan from a generally normal person. how will we see the scene of the wedding to the kingdom, how it turns into this dried-up mummy , there is absolutely a war with the russians, not parties , sir, this is the most important task, it was not entrusted to create a secret channel for communication with the leaving of the russians. you suit me. it seems to me it was sir, clearly slips an ambulance, well, sources of information. in japan, the issues of the attack on the soviet union, which is expected in the coming weeks, have finally been decided. whether such information will pass our victory in the south is provided with options.